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Annual Report 2018-2019
Archbishop Romero Trust PO Box 70227, London E9 9BR [email protected] 15th Trustees’ Annual Report - Year Ending April 2019 The Archbishop Romero Trust - also known as the Romero Trust - is a registered charity (number 1110069). It is governed by a Trust Deed executed on 6th September 2004 amended by a deed of variation dated 9th June 2005. The purposes of the Trust are: a) to advance the education of the public in the life and works of Oscar Romero, the martyred Archbishop of San Salvador, and his principles of human rights, social justice and the relief of poverty; b) to advance religion by promoting liturgical celebrations including commemorations of the life of Oscar Romero and prayer for the cause of his beatification and canonisation; and c) the relief of poverty and the promotion of human rights and social justice (as set out in the Universal Declaration of Human Rights and subsequent United Nations Conventions and Declarations and in “Gaudium et Spes”, the Pastoral Constitution on the Church in the Modern World of the Second Vatican Council) in Latin America in memory of Oscar Romero. The trustees are Dr Julian Filochowski CMG, OBE (Chair), Mr Stephen Davies (Moderator/Vice-Chair), Ms Clare Dixon OBE (Secretary), Rev. Richard Carter, Dr Jan Graffius, Sister Eileen McLoughlin SSHJM, Rt. Rev. John Rawsthorne, Mr David Skidmore OBE, and Rev. Dr Frank Turner SJ. Mr Stephen Lloyd is the Trust’s Honorary Treasurer, Ms Madge Rondo is the Trust’s Honorary Membership Secretary and Ms Tania Dalton is the editor of ‘Romero News’, the Trust’s twice-yearly newsletter. -
Production Notes
A Film by John Madden Production Notes Synopsis Even the best secret agents carry a debt from a past mission. Rachel Singer must now face up to hers… Filmed on location in Tel Aviv, the U.K., and Budapest, the espionage thriller The Debt is directed by Academy Award nominee John Madden (Shakespeare in Love). The screenplay, by Matthew Vaughn & Jane Goldman and Peter Straughan, is adapted from the 2007 Israeli film Ha-Hov [The Debt]. At the 2011 Beaune International Thriller Film Festival, The Debt was honoured with the Special Police [Jury] Prize. The story begins in 1997, as shocking news reaches retired Mossad secret agents Rachel (played by Academy Award winner Helen Mirren) and Stephan (two-time Academy Award nominee Tom Wilkinson) about their former colleague David (Ciarán Hinds of the upcoming Tinker, Tailor, Soldier, Spy). All three have been venerated for decades by Israel because of the secret mission that they embarked on for their country back in 1965-1966, when the trio (portrayed, respectively, by Jessica Chastain [The Tree of Life, The Help], Marton Csokas [The Lord of the Rings, Dream House], and Sam Worthington [Avatar, Clash of the Titans]) tracked down Nazi war criminal Dieter Vogel (Jesper Christensen of Casino Royale and Quantum of Solace), the feared Surgeon of Birkenau, in East Berlin. While Rachel found herself grappling with romantic feelings during the mission, the net around Vogel was tightened by using her as bait. At great risk, and at considerable personal cost, the team’s mission was accomplished – or was it? The suspense builds in and across two different time periods, with startling action and surprising revelations that compel Rachel to take matters into her own hands. -
Once Upon a Time in Hollywood
THE MAGAZINE FOR FILM & TELEVISION EDITORS, ASSISTANTS & POST- PRODUCTION PROFESSIONALS THE SUMMER MOVIE ISSUE IN THIS ISSUE Once Upon a Time in Hollywood PLUS John Wick: Chapter 3 – Parabellum Rocketman Toy Story 4 AND MUCH MORE! US $8.95 / Canada $8.95 QTR 2 / 2019 / VOL 69 FOR YOUR EMMY ® CONSIDERATION OUTSTANDING SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES - STEVE SINGLETON FYC.NETFLIX.COM CINEMA EDITOR MAGAZINE COVER 2 ISSUE: SUMMER BLOCKBUSTERS EMMY NOMINATION ISSUE NETFLIX: BODYGUARD PUB DATE: 06/03/19 TRIM: 8.5” X 11” BLEED: 8.75” X 11.25” PETITION FOR EDITORS RECOGNITION he American Cinema Editors Board of Directors • Sundance Film Festival T has been actively pursuing film festivals and • Shanghai International Film Festival, China awards presentations, domestic and international, • San Sebastian Film Festival, Spain that do not currently recognize the category of Film • Byron Bay International Film Festival, Australia Editing. The Motion Picture Editors Guild has joined • New York Film Critics Circle with ACE in an unprecedented alliance to reach out • New York Film Critics Online to editors and industry people around the world. • National Society of Film Critics The organizations listed on the petition already We would like to thank the organizations that have recognize cinematography and/or production design recently added the Film Editing category to their Annual Awards: in their annual awards presentations. Given the essential role film editors play in the creative process • Durban International Film Festival, South Africa of making a film, acknowledging them is long • New Orleans Film Festival overdue. We would like to send that message in • Tribeca Film Festival solidarity. -
The Worlds Between, Above and Below: 'Growing Up' and 'Falling
The Worlds Between, Above and Below: ‘Growing Up’ and ‘Falling Down’ in Alice in Wonderland and Stardust by Mary-Anne Potter submitted in accordance with the requirements for the degree of Master of Arts in the subject English at the UNIVERSITY OF SOUTH AFRICA Supervisor: Prof. Deirdre Byrne November 2012 DECLARATION I declare that The Worlds Between, Above and Below: ‘Growing Up’ and ‘Falling Down’ in Alice in Wonderland and Stardust is my own work, and that all the sources that I have used or quoted have been indicated and acknowledged by means of complete references. (Ms M. Potter) Student number 3251-495-6 i ACKNOWLEDGEMENTS I would like to express my heartfelt gratitude to my supervisor, Professor Deirdre Byrne of the University of South Africa, whose guidance both challenged and encouraged me in this endeavour, and whose patience and care throughout the process of writing and revising is truly appreciated as it enabled me to complete this work. I must also acknowledge the contribution made by Nicolette Geyer and Merisa Robbertze, who were invaluable allies during the proofreading process. My thanks go to Nicolette, for her meticulous attention to detail in helping me to prepare and polish this work, and to Merisa for her encouragement and support throughout 2012. Lastly, I would also like to express my love and gratitude to friends, work colleagues and family for their constant support and contribution to this work. I would specifically like to thank my father, Noel Potter, who instilled a love of literature in me from a very early age; and my mother, Elizabeth Mary Anne Potter (nee Channing) for her undying love and support, and for gifting me with the opportunity to fulfil my promise to her. -
CHAN 10411 Booklet.Indd
CHAN 10411 Words and Music Katie Vandyck 1 It might as well be spring 3:12 Words: Oscar Hammerstein II Music: Richard Rodgers 2 Don’t sleep in the subway 3:18 Words: Tony Hatch Music: Jackie Trent 3 Get rid of Monday 2:37 Words: Johnny Burke Music: Jimmy van Heusen 4 Someone to watch over me 4:16 Words: Ira Gershwin Music: George Gershwin 5 Angel eyes 4:10 Words: Tom Adair Music: Matt Dennis Richard Rodney Bennett 3 6 Spring can really hang you up the most 5:01 11 On second thought 3:56 Words: Fran Landesman Words: Carolyn Leigh Music: Tommy Wolf Music: Cy Coleman 7 Let me down easy 4:02 12 Early to bed 3:07 Words: Carolyn Leigh Words: Franklin Underwood Music: Cy Coleman Music: Richard Rodney Bennett 8 I won’t dance 2:57 13 Wake up, chill’un, wake up 3:45 Words: Dorothy Fields Words: Jo Trent Music: Jerome Kern Music: Willard Robison 9 Killing time 3:00 14 Goodbye for now 3:27 Words: Carolyn Leigh Words: Charles Hart Music: Jule Styne Music: Richard Rodney Bennett 10 How long has this been going on? 4:23 15 Words and Music 2:32 Words: Ira Gershwin Words: Richard Rodney Bennett Music: George Gershwin Music: Richard Rodney Bennett TT 53:52 Richard Rodney Bennett vocals and piano 4 5 and Jackie Trent), to which Richard was Orchestra at the Queen Elizabeth Hall and the Richard Rodney Bennett: Words and Music introduced by the late great British jazz BBC Symphony Orchestra and Chorus at the pianist Pat Smythe. -
LISA KELLY VFX Producer
LISA KELLY VFX Producer PROJECTS DIRECTORS PRODUCERS / STUDIOS NORWAY Paul Greengrass Netflix VFX Producer THE CURRENT WAR Alfonso Gomez-Rejon The Weinstein Company VFX Producer THE KING’S CHOICE Erik Poppe Paradox Film / Newgrange Pictures Senior VFX Producer (Windmill Lane VFX) THE SIEGE OF JADOTVILLE Richie Symth Alan Maloney / Parallel Films / Netflix Senior VFX Producer (Windmill Lane VFX) THE SECRET SCRIPTURE Jim Sheridan Irish Film Board / Ferndale Films Senior VFX Producer (Windmill Lane VFX) THE LAST KING Nils Gaup Paradox Film / Newgrange Pictures Senior VFX Producer (Windmill Lane VFX) REBELLION Series Various Directors Catherine Magee / RTE / Zodiak Media Ireland Senior VFX Producer (Windmill Lane VFX) EDDIE THE EAGLE Dexter Fletcher Matthew Vaughn, Adam Bohling, David Reid VFX Producer (Nvizible/ Marv Films) Marv Films / Fox TWIRLYWOOS Series Various Directors Ragdoll Productions / BBC VFX Producer (Nvizible) KINGSMAN: THE SECRET SERVICE Matthew Vaughn Matthew Vaughn, Adam Bohling, David Reid VFX Producer (Nvizible) Marv Films / Fox / Cloudy Productions TRASH Stephen Daldry Kris Thykier / Working Title Films VFX Producer (Nvizible) SECOND COMING Debbie Tucker Green Hillbilly Films / British Film Institute VFX Producer (Nvizible) MUPPETS MOST WANTED James Bobin Walt Disney Pictures / Mandeville Films VFX Producer (Nvizible) NOBLE Stephen Bradley Melanie Gore-Grimes / Destiny Films VFX Producer (Nvizible) KICK ASS 2 Jeff Wadlow Matthew Vaughn, Adam Bohling, David Reid VFX Line Producer (Nvizible) Marv Films / Universal Pictures CAPTAIN PHILIPS Paul Greengrass Scott Rudin Productions VFX Coordinator (Nvizible) I GIVE IT A YEAR Dan Mazer Kris Thykier / Working Title Films VFX Coordinator (Nvizible) Studio Canal SKYFALL Sam Mendes EON Productions VFX Coordinator (Nvizible) ALL THINGS TO ALL MEN George Isaac Cipher Films VFX Coordinator (Nvizible) HUNTED Series Various Directors Kudos Film and Television VFX Coordinator (Nvizible) Big Light Productions WRATH OF THE TITANS Jonathan Liebesman Warner Bros. -
Mr Porter and Matthew Vaughn Launch Third Kingsman ‘Costume to Collection’ Collaboration
MR PORTER AND MATTHEW VAUGHN LAUNCH THIRD KINGSMAN ‘COSTUME TO COLLECTION’ COLLABORATION TIED TO FEBRUARY 2021’S THE KING’S MAN (GLOBAL) 9 SEPTEMBER 2020 – MR PORTER, the award-winning online destination for men’s style, and acclaimed filmmaker Matthew Vaughn, are pleased to launch the third ‘costume to collection’ collaboration of luxury menswear label, Kingsman, developed and inspired by the forthcoming 20th Century Studios film, The King’s Man, directed by Matthew Vaughn, in theatres from 26 February, 2021. The Kingsman collection is luxury tailoring and casual wear at its best, inspired by the manufacturing tradition of Savile Row and collaborated on with specialist British heritage brands. It is also one of MR PORTER’s best-performing luxury brands, having first launched alongside Vaughn's 2015 blockbuster Kingsman: The Secret Service and has since delivered 12 commercial seasons to date. The second 'costume to collection' of Kingsman launched in 2017 with Vaughn's follow-up film Kingsman: The Golden Circle; the upcoming The King’s Man 'costume to collection' will mark the 13th season in this collaboration. In The King’s Man, history's worst tyrants and criminal masterminds gather together to plot a war to wipe out millions; one man must race against time to stop them. This latest installment introduces new cast members Mr Ralph Fiennes, Ms Gemma Arterton and Messrs Rhys Ifans, Matthew Goode, Tom Hollander, Harris Dickinson, Daniel Brühl, Djimon Hounsou and Charles Dance. The costumes in The King’s Man reflect the timeless style and functionality of tailoring and military wear from the film’s period, set during WW1, with silhouettes and styles made relevant for contemporary dress. -
Tamsyn Manson CV
TAMSYN MANSON +44 (0)7708845813 | [email protected] Casting Director Jilted Dir: Dan Hodgson Short Film Birdflight Films Casting Associate Reg Poerscout-Edgerton CSA | CDG November 2018 - Present Moon Knight Dir: Mohammed Diab, TV SVOD Marvel Studios Aaron Morehead and Justin Benson Doctor Strange in the Multiverse Dir: Sam Raimi Feature Film Marvel Studios of Madness Tetris Dir: Jon S Baird Feature Film Marv Films Eternals Dir: Chloe Zhao Feature Film Marvel Studios Cinderella Dir: Kay Cannon Feature Film Sony Pictures The King’s Man Dir: Matthew Vaughn Feature Film Marv Films | Fox Casting Searches Reg Poerscout-Edgerton CSA | CDG 2015 - Present Thor: Love and Thunder Dir: Taika Waititi Feature Film Marvel Studios Loki Dir: Kate Herron TV SVOD Marvel Studios Ms Marvel Dir: Various TV SVOD Marvel Studios Shang-Chi and the Dir: Destin Daniel Cretton Feature Film Marvel Studios Legend of the Ten Rings Thor Ragnarok Dir: Taika Waititi Feature Film Marvel Studios Jack Reacher: Never Go Back Dir: Edward Zwick Feature Film Paramount Spider-Man: Homecoming Dir: Jon Watts Feature Film Colombia | Marvel Studios Casting Assistant Reg Poerscout-Edgerton CSA | CDG March 2018 – Nov 2018 Maleficent: Mistress of Evil Dir: Joachim Ronning Feature Film Disney The Dark Crystal: Dir: Louis Leterrier TV SVOD Netflix | Jim Henson Co Age of Resistance Men in Black: International Dir: F. Gary Gray Feature Film Colombia Rocketman Dir: Dexter Fletcher Feature Film Paramount | Marv Films Casting Associate Amy Hubbard CDG August 2016 – Dec 2016 The Man Who -
The Hero's Journey in Matthew Vaughn's Movie
THE HERO’S JOURNEY IN MATTHEW VAUGHN’S MOVIE: KICK-ASS Oky Irawan Syahputra1, Teguh Kasprabowo2 Faculty of Language and Cultural Studies, Stikubank University e-mail: [email protected], [email protected] ABSTRACT Kick-Ass is a superhero movie. The study aimed to find out about the main character hero’s journey patterns and the characters archetype that occurs in this movie. The data of this study is from watching and analyzed the Kick-Ass movie. This study employed Hero’s Journey from Joseph Campbell to find the patterns with the support from Christopher Vogler for the characters archetype. There are the differences between the hero’s journey Campbell and Kick-Ass movie. In this Study the researcher find 9 stages; The Call to Adventure, Supernatural Aid, The Crossing of the First Threshold, Refusal of the Call, The Meeting with the Goddess, Woman as the Temptress, The Belly of the Whale, Apotheosis and The Ultimate Boon. As for the characters archetype that appearing in this movie are; The Hero, Mentor, Ally, Threshold Guardian, Shape shifter, Trickster and Shadow. Keywords: hero, archetypes, hero’s journey, kick-ass film 1. INTRODUCTION A hero is someone who acts bravely out of concern for others even at their own personal risk. They are willing to sacrifice everything without getting a reward. This is the kind of hero that we need. To be a figure that important in this world we live in. To stand up and fights for the right things. It can be argued that the action or behavior ultimately stands as heroic or not in the absence of any social milieu (Howerth 1935; cited in Franco, Blau, & Zimbardo, 2011). -
Notting Hill and the Reconstruction of “Race” in Britain After 19581
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of East Anglia digital repository “Whatever Community Is, This Is Not It”: Notting Hill and the Reconstruction of “Race” in Britain after 19581 Camilla Schofield, Ph.D, University of East Anglia [email protected] Ben Jones, Ph.D., University of East Anglia ABSTRACT The impact of the 1958 Notting Hill riots tends to figure in histories of the political right, as a galvanizing force for anti-immigrant sentiment—or as radical catalyst in the transnational history of the Black Atlantic. Meanwhile, the generation of black and white social workers and activists who flocked to Notting Hill after the riots have largely been left out of the history of the British left. This article treats Notting Hill after 1958 as an important locale of new progressive thinking and action. It seeks to consider the political work that the idea of “community” did in Notting Hill, allowing us consider how the politics of anti-racism relates in complex ways to the reformulation of progressive politics in postwar Britain. It reveals how black activists came to reappropriate the language of “community” to critique the ameliorative, welfarist approach to anti-racism. It also unearths the forgotten eclectic beginnings of Britain's New Left. By excavating the history of community work and New Left activism “from below,” this article traces the ways in which a motley group of Methodist ministers, Christian Workers, students, social workers, and community leaders tested the limits of liberal paternalism and the “universalism” of the postwar social democratic state. -
ANGUS BICKERTON Visual Effects Supervisor
ANGUS BICKERTON Visual Effects Supervisor PROJECTS DIRECTOR STUDIO & PRODUCERS “HOUSE OF THE DRAGON” MIGUEL SAPOCHNIK HBO Ryan J. Condal, George R.R. Martin “THE KING’S MAN” MATTHEW VAUGHN MARV FILMS TWENTIETH CENTURY FOX Adam Bohling, David Reid, Matthew Vaughn “ROCKETMAN” DEXTER FLETCHER PARAMOUNT PICTURES (VFX Consultant) MARV FILMS Adam Bohling, David Furnish, David Reid, Matthew Vaughn “THE SIX BILLION DOLLAR MAN” (R&D) DAMIAN SZIFRÓN WARNER BROTHERS Peter Berg, Mark Wahlberg “KINGSMAN: THE GOLDEN CIRCLE” MATTHEW VAUGHN MARV FILMS TWENTIETH CENTURY FOX Adam Bohling, David Reid, Matthew Vaughn “EDDIE THE EAGLE” DEXTER FLETCHER MARV FILMS The Producers wish to thank Adam Bohling, David Reid, Matthew Vaughn “VICTOR FRANKENSTEIN” PAUL MCGUIGAN TWENTIETH CENTURY FOX John Davis “THE MONUMENTS MEN” GEORGE CLOONEY COLUMBIA PICTURES George Clooney, Grant Heslov “TOTAL RECALL” LEN WISEMAN COLUMBIA PICTURES Additional Supervision Toby Jaffe, Neil H. Moritz “DARK SHADOWS” TIM BURTON WARNER BROTHERS Richard Zanuck, Graham King, Katterli Frauenfelder “THE CHRONICLES OF NARNIA: THE MICHAEL APTED WALDEN MEDIA VOYAGE OF THE DAWN TREADER” TWENTIETH CENTURY FOX Andrew Adamson, Mark Johnson “ANGELS AND DEMONS” RON HOWARD COLUMBIA PICTURES Nomination: VES Award IMAGINE ENTERTAINMENT John Calley, Brian Grazer “INKHEART” IAIN SOFTLEY NEW LINE CINEMA Cornelia Funke, Barry Mendel “THE DA VINCI CODE” RON HOWARD COLUMBIA PICTURES Nomination: VES Award IMAGINE ENTERTAINMENT John Calley, Brian Grazer “FIREWALL” RICHARD LONCRAINE WARNER BROTHERS Armyan Bernstein, -
{Download PDF} Kick-Ass 2 Ebook Free Download
KICK-ASS 2 PDF, EPUB, EBOOK Mark Millar | 208 pages | 13 Jun 2012 | Marvel Comics | 9780785152453 | English | New York, United States Kick-ass 2 PDF Book Genre: Action , Adventure , Science Fiction. There is a team of superheroes led by Colonel Stars and Stripes played by Jim Carrey who totally pulled it off! Duration: Quality: HD Release: British Board of Film Classification. Clear all searches. He and Marty, who is also on the team as Battle Guy, alienate their friend Todd from participating in their heroics because Todd's superhero persona "Ass-Kicker" is an obvious knockoff of Kick-Ass. Won [43]. Views Read Edit View history. On 8 May , it was reported that a sequel would be distributed by Universal Studios , and that Matthew Vaughn had chosen Jeff Wadlow , who also wrote the script, to direct the sequel. It needs to be a good script and a director, probably Matthew Vaughn. Two topless women are shown in one scene and are said to be prostitutes. Best Superhero Movies for Kids. Kick- Ass 2 Theatrical release poster. Mindy tells Dave that she is leaving New York due to being wanted for murder, but that the citizens need Kick- Ass. Retrieved 12 August Chris crashes through a skylight, landing in a water tank, and subsequently is mauled by a shark. CLiNT Millarworld. Go to Settings to change your PIN or turn it off. Marv Films. Kick-Ass Kick-Ass 2. For teen girls, the example she sets -- that you don't have to fit in, that you can just be who you really are -- is worth noting, even if she's not exactly role model material.