DOCSLIB.ORG

WORLD OCEAN Journal

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
WORLD OCEAN Journal WORLD OCEAN journal World Ocean Observatory Volume I, No. 1, 2014 Inaugural Issue “I promise you [the blue marble] works. Over and over again, I can see a person’s attention captured, a new idea of the ocean amplified and revalued, an innate curiosity peaked in the questions that follow. I leave the marble behind, as a gift and reminder that by its transfer my new ocean friend accepts an obligation to become a “citizen of the ocean” and to share responsibility for the ocean future. ...” ~ From World Ocean Radio 235: Blue Marble Editor’s note Wallace J. Nichols, sea turtle specialist and peripatetic ocean advocate, developed the blue marble as a physical symbol by which to distill and motivate empathy for and understanding of the ocean as an essential element in our lives: a blue marble-a blue glass sphere, when held between thumb and forefinger against the light, glows with an iconic power. It is what earth looks like from space in scale, color and beauty, a planet that might well have been called “Oceanus.” You can carry blue marbles too. Visit wallacejnichols.org/130/ blue-marbles and click on “Play the Blue Marble Game” where you can order your supply of blue marbles...by the hundreds! Local artisanal fishermen unloading their catch from pirogues on the shores of Senegal. Credit: Linda Schonknecht | Marine Photobank In This Issue 4 THe editor’s contributors notebook 5 THe editor’s the notebook editor’s log An Introduction to the World Ocean Journal by Peter Neill 6 the sea & civilization: an introduction A Maritime History of the World by Lincoln Paine 14 building sustainable communities A Conversation with Wendi Goldsmith of Bioengineering Group by Trisha Badger 22 ocean views Reciprocity: Our Obligation to the Ocean by Peter Neill 26CHANGE IN oceanTHE WEATHER portfolio Mami Wata: Art for Water Spirits in Africa A Photo Exhibit and Essay by Henry John Drewal 33CHANGE INsmall THE WEATHER islands, extreme weather, and a changing climate A Statement by Ambassador Ronnie Jumeau, Seychelles 35CHANGE INocean THE WEATHER solutions The Ocean & Human Ecology: An Exclusive Video Interview with Darron Collins, President, College of the Atlantic 38 An ocean commonplace Video Feature: The Rubens Quartet Performs “Visions of the Sea” Composed by Joey Roukens Volume 1, No. 1, 2014 3 Contributors Peter Neill CHRISTOPHER MARTIN lincoln paine Thoughout his career Peter Neill has Christopher Martin of Alberta, Canada, The author of, most recently, The Sea and contributed to organizations devoted to photographs nature and the cultures Civilization: A Maritime History of the marine affairs, education, and culture. He and people of the world. He is a regular World, which is excerpted in this volume, has written numerous articles and books contributor to a local Alberta magazine, Lincoln Paine lives in Portland, Maine. A on maritime history and art. Peter is Bragg About the Creek, and his images trustee of the Maine Maritime Museum, he Founder and Director of the World Ocean are licensed for a variety of print and can be found online at LincolnPaine.com. Observatory and is host of World Ocean online publications. Find him online at Radio, a weekly series of 5-minute audio christophermartinphotography.com and HENRY john DREWAL essays on a wide range of ocean topics. follow him on Twitter @kananaskisphoto. Rubens QuarteT wendi goldsmith Henry John Drewal has served as Curator of African Art at the Neuberger Museum- SUNY-Purchase, the Cleveland Museum Through its rich knowledge of string Wendi Goldsmith is CEO and Founder of Art, and at the Toledo Museum of quartet culture, the Rubens Quartet of Bioengineering Group. Her diverse Art. Since 1991 he has been the Evjue- combines the old with the new, background spans geology, plant and soil Bascom Professor of Art History and interpreting lesser known works of science, ecological planning, water quality Afro-American Studies at the University the past and present and placing them management, and river restoration design. of Wisconsin-Madison and Adjunct alongside the great standards of the In 1999 Wendi led the establishment of Curator of African Art at the Chazen quartet repertoire. The Quartet is: Sarah the Center for Urban Watershed Renewal, Museum of Art, UW-Madison. Find him Kapustin, violin; Tali Goldberg, violin; dedicated to promoting ecological at henrydrewal.com. Roeland Jagers, viola; and Joachim stewardship in the most degraded and Eijlander, cello. Find them online at impacted urban areas from New England RONALD JEAN JUMEAU rubenskwartet.nl. to the West Coast. JOEY ROUKENS darron collins After five years as Ambassador of the Republic of the Seychelles to the United Nations and the United States, His Joey Roukens works have been performed A graduate of College of the Atlantic, Excellency Ronny Jumeau was appointed by major ensembles and soloists around Collins now serves as the school’s roving Ambassador for Climate Change the world. His repertoire includes president, the first president of COA to and Small Island Developing States in orchestral works, ensemble works, be born after the college was founded in 2012. He has also served as Minister chamber music, and solo instrumental 1969. Collins, who has a Ph.D from Tulane for the Environment and Natural works. Visit him at joeyroukens.com. University in New Orleans, came to COA Resources, Seychelles Minister for Culture from the World Wildlife Fund, where he and Information, and as Minister for served as the Director of Creative Assets. Agriculture and Marine Resources. WORLD OCEAN JOURNAL 4 Editor’s Log World Ocean Journal An introduction to the volume 1, No. 1, 2014 World Ocean Journal by Peter Neill elcome to World Ocean commissioned for the 2013 re- Journal, a new bi-annual opening of the National Maritime publication from the World Museum of The Netherlands; and my WOcean Observatory. As you will see own reflections on “reciprocity” as a in this inaugural issue, we intend to rationale and framework for exchange include essays, interviews, art, music, of value and engagement between us EDitor exhibits and performances in a vital and the ocean, between civil society Peter Neill profile of the impact of the ocean on and the natural world that sustains it. our lives. We will introduce exemplary We will distribute World Ocean Design & Production ocean advocates, describe innovative Journal through presentation to the Trisha Badger projects, and offer perspectives and 1.2 million unique annual visitors ideas to help us understand the to the World Ocean Observatory, full extent of the ocean crisis and through our thousands of program and to suggest solutions and actions to newsletter subscribers, through the mitigate destructive behaviors and to World Ocean Journal is a ever-expanding international audience offer alternative approaches. bi-annual publication of the World for World Ocean Radio, and through Ocean Observatory, a not-for-profit In this first edition, Volume 1, No. 1, our many social media channels. organization based in coastal Maine. 2014, we include education, design, We urge you to share this new art, music, and personal reflection: The mission of the World Ocean publication with your colleagues, old an excerpt from the introduction to Observatory is to communicate the and new friends, and other “citizens Lincoln Paine’s extraordinary one- full spectrum of ocean issues--climate, of the ocean” through your own volume history, The Sea & Civilization; fresh water, food, energy, trade, organizational links and personal a discussion about the ocean and transportation, public health, finance, connections. Let’s distribute the World human ecology with Dr. Darron Ocean Journal worldwide, and see governance, recreation and culture--as Collins, President of the College of the what happens. a realization of the belief that the sea Atlantic; a conversation with Wendi connects all things. Goldsmith on bio-engineering and Join us, and help us evaluate the ecological design; a survey of artistic results. Please do not hesitate to representations of Mami Wata, an contact me ([email protected]) with African goddess of the sea, by Dr. your reactions, comments, suggestions, Henry John Drewal; a performance and ideas for future content. Thank by The Rubens Quartet, “Visions at you for your interest and commitment. Sea,” composed by Joey Roukens, Copyright © 2014 by the World Ocean Observatory. All rights reserved. Excepting translations, reproduction of articles online or in print is prohibited without first obtaining written permission. Open Sea Exhibit, Monterey Bay Aquarium. Credit: Gerick Bergsma, 2010 | Marine Photobank Volume 1, No. 1, 2014 5 WORLD OCEAN JOURNAL 6 An introduction by Lincoln Paine I want to change the way you Portuguese Christians seem like see the world. so many historical surprises. Only the last were absolute newcomers Specifically, I want to change the to the Monsoon Seas that stretch way you see the world map by from the shores of East Africa to historian therefore draws on such focusing your attention on the the coasts of Korea and Japan. disciplines as the arts, religion, blues that shade 70 percent of The others were heirs to ancient, language, the law, and political the image before you, and letting interlinked traditions of seafaring economy. the earth tones fade. This shift in and trade that long ago connected emphasis from land to water makes the shores of East Africa with those An alternative and perhaps simpler many trends and patterns of world of Northeast Asia. This book shows way to approach the question, What history stand out in ways they many similar examples of maritime is maritime history? is to tackle its simply cannot otherwise. Before regions that were quietly exploited unasked twin: What is terrestrial the development of the locomotive before events conspired to thrust history?— the view from the land in the nineteenth century, culture, them into the historical limelight.
Load more

Recommended publications
  • Introduction: Introducing Yemoja
    1 2 3 4 5 Introduction 6 7 8 Introducing Yemoja 9 10 11 12 Solimar Otero and Toyin Falola 13 14 15 16 17 18 Mother I need 19 mother I need 20 mother I need your blackness now 21 as the august earth needs rain. 22 —Audre Lorde, “From the House of Yemanjá”1 23 24 “Yemayá es Reina Universal porque es el Agua, la salada y la dul- 25 ce, la Mar, la Madre de todo lo creado / Yemayá is the Universal 26 Queen because she is Water, salty and sweet, the Sea, the Mother 27 of all creation.” 28 —Oba Olo Ocha as quoted in Lydia Cabrera’s Yemayá y Ochún.2 29 30 31 In the above quotes, poet Audre Lorde and folklorist Lydia Cabrera 32 write about Yemoja as an eternal mother whose womb, like water, makes 33 life possible. They also relate in their works the shifting and fluid nature 34 of Yemoja and the divinity in her manifestations and in the lives of her 35 devotees. This book, Yemoja: Gender, Sexuality, and Creativity in the 36 Latina/o and Afro-Atlantic Diasporas, takes these words of supplica- 37 tion and praise as an entry point into an in-depth conversation about 38 the international Yoruba water deity Yemoja. Our work brings together 39 the voices of scholars, practitioners, and artists involved with the inter- 40 sectional religious and cultural practices involving Yemoja from Africa, 41 the Caribbean, North America, and South America. Our exploration 42 of Yemoja is unique because we consciously bridge theory, art, and 43 xvii SP_OTE_INT_xvii-xxxii.indd 17 7/9/13 5:13 PM xviii Solimar Otero and Toyin Falola 1 practice to discuss orisa worship3 within communities of color living in 2 postcolonial contexts.
    [Show full text]
  • I the Sacred Act of Reading: Spirituality, Performance, And
    The Sacred Act of Reading: Spirituality, Performance, and Power in Afro-Diasporic Literature By Anne Margaret Castro Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in English August, 2016 Nashville, Tennessee Approved: Vera Kutzinski, Ph.D. Ifeoma Nwankwo, Ph.D. Hortense Spillers, Ph.D. Marzia Milazzo, Ph.D. Victor Anderson, Ph.D. i Copyright © 2016 by Anne Margaret Castro All Rights Reserved To Annette, who taught me the steps. iii ACKNOWLEDGEMENTS I am deeply grateful for the generous mentoring I have received throughout my graduate career from my committee chairs, Vera Kutzinski and Ifeoma Nwankwo. Your support and attention to this project’s development has meant the world to me. My scholarship has been enriched by the support and insight of my committee members: Hortense Spillers, Marzia Milazzo, and Victor Anderson. I would also like to express my thanks to Kathryn Schwarz and Katie Crawford, who always treated my work as valuable. This dissertation is a testament to the encouragement and feedback I received from my colleagues in the Vanderbilt English department. Thanks to Vera Kutzinski’s generosity of time and energy, I have had the pleasure of growing through sustained scholarly engagement with Tatiana McInnis, Lucy Mensah, RJ Boutelle, Marzia Milazzo and Aubrey Porterfield. I am thankful to Ifeoma Nwankwo’s work with the Drake Fellowship, which gave me the opportunity to conduct oral history interviews with Dr. Erna Brodber and Petal Samuel, in Woodside, Jamaica. My experiences in Jamaica deeply affected the way I approach my scholarship.
    [Show full text]
  • Ìyá Agbára Ìyá Agbára
    Ìyá Agbára Ìyá Agbára Virginia Borges, 11TH BERLIN Gil DuOdé e BIENNALE 2020 Virginia de Medeiros THE CRACK BEGINS WITHIN 1 Claudia Sampaio Silva 6 2 Diana Schreyer 14 3 Virginia Borges 24 4 Virginia de Medeiros 35 5 Lucrécia Boebes-Ruin 45 6 Vera Regina Menezes 60 7 Nina Graeff 68 8 Nitzan Meilin 75 9 Mirah Laline 85 10 Luanny Tiago 95 11 Gilmara Guimarães 114 “Candomblé is a feminine religion, created by women. The strength of Candomblé is feminine. Why by women? Because it is the woman who generates. It is only the woman who gives birth. It’s only the woman who has a uterus. Candomblé religiosity is comprehensive, it embraces everyone. Who embraces a big family? It is always the mother”. Babalorixá Muralesimbe (Murah Soares) Spiritual leader of Ilê Obá Sileké 1 Claudia Sampaio Silva My name is Claudia Sampaio Silva, I was born in Bahia, in the Chapada region, close to Andaraí in a very small town called Colônia de Itaitê. i went to Salvador at the age of five with my family. i arrived in Germany for the first time in 1988. i came to visit an aunt who had two small children. She was overwhelmed with them. i came to help her and took the opportunity to leave Brazil. it was in the 1980s at the end of the Military Coup of 1964 and the beginning of the so-called democracy. it was a very conflicted time! i took a leave of absence from college and stayed in Berlin for a year, from 1988 to 1989.
    [Show full text]
  • Agenda Women's Equality: An
    WOMEN’S EQUALITY: AN AGENDA Women’s Organizations Assess U.S. Government Actions on Implementing the Beijing Platform, 1995–2000 WOME N ’S EQ U ALITY: AN Unfinis h ed Wom e n ’s Organ i z ati o n s Assess U.S . Go ver n m e n t AGE N DA Ac tions on Implementi n g the Beijing Platfo r m , 19 9 5Ð20 0 0 Published by Wom e n ’s Envi ro n m e n t and Devel o p m e n t Or ga n i z ation In coll ab o r ation with: AIDS Legal Referral Panel Center for Policy Alterna t i v e s Center for American Women and Politics Center for Women Policy Studies Communications Consortium Media Center Equality Now Family Violence Prevention Fund Girls Incorporated Institute for Women’s Policy Research In t e r national Women’s Media Foundation Lawyers Committee for Civil Rights Under Law National Black Women’s Health Project National Congress of Neighborhood Wom e n National Council for Research on Women National Partnership for Women and Families Women’s Edge Women’s International League for Peace and Free d o m WOMEN’S ENVIRO N M E NT & D E V E LO PM E NT O RG A NI Z ATION (WE D O) 355 Lexington Avenue, 3rd floor, New York, NY 10017-6603, U.S.A Tel: 212-973-0325; Fax: 212-973-0335 E-mail: [email protected] Website: www.wedo.org Gopher: gopher.igc.apc.org The Women’s Environment and Development Organization is an international advocacy network that strives for a healthy and peaceful planet, with social, political, economic and environmental justice for all through the empowerment of women in all their diversity participating equally with men in decision-making from grassroots to global arenas.
    [Show full text]
  • Reglas De Congo: Palo Monte Mayombe) a Book by Lydia Cabrera an English Translation from the Spanish
    THE KONGO RULE: THE PALO MONTE MAYOMBE WISDOM SOCIETY (REGLAS DE CONGO: PALO MONTE MAYOMBE) A BOOK BY LYDIA CABRERA AN ENGLISH TRANSLATION FROM THE SPANISH Donato Fhunsu A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature (Comparative Literature). Chapel Hill 2016 Approved by: Inger S. B. Brodey Todd Ramón Ochoa Marsha S. Collins Tanya L. Shields Madeline G. Levine © 2016 Donato Fhunsu ALL RIGHTS RESERVED ii ABSTRACT Donato Fhunsu: The Kongo Rule: The Palo Monte Mayombe Wisdom Society (Reglas de Congo: Palo Monte Mayombe) A Book by Lydia Cabrera An English Translation from the Spanish (Under the direction of Inger S. B. Brodey and Todd Ramón Ochoa) This dissertation is a critical analysis and annotated translation, from Spanish into English, of the book Reglas de Congo: Palo Monte Mayombe, by the Cuban anthropologist, artist, and writer Lydia Cabrera (1899-1991). Cabrera’s text is a hybrid ethnographic book of religion, slave narratives (oral history), and folklore (songs, poetry) that she devoted to a group of Afro-Cubans known as “los Congos de Cuba,” descendants of the Africans who were brought to the Caribbean island of Cuba during the trans-Atlantic Ocean African slave trade from the former Kongo Kingdom, which occupied the present-day southwestern part of Congo-Kinshasa, Congo-Brazzaville, Cabinda, and northern Angola. The Kongo Kingdom had formal contact with Christianity through the Kingdom of Portugal as early as the 1490s.
    [Show full text]
  • Dancing Postcolonialism
    Sabine Sörgel Dancing Postcolonialism TanzScripte | edited by Gabriele Brandstetter and Gabriele Klein | Volume 6 Sabine Sörgel (Dr. phil.) teaches the history and theory of theatre and dance at Johannes Gutenberg-University Mainz. Her current research includes cross- cultural corporealities, contemporary performance and postcolonial theory. Sabine Sörgel Dancing Postcolonialism The National Dance Theatre Company of Jamaica Die vorliegende Arbeit wurde vom Fachbereich 05 Philosophie und Philologie der Jo- hannes Gutenberg-Universität Mainz im Jahr 2005 als Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie (Dr. phil.) angenommen. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2007 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Cover illustration: Rex Nettleford, NDTC’s »moving spirit«, co-founder, princi- pal choreographer, and current Artistic Director. Here seen in lead role of »Myal«. Credits: Photographs: cover illustration and pages 100, 102, 103, 110, 112, 119, 131, 175, 176, 177 courtesy and copyright by Maria LaYacona and NDTC ar- chives; page 140 courtesy and copyright by Denis Valentine and NDTC ar- chives; page 194 courtesy and coypright by W. Sills and NDTC archives. All video stills: courtesy
    [Show full text]
  • Kenneth M. Bilby Jamaican Maroon Collection
    Kenneth M. Bilby Jamaican Maroon Collection AFC 1983/008 Guides to the Collections in the Archive of Folk Culture American Folklife Center, Library of Congress Washington, D.C. March 2002 Revised September 2009 Contact information: http://hdl.loc.gov/loc.afc/folklife.contact Additional search options available at: http://hdl.loc.gov/loc.afc/eadafc.af002001 LC Online Catalog record: http://lccn.loc.gov/2004695191 Prepared by Michelle Forner Collection Summary Call No.: AFC 1983/008 Creator: Bilby, Kenneth M., 1953- Title: Kenneth M. Bilby Jamaican Maroon Collection Inclusive Dates: 1977-1991 Bulk Dates: 1977-1979 Contents: 1 box ; .2 linear feet ; 332 items; 300 manuscript pages, 29 10" audio tapes, and 3 videocassettes Location: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: An ethnographic field collection of sound recordings, moving images, and accompanying materials that document the music and dance of Jamaican Maroons, particularly the Kromanti Dance ritual complex recorded by Kenneth M. Bilby in 1977-1979, and in 1991. Languages: Collection material in Jamaican Creole and English Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. For a glossary of Maroon terms used in the Kenneth M. Bilby Jamaican Maroon Collection, see Appendix A . People Bilby, Kenneth M., 1953- collector. Bilby, Kenneth M., 1953- --Ethnomusicological collections. Organizations Smithsonian Folklife Festival, collector. Subjects Dance--Jamaica. Field recordings--Jamaica. Folk songs, Creole--Jamaica.
    [Show full text]
  • HIST 331 Prophets
    HIST 331-D1 Fall Semester 2017 PRIESTS, PROPHETS, & RADICALS IN THE ATLANTIC WORLD Charles V. Reed, Ph.D. Contact information Gilchrist Complex 333 Phone: 252.335.3201 Text/mobile: 252.548.6541 E-mail: [email protected] Twitter: @reedhistoryecsu Skype: [email protected] Office hours TBA Required texts Margarite Fernandez Olmos, Creole Religions of the Course description Caribbean (NYU, 2011). ISBN A thematic approach to the contributions of 9780814762288. African religion and politics to the African diaspora Jacob Olupona, African in the United States and the Caribbean. Analyzes Religions: A Very Brief the role of religion in resisting oppression and Introduction (Oxford, 2014). racial injustice as well as the role of religion and the ISBN 9780199790586. church. Richard Newman, Freedom’s Prophet: Bishop Richard Allen, Course requirements the AME Church, and the Black Founding Fathers (NYU, 2009). ISBN 9780814758571. Assignment Value Due date Discussion Boards 600 points Weekly Midterm Examination 200 points October 8 Final Examination 200 points 1 December !1 HIST 331-D1 Fall Semester 2017 Student Learning Outcomes • Students will reflect on and make use of frameworks and theories for understanding the religious belief and practices. • Students will trace and examine the cultural flow of religious traditions from Africa, and elsewhere, to the Americas, as well as their Discussion Boards effects and transformations. Each week, by Thursday at 11:59 pm ET, you will develop a • Students will identify and 300-500-word discussion post that responds to the prompt reflect on multiple religious provided and based on the week’s readings. It must be based transitions and analyze them on an argument/thesis/claim and engage in analysis of within the context of the Africana diaspora and/or meaning and significance, not just description.
    [Show full text]
  • “Spirits That Matter: Cross-Gender Identifications in Haitian Vodou. in Defying Binarism: Gender Dynamics in Caribbean Literature and Culture
    “Spirits that Matter: Cross-Gender Identifications in Haitian Vodou. In Defying Binarism: Gender Dynamics in Caribbean Literature and Culture . Virginia University Press. Ed. Maria Cristina Fumagalli. (forthcoming) Cross-Gender Identifications in Vodou Roberto Strongman University of California, Santa Barbara The representation of Vodou in Haitian cultural production is replete with cross- gendered subjectivities that many critics have failed to take into account. In Rene Depestre’s novel Hadriana dans tous mes rêves , the protagonist—Hadriana, a white French woman living in Haiti—is turned into a zombi on her wedding day and becomes the leader of a Vodou community. Martin Murno sees in Hadriana’s whiteness “obvious traces of Depestre’s francophilia” (Munro 2007, 127). He also concedes that there might be an element of resistance in Depestre’s idealizaton of Hadriana’s beauty by claiming that Hadriana might embody a “reversal of colonial eroticization of its tropical other” (Munro 2007, 127). What Munro fails to notice, however, is how Hadriana’s aborted marriage begins a non-heteronormative characterization that continues throughout her spiritual evolution. At the outset of the text Hadriana is associated with Nana Buruku, a lwa that is often represented as embodying a primordial androgynous gender. The people of Jacmel, unable to accept that a heart attack brought Nana down to the foot of the altar, used their necrophilic imagination to reinsert their daughter into a fairy tale. Her body’s disappearance from the sepulcher was the catalyst for such a leap from the fear of death into fantasy. 1(Depestre 1988, 98--99) At the end of the novel, she is associated with a male deity of springs: “I was Simbi-the- Spring.
    [Show full text]
  • Toussaint Louverture and Haiti's History As Muse
    Toussaint Louverture and Haiti’s History as Muse: Legacies of Colonial and Postcolonial Resistance in Francophone African and Caribbean Corpus by Aude Dieudé Department of Romance Studies Duke University Date: _______________________ Approved: ___________________________ Deborah Jenson, Co-Supervisor ___________________________ Achille Mbembe, Co-Supervisor ___________________________ Laurent Dubois ___________________________ Ian Baucom ___________________________ Ranjana Khanna Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2013 ABSTRACT Toussaint Louverture and Haiti’s History as Muse: Legacies of Colonial and Postcolonial Resistance in Francophone African and Caribbean Corpus by Aude Dieudé Department of Romance Studies Duke University Date: _______________________ Approved: ___________________________ Deborah Jenson, Co-Supervisor ___________________________ Achille Mbembe, Co-Supervisor ___________________________ Laurent Dubois ___________________________ Ian Baucom ___________________________ Ranjana Khanna An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2013 Copyright by Aude Dieudé 2013 Abstract This dissertation explores the themes of race and resistance in nineteenth-century Haitian writings and highlights their impact on French-speaking
    [Show full text]
  • Obeah, Witchcraft in the West Indies, by Hesketh J
    Obeah, witchcraft in the West Indies, by Hesketh J. Bell. Bell, Hesketh, Sir, 1864-1952. London, S. Low, Marston & company limited, 1893. http://hdl.handle.net/2027/hvd.32044019136415 Public Domain in the United States, Google-digitized http://www.hathitrust.org/access_use#pd-us-google We have determined this work to be in the public domain in the United States of America. It may not be in the public domain in other countries. Copies are provided as a preservation service. Particularly outside of the United States, persons receiving copies should make appropriate efforts to determine the copyright status of the work in their country and use the work accordingly. It is possible that current copyright holders, heirs or the estate of the authors of individual portions of the work, such as illustrations or photographs, assert copyrights over these portions. Depending on the nature of subsequent use that is made, additional rights may need to be obtained independently of anything we can address. The digital images and OCR of this work were produced by Google, Inc. (indicated by a watermark on each page in the PageTurner). Google requests that the images and OCR not be re-hosted, redistributed or used commercially. The images are provided for educational, scholarly, non-commercial purposes. : XXXXXXXXXXXXXXXXXXXXXXXX. HARVARD COLLEGE * - LIBRARY # FROM THE LIBRARY OF George Lyman Kittredge GURNEY PROFESSOR OF ENGLISH LITERATURE 1917-1941 : X7 XX34:XXX XXXXXXXX XXX. OBEAH WITCHCRAFT IN THE WEST INDIES: HESKETH J. BELiyF.R.G.S. ' ' A.DTHOB 01 k. WITCH'S IISACX" SECOND AND i BEFISED EDITION LONDON SAMPSON LOW, MAKSTON & COMPANT Limited Ru punstan's goose Fetter Lane, Fleet Street, E.O.
    [Show full text]
  • Continuing Conjure: African-Based Spiritual Traditions in Colson Whitehead’S the Underground Railroad and Jesmyn Ward’S Sing, Unburied, Sing
    religions Article Continuing Conjure: African-Based Spiritual Traditions in Colson Whitehead’s The Underground Railroad and Jesmyn Ward’s Sing, Unburied, Sing James Mellis Guttman Community College, 50 West 40th St., New York, NY 10018, USA; [email protected] Received: 10 April 2019; Accepted: 23 June 2019; Published: 26 June 2019 Abstract: In 2016 and 2017, Colson Whitehead’s The Underground Railroad and Jesmyn Ward’s Sing, Unburied, Sing both won the National Book Award for fiction, the first time that two African-American writers have won the award in consecutive years. This article argues that both novels invoke African-based spirituality in order to create literary sites of resistance both within the narrative of the respective novels, but also within American culture at large. By drawing on a tradition of authors using African-based spiritual practices, particularly Voodoo, hoodoo, conjure and rootwork, Whitehead and Ward enter and engage in a tradition of African American protest literature based on African spiritual traditions, and use these traditions variously, both as a tie to an originary African identity, but also as protection and a locus of resistance to an oppressive society. That the characters within the novels engage in African spiritual traditions as a means of locating a sense of “home” within an oppressive white world, despite the novels being set centuries apart, shows that these traditions provide a possibility for empowerment and protest and can act as a means for contemporary readers to address their own political and social concerns. Keywords: voodoo; conjure; African-American literature; protest literature; African American culture; Whitehead; Ward; American literature; popular culture And we are walking together, cause we love one another There are ghosts at our table, they are feasting tonight.
    [Show full text]