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MY KING (MON ROI) a Film by Maïwenn
LES PRODUCTIONS DU TRESOR PRESENTS MY KING (MON ROI) A film by Maïwenn “Bercot is heartbreaking, and Cassel has never been better… it’s clear that Maïwenn has something to say — and a clear, strong style with which to express it.” – Peter Debruge, Variety France / 2015 / Drama, Romance / French 125 min / 2.40:1 / Stereo and 5.1 Surround Sound Opens in New York on August 12 at Lincoln Plaza Cinemas Opens in Los Angeles on August 26 at Laemmle Royal New York Press Contacts: Ryan Werner | Cinetic | (212) 204-7951 | [email protected] Emilie Spiegel | Cinetic | (646) 230-6847 | [email protected] Los Angeles Press Contact: Sasha Berman | Shotwell Media | (310) 450-5571 | [email protected] Film Movement Contacts: Genevieve Villaflor | PR & Promotion | (212) 941-7744 x215 | [email protected] Clemence Taillandier | Theatrical | (212) 941-7744 x301 | [email protected] SYNOPSIS Tony (Emmanuelle Bercot) is admitted to a rehabilitation center after a serious ski accident. Dependent on the medical staff and pain relievers, she takes time to look back on the turbulent ten-year relationship she experienced with Georgio (Vincent Cassel). Why did they love each other? Who is this man whom she loved so deeply? How did she allow herself to submit to this suffocating and destructive passion? For Tony, a difficult process of healing is in front of her, physical work which may finally set her free. LOGLINE Acclaimed auteur Maïwenn’s magnum opus about the real and metaphysical pain endured by a woman (Emmanuelle Bercot) who struggles to leave a destructive co-dependent relationship with a charming, yet extremely self-centered lothario (Vincent Cassel). -
Le Programme October – November 2017 02 Contents/Highlights
Le Programme October – November 2017 02 Contents/Highlights Ciné Lumière 3–17 Performances & Talks 18–20 Projet Lumière(s) 20 61st BFI London Film Festival Tribute to Jeanne Moreau 25th French Film Festival South Ken Kids Festival 22 5 – 15 Oct 19 Oct – 17 Dec 2 – 9 Nov p.6 pp.16-17 pp.9-13 Kids & Families 23 We Support 24 We Recommend 25 French Courses 27 South Ken Kids Festival Impro! Suzy Storck La Médiathèque / Culturethèque 28 13 – 19 Nov 18 Nov 26 Oct – 18 Nov p.22 p.18 Gate Theatre p.24 General Information 29 front cover image: Redoubtable by Michel Hazanavicius Programme design by dothtm Ciné Lumière New Releases Le Correspondant In Between On Body and Soul FRA/BEL | 2016 | 85 mins | dir. Jean-Michel Ben Soussan, Bar Bahar Teströl és lélekröl with Charles Berling, Sylvie Testud, Jimmy Labeeu, Sophie PSE/ISR/FRA | 2016 | 102 mins | dir. Maysaloun Hamoud, with HUN | 2017 | 116 mins | dir. Ildikó Enyedi, with Géza Mousel | cert. tbc | in French with EN subs Mouna Hawa, Sana Jammelieh, Shaden Kanboura | cert. 15 Morcsányi, Alexandra Borbély, Zoltán Schneider | cert. 18 in Hebrew & Arabic with EN subs in Hungarian with EN subs Malo and Stéphane are two students who are kind of losers and have just started high school. Their genious Winner of the Young Talents Award in the Women in Marking a singular return for Hungarian writer-director plan to become popular: to host a German exchange Motion selection in Cannes this year, In Between follows Ildikó Enyedi after an 18-year gap, On Body and Soul tells student with a lot of style, preferably a hot girl. -
Deepa Mehta (See More on Page 53)
table of contents TABLE OF CONTENTS Introduction Experimental Cinema: Welcome to the Festival 3 Celluloid 166 The Film Society 14 Pixels 167 Meet the Programmers 44 Beyond the Frame 167 Membership 19 Annual Fund 21 Letters 23 Short Films Ticket and Box Offce Info 26 Childish Shorts 165 Sponsors 29 Shorts Programs 168 Community Partners 32 Music Videos 175 Consulate and Community Support 32 Shorts Before Features 177 MSPFilm Education Credits About 34 Staff 179 Youth Events 35 Advisory Groups and Volunteers 180 Youth Juries 36 Acknowledgements 181 Panel Discussions 38 Film Society Members 182 Off-Screen Indexes Galas, Parties & Events 40 Schedule Grid 5 Ticket Stub Deals 43 Title Index 186 Origin Index 188 Special Programs Voices Index 190 Spotlight on the World: inFLUX 47 Shorts Index 193 Women and Film 49 Venue Maps 194 LGBTQ Currents 51 Tribute 53 Emerging Filmmaker Competition 55 Documentary Competition 57 Minnesota Made Competition 61 Shorts Competition 59 facebook.com/mspflmsociety Film Programs Special Presentations 63 @mspflmsociety Asian Frontiers 72 #MSPIFF Cine Latino 80 Images of Africa 88 Midnight Sun 92 youtube.com/mspflmfestival Documentaries 98 World Cinema 126 New American Visions 152 Dark Out 156 Childish Films 160 2 welcome FILM SOCIETY EXECUTIVE DIRECTOR’S WELCOME Dear Festival-goers… This year, the Minneapolis St. Paul International Film Festival celebrates its 35th anniversary, making it one of the longest-running festivals in the country. On this occasion, we are particularly proud to be able to say that because of your growing interest and support, our Festival, one of this community’s most anticipated annual events and outstanding treasures, continues to gain momentum, develop, expand and thrive… Over 35 years, while retaining a unique flavor and core mission to bring you the best in international independent cinema, our Festival has evolved from a Eurocentric to a global perspective, presenting an ever-broadening spectrum of new and notable film that would not otherwise be seen in the region. -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
Fiches Films Catalogue 2013 (Pdf
FREE ANGELA AND ALL POLITICAL PRISONERS Film documentaire de Shola Lynch - USA - 2012 - 1h38 - VOSTF – 1,29 Go résolution DVD BONUS : rencontre avec Angela Davis lors de l’avant-première à Toulouse (1h06 - 647 Mo). jeunette splendide d’une vingtaine d’années au visage fin, à la coiffure affro qui lui faisait comme une auréole immense et dont l’effigie fleurissait les tee- shirts dans les manifs. La planète entière s’était mobilisée pour la sauver de la peine de mort… sans face de bouc ni twitter ni aucun des réseaux sociaux d’internet… la chose aujourd’hui semblerait impensable : ils étaient plus de 100 000 à Paris à manifester en scandant son nom, Sartre et Beauvoir en tête, Prévert lui écrivit un poème, les Rolling Stones une chanson : Sweet Black Angel… Angela Davis, aux côtés de Martin Luther King, Malcom X, est une grande figure du mouvement noir américain. Elle adhère au Parti Communiste à dix- huit ans, et devient membre des Black Panthers en 1967. Elle pige très vite que les luttes sont indissociables et qu’on ne peut se battre pour l’égalité des noirs et des blancs sans militer pour l’émancipation des travailleurs, quelle que soit leur origine, leur sexe et leur couleur de peau. Elevée dans la contestation et la résistance par une famille très engagée, elle participe dès douze ans au boycott d’une compagnie de bus pratiquant la ségrégation. Elle fait des études brillantes, qui la mènent un temps à la Sorbonne à Paris, à l’université Goethe à Francfort… et revient enseigner à l’université de San Diego. -
Un Film De Benoît Delépine& Gustave Kervern
LES FILMS DU WORSO ET NO MONEY PRODUCTIONS PRÉSENTENT BLANCHE DENIS CORINNE GARDIN PODALYDÈS MASIERO DE LA COMÉDIE-FRANÇAISE UN FILM DE BENOÎT DELÉPINE & GUSTAVE KERVERN VINCENT LACOSTE BENOÎT POELVOORDE BOULI LANNERS VINCENT DEDIENNE PHILIPPE REBBOT ET MICHEL HOUELLEBECQ LES FILMS DU WORSO et NO MONEY PRODUCTIONS présentent BLANCHE GARDIN DENIS PODALYDÈS CORINNE MASIERO DE LA COMÉDIE-FRANÇAISE un film deBEN OÎT DELÉPINE et GUSTAVE KERVERN 2020 / France / Couleur / Durée : 1h46 SORTIE LE 16 OCTOBRE Matériel presse téléchargeable sur : www.metropolefilms.com DISTRIBUTION RELATIONS PRESSE Métropole Films STAR PR 5360, Boulevard St-Laurent Bonne Smith Montréal - QC - H2T 1S1 Tél. : +1 416 488 4436 Tél. : 514 223 5511 Fax : +1 416 488 8438 [email protected] [email protected] SYNOPSIS Dans un lotissement du nord de la France, trois voisins sont en prise avec les nouvelles technologies et les réseaux sociaux. Il y a Marie, victime de chantage avec une sextape, Bertrand, dont la fille est harcelée au lycée, et Christine, chauffeur VTC dépitée de voir que les notes de ses clients refusent de décoller. Ensemble, ils décident de partir en guerre contre les géants d’internet. Une bataille foutue d’avance, quoique… Dans la lignée de votre travail cinématographique, EFFACER L’HISTORIQUE est à la fois un “film ENTRETIEN période gilets jaunes” et une critique drôle et cinglante de l’ère numérique. Quelle était votre idée première ? Comment naissent les films chez vous ? BENOÎT DELÉPINE Benoit Delépine - C’est notre 10ème film avec Gustave, on forme un duo d’amis et de cinéastes, et en fait, on met nos vies dans nos films. -
Entretien Blanche Gardin
LES FILMS DU WORSO et NO MONEY PRODUCTIONS présentent BLANCHE GARDIN DENIS PODALYDÈS CORINNE MASIERO DE LA COMÉDIE-FRANÇAISE un film de BENOÎT DELÉPINE et GUSTAVE KERVERN 2019 / France / Couleur / Durée : 1h46 SORTIE LE 26 AOÛT Matériel presse téléchargeable sur : www.advitamdistribution.com DISTRIBUTION RELATIONS PRESSE AD VITAM Hassan Guerrar 71, rue de la Fontaine au Roi Julie Braun 75011 Paris 64, Rue de Rochechouart - 75009 Paris Tél. : 01 55 28 97 00 Tél. : 01 40 34 22 95 [email protected] [email protected] SYNOPSIS Dans un lotissement en province, trois voisins sont en prise avec les nouvelles technologies et les réseaux sociaux. Il y a Marie, victime de chantage avec une sextape, Bertrand, dont la fille est harcelée au lycée, et Christine, chauffeur VTC dépitée de voir que les notes de ses clients refusent de décoller. Ensemble, ils décident de partir en guerre contre les géants d’internet. Une bataille foutue d’avance, quoique… Dans la lignée de votre travail cinématographique, EFFACER L’HISTORIQUE est à la fois un “film ENTRETIEN période gilets jaunes” et une critique drôle et cinglante de l’ère numérique. Quelle était votre idée première ? Comment naissent les films chez vous ? BENOÎT DELÉPINE Benoit Delépine - C’est notre 10ème film avec Gustave, on forme un duo d’amis et de cinéastes, et en fait, on met nos vies dans nos films. On a commencé & GUSTAVE KERVERN avec Aaltra en Picardie, chez moi, dans les champs, et le but, c’était d’arriver un jour chez Gustave, à l’île Maurice. Ça faisait plusieurs films qu’on essayait sans y parvenir, et là, ça y est. -
BACHELORARBEIT »Der Humorvolle Blick«
Studiengang Cinematography, B.F.A BACHELORARBEIT »Der humorvolle Blick« Methodik und Stil des Kameramanns Hugues Poulain Vorgelegt von: Michael Huber Matrikelnummer 5176 Betreut durch: Prof. Michael Hammon (Dekan) Yoliswa von Dallwitz (Erstgutachter) Hanno Kunow (Zweitgutachter) Juni 2015 Inhalt 1. Vorwort 1 2. Die Regisseure Benoît Delépine & Gustave Kervern 3 3. Der Kameramann Hugues Poulain 5 4. Zur Bildsprache in der Komödie 8 4.1 Aaltra (2004) 9 4.1.1 Bildwitz in der Plansequenz 10 4.1.2 Ironie durch die Kameraposition 12 4.1.3 Komik infolge eines Zeitsprungs 15 4.1.4 Humor auf Basis der versteckten Kamera 19 4.2 Mammuth (2010) 23 4.2.1 Poesie durch Imperfektion 25 4.2.2 Mit der Kadrage zur Pointe 27 4.2.3 Nähe durch Distanz 30 4.2.4 Amüsement aus dem OFF 31 5. Poulain und das Licht 35 5.1 Die Technik als Hindernis und Wegbereiter 36 5.2 Die Symbiose aus Dominanz und Zurückhaltung 38 6. Résumé 41 7. Interview mit Hugues Poulain 44 8. Quellenverzeichnis 48 1. Vorwort Als ich einem inneren Wunsch folgte und die Kameraarbeit in der Komödie unter die Lupe nahm, blieb mir schon nach kurzer Zeit das Lachen im Halse stecken. Meine Recherchen in den Filmbibliotheken dieses Landes mündeten in der Erkenntnis, dass ich mich auf Brachland befand, jedoch lieferten sie bereits eine erste Antwort auf eine meiner Kernfragen. Warum findet sich immer weniger Kinematographie in der Komödie des 21. Jahrhunderts? Die Macht der Kamera als erzählendes Instrument tritt seit der Stummfilmära um Chaplin und Keaton zunehmend in den Hintergrund. -
Gilles Lellouche INTERNATIONAL PRODUCTION NOTES
A FILM BY Gilles Lellouche INTERNATIONAL PRODUCTION NOTES CONTACTS INTERNATIONAL MARKETING INTERNATIONAL PUBLICITY Lucie MICHAUT Alexandre BOURG [email protected] [email protected] SYNOPSIS A group of 40-something guys, all on the verge of a mid-life crisis, decide to form their local pool’s first ever synchronized swimming team – for men. Braving the skepticism and ridicule of those around them and trained by a fallen champion trying to pull herself together, the group set out on an unlikely adventure, and on the way will rediscover a little self-esteem and a lot about themselves and each other. After Narco and The Players, Sink or Swim is the first film you’ve made as a solo director. Did you have difficulty launching a solo project, or was it just a question of timing? A little of both! Most of all, I needed to find a subject that really spoke to me and would enable me to make a film even more personal than Narco. As for The Players, that was a group project. I really enjoyed making both of those films, but neither was intimately linked to who I am. All of this took some time because after Narco, my “actors’ films” were the center of attention. How long has it taken to bring Sink or Swim to life? Five years. In fact, it was eight years ago that I began writing a script that already contained a few of the ideas in Sink or Swim. I wanted to examine the weariness – or perhaps the somewhat latent depression – that I sensed in people of my generation or even more generally in France. -
Gérard DEPARDIEU Benoît POELVOORDE Vincent LACOSTE
JPG FILMS, NO MONEY PRODUCTIONS and NEXUS FACTORY present Gérard Benoît Vincent Céline DEPARDIEU POELVOORDE LACOSTE SALLETTE written and directed by Benoît DELÉPINE & Gustave KERVERN JPG Films, No Money Productions and Nexus Factory present Gérard Benoît Vincent Céline DEPARDIEU POELVOORDE LACOSTE SALLETTE written and directed by Benoît DELÉPINE & Gustave KERVERN 101 min - France/Belgium - 1.85 - 5.1 - 2015 Press materials available for download on www.le-pacte.com INTERNATIONAL PRESS INTERNATIONAL SALES PREMIER - Liz Miller/Sanam Jehanfard LE PACTE [email protected] 5, rue Darcet [email protected] 75017 Paris Berlin: Potsdamer Platz 11, Room 301 Tel: +331 44 69 59 59 Tel: +49 30 2589 4501/02 (10-20 Feb) Synopsis Every year, Bruno, a disheartened cattle breeder, attends the Paris Agricultural Show. This year, his father Jean joins him: he wants to finally win the competition with their bull Nebuchadnezzar and convince Bruno to take over the family farm. Every year, Bruno makes a tour of all the wine stands, without setting foot outside the Show’s premises and without ever finishing his wine trail. This year, his father suggests they finish it together, but a real wine trail, across the French countryside. Accompanied by Mike, a young, quirky taxi driver, they set off in the direction of France’s major wine regions. Together, they are going to discover not only the wine trails, but also the road that leads back to Love. 5 DOES THAT MEAN THAT YOU BRING SOME SUBJECTS TO THE TABLE, BENOÎT? AND GUSTAVE BRINGS OTHERS? GUSTAVE KERVERN: I was born in Mauritius, but we haven’t shot a movie about water-skiing yet. -
ETHAN HAWKE the Truth a Film by KORE-EDA HIROKAZU 3B PRODUCTIONS, BUN-BUKU and M.I MOVIES Present
CATHERINE DENEUVE JULIETTE BINOCHE ETHAN HAWKE the truth a film by KORE-EDA HIROKAZU 3B PRODUCTIONS, BUN-BUKU and M.I MOVIES present CATHERINE DENEUVE JULIETTE BINOCHE ETHAN HAWKE the truth (la vérité) a film by KORE-EDA HIROKAZU 107 MIN – FRANCE – 2019 – 1.85 – 5.1 INTERNATIONAL PR MANLIN STERNER [email protected] mobile: +46 76 376 9933 SYNOPSIS Fabienne is a star – a star of French cinema. She reigns amongst men who love and admire her. When she publishes her memoirs, her daughter Lumir returns from New York to Paris with her husband and young child. The reunion between mother and daughter will quickly turn to confrontation: truths will be told, accounts settled, loves and resentments confessed. photo © Rinko Kawauchi © Rinko photo DIRECTOR’S NOTE If I dared to take on the challenge I wanted the story to take place I wanted a film that was not only THE TRUTH is the result of all the of shooting a first film abroad – in in autumn because I wanted to serious but also light-hearted, where efforts and the confidence that my a language that’s not my own and superimpose what the heroine drama and comedy coexist, as actors and crew put in me; it was with a totally French crew – it’s only goes through at the end of her life they do in real life. I hope that the made by the best of professionals, because I was lucky enough to meet onto the landscapes of Paris at the chemistry between the actors and the beginning with my director of actors and collaborators who wanted end of summer. -
LE GRAND SOIR a Film by Benoît Delépine & Gustave Kervern
GMT Productions / No Money Productions / Panache Productions / La Compagnie Cinématographique present LE GRAND SOIR A film by Benoît Delépine & Gustave Kervern with Benoit Poelvoorde and Albert Dupontel FRANCE-BELGIUM – FEATURE – LENGTH 92 minutes International Sales : Funny Balloons International Press : Premier PR 4 bis rue Saint Sauveur In Cannes : 75002 Paris-France Villa Marie Pierrette Tel +33.1.40.13.05.85 3 rue Henri Paschke Fax +33.1.42.33.34.99 Tel + 33.4.93.38.00.17 [email protected] In Cannes : [email protected] 17 Square Mérimée (in front of the Palais) [email protected] 2nd Floor [email protected] Tel/Fax +33.4.93.30.08.46 [email protected] Download photos and press kit at : www.funny-balloons.com LE GRAND SOIR A film by Benoît Delépine & Gustave Kervern LE GRAND SOIR A film by Benoît Delépine & Gustave Kervern SYNOPSIS Two brothers who are complete opposites : one is a salesman in a chain store, while the other fancies himself the oldest punk-with-a-dog in Europe... But the twists of modern life will reunite them, putting them both on the street. Now confederates of the Punk Attitude, the two men put everything on the line to spark off a new revolution... LE GRAND SOIR A film by Benoît Delépine & Gustave Kervern INTERVIEW : GUSTAVE KERVERN & BENOÎT DELÉPINE LE GRAND SOIR is the fifth film of these singular filmmakers which has been presented at Cannes in the Certain Regard official selection. And the regard they have toward the society and its marvelous outcasts and rejects is more topical than ever.