DOCSLIB.ORG

Encyclopedia of Beat Literature

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Encyclopedia of Beat Literature L i t erary Moven1ents..R"• ENCYCLOPEDIA OF BEAT LITERATURE THii ESSENTIAL GU I DE TO Tlil3 L l\' l~ S AND \VORK S 0" THE BEAT WRITERS-jA C ~ K EROUAC, ALLEN G I NSBURG, \VJLLIAM B URROUGH S. AND MANY MORE KLl l\.T H ENI NI ER. Encyclopedia of Beat Literature Edited by Kurt HEmmEr Foreword by Ann cHArtErs Afterword by tim Hunt Photographs by LArry KEEnAn Encyclopedia of Beat Literature Copyright © 2007 by Kurt Hemmer All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permis- sion in writing from the publisher. For information contact: Facts On File, Inc. An imprint of Infobase Publishing 132 West 31st Street New York, NY 10001 Library of Congress Cataloging-in-Publication Data Encyclopedia of beat literature / edited by Kurt Hemmer; foreword by Ann Charters; afterword by Tim Hunt. p. cm. Includes bibliographical references and index. ISBN 0-8160-4297-7 (alk. paper) 1. American literature—20th century—Encyclopedias. 2. Authors, American—20th century—Biography—Encyclopedias. 3. Beat Generation— Encyclopedias. I. Hemmer, Kurt. PS228.B6E53 2006 810.9′11—dc22 2005032926 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by Joan M. Toro Cover design by Semadar Megged/Salvatore Luongo Printed in the United States of America VB Hermitage 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. Dedicated to Linda, Dick, Erik, and Jason. page iv blank CONTENTS Foreword vii Introduction ix Entries 1 Afterword 357 Selected Bibliography of Major Works by Beat Writers 359 Selected Bibliography of Secondary Sources 372 Beat Generation Movement Chronology 376 Contributors 380 Index 385 page vi blank FOREWORD or more than a half-century, writers and critics experimental aesthetics from Lawrence Ferlinghetti, Fhave been exploring the controversial nature Philip Whalen, Gary Snyder, Michael McClure, of the concept of a Beat Generation and of Beat LeRoi Jones, John Wieners, as well as Kerouac and literature. The first article on the Beats, “This Is Ginsberg. the Beat Generation,” written by novelist John The third anthology appeared in 1961 when Clellon Holmes for the New York Times in 1952, Thomas Parkinson, a professor of English at the provoked so many letters to the newspaper’s edi- University of California at Berkeley who had tor that Holmes spent nearly six months trying to encouraged Ginsberg to enroll as a graduate stu- answer them. Since his time, scores of journalists dent, compiled A Casebook on the Beat. This and scholars have offered their different interpreta- collection highlighted “the pros and cons of the tions of Beat literature, and this encyclopedia is a beat movement—with 39 pieces of beat writ- worthy continuation of their spirited conversations ing—Kerouac, Ginsberg, and others,” along with on the subject. attacks on and defenses of the Beats by writers Which dozen or so volumes do I consider to be such as Norman Podhoretz, Kenneth Rexroth, and essential among the previous books about Beat lit- Henry Miller. erature? Still noteworthy in my estimation are the In the 1970s four books stand out in my three earliest critical anthologies, including Beat estimation. The California poet David Meltzer authors that followed soon after the publication of did extensive interviews with Rexroth, William Allen Ginsberg’s Howl and Other Poems (1956) and Everson, Ferlinghetti, Lew Welch, McClure, and Jack Kerouac’s On the Road (1957). These three Richard Brautigan that were published as a mass- anthologies expanded the reading audience for the market paperback, The San Francisco Poets (1971). Beat writers, providing them a contemporary con- After working with Kerouac to compile his bibli- text and some literary respectability. ography in 1966, Charters published the first full- The first, Gene Feldmen and Max Gartenberg’s length biography, Kerouac, in 1973, four years after edition of The Beat Generation and the Angry Young his death. Men, appeared in 1958 and compared the new The first insightful academic study of the writ- radical American writers with the group of young ing of Kerouac, Ginsberg, and William Burroughs contemporary English novelists and playwrights was John Tytell’s Naked Angels in 1976. Two years considered their British counterparts. later, Barry Gifford and Lawrence Lee published Two years later Donald M. Allen edited The Jack’s Book, a fascinating series of interviews with New American Poetry, placing the Beat poets amid “the men and women who populate the Kerouac their avant-garde contemporaries in the United novels.” States. To conclude his anthology, Allen included In the 1980s and 1990s commentary on the “Statements on Poetics,” a discussion about their Beat writers increased from a trickle to a flood, as vii viii Encyclopedia of Beat Literature their work was scrutinized by a growing number In the last half of the 20th century these 12 of academic scholars who understood that their books about the Beats established the canon of poems and novels were authentic works of litera- important authors and works; in the first years of ture. Number eight on my Top Titles’ Chart is Tim the 21st century, new books began to investigate Hunt’s critical study Kerouac’s Crooked Road: The the subject of the Beat literary movement’s place in Development of a Fiction (1981). Hunt’s laudable the wider context of American culture. aim was “to reconstruct Kerouac’s development In 2001 Beat Down To Your Soul collected from a promising imitator (the Wolfean The Town essays, reviews, memoirs, and other material that and the City of 1948) into intuitive experimentalist explored the different aspects of “Beat.” In 2002 (Visions of Cody, 1952) by way of the relatively con- John Suiter wrote Poets on the Peaks, a brilliant book ventional novel that still mostly shapes our sense examining how Snyder, Whalen, and Kerouac’s of his work (On the Road as eventually published work as fire lookouts in the North Cascades con- by Viking).” tributed to their development as nature writers. In 1983 appeared The Beats: Literary Bohemians That same year Ronna C. Johnson and Nancy in Postwar America, issued as volume 16 in the M. Grace edited Girls Who Wore Black, interviews Dictionary of Literary Biography, 700 pages of bio- with members of three generations of Beat women graphical essays analyzing the work of the major along with literary analysis from the perspective and minor Beat authors. of gender criticism. Finally in 2004, Jennie Skerl In 1991 John Arthur Maynard wrote Venice collected essays that challenged the media stereo- West: The Beat Generation in Southern California, types and legends about the Beats, emphasizing the an in-depth investigation of the geography that contribution of African-American and female Beat supported a community of dissident writers at writers. midcentury. If the pattern of this unceasing production of That same year appeared The Portable Beat books on the subject of Beat literature holds—the Reader, a wide-ranging anthology that celebrated attempt to understand their literary achievement the development and extent of Beat writing. Last in an expanding cultural context by viewing their on my list of a dozen essential titles, in 1996 Brenda work from multiple points of view—then this Knight’s compilation Women on the Beat Generation Encyclopedia of Beat Literature for Facts On File focused on the work of 40 women writers who are promises to be the most useful of all. Enjoy! too frequently overlooked in discussions of Beat literature. Ann Charters INTRODUCTION ob Johnson, the William S. Burroughs scholar logical stories of the Beats’ lives. The two—art and R from the University of Texas Pan-American, life—cannot be separated. But neither should the began to work on this encyclopedia in 1999. When study of the art be dominated by the study of the I took over as the editor, the decision was made to lives. After years of studying these countercultural create a work that focused on the literature rather heroes, I thought the time had come to create a than the lives and culture of the Beat Generation. work that rigorously examined the work of these Too often the legends of the Beat Generation have artists as a collective movement that continues to usurped the primary focus in Beat studies from thrive. My hope is that this text will help perpetu- the texts themselves. What ultimately makes the ate and invigorate the ongoing intellectual conver- writers of the Beat Generation important is their sation over what writers and texts are “Beat” and art. The Encyclopedia of Beat Literature is designed which of them are worthy of continued analysis. to introduce and guide fans, students, and instruc- The creation of this encyclopedia truly started tors to some of the most ambitious and stimulating for me in the summer of 1992 when I walked into works produced by the Beat writers and their allied the Brown University Bookstore on Thayer Street contemporaries. This volume should complement in Providence, Rhode Island, and discovered Ann the excellent dictionaries, encyclopedias, historical Charters’s The Portable Beat Reader. I was already surveys, and biographies already in existence about determined to pursue a career as a literature the Beat movement as well as those to come. Here instructor, and I wanted to find a genre of writing is a sampling of novels, memoirs, books of poetry, that would sustain my enthusiasm for the half- individual poems, essays, and short story collec- dozen or so years required of graduate study.
Load more

Recommended publications
  • Exploring Curriculum Leadership Capacity-Building Through Biographical Narrative: a Currere Case Study
    EXPLORING CURRICULUM LEADERSHIP CAPACITY-BUILDING THROUGH BIOGRAPHICAL NARRATIVE: A CURRERE CASE STUDY A dissertation submitted to the Kent State University College of Education, Health and Human Services in partial fulfillment of the requirements for the degree of Doctor of Philosophy By Karl W. Martin August 2018 © Copyright, 2018 by Karl W. Martin All Rights Reserved ii MARTIN, KARL W., Ph.D., August 2018 Education, Health and Human Services EXPLORING CURRICULUM LEADERSHIP CAPACITY-BUILDING THROUGH BIOGRAPHICAL NARRATIVE: A CURRERE CASE STUDY (473 pp.) My dissertation joins a vibrant conversation with James G. Henderson and colleagues, curriculum workers involved with leadership envisioned and embodied in his Collegial Curriculum Leadership Process (CCLP). Their work, “embedded in dynamic, open-ended folding, is a recursive, multiphased process supporting educators with a particular vocational calling” (Henderson, 2017). The four key Deleuzian “folds” of the process explore “awakening” to become lead professionals for democratic ways of living, cultivating repertoires for a diversified, holistic pedagogy, engaging in critical self- examinations and critically appraising their professional artistry. In “reactivating” the lived experiences, scholarship, writing and vocational calling of a brilliant Greek and Latin scholar named Marya Barlowski, meanings will be constructed as engendered through biographical narrative and currere case study. Grounded in the curriculum leadership “map,” she represents an allegorical presence in the narrative. Allegory has always been connected to awakening, and awakening is a precursor for capacity-building. The research design (the precise way in which to study this ‘problem’) will be a combination of historical narrative and currere. This collecting and constructing of Her story speaks to how the vision of leadership isn’t completely new – threads of it are tied to the past.
    [Show full text]
  • Allen Ginsberg, Psychiatric Patient and Poet As a Result of Moving to San Francisco in 1954, After His Psychiatric Hospitalizati
    Allen Ginsberg, Psychiatric Patient and Poet As a result of moving to San Francisco in 1954, after his psychiatric hospitalization, Allen Ginsberg made a complete transformation from his repressed, fragmented early life to his later life as an openly gay man and public figure in the hippie and environmentalist movements of the 1960s and 1970s. He embodied many contradictory beliefs about himself and his literary abilities. His early life in Paterson, New Jersey, was split between the realization that he was a literary genius (Hadda 237) and the desire to escape his chaotic life as the primary caretaker for his schizophrenic mother (Schumacher 8). This traumatic early life may have lead to the development of borderline personality disorder, which became apparent once he entered Columbia University. Although Ginsberg began writing poetry and protest letters to The New York Times beginning in high school, the turning point in his poetry, from conventional works, such as Dakar Doldrums (1947), to the experimental, such as Howl (1955-1956), came during his eight month long psychiatric hospitalization while a student at Columbia University. Although many critics ignore the importance of this hospitalization, I agree with Janet Hadda, a psychiatrist who examined Ginsberg’s public and private writings, in her assertion that hospitalization was a turning point that allowed Ginsberg to integrate his probable borderline personality disorder with his literary gifts to create a new form of poetry. Ginsberg’s Early Life As a child, Ginsberg expressed a strong desire for a conventional, boring life, where nothing exciting or remarkable ever happened. He frequently escaped the chaos of 2 his mother’s paranoid schizophrenia (Schumacher 11) through compulsive trips to the movies (Hadda 238-39) and through the creation of a puppet show called “A Quiet Evening with the Jones Family” (239).
    [Show full text]
  • R0693-05.Pdf
    I' i\ FILE NO .._O;:..=5:....:::1..;::..62;;;;..4:..- _ RESOLUTION NO. ----------------~ 1 [Howl Week.] 2 3 Resolution declaring the week of October 2-9 Howl Week in the City and County of San 4 Francisco to commemorate the 50th anniversary of the first reading of Allen Ginsberg's 5 classic American poem about the Beat Generation. 6 7 WHEREAS, Allen Ginsberg wrote Howl in San Francisco, 50 years ago in 1955; and 8 ! WHEREAS, Mr. Ginsberg read Howl for the first time at the Six Gallery on Fillmore 9 I Street in San Francisco on October 7, 1955; and 10 WHEREAS, The Six Gallery reading marked the birth of the Beat Generation and the 11 I start not only of Mr. Ginsberg's career, but also of the poetry careers of Michael McClure, 12 Gary Snyder, Jack Kerouac, Philip Whalen; and 13 14 WHEREAS, Howl was published by Lawrence Ferlinghetti at City Lights and has sold 15 nearly one million copies in the Pocket Poets Series; and 16 WHEREAS, Howl rejuvenated American poetry and marked the start of an American 17 Cultural Revolution; and 18 WHEREAS, The City and County of San Francisco is proud to call Allen Ginsberg one 19 of its most beloved poets and Howl one of its signature poems; and, 20 WHEREAS, October 7,2005 will mark the 50th anniversary of the first reading of 21 HOWL; and 22 WHEREAS, Supervisor Michela Alioto-Pier will dedicate a plaque on October 7,2005 23 at the site of Six Gallery; now, therefore, be it 24 25 SUPERVISOR PESKIN BOARD OF SUPERVISORS Page 1 9/20/2005 \\bdusupu01.svr\data\graups\pElskin\iagislatiarlire.soll.ltrons\2005\!lo\l'lf week 9.20,05.6(J-(; 1 RESOLVED, That the San Francisco Board of Supervisors declares the week of 2 October 2-9 Howl Week to commemorate the 50th anniversary of this classic of 20th century 3 American literature.
    [Show full text]
  • Everything Lost
    Everything Lost Everything LosT THE LATIN AMERICAN NOTEBOOK OF WILLIAM S. BURROUGHS GENERAL EDITORS Geoffrey D. Smith and John M. Bennett VOLUME EDITOR Oliver Harris THE OHIO STATE UNIVERSITY PRESS / COLUMBUS Copyright © 2008 by the Estate of William S. Burroughs. All rights reserved. Library of Congress Cataloging-in-Publication Data Burroughs, William S., 1914–1997. Everything lost : the Latin American notebook of William S. Burroughs / general editors: Geoffrey D. Smith and John M. Bennett ; introduction by Oliver Harris. p. cm. Includes bibliographical references. ISBN-13: 978-0-8142-1080-2 (alk. paper) ISBN-10: 0-8142-1080-5 (alk. paper) 1. Burroughs, William S., 1914–1997—Notebooks, sketchbooks, etc. 2. Burroughs, William S., 1914–1997— Travel—Latin America. I. Smith, Geoffrey D. (Geoffrey Dayton), 1948– II. Bennett, John M. III. Title. PS3552.U75E63 2008 813’.54—dc22 2007025199 Cover design by Fulcrum Design Corps, Inc . Type set in Adobe Rotis. Text design and typesetting by Jennifer Shoffey Forsythe. Printed by Sheridan Books, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanance of Paper for Printed Library Materials. ANSI Z39.49-1992. 9 8 7 6 5 4 3 2 1 coNtents ACKNOWLEDGMENTS vii INTRODUCTION BY OLIVER HARRIS ix COMMENTS ON THE TEXT BY GEOFFREY D. SMITH xxvii NOTEBOOK FACSIMILE 1 TRANSCRIPT AND FAIR COPY (with notes and variant readings) 105 ABOUT THE EDITORS 217 acknoWledgments First and foremost, the editors wish to thank James Grauerholz, literary execu- tor of the William S. Burroughs estate, for permission to publish this seminal holograph notebook.
    [Show full text]
  • The 1957 Howl Obscenity Trial and Sexual Liberation
    Portland State University PDXScholar Young Historians Conference Young Historians Conference 2015 Apr 28th, 1:00 PM - 2:15 PM A Howl of Free Expression: the 1957 Howl Obscenity Trial and Sexual Liberation Jamie L. Rehlaender Lakeridge High School Follow this and additional works at: https://pdxscholar.library.pdx.edu/younghistorians Part of the Cultural History Commons, Legal Commons, and the United States History Commons Let us know how access to this document benefits ou.y Rehlaender, Jamie L., "A Howl of Free Expression: the 1957 Howl Obscenity Trial and Sexual Liberation" (2015). Young Historians Conference. 1. https://pdxscholar.library.pdx.edu/younghistorians/2015/oralpres/1 This Event is brought to you for free and open access. It has been accepted for inclusion in Young Historians Conference by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. A HOWL OF FREE EXPRESSION: THE 1957 HOWL OBSCENITY TRIAL AND SEXUAL LIBERATION Jamie L. Rehlaender Dr. Karen Hoppes HST 201: History of the US Portland State University March 19, 2015 2 A HOWL OF FREE EXPRESSION: THE 1957 HOWL OBSCENITY TRIAL AND SEXUAL LIBERATION Allen Ginsberg’s first recitation of his poem Howl , on October 13, 1955, at the Six Gallery in San Francisco, ended in tears, both from himself and from members of the audience. “The people gasped and laughed and swayed,” One Six Gallery gatherer explained, “they were psychologically had, it was an orgiastic occasion.”1 Ironically, Ginsberg, upon initially writing Howl , had not intended for it to be a publicly shared piece, due in part to its sexual explicitness and personal references.
    [Show full text]
  • Religion and Spirituality in the Work of the Beat Generation
    DOCTORAL THESIS Irrational Doorways: Religion and Spirituality in the Work of the Beat Generation Reynolds, Loni Sophia Award date: 2011 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 Irrational Doorways: Religion and Spirituality in the Work of the Beat Generation by Loni Sophia Reynolds BA, MA A thesis submitted in partial fulfilment of the requirements for the degree of PhD Department of English and Creative Writing University of Roehampton 2011 Reynolds i ABSTRACT My thesis explores the role of religion and spirituality in the work of the Beat Generation, a mid-twentieth century American literary movement. I focus on four major Beat authors: William S. Burroughs, Allen Ginsberg, Jack Kerouac, and Gregory Corso. Through a close reading of their work, I identify the major religious and spiritual attitudes that shape their texts. All four authors’ religious and spiritual beliefs form a challenge to the Modern Western worldview of rationality, embracing systems of belief which allow for experiences that cannot be empirically explained.
    [Show full text]
  • Floydfest: Floyd, VA 8/13-15/2004
    Floydfest: Floyd, VA 8/13-15/2004 SEARCH: GLIDE UPDATES: features :: reviews :: columns :: downloads :: news :: forums » Show: Galactic - Mr. Floydfest Smalls Theater, Millvale, PA Floyd, VA 8/13-15/2004 Brian Gearing » CD: Dirty Dozen Brass Wednesday, September 15, 2004 Band - Funeral For A Friend » Gallery: Gov't Mule, Orpheum Theatre, Boston The approach into the Floyd World Music Festival on the MA 10/15/04 Blue Ridge Parkway is one of the most beautiful on the east coast. The Parkway is nationally recognized as one » CD: Barbara Cue - Rhythm of the most serene drives in the country. Boasting Oil spectacular views of the surrounding valleys and almost completely unspoiled by gas stations or motor-miles, it » Feature: John “Jojo” is one of the few roads anywhere where one can drive Hermann: Another Round Of for miles without seeing any sign of human intervention Smiling Assassins aside from the occasional rustic home. Even on the evening of the first day of the festival, the incoming » Download: moe. - traffic was thin at best, and the stereotypical, sticker-plastered Winnebagos and Westfalias Somerville Theater were nowhere to be seen. Rather than the faceless car-and-bag-checkpoints of Bonnaroo and the like, the entrance to the Floydfest grounds is done up like the visual incarnation of an eager hug from a long- lost friend. An arch reading “Welcome to Floydfest” opens its arms to visitors who walk down a mulched path adorned with flowers both real and sculpted as the warm sounds of acoustic music from five separate stages blend together into a noise one can almost smell.
    [Show full text]
  • Floydfest Partnership Package
    FloydFest Partnership Package 888-VA-FESTS | FloydFest.com [email protected] Who Is AtWP? Across the Way Productions, Inc. creates, designs and executes one-of-a-kind LIVE events. Dedicated to providing a unique experience for each and every attendee. AtWP is excited to present in 2019 the nationally accredited FloydFest Music and Arts Festival, dubbed “FloydFest 19~Voyage Home.” We are five days of music, magic and mountains, featuring outdoor adventures, vibrant and varied vendors, quality brews and chews, healing arts, workshops and whimsy, children's activities, art installations, and a lineup featuring more than 100 artists on eight+ stages. Website: FloydFest.com Facebook: facebook.com/FloydFestVA Twitter: twitter.com/floydfest Instagram: instagram.com/floydfestva With two decades of success conceptualizing and implementing unique outdoor events, AtWP is a forerunner in the field of event management. “Our mission is to be the best music festival experience of our time. To sell a limited quantity of tickets to the highest quality event experience, bar none, celebrating music, art and life in an intimate, visually stunning environment; and to embody our values day-to-day within the organization, balancing relaxed style and a chill authenticity with detail orientation and high-quality work standards.” History of FloydFest FloydFest was conceived by musician, promoter, and co-founder Kris Hodges, and began as a love for all of the best that live entertainment could offer. Hodges’ passion for deep roots music led him from Virginia, where he performed music across the mid- Atlantic in high school, to studying Music Business at the Atlanta Art Institute and at the University of GA.
    [Show full text]
  • Everything Lost the Latin American Notebook of William S
    Everything Lost The Latin American Notebook of William S. Burroughs William S. Burroughs Edited by Geoffrey D. Smith, John M. Bennett, and Oliver Harris In late summer 1953, as he returned to Mexico City after a seven-month expedition through the jungles of Ecuador, Colombia, and Peru, William S. Burroughs began a notebook 2007 240 pp. of final reflections on his four years in Latin America. His first novel, Junkie, had just been published and he would soon $59.95 cloth 978-0-842-080-2 be back in New York to meet Allen Ginsberg and together complete the manuscripts of what became The Yage Letters and Queer. Yet this notebook, the sole survivor from that period, reveals Burroughs not as a writer on the verge of success, but as a man staring down personal catastrophe and visions of looming cultural disaster. Losses that will not let go of him haunt Burroughs throughout the notebook: "Bits of it keep floating back to me like memories of a daytime nightmare." However, out of these dark reflections we see emerge vivid fragments of Burroughs's fiction and, even more tellingly, unique, primary evidence for the remarkable ways in which his early manuscripts evolved. Assembled in facsimile and transcribed by Geoffrey D. Smith, John M. Bennett, and Burroughs scholar Oliver Harris, the notebook forces us to change the way we see both Burroughs and his writing at a turning point in his literary biography. William S. Burroughs is recognized as one of the most innovative, politically trenchant, and influential artists of the twentieth century.
    [Show full text]
  • Prisoners of Our Thoughts
    Praise for PRISONERS OF OUR THOUGHTS “In this newly revised edition, Alex Pattakos and Elaine Dundon not only honor the legacy of Viktor Frankl, but they also further it by bringing his work to a new generation of readers in search of a more meaningful life. In very practical ways, they show that when we put meaning at the heart of our lives, we’re better able to thrive and reach our full potential.” — Arianna Huffington, founder ofThe Huffington Post and founder and CEO of Thrive Global “If you intend to read just one self-help book in your life, pick this one. You won’t regret it.” — Alexander Batthyany, PhD, Director, Viktor Frankl Institute, Vienna, Austria “Here is a landmark book that, among other things, underscores how the search for meaning is intimately related to and positively influences health improvement at all levels. Reading Prisoners of Our Thoughts is an insightful prescription for promoting health and wellness!” — Kenneth R. Pelletier, PhD, MD (hc), Clinical Professor of Medicine and Professor of Public Health, University of Arizona and University of California, San Francisco Schools of Medicine “Prisoners of Our Thoughts is an important book about creating a meaningful life— a life that matters and makes a difference. Those of us involved in the individual quest for meaning will find valuable information and inspiration in it. Meaning— choosing it, living it, sustaining it— is a significant personal, as well as societal, issue of the twenty-first century.” — Marita J. Wesely, Trends Expert and Trends Group Manager, Hallmark Cards, Inc. “This book is a gem.
    [Show full text]
  • University of Cincinnati News Record. Tuesday, April 18, 1972. Vol. 59, No
    UNIVERSITY OF CINCINNA,..rrI INSI DE TODAY St u d en t government elections are tomorrow and Thursday. The News Record NEW"S EOGRD endorses candidates on page 4. Volume 59 Number 41 P~blished Tuesdays and Fridays during theacedemic year, except as scheduled. Tuesday, April 18, 1972 Cross Campus Credits BA Dean Wilson Resigns, Returns Wins A&5 Focully Nolfi To Teaching A proposal removing restrictions into the Correlation Committee by another within the university," said Dr. Kenneth Wilson, for 14 years on the number of credits that Eric Chabrow (A&S· senior), Fee. Previous policy was to allow ~--J:k.an of the College of Business' students in the College of Arts and president of the A&S tribunal, set credit only for courses for which fil.<; ~istration at the University of Sciences may take outside their down a limit of 39 hours, but the A&S has an equivalent department. w~i\i rlinati will return to full-time college as free academic electives was committee recommended that there "In the case of a student transferring !l . , .. , teachihg, it was announced Monday. aI? proved by the A&S faculty be no restriction. other than from the College of Engineering, for I. Thursday and will take effect minimum A&S requirements and' example, . this could often mean University Provost Robert O'Neil immediately. The proposal was requirements of the student's field. almost a whole year's work to fl!llfill said ~a search committee. is,'.being unanimously approved by the A&S. "The overall effect will not be very requirements for free electives,"., formed to recommend a Successor Cotrelation Committee April 4.
    [Show full text]
  • It Reveals Who I Really Am”: New Metaphors, Symbols, and Motifs in Representations of Autism Spectrum Disorders in Popular Culture
    “IT REVEALS WHO I REALLY AM”: NEW METAPHORS, SYMBOLS, AND MOTIFS IN REPRESENTATIONS OF AUTISM SPECTRUM DISORDERS IN POPULAR CULTURE By Summer Joy O’Neal A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English Middle Tennessee State University 2013 Dissertation Committee: Dr. Angela Hague, Chair Dr. David Lavery Dr. Robert Petersen Copyright © 2013 Summer Joy O’Neal ii ACKNOWLEDGEMENTS There simply is not enough thanks to thank my family, my faithful parents, T. Brian and Pamela O’Neal, and my understanding sisters, Auburn and Taffeta, for their lifelong support; without their love, belief in my strengths, patience with my struggles, and encouragement, I would not be in this position today. I am forever grateful to my wonderful director, Dr. Angela Hague, whose commitment to this project went above and beyond what I deserved to expect. To the rest of my committee, Dr. David Lavery and Dr. Robert Petersen, for their seasoned advice and willingness to participate, I am also indebted. Beyond these, I would like to recognize some “unofficial” members of my committee, including Dr. Elyce Helford, Dr. Alicia Broderick, Ari Ne’eman, Chris Foss, and Melanie Yergau, who graciously offered me necessary guidance and insightful advice for this project, particularly in the field of Disability Studies. Yet most of all, Ephesians 3.20-21. iii ABSTRACT Autism has been sensationalized by the media because of the disorder’s purported prevalence: Diagnoses of this condition that was traditionally considered to be quite rare have radically increased in recent years, and an analogous fascination with autism has emerged in the field of popular culture.
    [Show full text]