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LOGAN MARSHALL-GREEN Jewel
Festival de Cannes 2013 Un Certain Regard METROPOLITAN FILMEXPORT présente une production Millennium Films en association avec Rabbit Bandini Productions et Lee Caplin/Picture Corporation un film de James Franco AS I LAY DYING James Franco Tim Blake Nelson Danny McBride Logan Marshall-Green Ahna O’Reilly Jim Parrack Beth Grant Brady Permenter Scénario : James Franco, Matt Rager D’après le livre Tandis que j’agonise de William Faulkner Durée : 1h50 Notre nouveau portail est à votre disposition. Inscrivez-vous à l’espace pro pour récupérer le matériel promotionnel du film sur : www.metrofilms.com Distribution : Relations presse : METROPOLITAN FILMEXPORT MOONFLEET 29, rue Galilée - 75116 Paris Jérôme Jouneaux, Cédric Landemaine & Tél. 01 56 59 23 25 Mounia Wissinger Fax 01 53 57 84 02 10, rue d’Aumale - 75009 Paris Tél. 01 53 20 01 20 info@metropolitan -films.com cedric [email protected] Programmation : Partenariats et promotion : Tél. 01 56 59 23 25 AGENCE MERCREDI Tél. 01 56 59 66 66 1 L’HISTOIRE Après le décès d’Addie Bundren, son mari et ses cinq enfants entament un long périple à travers le Mississippi pour accompagner la dépouille jusqu’à sa dernière demeure. Anse, le père, et leurs enfants Cash, Darl, Jewel, Dewey Dell et le plus jeune, Vardaman, quittent leur ferme sur une charrette où ils ont placé le cercueil. Chacun d’eux, profondément affecté, vit la mort d’Addie à sa façon. Leur voyage jusqu’à Jefferson, la ville natale de la défunte, sera rempli d’épreuves, imposées par la nature ou le destin. Mais pour ce qu’il reste de cette famille, rien ne sera plus dangereux que les tourments et les blessures secrètes que chacun porte au plus profond de lui… 2 NOTES DE PRODUCTION « Il faut deux personnes pour faire un homme, mais il n’en faut qu’une pour mourir. -
Rambo: Last Blood Production Notes
RAMBO: LAST BLOOD PRODUCTION NOTES RAMBO: LAST BLOOD LIONSGATE Official Site: Rambo.movie Publicity Materials: https://www.lionsgatepublicity.com/theatrical/rambo-last-blood Facebook: https://www.facebook.com/Rambo/ Twitter: https://twitter.com/RamboMovie Instagram: https://www.instagram.com/rambomovie/ Hashtag: #Rambo Genre: Action Rating: R for strong graphic violence, grisly images, drug use and language U.S. Release Date: September 20, 2019 Running Time: 89 minutes Cast: Sylvester Stallone, Paz Vega, Sergio Peris-Mencheta, Adriana Barraza, Yvette Monreal, Genie Kim aka Yenah Han, Joaquin Cosio, and Oscar Jaenada Directed by: Adrian Grunberg Screenplay by: Matthew Cirulnick & Sylvester Stallone Story by: Dan Gordon and Sylvester Stallone Based on: The Character created by David Morrell Produced by: Avi Lerner, Kevin King Templeton, Yariv Lerner, Les Weldon SYNOPSIS: Almost four decades after he drew first blood, Sylvester Stallone is back as one of the greatest action heroes of all time, John Rambo. Now, Rambo must confront his past and unearth his ruthless combat skills to exact revenge in a final mission. A deadly journey of vengeance, RAMBO: LAST BLOOD marks the last chapter of the legendary series. Lionsgate presents, in association with Balboa Productions, Dadi Film (HK) Ltd. and Millennium Media, a Millennium Media, Balboa Productions and Templeton Media production, in association with Campbell Grobman Films. FRANCHISE SYNOPSIS: Since its debut nearly four decades ago, the Rambo series starring Sylvester Stallone has become one of the most iconic action-movie franchises of all time. An ex-Green Beret haunted by memories of Vietnam, the legendary fighting machine known as Rambo has freed POWs, rescued his commanding officer from the Soviets, and liberated missionaries in Myanmar. -
Hellboy Premieres in Uk Cinemas 11 April After Part
HELLBOY PREMIERES IN UK CINEMAS 11 APRIL AFTER PART- FILMING IN BRISTOL >> Watch the trailer, featuring Bristol’s Waring House << BRISTOL, 9th April 2019: The highly anticipated third Hellboy movie is set to premiere in UK cinemas this week (11th April), after part-filming in Bristol in 2017. Lionsgate’s ‘R-rated reboot’ of the international film franchise is directed by Neil Marshall (The Descent, Game of Thrones) and stars David Harbour (Stranger Things), Milla Jovovich (Resident Evil series), Ian McShane (John Wick), Daniel Dae Kim (Hawaii Five-0) and Sasha Lane (American Honey). Principal photography mainly took place in Bulgaria, but it was Bristol and the surrounding area that provided the backdrop for the UK leg of the shoot. Bristol’s Bottle Yard Studios provided the UK production base, supplying offices, construction areas and prop stores. Night shoots for major scenes starring lead character Hellboy (David Harbour) took place in September 2017 at Waring House in Bristol’s Redcliffe area, which can be seen in the opening moments of the movie’s trailer. The demanding shoot featuring SWAT teams, firearms and armoured vehicles, was arranged with help from Bristol Film Office who assisted with location scouting, recces, arranging unit bases and parking. They also helped producers liaise with residents, advising on donations for the local community and ensuring translation needs were met so that communications were fully accessible. (left) UK crew Joel Stokes, Jade Stevenson & Hannah Bone and (right) 8 yr old fan Bobby from Southville with David Harbour during filming at Waring House (credit: Benjamin Greenacre) Hellboy’s Unit Production Manager (UK) Benjamin Greenacre says: “Hellboy was the fourth - and biggest - film that I’ve shot in my home city and Bristol never disappoints; it’s an exceptional place in which to make a movie. -
THE ICEMAN Textes DP
METROPOLITAN FILMEXPORT présente Un film Millennium Films Une production Ehud Bleiberg/Millennium Films Un film d’Ariel Vromen THE ICEMAN Michael Shannon Winona Ryder James Franco Ray Liotta Chris Evans Scénario : Morgan Land, Ariel Vromen D’après le livre d’Anthony Bruno « The Iceman: The True Story of a Cold-Blooded Killer » Et le documentaire de James Thebaut « The Iceman Tapes: Conversations With A Killer » Musique : Haim Mazar Montage : Danny Rafic Image : Bobby Bukowski Décors : Nathan Amondson Costumes : Donna Zakowska Un film produit par Ehud Bleiberg, Avi Lerner, Ariel Vromen Durée : 1h45 Sortie : 5 juin 2013 Notre nouveau portail est à votre disposition. Inscrivez-vous à l’espace pro pour récupérer le matériel promotionnel du film sur : www.metrofilms.com Distribution : Relations presse : METROPOLITAN FILMEXPORT KINEMA FILM 29, rue Galilée - 75116 Paris François Frey Tél. 01 56 59 23 25 15, rue Jouffroy-d’Abbans – 75017 Paris Fax 01 53 57 84 02 Tél. 01 43 18 80 00 info@metropolitan -films.com Fax 01 43 18 80 09 Programmation : Partenariats et promotion : Tél. 01 56 59 23 25 AGENCE MERCREDI Tél. 01 56 59 66 66 1 L’HISTOIRE Tiré de faits réels, voici l’histoire de Richard Kuklinski, surnommé « The Iceman », un tueur à gages qui fut condamné pour une centaine de meurtres commandités par différentes organisations criminelles new-yorkaises. Menant une double vie pendant plus de vingt ans, ce pur modèle du rêve américain vivait auprès de sa superbe femme, Deborah Pellicotti, et de leurs enfants, tout en étant secrètement un redoutable tueur professionnel. Lorsqu’il fut finalement arrêté par les fédéraux en 1986, ni sa femme, ni ses filles, ni ses proches ne s’étaient douté un seul instant qu’il était un assassin. -
THE EXPENDABLES 2 Synopsis Die EXPENDABLES Sind Zurück
THE EXPENDABLES 2 Synopsis Die EXPENDABLES sind zurück… Barney Ross (Sylvester Stallone), Lee Christmas (Jason Statham), Yin Yang (Jet Li), Gunnar Jensen (Dolph Lundgren), Toll Road (Randy Couture) und Hale Ceasar (Terry Crews) sind zurück. Und bekommen diesmal Verstärkung von Billy the Kid (Liam Hemsworth) und Maggie (Yu Nan). Zusammen werden sie von Mr. Church (Bruce Willis) für einen Job angeheuert, der zunächst nach leicht verdientem Geld aussieht. Doch als der Plan schief läuft und einer von ihnen brutal ermordet wird, sinnen die Expendables auf Rache und ziehen, obwohl es eine gefährliche Operation ist, in feindliches Gebiet. Getrieben vom Drang nach Vergeltung zieht die Truppe eine Schneise der Verwüstung nach sich und schafft es in letzter Sekunde eine unerwartete Bedrohung unschädlich zu machen – sechs Pfund gefährliches Plutonium, genug um das Kräfteverhältnis in der Welt zu verändern. Aber all das ist nichts gegen ihren Plan die Gerechtigkeit am Mord ihres Bruders siegen zu lassen… THE EXPENDABLES 2 ist die mit großer Spannung erwartete Fortsetzung des weltweiten Blockbusters THE EXPENDABLES. In den Hauptrollen spielen neben Sylvester Stallone, Jason Statham, Jet Li, Dolph Lundgren, Tery Crews und Randy Couture auch Bruce Willis und Arnold Schwarzenegger sowie die Neuzugänge Liam Hemsworth, Martial‐Arts Legende Chuck Norris und Jean Claude Van Damme, dazu die Chinesin Yu Nan als erste weibliche EXPENDABLE. Simon West führte Regie nach dem Drehbuch von Sylvester Stallone, basierend auf den von David Callaham entwickelten Figuren. Produzenten sind Avi Lerner, Danny Lerner, Les Weldon und Kevin King Templeton. . -
Electric Boogaloo: the Wild, Untold Story of Cannon Films
Press Kit ELECTRIC BOOGALOO: THE WILD, UNTOLD STORY OF CANNON FILMS Table Of Contents CONTACT DETAILS And Technical Information 1 SYNOPSIS: LOGLINE AND ONE PARAGRAPH 2 SYNOPSIS: ONE PAGE 3 DIRECTOR’S STATEMENT 4 PRODUCER’S STATEMENT 5 KEY CREATIVE CREDITS 6 DIRECTOR BIOGRAPHY 7 PRODUCER BIOGRAPHY 8 KEY CREATIVEs 10 INTERVIEWEE LIST 11 - 12 SELECT INTERVIEWEE BIOGRAPHIES 13 - 16 FINAL END CREDITS 17 - 34 A CELEBRATION OF HOLLYWOOD’S LEAST LOVED STUDIO FROM THE DIRECTOR OF NOT QUITE HOLLYWOOD RATPAC DOCUMENTARY FILMS WILDBEAR ENTERTAINMENT IN ASSOCIATION WITH MELBOURNE INTERNATIONAL FILM FESTIVAL PREMIERE FUND SCREEN QUEENSLAND FILM VICTORIA AND CELLULOID NIGHTMARES PRESENT ELECTRIC BOOGALOO: THE WILD, UNTOLD STORY OF CANNON FILMS ORIGINAL MUSIC JAMIE BLANKS CINEMATOGRAPHER GARRY RICHARDS EDITED BY MARK HARTLEY SARA EDWARDS JAMIE BLANKS Check the Classification EXECUTIVE PRODUCERS NATE BOLOTIN TODD BROWN JEFF HARRISON HUGH MARKS JAMES PACKER PRODUCED BY BRETT RATNER VERONICA FURY WRITTEN AND DIRECTED BY MARK HARTLEY Press Kit A CELEBRATION OF HOLLYWOOD’S LEAST LOVED STUDIO FROM THE DIRECTOR OF NOT QUITE HOLLYWOOD RATPAC DOCUMENTARY FILMS WILDBEAR ENTERTAINMENT IN ASSOCIATION WITH MELBOURNE INTERNATIONAL FILM FESTIVAL PREMIERE FUND SCREEN QUEENSLAND FILM VICTORIA AND CELLULOID NIGHTMARES PRESENT ELECTRIC BOOGALOO: THE WILD, UNTOLD STORY OF CANNON FILMS ORIGINAL MUSIC JAMIE BLANKS CINEMATOGRAPHER GARRY RICHARDS EDITED BY MARK HARTLEY SARA EDWARDS JAMIE BLANKS Check the Classification EXECUTIVE PRODUCERS NATE BOLOTIN TODD BROWN JEFF HARRISON -
It Seems Barely an Exaggeration to Say That Arab and Muslim Americans Are Constantly Talked About but Almost Never Heard From. T
It seems barely an exaggeration to say that Arab and Muslim Americans are constantly talked about but almost never heard from. The problem is not that they lack representations but that they have too many. And these are all abstractions. Arabs and Muslims have become a foreign-policy issue, an argument on the domestic agenda, a law-enforcement priority, and a point of well-meaning concern. They appear as shadowy characters on terror television shows, have become objects of sociological inquiry, and get paraded around as puppets for public diplomacy…They are floating everywhere in the virtual landscape of the national imagination, as either villains of Islam or victims of Arab culture. — Moustafa Bayoumi, How Does it Feel to be a Problem1 36 Waleed F. Mahdi investigation of the historical trajectory of Hollywood's engagement with the Arab American cultural identity. INTRODUCTION Popular culture in the United States functions through sensational and rating based entertainment. It also promotes a hegemonic frame of reference for cultural citizenship and national belonging in the life of "cultural citizens.'" It serves as an ideological state apparatus, to echo French philosopher Louis Althusser, guiding citizens through an acculturation process that homogenizes their own subjectivity.' In this sense, this article defines cultural citizenship as a tool to sUbjectify minorities through the mediation of popular culture.4 In his scholarly reviews of Hollywood's history, Lary May emphasizes the cinema's role in enunciating cultural citizenship. Hollywood, he argues, has been a site of fury for debates around "good citizenship" because of its connection to "political power, cultural authority, and the very meaning of national identity."5 For decades, Hollywood has played a major role in Circulating a popular sense of American collective imagination and manufacturing sensational conceptions of cultural Otherness. -
1144 05/16 Issue One Thousand One Hundred Forty-Four Thursday, May Sixteen, Mmxix
#1144 05/16 issue one thousand one hundred forty-four thursday, may sixteen, mmxix “9-1-1: LONE STAR” Series / FOX TWENTIETH CENTURY FOX TELEVISION 10201 W. Pico Blvd, Bldg. 1, Los Angeles, CA 90064 [email protected] PHONE: 310-969-5511 FAX: 310-969-4886 STATUS: Summer 2019 PRODUCER: Ryan Murphy - Brad Falchuk - Tim Minear CAST: Rob Lowe RYAN MURPHY PRODUCTIONS 10201 W. Pico Blvd., Bldg. 12, The Loft, Los Angeles, CA 90035 310-369-3970 Follows a sophisticated New York cop (Lowe) who, along with his son, re-locates to Austin, and must try to balance saving those who are at their most vulnerable with solving the problems in his own life. “355” Feature Film 05-09-19 ê GENRE FILMS 10201 West Pico Boulevard Building 49, Los Angeles, CA 90035 PHONE: 310-369-2842 STATUS: July 8 LOCATION: Paris - London - Morocco PRODUCER: Kelly Carmichael WRITER: Theresa Rebeck DIRECTOR: Simon Kinberg LP: Richard Hewitt PM: Jennifer Wynne DP: Roger Deakins CAST: Jessica Chastain - Penelope Cruz - Lupita Nyong’o - Fan Bingbing - Sebastian Stan - Edgar Ramirez FRECKLE FILMS 205 West 57th St., New York, NY 10019 646-830-3365 [email protected] FILMNATION ENTERTAINMENT 150 W. 22nd Street, Suite 1025, New York, NY 10011 917-484-8900 [email protected] GOLDEN TITLE 29 Austin Road, 11/F, Tsim Sha Tsui, Kowloon, Hong Kong, China UNIVERSAL PICTURES 100 Universal City Plaza Universal City, CA 91608 818-777-1000 A large-scale espionage film about international agents in a grounded, edgy action thriller. The film involves these top agents from organizations around the world uniting to stop a global organization from acquiring a weapon that could plunge an already unstable world into total chaos. -
Şirin Payzın
8TL ŞUBAT-MART 2015 ŞUBAT-MART 42. SAYI 22 yıllık birikimin ekrana yansıması ŞiRiN PaYZıN İMZA: “BY ESTİ” JOSEPH M. HEDY SCHİLLİNGER SCHLEİFER 20. Yüzyılda “Bağlantı Rönesans Mucizesi” AH BEYOĞLU, METROPOL VAH BEYOĞLU STİLLERİ RENÉE LEVİ Yolları kesişen Sibel Sergisi YAZAR, BESTECİ, FİLM YAPIMCISI 1 KEMER COUNTRY’DE KEMER COUNTRY’DE KEMER COUNTRY’DE 7 ODA 2 SALON 800 M2 5 ODA 2 SALON 500 M2 ÇOK ŞIK BAKIMLI 5 ODA 2 SALON TAM MÜSTAKİL VİLLA. TAM MÜSTAKİL VİLLA. 450 M2 MÜSTAKİL VİLLA. 5.000.000 USD 3.750.000 USD 3.150.000 USD KEMER COUNTRY’DE KEMERBURGAZ KEMERBURGAZ 6 ODA 1 SALON 450 M2 PANORAMA VİLLALARIN’DA PANORAMA EVLERİ’NDE TAM MÜSTAKİL VİLLA. TAM MÜSTAKİL 6 ODA 2 SALON 5 ODA 2 SALON 350 M2 3.000.000 USD 800 M2 VİLLA. 3.750.000 USD ÇATI DUBLEKSİ. 1.100.000 USD 2 KEMERBURGAZ KEMERBURGAZ KEMER CORNER SİTESİ’NDE ALTINTAŞ EVLERİ’NDE ARKETİP EVLERİ’NDE FERAH 2 ODA 1 SALON 4 ODA 1 SALON 250 M2 VİLLA. KÖŞE KONUMLU 3 ODA 1 SALON 152 M2 BAHÇE KATI. 920.000 USD 185M2 BAHÇE KATI. 475.000 USD 560.000 USD KEMERBURGAZ KEMERBURGAZ KEMERBURGAZ MESA YANKI EVLERİ’NDE ARKETİP EVLERİ’NDE GÖKMAHAL SİTESİ’NDE 2 ODA 1 SALON 110 M2 ARA KAT. BÜYÜK TERASLI PANJURLU 1 ODA 1 SALON +1 HİZMETLİ ODALI 400.000 USD 3 ODA 1 SALON 180 M2 DAİRE. DAİRE 535.000 TL 570.000 USD 3 4 5 Editörden... Sevgili okurlar, Şubat dergimizin kapağındaki hanıme- fendiyi tanımayanınız yoktur her halde. CNN’de gün- demin tartışıldığı “Ne oluyor?” adlı programı ile haftanın birkaç gecesi bizleri ekrana bağlayan Şirin Payzın bu ay Dergi’ye konuk oldu. -
He Wanted to Do Was Go Home and Get a Drink. but at 8:02 Am, Hungover
~ Final Production Information ~ All he wanted to do was go home and get a drink. But at 8:02 a.m., hungover NYPD detective Jack Mosley (BRUCE WILLIS) is assigned a seemingly simple task. Petty criminal Eddie Bunker (MOS DEF) is set to testify before a grand jury at 10:00 a.m. and needs to be taken from lock-up to the courthouse, 16 blocks away. It should take Jack 15 minutes to drop him off at the courthouse and get home. Broken down, out of shape, with a bad leg and a serious drinking problem, Jack’s role on the force is simple – clock in, clock out and stay out of trouble in between. He’s in no mood to deal with a punk who’s been in and out of jail for more than half his life. But beneath the punk in Eddie lies a man committed to turning his life around and constantly searching for “signs” that will lead him to a brighter future. Jack knows better, though – people don’t change. In Eddie he sees only a pathetic rat who was offered a sweet deal... a rat he will be rid of soon enough. When Jack shoves Eddie into the back of his car and pulls out into the morning New York city rush hour, he doesn’t notice the van looming behind them. His head throbbing, and Eddie’s flair for conversation only making it worse, Jack stops off at the local liquor store to pick up some breakfast. As Eddie waits inside the locked car, fuming at getting stuck with Jack as his escort, he’s suddenly faced with a much bigger problem – a loaded gun pointed at his head. -
Un Film De RAPHAEL REBIBO Yediot America JFF Miami (USA) « We’Re Big Fans of AMOR and Feel Great Boca Raton (USA) Pride and Honor Presenting It at Our Festival
Rencontres IFF MJFF PBJFF SDJFF Cinématographiques Los Angeles Miami Palm Beach San Diego de Dijon 2016 2017 2017 2017 2016 MAGORA PRODUCTIONS & TRANSFAX FILM présentent France USA USA USA USA IAC DJFF Cinécroisette RJFF CJFF Cinématec Detroit Cannes 2017 Rochester Columbia New Jersey 2017 2ème Prix du Public 2017 2017 2018 USA France USA USA USA JFF BRJFF GPJFF J&IFF FCIM Saratosa Boca Raton Greater Phoenix Mayerson Montréal Manatee 2018 2018 Cincinnati 2018 2018 USA USA 2018 Canada USA USA Projection spéciale Rencontres IAC Cinematec New Jersey (USA) Cinématographiques de Dijon ARP « This is a story of love, freedom, belief, and « ... The story is short, simple. There are no ethics. The conflict inside the lover, the conflict special effects. The artists are, for me, totally inside the religious father. unknown. And the outcome is amazing. The How much freedom is given to someone to do whole audience was sniffing... what he/she wishes ? May this film live, be seen and prove to the How much do you love someone to fullfill his/ whole world that love exists !...» her desires ?” Danielle Paquet-François Rebibo is not afraid to confront fateful issues in his touching and thought provoking film. » 21240 Talant (France) Ilanit Solomonovich-Habot Un film de RAPHAEL REBIBO Yediot America JFF Miami (USA) « We’re big fans of AMOR and feel great Boca Raton (USA) pride and honor presenting it at our Festival. Wishing you much success and all « We just screened this wonderful film the very best ! » in Boca Raton, FL. It is a very moving and Igor Shteyrenberg powerful film, beautifully written, filmed and Director Miami Jewish Film Festival acted… about very real life issues that many of us will « This beautiful film is moving, important, face as individuals and that we all must face as and will make you look at institutions in your a society. -
Hard to Stop Image and Authorship in the Films of Steven Seagal
Hard To Stop Image and Authorship in the Films of Steven Seagal BY Michael Van Esler Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ______________________________ Chairperson: Dr. Chuck Berg ______________________________ Dr. Michael Baskett ______________________________ Prof. Robert Hurst Date Defended: April 18th, 2011 Acceptance Page The Thesis Committee for Michael Van Esler certifies that this is the approved version of the following thesis: Hard To Stop: Image and Authorship in the Films of Steven Seagal _____________________________ Chairperson: Dr. Chuck Berg Date Approved: ii Abstract Little serious scholarly work has been done on the career of Steven Seagal which is surprising given his immense popularity in the early 1990s. In addition to suggesting more work be done on less traditional stars, this thesis asks what factors lead to an understanding of Steven Seagal as a working class action hero. It makes the case for understanding Seagal as a star because of the impressive box office success of his films along with his immense popularity during that time frame. The thesis focuses mainly on Seagal‘s films from 1988 until 1995, with only occasional references to his later, less commercially successful work which nonetheless helps explicate the essence of the Seagal persona. The main theoretical texts utilized in this thesis are Richard Dyer‘s Stars, which examines both the sociological and semiotic implications of stardom, and Rick Altman‘s Film/Genre, which explores the evolution of the working class action film.