The Adventures of Tintin: Volume 1 Pdf, Epub, Ebook
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Podróże Po Krajach Unii Europejskiej Część 1 Dziś Jeszcze Nie Możemy Podróżować, Więc My Zapraszamy Was W Wirtualną Podróż
Podróże po krajach Unii Europejskiej Część 1 Dziś jeszcze nie możemy podróżować, więc my zapraszamy Was w wirtualną podróż. Zobaczcie, jakie atrakcje znajdziecie w wybranych krajach Unii Europejskiej. Dobrej zabawy! Stacja pierwsza: Belgia Belgia Królestwo Belgii leży w północno-zachodniej Europie. Podzielone jest na trzy strefy językowe: francuską, niderlandzką i niemiecką. Frank belgijski został zastąpiony przez euro w 2002 r. Stolica Stolicą kraju jest Bruksela, która jest również siedzibą Unii Europejskiej i Parlamentu Europejskiego, gdzie najczęściej rozbrzmiewa hymn Unii Europejskiej. Bruksela to miasto obfitujące w muzea, targowiska, restauracje, a Stary Rynek jest jednym z najpiękniejszych średniowiecznych rynków w Europie. Atomium – model kryształu żelaza. Wielki Plac w Brukseli. Muzea Dla turystów lubiących zwiedzać muzea, ale niekoniecznie te ze sztuką, Brugia też ma coś do zaoferowania. Można wstąpić do Muzeum Diamentów, Muzeum Frytek, czy Muzeum Czekolady. Muzeum Diamentów w Antwerpii https://youtu.be/n5nNHC9dpKg Muzeum Czekolady Antwerpii Muzeum Frytek w Brugii na północy Belgii Komiksy Częścią dziedzictwa Belgii są komiksy, a w całym kraju spotykamy wiele sklepów specjalizujących się w ich sprzedaży. Belgia jest miejscem narodzin słynnej serii komiksów Smerfy (Pierre Culliford) i The Adventures of Tintin (Herge), przy czym ten ostatni został przetłumaczony na ponad 100 języków. Czekolada Jednym z głównych produktów eksportowych Belgii jest czekolada. Belgia produkuje czekoladę od prawie 400 lat – pierwsze dowody produkcji czekolady w Belgii pochodzą z 1635 roku. Obecnie Belgia produkuje ponad 173000 ton czekolady rocznie i posiada około 2000 sklepów z czekoladą. Ciekawostki Najdłuższą linią tramwajową na świecie jest belgijski tramwaj jadący z Wybrzeża do Kusttram – przejeżdża 68 km przez Belgię. W Belgii odbywa się największy na świecie festiwal rzeźby z piasku w Oostende. -
The Swiss Comic Strip in Brussels
From 4 February until 18 May 2014 At the Belgian Comic Strip Center Cosey, A la recherche de Peter Pan, Le Lombard The Swiss comic strip in Brussels The geography of the European comic strip rises to some impressive heights – among them Derib, Cosey and Zep – and not everyone realizes that these authors are not in fact Belgian but Swiss. This exhibition at CBBD, staged with the assistance of the Swiss Embassy in Brussels and the Centre BD in Lausanne, therefore reestablishes a few geographical truths and showcases the talents of today’s creators of the Swiss comic strip. Curator : JC De la Royère In collaboration with the Embassy of Switzerland in Belgium and the comic strip center of the city of Lausanne. With the support of the Brussels Capital Region Belgian Comic Strip Center Rue des Sables, 20 - 1000 Brussels (Belgium) Open every day (except on Monday) from 10 a.m. till 6 p.m. Tel: +32 (0)2 219 19 80 - www.comicscenter.net - [email protected] Press-info: Willem De Graeve: [email protected] - +32 (0)2 210 04 33 or www.comicscenter.net/en/press, login: comics + password: smurfs The Swiss comic strip in Brussels An exhibition by the Belgian Comic Strip Center Curator : JC De la Royère Scenography : Jean Serneels Texts: JC De la Royère Translations: Bureau Philotrans Corrections : Tine Anthoni and Marie-Aude Piavaux Management of original artwork : Nathalie Geirnaert and Dimitri Bogaert Graphic design : Pierre Saysouk Photogravure : Sadocolor Framing: AP Frame, Marie Van Eetvelde Production: Jean Serneels and the team of the Belgian Comicscenter Communication: Valérie Constant and Willem De Graeve The Belgian Comic Strip Center wishes to thank Cuno Affolter, Siro Beltrametti, Anne Broodcoorens, Jean-Claude Camano, Armelle Casier, S.E. -
Jim North Shaftesbury Avenue London W1D 6LD
www.cam.co.uk Email [email protected] Address 55-59 Jim North Shaftesbury Avenue London W1D 6LD Telephone +44 (0) 20 7292 0600 Television Title Role Director Production DOCTORS Ashley Mackintosh Jordan Hogg BBC MOUNT PLEASANT DJ Dave Dominic Leclerc Tiger Aspect THE LATE EDITION Shepherd Bill Dare BBC MEET MIKE WEST Mike West Robert Katz Mike West THE NEWS NEVER SLEEPS Gordon Tremlett Harry Thompson Talkback Thames JOHNNY VAUGHAN'S WORLD OF LEISURE William Wood - World's End MY FAMILY Jim Dewi Humphries BBC RICHARD BLACKWOOD'S SUMMER SPECIAL Nerd Micahel Leggo Planet 24 SMALL POTATOES KECIN - HAT TRICK PRODUCTION LIFE OF SLIDE DJ Damage Chris Waitt LWT GRANGE HILL Science Teacher Nigel Douglas BBC Theatre Title Role Director Production THE ARTHUR DUNG SHOW Francis Top Dog Top Dog LAZLO AND PARKINS'S FLAT LIP Lazlo Henry Trotter Henry Trotter Short Film Title Role Director Production SEXY TUESDAYS Alastair Saunders Paul Gowers Wilder Films HAROLD THE AMAZING CONTORTIONIST Pub Bore Carl Prechezer Shine HUNTING OF THE BEAST Chris Sam Walker Nerve THE LIFT Hitcher Ivan Naisbitt Naisbitt & Co Radio Title Role Director Production STORMCHASERS Henry Nick Walkers Top Dogs Productions DAVE AGAINST THE MACHINE Jim Adam Tandy Top Dog THE MUSIC TEACHER Numerous Nick Walker Top Dog THE BIGGER ISSUES Francis Pring-Norris Gareth Edwards BBC Radio 4 THE HUDSON AND PEPPERDINE SHOW Numerous Chris Neill BBC Radio 4 Skills Accents & Dialects American-Standard, Australian, Birmingham, Central Scottish, Cockney, French, German, Irish-Northern, Liverpool, London, Northern, RP*, South African, Welsh-Standard, Yorkshire Performance Audio Drama, Comedy, Comedy Improv, Commentating, Master of Ceremonies, Stand Up Comic, TV Presenting, Voice Acting, Voice Over, Writing/Director - Comedy Fringe Sports Badminton, Cricket*, Football*, Golf*, Rugby*, Squash*, Tennis* Vehicle Licence Car Characteristics Height Hair Eyes 5'8" Auburn Hazel CAM Limited Registered Oce:CAM, 55-59 ShaftesburyAvenue, London, E. -
Belgique Francophone, Terre De B.D
Belgique francophone, terre de B.D. François Pierlot Frantseseko lektorea / Lector de francés Laburpena Komikien historia Suitzan hasi zen 1827an, Rodolphe Töpffer-ek “litera- tura iruditan” deiturikoa sortu zuenean. Printzipioa sinplea da: istorio bat kontatzen du marrazki bidez, eta istorioa azaltzeko testuak eransten ditu. Hogei urte geroago, Wilhelm Bush alemaniarrak Max und Moritz sortu zuen, marrazkietan dinamismo handia zuen umorezko komikia. Gero, batez ere egunkarietan agertzen hasi ziren komikiak. Eguneroko prentsak ere gero eta arrakasta handiagoa zuenez, komikiak Europa osora za- baldu ziren. Egunkarientzat oso garrantzitsua zen komiki onak izatea, irakur- le asko erakartzen zituztelako. Erresuma Batuan ere arrakasta izan zuten ko- mikiek. AEBtik, bestalde, koloretako argitalpenak iristen hasi ziren, testuen ordez bunbuiloak zituztenak. Belgikan, 1929an hasi ziren komikiak argitaratzen, Le petit vingtième haurrentzako egunkarian. Apaiz oso kontserbadore bat zen erredakzioburua, eta umeei komunisten alderako gorrotoa barneratzeko pertsonaia asmatzeko eskatu zion Hergé marrazkilari gazteari. Horrela sortu zen Tintin. Lehenengo aleak Tintin sobieten herrialdean zuen izenburua. Hergék bere pertsonaiaren «gobernua» hartu baino lehen, ideologiaz beteriko beste bi abentura ere izan ziren (Tintin Kongon eta Tintin Amerikan). Tintinekin hasitako goraldiaren ondoren, beste marrazki-aldizkari bel- gikar batzuk sortu ziren; besteak beste, Bravo! agerkaria. Komiki belgikarrak 1940ko hamarkadatik aurrera nagusitu ziren mundu frantsestunean, bi agerkari zirela bitarte: Le Journal Tintin eta Le Journal de Spirou, hurrenez hurren, Hergé eta Franquin marrazkilari zirela. Bi astekariek talentu gazteak hartu zituzten, aukera bat emateko. Komikien ibilbidea finka- tu zuten, klasizismo mota bat ezarrita. Journal de Spirou izenekoa 1938an sortu zuen Dupuis argitaletxeak, eta umorea landu zuen. Pertsonaiek oso jatorrak dirudite, grafismo biribilari esker (horregatik aipatzen da “sudur lodiaren” estiloa). -
Bruxelles, Capitale De La Bande Dessinée Dossier Thématique 1
bruxelles, capitale de la bande dessinée dossier thématique 1. BRUXELLES ET LA BANDE DESSINÉE a. Naissance de la BD à Bruxelles b. Du héros de BD à la vedette de cinéma 2. LA BANDE DESSINÉE, PATRIMOINE DE BRUXELLES a. Publications BD b. Les fresques BD c. Les bâtiments et statues incontournables d. Les musées, expositions et galeries 3. LES ACTIVITÉS ET ÉVÈNEMENTS BD RÉCURRENTS a. Fête de la BD b. Les différents rendez-vous BD à Bruxelles c. Visites guidées 4. SHOPPING BD a. Adresses b. Librairies 5. RESTAURANTS BD 6. HÔTELS BD 7. CONTACTS UTILES www.visitbrussels.be/comics BRUXELLES EST LA CAPITALE DE LA BANDE DESSINEE ! DANS CHAQUE QUARTIER, AU DÉTOUR DES RUES ET RUELLES BRUXELLOISES, LA BANDE DESSINÉE EST PAR- TOUT. ELLE EST UNE FIERTÉ NATIONALE ET CELA SE RES- SENT PARTICULIÈREMENT DANS NOTRE CAPITALE. EN EFFET, LES AUTEURS BRUXELLOIS AYANT CONTRIBUÉ À L’ESSOR DU 9ÈME ART SONT NOMBREUX. VOUS L’APPRENDREZ EN VISITANT UN CENTRE ENTIÈREMENT DÉDIÉ À LA BANDE DESSINÉE, EN VOUS BALADANT AU CŒUR D’UN « VILLAGE BD » OU ENCORE EN RENCON- TRANT DES FIGURINES MONUMENTALES ISSUES DE PLUSIEURS ALBUMS D’AUTEURS BELGES… LA BANDE DESSINÉE EST UN ART À PART ENTIÈRE DONT LES BRUX- ELLOIS SONT PARTICULIÈREMENT FRIANDS. www.visitbrussels.be/comics 1. BRUXELLES ET LA BANDE DESSINEE A. NAISSANCE DE LA BD À BRUXELLES Raconter des histoires à travers une succession d’images a toujours existé aux quatre coins du monde. Cependant, les spéciali- stes s’accordent à dire que la Belgique est incontournable dans le milieu de ce que l’on appelle aujourd’hui la bande dessinée. -
Bandes Dessinées
BANDES DESSINÉES Vente aux Enchères Publiques Drouot-Richelieu = Salle 8 9, rue Drouot = 75009 Paris Tél. : 01 48 00 20 08 SAMEDI 28 JUIN 2014 à 14h Collection Picavet (2e partie) Autour de E.P. JACOBS = HERGE = MARTIN Albums des éditions Lombard, objets, documents, Pixi... EXPERT : Roland BURET Tél. : 06 80 66 50 36 = Fax : 01 42 46 00 75 = [email protected] Expositions publiques : Vendredi 27 juin de 11h à 18h et samedi 28 juin de 11h à 12h. Tessier-Sarrou & Associés : S.A.R.L. = Agrément 2001-014 = 8, rue Saint-Marc = 75002 Paris = Tél. : 01 40 13 07 79 Fax : 01 42 33 61 94 = E-mail : [email protected] = www.tessier-sarrou.com : « catalogue en ligne » BANDES DESSINÉES, collection PICAVET 28 juin 2014 à 14h 1. Martin Jacques Alix la collection intégrale. 27 vol. etat neuf. Joint Orion vol 1,2,3, Keos vol 1234. Les voyages d’alix vol 1,2,3,4 = Orion les oracles.Ed originale etat neuf. 100 € 2. Revue l’immanquable du N° 1 au N°13 = Cinq classeurs la planète BD + divers numéros de DBD, télérama et autres hebdomadaires sur la BD, BD sup, sapristi, les cahiers de la bande dessinées, ran tan plan + de 50 numéros. 60 € 3. Un classeur Hergé contenant différentes cartes chinoises représentant différentes illustration aviation de la collection voir et savoir, plus de 50 cartes. 100 € 4. 1 lot 18 albums réédition Blake et Mortimer, 4 vol Black et Mortimer grand format 1991+ 15 vol Black et Mortimer réedition. 150 € 5. 1 lot 7 vol Pêchés de jeunesse, 6 vol Tif et Tondu cartonnés. -
Notes and References
Notes and References Prologue: Food Security and the Literary Imagination 1. Jane Austen, Letter to Cassandra Austen, 23 Hans Place, 23–24 August 1814, in Jane Austen (1995), Jane Austen’s Letters, ed. Deirdre Le Faye, 4th edn (Oxford University Press), pp. 281–4 (p. 238). 1 Food Matters 1. Cited in Frank Dikötter (2010), Mao’s Great Famine: The History of China’s Most Devastating Catastrophe, 1958–62 (London: Bloomsbury), unpaginated preliminary pages. 2. Harry Thompson (2011), Peter Cook: A Biography (London: Hachette, 2011; orig. pub. Hodder & Stoughton, 1997), p. 47. 3. Francisco Goya y Lucientes, Saturn Devouring his Son (1819–23), 1.43 m x 81 cm, Museo Nacional Del Prado, Madrid, Spain; Hannibal Lecter first appeared in Thomas Harris’s novel Red Dragon (1981). 4. Maggie Kilgour (1990), From Communion to Cannibalism: An Anatomy of Metaphors of Incorporation (Princeton University Press). 5. See, for example, Bonnie J. W. Martin, Jeri A. Logemann, Reza Shaker and Wylie J. Dodds (1994), ‘Coordination Between Respiration and Swallowing: Respiratory Phase Relationships and Temporal Integration,’ Journal of Applied Physiology 76: 714–23. 6. Suzanne Collins (2009), Catching Fire (New York: Scholastic Press), p. 22. The political use of food and hunger in the Hunger Games trilogy is discussed further in the Epilogue. 7. Colin Tudge (2004), So Shall We Reap: What’s Gone Wrong with the World’s Food – and How to Fix It (London: Penguin; orig. pub. Allen Lane, 2003), p. 34. 8. Daniel Quinn (2009), Ishmael: An Adventure of the Mind and Spirit (New York: Random House; orig. pub. Bantam, 1992). -
1 How to Select Books for Teaching to Children: Taking a Critical Look at Books Through a Pedagogical Lens Timothy G. Weih, Ph.D
Weih, T. G. (2015). How to Select Books for Teaching to Children: Taking a Critical Look at Books Through a Pedagogical Lens. How to Select Books for Teaching to Children: Taking a Critical Look at Books Through a Pedagogical Lens Timothy G. Weih, Ph.D. University of Northern Iowa, USA 2015 Abstract The purpose of this paper is to guide the process of selecting meaningful books to use in pre-K-6 classrooms. With thousands of children’s books being published each year, it is difficult for teachers to select which ones hold the most potential to inspire students towards a life time of reading pleasure and purpose. This paper outlines selection criteria and provides lesson examples grounded within past and current pedagogical research. Keywords Children’s Literature; Elementary Students; Reading Instruction; Book Choice; Literary Relationships; Book Selection Criteria; Literature Instruction; Evaluating Literature; Elementary Education; Reading for Pleasure; Reading for Purpose; Teaching Fiction; Teaching Nonfiction; Literature-Based Instruction; Reading Fluency; Reading Comprehension Teaching children about literature should not be just about teaching reading and language skills (Serafini, 2011). Primarily it should be about teaching relationships between books and children see Weih, 2014a). The natures of these relationships already exist within children from an early age (see Weih, 2014b); however, it is the role of the teacher to bring these relationships to a conscious existence within each child. For this to occur, children need to understand that books can be part of their lives, that every book contains embedded meaning beneath the words- books are not just words on a page (Pantaleo, 2004). -
Hergé and Tintin
Hergé and Tintin PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Fri, 20 Jan 2012 15:32:26 UTC Contents Articles Hergé 1 Hergé 1 The Adventures of Tintin 11 The Adventures of Tintin 11 Tintin in the Land of the Soviets 30 Tintin in the Congo 37 Tintin in America 44 Cigars of the Pharaoh 47 The Blue Lotus 53 The Broken Ear 58 The Black Island 63 King Ottokar's Sceptre 68 The Crab with the Golden Claws 73 The Shooting Star 76 The Secret of the Unicorn 80 Red Rackham's Treasure 85 The Seven Crystal Balls 90 Prisoners of the Sun 94 Land of Black Gold 97 Destination Moon 102 Explorers on the Moon 105 The Calculus Affair 110 The Red Sea Sharks 114 Tintin in Tibet 118 The Castafiore Emerald 124 Flight 714 126 Tintin and the Picaros 129 Tintin and Alph-Art 132 Publications of Tintin 137 Le Petit Vingtième 137 Le Soir 140 Tintin magazine 141 Casterman 146 Methuen Publishing 147 Tintin characters 150 List of characters 150 Captain Haddock 170 Professor Calculus 173 Thomson and Thompson 177 Rastapopoulos 180 Bianca Castafiore 182 Chang Chong-Chen 184 Nestor 187 Locations in Tintin 188 Settings in The Adventures of Tintin 188 Borduria 192 Bordurian 194 Marlinspike Hall 196 San Theodoros 198 Syldavia 202 Syldavian 207 Tintin in other media 212 Tintin books, films, and media 212 Tintin on postage stamps 216 Tintin coins 217 Books featuring Tintin 218 Tintin's Travel Diaries 218 Tintin television series 219 Hergé's Adventures of Tintin 219 The Adventures of Tintin 222 Tintin films -
Tintin's Travel Traumas
Tintin’s travel traumas: Health issues affecting the intrepid globetrotter Eric Caumes, Loïc Epelboin, France Leturcq, Phyllis Kozarsky, Peter Clarke To cite this version: Eric Caumes, Loïc Epelboin, France Leturcq, Phyllis Kozarsky, Peter Clarke. Tintin’s travel traumas: Health issues affecting the intrepid globetrotter. La Presse Médicale, Elsevier Masson, 2015, 44(6, Part 1), pp.e203-e210. 10.1016/j.lpm.2015.01.006. hal-01153737 HAL Id: hal-01153737 https://hal.sorbonne-universite.fr/hal-01153737 Submitted on 20 May 2015 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Manuscrit 1 2 Tintin’s travel traumas: Health issues affecting the intrepid globetrotter 3 Les problèmes de santé de Tintin: plus de traumatismes que de pathologies du voyageur 4 5 6 7 Eric Caumes (1), Loïc Epelboin (1), France Leturcq (2), Phyllis Kozarsky (3), Peter Clarke 8 9 (4) 10 11 12 13 1) Department of Infectious and Tropical Diseases. Groupe Hospitalier Pitié-Salpêtrière. 45- 14 83 Bld de l‟hôpital, 75013 Paris. University Pierre et Marie Curie. Paris, France 15 16 2) Laboratoire de Génétique moléculaire , Hôpital Cochin , 75014 Paris UPMC –Inserm 17 18 UMRS 974 Paris France 19 20 3) Emory University, Department of Medicine, Division of Infectious Diseases, Atlanta, GA 21 22 4) Manx Text: 118 Woodbourne Road, Douglas, Isle of Man IM2 3BA, British Isles 23 24 25 Correspondence: Eric Caumes Department of Infectious and Tropical Diseases. -
Tintin and the Adventure of Transformative and Critical Fandom
. Volume 17, Issue 2 November 2020 Tintin and the adventure of transformative and critical fandom Tem Frank Andersen & Thessa Jensen, Aalborg University, Denmark Abstract: Using Roland Barthes’ and John Fiske’s notion of the readerly, writerly, and producerly text, this article provides an analysis and a tentative categorization of chosen transformative, fanmade texts for the comic book series The Adventures of Tintin. The focus is on the critical transformation of, and engagement with, the original text by academics, professional fans, and fans of popular culture. The analysis identifies different ways of transformational engagement with the original text: ranging from the academic writerly approach of researchers, over professional fans rewriting and critically engaging with the original text, to fanfiction fans reproducing heteroromantic tropes in homoerotic stories, fans of popular culture using Tintin figurines to document their own travels, and finally, fans who use Tintin covers as a way to express critical political sentiments. With Barthes and Fiske these groups are defined by their way of approaching the original text, thus working either in a readerly producerly or writerly producerly way, depending on how critical and political the producerly attitude is in regard to the original text. Keywords: The Adventures of Tintin, fan albums, fanfiction, fan communities; readerly, writerly, producerly reception Introduction In recent years, it has been quiet around the forever young reporter Tintin and his faithful friends Snowy and Captain Haddock. A motion capture movie about three of Tintin’s adventures failed to garner a larger following, despite having Steven Spielberg as the director (The Adventures of Tintin, Columbia Pictures, 2011). -
Tintin and Alph-Art Free
FREE TINTIN AND ALPH-ART PDF Herge | 64 pages | 21 Jun 2004 | Egmont UK Ltd | 9781405214483 | English | London, United Kingdom [PDF] Tintin and Alph-Art Book (Tintin) Free Download (71 pages) Black and white some colour. ISBN: Note: English text in booklet attached to the Tintin and Alph-Art of the front cover. Title: Tintin's last adventure: Tintin and alph-art. While in town, Captain Haddock saw Castafiore. In order to avoid her, he dashed into the nearest doorway. Little did the Captain know that he was walking into the Fourcart Gallery where an exhibition of Ramo Nash's Alph-art was being held - precisely the place where Castafiore was heading! Unable to escape, the Captain met the gallery's owner and Castafiore, the latter talked him into buying a piece of Alph-art, a letter H in perspex. While in the gallery, Mr Fourcart mentioned to Haddock his wish to see Tintin about an important matter. Later, before he could see Tintin, Fourcart met an untimely death. Tintin suspected that Fourcart's death was linked with the recent deaths of other famous art dealers. Tintin's investigation led him to the Tintin and Alph-Art belonging to Endaddine, a famous Cult leader, and a friend of Castafiore. The villa turned out to be a factory for faking old Masterpieces. Soon after discovering this criminal Tintin and Alph-Art, Tintin found himself a prisoner of Endaddine's, dreading the prospect Tintin and Alph-Art becoming the next piece of Alph-art Endaddine planned to pour liquid polyester over Tintin.