Lasse Marhaug & Incapacitants Music Writing

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Lasse Marhaug & Incapacitants Music Writing

nyMusikk vårprogram 2015 nyMusikk + All Ears nyMusikk + Borealis 9. januar Lasse Marhaug & 9. mars Borealis preview To høydepunkter fra programmet til årets Incapacitants Borealisfestival: Den eksperimentelle Støypioner Marhaug i samtale med den trubaduren Richard Dawson + cellovirtuosen ikoniske japanske støyduoen Incapacitants. Oliver Coates med Chrysanthemum Bear. nyMusikk kl. 14:00. Gratis, lett servering. Blå kl. 20:00. Kr 150 / 100 (medl.) nyMusikk + Big Bang 23. januar Music writing masterclass 10. – 11. april Musikkmagasinet The Wire holder skrivekurs nyMusikk Kids: i musikkjournalistikk og musikkritikk. Påmelding: [email protected]. Stavanger Konserthus Kunstnernes Hus kl. 11:00-16:00. iPad-workshop for barn 6 - 12 år som del av den Kr 350/250 (stud.) europeiske barnemusikkfestivalen Big Bang. Program: stavanger-konserthus.no 23. januar David Grubbs nyMusikk + Henie Onstad Kunstsenter Off The Page kick-off solokonsert med grunnleggeren av Squirrel Bait, Bastro og Lene Grenager på HOK: Gastr del Sol. The Wire Sound System DJs. Last Train kl. 22:00. Kr 100/gratis (medl.) 10. mai Ensemble Zwischentöne Konsertdag i forbindelse med Melgaard/ Rickhard-utstillingen. Et av verdens fremste nyMusikk + The Wire 24. januar samtidsmusikkensembler, Ensemble Off The Page Oslo Zwischentöne, urfremfører et nytt verk av Musikkfestival uten musikk: Samtaler, foredrag, Lene Grenager. Jon Wesseltoft-solo i performance, film og musikkmarked. Melgaard-utstillingen. Kunstnernes Hus kl. 11: 00 – 22:00. Kr 250 / 150 Henie Onstad Kunstsenter kl. 14.00. Kr 80/50. 1. februar nyMusikk Kids: Ilios Only Connect iPad-workshop for barn 6 - 12 år med slagverker 4. – 7. juni Eirik Raude. Påmelding til [email protected]. Festival Of Sound Galleri NordNorge, Harstad kl. 11:00. Kr 50. 2015: The Deep nyMusikks internasjonale festival for nyMusikk + Henie Onstad Kunstsenter sjangerbrytende musikk tar i år for seg dypet 26. februar i vid forstad. Deep listening, deep space, dype Lene Grenager på HOK toner, undervannsmusikk m.m. Ane Marthe Sørlien Holen og Kristine Tjøgersen Program: nymusikk.no fremfører Broken Reel 1 and 2 under åpningen av Melgaard/Rickhard-utstillingen. nyMusikk + Teknisk museum Henie Onstad Kunstsenter kl. 19:00. Gratis. 7. juni nyMusikk Kids: 28. februar Pauline Hall-salen Teknisk museum nyMusikks grunnlegger får sin egen sal i Hamar iPad-workshop for barn 6 – 12 år som del av kulturhus. Åpningen markeres med kåseri, museets familiedag. foredrag, konsert og nyMusikk Kids. Teknisk museum kl. 12:00 og 14:00. Gratis. Program: hamar-kulturhus.no nymusikk.no [email protected] I samarbeid med / støttet av: Musikkkfondene.

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REVIEWS January 2016 1
Open Inquiry Archive—REVIEWS January 2016 1 Open Inquiry Archive ISSN 2167-8812 http://openinquiryarchive.net January 2016 REVIEWS ________________________________________________________________________________________________ David Grubbs. "Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording." Durham, NC: Duke University Press, 2014. Reviewed by: Alexandra Hui (AssoCiate Professor of History at Mississippi State University, head of the History of SCienCe, TeChnology, and MediCine field, and Core FaCulty of the Center for the History of AgriCulture, SCienCe, and the Environment in the South) David Grubbs is an AssoCiate Professor at Brooklyn College Conservatory of MusiC. SuCh trappings of tenure and domestiCation should not, however, fool you. From his first flights as part of the punk band Squirrel Bait in his teen years to his founding membership with the ChiCago experimental musiC group Gastr del Sol to his ongoing collaborations with Tony Conrad, Pauline Oliveros, the Red Krayola, and many more, Grubbs is as muCh a musician as an academiC. He is also as muCh a ravenous, easily- distraCted, tiCkled-by-the-obsCure listener of the present as an exCeedingly thoughtful and eminently readable historian of sounds past. These many identities are mobilized in Grubbs’ delightful new book, Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording. The book begins and ends with disCussions of his own listening experienCes, in the past as a graduate student in ChiCago slinking around the free jazz and improvised musiC scene and presently, attempting to navigate the infinitude of listening possibilities on DRAM with some semblance of disCipline. In a way, this gives the book a narrative arC.1 But the very premise of Records Ruin the Landscape is a folding — a knotting even — of temporality.
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The History of Rock Music - the Nineties
The History of Rock Music - The Nineties The History of Rock Music: 1995-2001 Drum'n'bass, trip-hop, glitch music History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Post-post-rock (These are excerpts from my book "A History of Rock and Dance Music") The Louisville alumni 1995-97 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The Squirrel Bait and Rodan genealogies continued to dominate Kentucky's and Chicago's post-rock scene during the 1990s. Half of Rodan, i.e. Tara Jane O'Neil (now on vocals and guitar) and Kevin Coultas, formed Sonora Pine with keyboardist and guitarist Sean Meadows, violinist Samara Lubelski and pianist Rachel Grimes. Their debut album, Sonora Pine (1996), basically applied Rodan's aesthetics to the format of the folk lullaby. Another member of Rodan, guitarist Jeff Mueller, formed June Of 44 (11), a sort of supergroup comprising Sonora Pine's guitarist Sean Meadows, Codeine's drummer and keyboardist Doug Scharin, and bassist and trumpet player Fred Erskine. Engine Takes To The Water (1995) signaled the evolution of "slo-core" towards a coldly neurotic form, which achieved a hypnotic and catatonic tone, besides a classic austerity, on the mini-album Tropics And Meridians (1996). Sustained by abrasive and inconclusive guitar doodling, mutant rhythm and off-key counterpoint of violin and trumpet, Four Great Points (1998) metabolized dub, raga, jazz, pop in a theater of calculated gestures.
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The Wolfe Institute the Ethyle R
The Wolfe Institute The Ethyle R. Wolfe Institute for the Humanities, in cooperation with the English Department and the MFA Intergenre Reading Series, presents David Grubbs and Anna Rabinowitz David Grubbs is professor of music at Brooklyn College and the Graduate Center, CUNY. At Brooklyn College he also teaches in the MFA programs in Performance and Interactive Media Arts (PIMA) and Creative Writing. He is the author of Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording (Duke University Press), which has recently been translated into French, Italian, and Japanese. Grubbs has released thirteen solo albums and appeared on more than 150 commercially-released recordings, the most recent of which is Prismrose (Blue Chopsticks, 2016). In 2000, his The Spectrum Between (Drag City) was named “Album of the Year” in the London Sunday Times. He is known for his cross-disciplinary collaborations with writers Susan Howe and Rick Moody, visual artists Anthony McCall, Angela Bulloch, and Stephen Prina, and choreographer Jonah Bokaer, and his work has been presented at, among other venues, the Solomon R. Guggenheim Museum, MoMA, the Tate Modern, and the Centre Pompidou. Grubbs was a member of the groups Gastr del Sol, Bastro, and Squirrel Bait, and has performed with the Red Krayola, Will Oldham, Tony Conrad, Pauline Oliveros, and Loren Connors, and many others. He is a grant recipient from the Foundation for Contemporary Arts, a contributing editor in music for BOMB Magazine, and director of the Blue Chopsticks record label. Anna Rabinowitz is a prize-winning poet and librettist. Her fifth volume of poetry isWords On the Street (Tupelo Press, 2016).
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Slints Spiderland Free
FREE SLINTS SPIDERLAND PDF Scott Tennent | 144 pages | 30 Dec 2010 | Continuum Publishing Corporation | 9781441170262 | English | New York, United States Slint - Spiderland (, Vinyl) | Discogs Slint's landmark second album has been reissued in a box set that includes outtakes, live cuts, and a feature-length documentary by Lance Bangs. The record's greatest Slints Spiderland might be the boundless inspiration it perpetually provides for all the bands that have yet to emerge from the basement. And just what did Slint think their audience—who, judging from the faint smattering of applause, barely cracked the double digits— needed to hear at that moment? In many respects, the story Slints Spiderland Slint is an exceedingly familiar one of influence accruing in absentia, of mavericks who were ignored in their time and had to wait years to get their due. Through their initial existence, Slint were obscure Slints Spiderland even within the subterranean confines of the American indie-rock underground. Compared to the get-in-the-van, play-anywhere ethic practised by fellow s-hardcore students, Slint rarely performed live, and when they did, it was rarely as a headliner. Slints Spiderland were scarce; band photos all the more so. And with the similarly atmospheric, equally explosive likes of Mogwai and Godspeed You! Black Emperor dominating the lates indie-rock conversation, Slint ceased to be just some band that had broken up too soon and became an entire subgenre of Slints Spiderland unto itself. I mean, just look at the cover of the Slints Spiderland set—notice something missing? The demos practically break down Spiderland on a riff-by-riff basis, as we hear the songs devolve from pre-production dress rehearsals to rudimentary acoustic sketches recorded on cassette.
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Geföhnter Hardcore
# 2008/43 dschungel https://jungle.world/artikel/2008/43/gefoehnter-hardcore Die neue Platte von David Grubbs Geföhnter Hardcore Von Martin Büsser Squirrel Bait, diese Vereinigung 16jähriger Teenager, die Stücke über Vergil machten, kamen in den Achtzigern zu früh. Jetzt kann man sich die Pionierarbeit von Postrock retrospektiv anhören und auch, wie David Grubbs heute klingt. Für einige Menschen war die erste Hälfte der achtziger Jahre ein musikalisches Paradies. So zumindest sieht es Paul Rachman, Regisseur des viel beachteten Dokumentarfilms »American Hardcore« (2006). Von MTV und dessen Hörern völlig ignoriert, entstand zu dieser Zeit in den USA eine vitale Szene, die völlig auf sich selbst gestellt war, eigene Labels und Netzwerke hervorbrachte und innerhalb kürzester Zeit zu Hunderten von Bandgründungen führte. Doch selbst ein Fan wie Rachman kann nicht ignorieren, dass die Szene fast ausschließlich von Männern dominiert wurde, weißen Männern. Und ausgerechnet die einzige schwarze Hardcore-Band, The Bad Brains, war für ihre Schwulenfeindlichkeit berüchtigt. Von solchen gender politics einmal abgesehen, hatte die Szene allerdings noch einen ganz anderen gravierenden Schönheitsfehler: Nahezu alle Bands hörten sich gleich an. Hardcore war Ausdruck ungefilterter jugendlicher Wut, musikalische Feinheiten wurden da nicht so genau genommen. Unter rein musikalischen Gesichtspunkten ist »American Hardcore« daher auch ein sterbenslangweiliger Film, aus dessen Einheitsgeknüppel gerade einmal Black Flag, die notorisch unterschätzten Flipper und Minutemen hervorstechen. Letztgenannte seien »zu erwachsen für die Hardcore- Szene« gewesen, hatte Thurston Moore von Sonic Youth einmal gesagt. Das könnte man auch von Squirrel Bait behaupten. Liest sich aber komisch, wenn man bedenkt, dass die Musiker zur Zeit der Bandgründung gerade einmal 16 Jahre alt waren.
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Notes on Deconstructing Popular Music (Studies): Global Media and Critical Interventions
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The Punk Vault : Joy Division Under Review DVD Page 1 of 11
The Punk Vault : Joy Division Under Review DVD Page 1 of 11 The Punk Vault « Selections from The Punk Vault [Pleased Youth] Joy Division Under Review DVD Joy Division - Under Review DVD Music Video Distributors One of the more influential first wave of sort of post-punk bands, Joy Division, gets the documentary treatment in the Under Review series. Much like The Velvet Underground one, this focuses on not one record, but the entire career of the band and what happened in their wake. The documentary starts out talking about the punk scene happening in the UK at the time and how one particular Sex Pistols gig influenced an entire crowd of people who ended up forming their own bands, many of which became rather successful. It was at this gig that three gentlemen decided to form a band and called themselves Warsaw. It wasn’t long before a name change to Joy Division happened and they were gigging and recording. The story is told through interviews with various music journalists and one of the co-authors of the Ian Curtis biography. They leave no stone uncovered, delving into everything including Curtis’ battle with epilepsy, his extra-marital affair and his depression and eventual suicide. There is video footage, live footage, http://www.punkvinyl.com/2006/12/11/joy-division-under-review-dvd/ 12/13/2006 The Punk Vault : Joy Division Under Review DVD Page 2 of 11 interview footage, and TV appearance footage. They do an extremely good job in educating the viewer about pretty much anything they’d want to know about Joy Division, and even give some in-depth analysis about the records and specific songs on them.
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SOUNDGAZING: 15 Years of Aural Graphics by Jeff Hunt 1 Photographs and Original Artworks by Bradly Brown
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Traditions of Punk and the Politics of Empowerment
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The Daily Egyptian, August 31, 1995
Southern Illinois University Carbondale OpenSIUC August 1995 Daily Egyptian 1995 8-31-1995 The Daily Egyptian, August 31, 1995 Daily Egyptian Staff Follow this and additional works at: https://opensiuc.lib.siu.edu/de_August1995 Volume 81, Issue 9 This Article is brought to you for free and open access by the Daily Egyptian 1995 at OpenSIUC. It has been accepted for inclusion in August 1995 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Inside: Mass Transit Advisory Board adapts transit system - page 3 August Thurs9'J Daily Egyptian 1995 ..-, Southern- Illinois University at Carbondale Vol. 81, No. 9, 20 pages NATO forces punish Serb positions l~ Angeles Times centers across Bosnia U.N. officials vowed 10 continue long time ago," Bosnian President forcing the Serbs to sue for peace. ZAGREB. Croatia-In a new Herzegovina Wednesday in the punishing the nationalist Serbs Alija Jzctbcgovic said. Among developments phase in the Balkans war, wave largest military operation in until they no longer threaten the With the tna'5ive show of force, Wednesday: -Lt. Gen. Bernard after wave of American and NATO history. Bosnian capital and other civilian the West. after nearly four years Janvier, commander of U.N. European warplanes bombed As the beleaguered residents of enclave,. of impotent humiliation in the for• troops in the Balkans, said dam• Bosnian Serb missile balleries, Sarajevo cheered and allied air "The world has finally done mer Yugoslavia, is hoping to air-defense radars and command craft buzzed overhead. NATO and what it ,hould have done a long, restore its eroded credibility while see BOSNIA, page 7 ·USG:'Seflat~idiscusies; ··.,.
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Atewide Story About Racism Angers Officials
ih4 I mI hEIi IIt l)rida Promotion from the ground up - - - J w APPLAUSE VOLUME 83. NUMBER114 THURSDAY, MARCH 1, Statewide story about racism angers officials By ROPAtD DUPONT JR. It 's 1ivsion of InfoirmTrrl Und u 11 k - Ut, however. has only one graduation I .iI blat ks sirI)lv it )It no it) it Aligator Writer nor, servites Were ()Ot( crued bec it te banquet for s medical students, said Arlint bario eit ovtr [it t lhcr, [it "n sentaio it it nr pre l)Dshoiig,directorofcomimunicahlons orrht- Ht poite 1i lilt sont h- seto d ptAri A new paper article that said UPs mede- After getting numerous phone alls front J Hills Miller Health Center she added graph, Whl( ) uooleS litdhi(il stidemII al sideits have two graduation ceremony journalists who read the article, both Gray that the Sun-Sentinel reporter. Jon Marcus. \antovaii (pay as saVig, I lt re' a ban banquets - one for whites, one fot blacks and Interim UF President Robert probably got confused and bought the end- quell for the whole class, but ins of lhv - has the Bryan esthool reelingand administrators have decided to write letters to the Sun-Sen- of-the-year banquet held by the Black So- blacks don' I o " angry tne about the article's content, Gray said dent Health Professions Coalition also was The st ry is not true, administrators said. lhibt also is not true, lIshong sao, atdng a graduation banquet why Ongin ally published in Sunday's Fort lau- The front-page article appeared under the that thait she doesn't understand the reporter never called derdale News and Sun-Sentinel, the story headline, "Racial incidents increase tension It is not, she said, adding that all black mny miieial olev admmistrator to find out it the rumor aboul focused on Uf's racial problems and was on LF campus," and the first paragraph of student are invited to the Coalition banquet, held annually since 1976 segregated banquets was rut distribute d to newspapers statewide Mon the story stated, "Medical students at the day thrOLugh the Associated Press.
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React to Art and Video
19 9 ~ React to art React to the and video bands during the during the day... night Friday, April 2 Student Center Ballroom Vote Noon to 5 p.m. Bands play at 8 p.m. Admission Free "REE CONCERT! • fe at uri n g • DRY R H Y T H M C ,.s" CAUSTIC NIlPIN ,""""". Neurotic B()X Ball State Daily News Bands showcase festival in Ballroom April 2, 1993 Bloorrington-based Arson Gatden Will be playing tonight at 8 p.rn. in the CaJ'dinai Ballroom as part of the University Program Board's free - React to Art, React to Video festivities. Arson Gamen, Whose sound has been colTl>ared to that of 10,000 Maniacs, Sane Youth and Jefferson Airplane, comes to Ball State atter a successtJI European tour and a coveted spot on the regional stage forthe 1992 Lo/lapa/ooza tour's stop in Cincinnati. local bands Neurotic Box, Ghotifish, Dry Rhythm Caustic and CraJ1<pin WiD also play at the React to Art, React to Video festival from 6 P·rn.t01 am. Please see ARTS, Pg. 8 .. ~ . • DRY RHYTHM CAUSTIC NeulOticnIi3 Arson ~ ...... ____ ~ ____ React to art React to the and video bands during the during the day..• night - Friday, April 2 Student Center Ballroom I.J Vote Noon to 5 p.m. Q S Bands play at 8 p.m. "".• u."~ Ball State Daily News --- Admission Free Advertisement (actual size) / - PAGE 8 THE BALL STATE DAILY NEWS FRIDAY, APRIL 2, 1993 React to art, react to video, react to weekend Culture out in full force tonight PREV ~ By CHRISTOPHER BARTON Arts Editor Don't let it be said that there's nothing to do tOnight.
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