The Holiday Hans Zimmer
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DVD Und Blu-Ray
kultur- und medienzentrum altes rathaus lü bbecke Neuerwerbungen DVD und Blu-ray Mediothek Lübbecke Juli 2016 – Dezember 2016 Mediothek Lübbecke, Am Markt 3, 32312 Lübbecke, Tel.: (05741) 276-401 Diese Liste ist als pdf-Datei unter: www.luebbecke.de/mediothek hinterlegt . 1 Mediothek Lübbecke Am Markt 3, 32312 Lübbecke Telefon: (0 57 41) 276-401 [email protected] Öffnungszeiten Montag: geschlossen Dienstag: 11:00 18:30 Uhr Mittwoch: 13:00 – 18:30 Uhr Donnerstag: 13:00 – 18:30 Uhr Freitag: 11:00 – 18:30 Uhr Samstag: 10:00 – 13:00 Uhr 2 DVD + Blu-ray A Royal Night Out - 2 Prinzessinnen. 1 Nacht. / Regie: Julian Jarrold. Drehb.: Trevor De Silva ... Kamera: Christophe Beaucarne. Musik: Paul Englishby. Darst.: Sarah Gadon ; Bel Powley ; Jack Reynor ... - Grünwald : Concorde Home Entertainment , 2016. - 1 DVD (ca. 94 Min.)FSK: ab 6. - Orig.: Großbritannien, 2015. - Sprache: Deutsch, Englisch Nach der bedingungslosen Kapitulation der deutschen Wehrmacht am 8. Mai 1945 wollen die beiden Töchter des britischen Königs an den Siegesfeiern teilnehmen. Als die Prinzessinnen Elizabeth und Margaret ihren Aufpassern entwischen und getrennt werden, beginnt eine Odyssee durch die Londoner Nacht, bei der Elizabeth zarte Bande mit einem jungen Soldaten knüpft. Furiose, einfallsreiche Screwball-Komödie, die auf höchst amüsante Weise ein „Was wäre wenn“-Szenario mit der britischen Königsfamilie entfaltet. Vor allem dank der fulminanten Hauptdarstellerin verbinden sich mit bemerkenswerter Leichtigkeit märchenhafte und realistische Elemente. - Ab 14. (Filmdienst) Blu-ray A war / Filmregisseur: Tobias Lindholm ; Drehbuchautor: Tobias Lindholm ; Bildregisseur: Magnus Nordenhof Jønck ; Musikalischer Leiter: Sune Rose Wagner ; Schauspieler: Pilou Asbæk, Tuva Novotny, Dar Salim [und andere] . - Berlin : Studiocanal GmbH, 2016. -
Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................ -
Mixed Folios
mixed folios 447 The Anthology Series – 581 Folk 489 Piano Chord Gold Editions 473 40 Sheet Music Songbooks 757 Ashley Publications Bestsellers 514 Piano Play-Along Series 510 Audition Song Series 444 Freddie the Frog 660 Pop/Rock 540 Beginning Piano Series 544 Gold Series 501 Pro Vocal® Series 448 The Best Ever Series 474 Grammy Awards 490 Reader’s Digest Piano 756 Big Band/Swing Songbooks 446 Recorder Fun! 453 The Big Books of Music 475 Great Songs Series 698 Rhythm & Blues/Soul 526 Blues 445 Halloween 491 Rock Band Camp 528 Blues Play-Along 446 Harmonica Fun! 701 Sacred, Christian & 385 Broadway Mixed Folios 547 I Can Play That! Inspirational 380 Broadway Vocal 586 International/ 534 Schirmer Performance Selections Multicultural Editions 383 Broadway Vocal Scores 477 It’s Easy to Play 569 Score & Sound Masterworks 457 Budget Books 598 Jazz 744 Seasons of Praise 569 CD Sheet Music 609 Jazz Piano Solos Series ® 745 Singalong & Novelty 460 Cheat Sheets 613 Jazz Play-Along Series 513 Sing in the Barbershop 432 Children’s Publications 623 Jewish Quartet 478 The Joy of Series 703 Christian Musician ® 512 Sing with the Choir 530 Classical Collections 521 Keyboard Play-Along Series 352 Songwriter Collections 548 Classical Play-Along 432 Kidsongs Sing-Alongs 746 Standards 541 Classics to Moderns 639 Latin 492 10 For $10 Sheet Music 542 Concert Performer 482 Legendary Series 493 The Ultimate Series 570 Country 483 The Library of… 495 The Ultimate Song 577 Country Music Pages Hall of Fame 643 Love & Wedding 496 Value Songbooks 579 Cowboy Songs -
Awards & Nominations
VICKI HIATT MUSIC SUPERVISOR / EDITOR AWARDS & NOMINATIONS GOLDEN REEL AWARD ALI NOMINATION (2001) Best Sound Editing -Music, Feature Film, Domestic and Foreign GOLDEN REEL AWARD THE ROAD TO EL DORADO NOMINATION (2000) Best Sound Editing-Music, Animation FEATURE FILM THE ARK & THE AARDVARK Keith Kjarvak, Kurt Rauer, prod. Unified Pictures John Stevenson, dir. Music Editor HOTEL TRANSYLVANIA 3 Michelle Murdocca, prod. Sony Pictures Animation Gendy Tartakovsy, dir. Music Editor SURF’S UP 2: WAVEMANIA Toby Chu, Composer Sony Pictures Animation Michelle Wong, prod. Music Editor Henry Wu, dir. HALF MAGIC Alex Wurman, Composer Magic Bubble Productions Bill Sheinberg, prod. Music Consultant Heather Graham, dir. HOW TO TRAIN YOUR DRAGON 3 John Powell, Composer DreamWorks Animation Bonnie Arnold, prod. Music Editor Dean DeBlois, dir. LIFE BRIEFLY Tom Howe, Composer Thousand Dream Prods. Erika Armin, James Brubaker, prods. Music Editor Dan Ireland, dir. EMOJI Michelle Raimo, prod. Sony Pictures Animation Anthony Leondis, dir. Music Editor BOSS BABY Denise Nolan Cascino, Ramsey Ann Naito, prods. DreamWorks Animation Tom McGrath, dir. Music Editor The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 VICKI HIATT MUSIC SUPERVISOR / EDITOR INDISCRETION Toby Chu, Composer Granfallon Productions Alexandra Baranska, Thomas Beach, Laura Boersma, prods. Music Supervisor John Stewart Muller, dir. SO B. IT Nick Urata, Composer Branded Pictures J. Todd Harris, Orien Richman, prods. Music Supervisor Stephen Gyllenhaal, dir. CAPTAIN UNDERPANTS Teddy Shapiro, Composer DreamWorks Animation Mark Swift, prod. Music Editor David Soren, dir. TROLLS Christophe Beck, Composer DreamWorks Animation Gina Shay, prod. Music Editor Mike Mitchell, dir. FLAWED DOGS Berkeley Breathed, exec. prod. DreamWorks Animation Noah Baumbauch, dir. -
Nicholas Fitzgerald Music Editor Selected Credits Resume 0120
Nicholas Fitzgerald Music Editor [email protected] | 978-870-6349 Selected Credits BAD BOYS FOR LIFE (Sony Pictures) Directors: Adil El Arbi, Bilall Fallah Producer: Jerry Bruckheimer Composer: Lorne Balfe 6 UNDERGROUND (Netflix) Director: Michael Bay Composer: Lorne Balfe CRAWL (Paramount Pictures) Director: Alexandre Aja Composers: Max Aruj, Steffen Thum GODZILLA VS. KONG (Temp) (Legendary Pictures) Director: Adam Wingard BODY CAM (Paramount Pictures) Director: Malik Vitthal Composer: Joseph Bishara PET SEMATARY (Paramount Pictures) Directors: Kevin Kolsch, Dennis Widmyer Composer: Christopher Young JUST MERCY (Temp) (Warner Bros) Director: Destin Daniel Cretton Composer: Joel P. West GONE HOLLYWOOD (Pilot) (FX) Director: Ted Griffin GRUDGE (Temp) (Sony Pictures) Director: Nicolas Pesce MY DINNER WITH HERVE (HBO Films) 2019 MPSE Golden Reel Award Nominee Director: Sacha Gervasi Composer: David Norland MEDAL OF HONOR (TV Series) (Netflix) 2019 MPSE Golden Reel Award Nominee Producers: James Moll, Robert Zemeckis Composer: Jasha Klebe WHEN THEY SEE US (Temp) (Netflix) Director: Ava DuVernay BRIGHT (Netflix) Director: David Ayer Composer: David Sardy THE DEFIANT ONES (TV Mini-Series) (HBO) 2018 MPSE Golden Reel Award Nominee Director: Allen Hughes Composers: Atticus Ross, Leopold Ross, Claudia Sarne GENIUS: EINSTEIN, GENIUS: PICASSO (TV Series) (Fox 21 Television Studios) 2017 Primetime Emmy Nominee Producers: Ron Howard, Ken Biller Composer: Lorne Balfe Theme Music: Hans Zimmer AMERICAN WOMAN (Scott Free Productions) Director: Jake Scott Composer: Adam Wiltzie HOW IT ENDS (Temp) (Netflix) Director: David M. Rosenthal Composer: Atli Orvarsson THE GLASS CASTLE (Temp) (Lionsgate) Director: Destin Cretton Composer: Joel P. West SHOTS FIRED (TV Series) (Imagine / 20th Century Fox) Producers: Gina Prince-Bythewood, Reggie Rock Bythewood Composer: Terence Blanchard SAINTS & STRANGERS (TV Mini-Series) (Sony Pictures Television) 2016 MPSE Golden Reel Award Winner Composer: Lorne Balfe Theme Music: Hans Zimmer KRYSTAL (Great Point Media) Director: William H. -
Free-Digital-Preview.Pdf
THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop. -
Las Vegas, Nevada
2021 Toyota U.S. Figure Skating Championships January 11-21, 2021 Las Vegas | The Orleans Arena Media Information and Story Ideas The U.S. Figure Skating Championships, held annually since 1914, is the nation’s most prestigious figure skating event. The competition crowns U.S. champions in ladies, men’s, pairs and ice dance at the senior and junior levels. The 2021 U.S. Championships will serve as the final qualifying event prior to selecting and announcing the U.S. World Figure Skating Team that will represent Team USA at the ISU World Figure Skating Championships in Stockholm. The marquee event was relocated from San Jose, California, to Las Vegas late in the fall due to COVID-19 considerations. San Jose meanwhile was awarded the 2023 Toyota U.S. Championships, marking the fourth time that the city will host the event. Competition and practice for the junior and Championship competitions will be held at The Orleans Arena in Las Vegas. The event will take place in a bubble format with no spectators. Las Vegas, Nevada This is the first time the U.S. Championships will be held in Las Vegas. The entertainment capital of the world most recently hosted 2020 Guaranteed Rate Skate America and 2019 Skate America presented by American Cruise Lines. The Orleans Arena The Orleans Arena is one of the nation’s leading mid-size arenas. It is located at The Orleans Hotel and Casino and is operated by Coast Casinos, a subsidiary of Boyd Gaming Corporation. The arena is the home to the Vegas Rollers of World Team Tennis since 2019, and plays host to concerts, sporting events and NCAA Tournaments. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
Henry Jackman
HENRY JACKMAN COMPOSER AWARDS BAFTA NOMINATION (2014) CAPTAIN PHILLIPS Anthony Asquith Award For Film Music MOTION PICTURES CHERRY Anthony Russo, Joe Russo, dirs.. Apple TV+ EXTRACTION Sam Hargrave, dir. Netflix JUMANJI: THE NEXT LEVEL Jake Kasdan, dir. Sony MOSUL Matthew Michael Carnahan, dir. AGBO 21 BRIDGES Brian Kirk, dir. AGBO DETECTIVE PIKACHU Rob Letterman, dir. Warner Bros. IO Jonathan Halpert, dir. Netflix TRIAL BY FIRE Edward Zwick, dir. Flashlight Films RALPH BREAKS THE INTERNET Phil Johnston, Rich Moore, dirs. Walt Disney THE PREDATOR Shane Black, dir. Twentieth Century Fox JUMANJI: WELCOME TO THE JUNGLE Jake Kasdan, dir. Columbia Pictures 3349 Cahuenga Boulevard West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 HENRY JACKMAN COMPOSER MOTION PICTURES (continued) KINGSMAN: THE GOLDEN CIRCLE Matthew Vaughn, dir. Twentieth Century Fox KONG: SKULL ISLAND Jordan Vogt-Roberts, dir. Warner Bros. CAPTAIN AMERICA: CIVIL WAR Anthony Russo, Joe Russo, dir. Walt Disney Studios JACK REACHER: NEVER GO BACK Edward Zwick dir Paramount Pictures THE FIFTH WAVE Chris Columbus, dir. Columbia Pictures BIRTH OF A NATION Nate Parker, dir. Bron Studios PIXELS Chris Columbus, dir. Columbia Pictures KINGSMAN: THE SECRET SERVICE Matthew Vaughn, dir. Fox THE INTERVIEW Evan Goldberg & Seth Rogen, dir. Columbia Pictures BIG HERO 6 Don Hall, Chris Williams dir. Disney CAPTAIN AMERICA: THE WINTER SOLDIER Anthony Russo, Joe Russo, dir. Marvel Studios CAPTAIN PHILLIPS Paul Greengrass, dir. Columbia Pictures KICK-ASS 2 Jeff Wadlow, dir. Universal Pictures TURBO David Soren, dir. DreamWorks Animation THIS IS THE END Evan Goldberg & Seth Rogen, dir. Columbia Pictures G.I. JOE: RETALIATION Jon M. -
Vicki Hiatt Music Supervisor / Editor
VICKI HIATT MUSIC SUPERVISOR / EDITOR AWARDS & NOMINATIONS GOLDEN REEL AWARD ALI NOMINATION (2001) Best Sound Editing -Music, Feature Film, Domestic and Foreign GOLDEN REEL AWARD THE ROAD TO EL DORADO NOMINATION (2000) Best Sound Editing-Music, Animation FEATURE FILM TOP GUN: MAVERICK Jerry Bruckheimer, Tom Cruise, David Ellison, Paramount Pictures prods. Music Editor Joseph Kosinski, dir. THE BAD GUYS Aaron Blabey, Patrick Hughes, Damon Ross, Dreamworks Animation exec prods. Music Editor GO KARTS Sonia Borella, Jamie Hilton, prods. Netflix Owen Trevor, dir. Music Editor MONSTER ON THE HILL Brad Booker, Sandra Rabbins, prods. Paramount Pictures Animation Bradley Raymond, dirs. Music Editor SUPER PETS Patty Hicks, prod. Warner Bros. Pictures Samm Levine, Jared Stern, dirs. Music Editor THE EXTINCTS David Lipman, Michael Siegel, prods. Starling Entertainment William Joyce, dir. Music Editor ABOMINABLE Jane Hartwell, Lisa Stewart, prods. Dreamworks Animation Jill Culton, dir. Music Editor SPACE MONKEY PRINCE Debbie Vercilino, Chuck Williams, prods. Music Editor John Davis, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 VICKI HIATT MUSIC SUPERVISOR / EDITOR PLAYMOBIL: THE MISSING PIECE Moritz Borman, Dimitri Rassam, Aton ON Animation Studios / Wild Bunch Soumache, Alexis Vonarb, prods. Music Editor Lino DiSalvo, dir. THE ARK & THE AARDVARK Keith Kjarvak, Kurt Rauer, prod. Unified Pictures John Stevenson, dir. Music Editor HOTEL TRANSYLVANIA 3 Michelle Murdocca, prod. Sony Pictures Animation Gendy Tartakovsy, dir. Music Editor SURF’S UP 2: WAVEMANIA Toby Chu, Composer Sony Pictures Animation Michelle Wong, prod. Music Editor Henry Wu, dir. HALF MAGIC Alex Wurman, Composer Magic Bubble Productions Bill Sheinberg, prod. Music Consultant Heather Graham, dir. HOW TO TRAIN YOUR DRAGON 3 John Powell, Composer DreamWorks Animation Bonnie Arnold, prod. -
Musique Et Immersion Spectatorielle Dans Les Scènes De Poursuite Des Films D’Action Du Cinéma Hollywoodien Contemporain Hubert Bolduc-Cloutier
Document généré le 24 sept. 2021 08:36 Revue musicale OICRM Musique et immersion spectatorielle dans les scènes de poursuite des films d’action du cinéma hollywoodien contemporain Hubert Bolduc-Cloutier Création musicale et sonore dans les blockbusters de Remote Control Résumé de l'article Volume 5, numéro 2, 2018 En tant qu’un des principaux types de scène des films d’action, la poursuite constitue un point culminant de la narrativité filmique au sein duquel la URI : https://id.erudit.org/iderudit/1054147ar réponse sensorielle du spectateur atteint son paroxysme. Afin de considérer DOI : https://doi.org/10.7202/1054147ar quels sont les agents musicosonores de l’immersion spectatorielle dans les scènes de poursuite du cinéma hollywoodien contemporain et la structure Aller au sommaire du numéro rhétorique de ce type de scène, cet article propose une approche au carrefour des recherches sur l’immersion spectatorielle au cinéma (Barker), l’immersion dans les musiques de jeux vidéo (Grimshaw, Calleja), de même que la création musicale dans le cadre de l’Electronic Dance Music (Butler). Les Éditeur(s) caractéristiques musicales récurrentes et prégnantes sont ici soulignées pour Observatoire interdisciplinaire de création et recherche en musique (OICRM) tracer le portrait de l’esthétique sonore des scènes de poursuite réalisées par les compositeurs affiliés à Remote Control. ISSN 2368-7061 (numérique) Découvrir la revue Citer cet article Bolduc-Cloutier, H. (2018). Musique et immersion spectatorielle dans les scènes de poursuite des films d’action du cinéma hollywoodien contemporain. Revue musicale OICRM, 5(2), 48–78. https://doi.org/10.7202/1054147ar Tous droits réservés © Revue musicale OICRM, 2018 Ce document est protégé par la loi sur le droit d’auteur. -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10.