Nashville, TN

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Nashville, TN CITY CHARACTERISTICS Population Daytime Land area Parkland as percent of Density Growth population (acres) adjusted city area (people per acre) since 2010 change 672,371 16.2% 304,080 10.7% 2.2 7.3% Percent of residents living within a 10-minute walk to a park Median park size 37% 16.7 acres SPENDING PARK ACREAGE MANAGEMENT Overall Per Acres Per 1,000 spending resident people Public $53,306,141 $79 Nashville/Davidson Metropolitan 15,144 Board of Parks and Recreation Private $1,496,607 $2 U.S. Army Corps of Engineers 11,599 Total $54,802,748 $81 (within Nashville) Tennessee Department of National median expenditure per Environment and Conservation 4,303 resident (within Nashville) Tennessee Wildlife Resource Agency $ 2,920 83 (within Nashville) Total 33,966 50.5 Nashville’s park system has something for everyone; you can stroll along trails in the expansive Warner Parks or go mountain biking in Hamilton Creek Park, splash in Cumberland Park or brush up on your Civil War history in Fort Negley Park. A recent project called “If Trees Could Sing” aims to educate people about PARK FACT PARK local flora by placing signs and videos featuring musicians, each talking about a specific kind of tree, in parks and other places around the city. the trust for public land 2018 city park facts Nashville, TN continued PARTNERSHIPS PARK AMENITIES Total Over the past year, Nashville resi- Acres of fields 198 dents gave 74,030 hours of their Basketball hoops 202 time to the city’s parks. Groups Community garden plots n.a. such as the Nashville Parks Foun- Dog parks 8 dation as well as smaller groups Miles of trails 168 dedicated to individual parks Playgrounds 207 also give their support through Recreation/senior centers 26 time, advocacy and money. Splashpads/spraygrounds 3 Oldest park Total number of parks Watkins Park, 1901 291 FLICKR: SNASSEK The Parthenon in Centennial Park houses the city’s art museum, and is part of what makes this park Nashville’s most visited. the trust for public landInformation sourced from the US Census Bureau, ESRI’s 2017 Demographic Forecasts, and 2018 city park facts The Trust for Public Land’s annual survey of all public and non-profit park agencies and groups in the 100 largest US cities. More information is online at tpl.org/cityparkfacts..

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Athenians and Eleusinians in the West Pediment of the Parthenon
ATHENIANS AND ELEUSINIANS IN THE WEST PEDIMENT OF THE PARTHENON (PLATE 95) T HE IDENTIFICATION of the figuresin the west pedimentof the Parthenonhas long been problematic.I The evidencereadily enables us to reconstructthe composition of the pedimentand to identify its central figures.The subsidiaryfigures, however, are rath- er more difficult to interpret. I propose that those on the left side of the pediment may be identifiedas membersof the Athenian royal family, associatedwith the goddessAthena, and those on the right as membersof the Eleusinian royal family, associatedwith the god Posei- don. This alignment reflects the strife of the two gods on a heroic level, by referringto the legendary war between Athens and Eleusis. The recognition of the disjunctionbetween Athenians and Eleusinians and of parallelism and contrastbetween individualsand groups of figures on the pedimentpermits the identificationof each figure. The referenceto Eleusis in the pediment,moreover, indicates the importanceof that city and its majorcult, the Eleu- sinian Mysteries, to the Athenians. The referencereflects the developmentand exploitation of Athenian control of the Mysteries during the Archaic and Classical periods. This new proposalfor the identificationof the subsidiaryfigures of the west pedimentthus has critical I This article has its origins in a paper I wrote in a graduateseminar directedby ProfessorJohn Pollini at The Johns Hopkins University in 1979. I returned to this paper to revise and expand its ideas during 1986/1987, when I held the Jacob Hirsch Fellowship at the American School of Classical Studies at Athens. In the summer of 1988, I was given a grant by the Committeeon Research of Tulane University to conduct furtherresearch for the article.
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Take the Effective June 2016
2016-2017 Take the EFFECTIVE JUNE 2016 A comprehensive guide to touring Nashville attractions riding MTA buses and the Music City Star. For schedules and other information, visit NashvilleMTA.org or call (615) 862-5950. Nashville MTA & RTA @Nashville_MTA RIDE ALL DAY FOR $5.25 OR LESS Purchase at Music City Central, from the driver, or online at NashvilleMTA.org Take the The Nashville MTA is excited to show you around Music City, whether you’re visiting us for the first time, fifth time, or even if you’re a Middle Tennessee resident enjoying hometown attractions. There’s so much to see and do, and the MTA bus system is an easy, affordable way to see it all. We operate a free downtown service, the Music City Circuit, which is designed to help you reach sports and entertainment venues, downtown hotels, residences, and offices more quickly and easily. The Blue and Green Circuits operate daily with buses traveling to the Bicentennial Mall and the Gulch, a LEED certified community. The Music City Circuit connects many key downtown destinations including the Farmers’ Market, First Tennessee Park, Schermerhorn Symphony Center, Riverfront Station, and the Gulch’s restaurants, bars and condominium towers and numerous points in between. Of course, there are also our other MTA and regional bus routes throughout Middle Tennessee that can be utilized. You can access them by taking a bus to Music City Central, our downtown transit station. Once there, you’ll see how we’re making public transportation more convenient and comfortable, and how making the most of your Nashville experience is now even easier with the MTA.
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Parthenon 1 Parthenon
Parthenon 1 Parthenon Parthenon Παρθενών (Greek) The Parthenon Location within Greece Athens central General information Type Greek Temple Architectural style Classical Location Athens, Greece Coordinates 37°58′12.9″N 23°43′20.89″E Current tenants Museum [1] [2] Construction started 447 BC [1] [2] Completed 432 BC Height 13.72 m (45.0 ft) Technical details Size 69.5 by 30.9 m (228 by 101 ft) Other dimensions Cella: 29.8 by 19.2 m (98 by 63 ft) Design and construction Owner Greek government Architect Iktinos, Kallikrates Other designers Phidias (sculptor) The Parthenon (Ancient Greek: Παρθενών) is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their patron. Its construction began in 447 BC and was completed in 438 BC, although decorations of the Parthenon continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered to be the culmination of the development of the Doric order. Its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an Parthenon 2 enduring symbol of Ancient Greece and of Athenian democracy and one of the world's greatest cultural monuments. The Greek Ministry of Culture is currently carrying out a program of selective restoration and reconstruction to ensure the stability of the partially ruined structure.[3] The Parthenon itself replaced an older temple of Athena, which historians call the Pre-Parthenon or Older Parthenon, that was destroyed in the Persian invasion of 480 BC. Like most Greek temples, the Parthenon was used as a treasury.
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Tine Statue of Athena in the Parthenon
REMARKS UPON THE COLOSSALCHRYSELEPHAN- TINE STATUE OF ATHENA IN THE PARTHENON INTRODUCTION IT is not to be expectedthat even fragmentsof the gold and ivory colossal statue of Athena in the Parthenon should have survived the ravages of time. However, a good deal is known about the statue from small copies in the round and from coins, plaques, gems and the like; also, the famous statue is mentioned by ancient writers, sometimes at considerable length. Consequently we have a fairly good idea of her appearance. And when we come to consider the pedestal on which the statue stood, we find that there are data which can be studied to advantage. Obviously the importance of the statue called for a carefully designed pedestal. Thus it is desirable that all existing data concerning the pedestal be recorded. Let us, then, make a few remarks not only about the colossal statue, but also about the pedestal on which the statue stood. I ATHENA PARTHENOS, THE CLIMAX OF THE PANATHENEA Figure 1 shows the position of the colossal statue (often referred to as the Parthenos) in the east cella of the temple. The blocks which give the position of the statue are toward the west end of the nave and on the axis of the temple. They are poros blocks of the type used for foundations. They are flush with the marble pave- ment of the nave, and they are in situ. The poros blocks, thirty in number, cover an area so extensive that they at once tell us that the statue which stood above them was of colossal size (Figs.
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2814 West End Ave | Nashville, TN 37203
FOR LEASE ON WEST END AVE | Former SunTrust Bank 2814 West End Ave | Nashville, TN 37203 KEVIN FULTON | Managing Partner 7003 Chadwick Drive | Suite 208 | Brentwood, TN 37207 615.345.4455 I [email protected] PROPERTY OVERVIEW 2 FOR LEASE | 2814 West End Ave | Nashville, TN 37203 PARTHENON AT CENTENNIAL PARK 2814 West End Ave 4,020 SF Nashville TN 37203 Available W es Built in 1981 t En Property Access d A ven 3 points of ingress Commercial Masonry ue and egress. and brick VANDERBILT Parcel Info: Signage UNIVERSITY Lot Size: 62 x 135 Excellent opportunity Lot SF: 8,276 for signage on building Acreage: 0.19 and rare pylon signage available. Parking We have shared parking with the liquor store so we have a total of 22 spaces. Zoning- (MUI-A) MIXED USE INTENSIVE, INTENDED FOR A HIGH INTENSITY MIXTURE OF RESIDENTIAL, RETAIL, AND OFFICE USES. ALTERNATIVE DISTRICTS PROMOTE ALTERNATIVE MODES OF TRANSPORTATION. SURVEY 3 FOR LEASE | 2814 West End Ave | Nashville, TN 37203 PROPERTY PHOTOS 4 FOR LEASE | 2814 West End Ave | Nashville, TN 37203 PYLON PROPERTY PHOTOS 5 FOR LEASE | 2814 West End Ave | Nashville, TN 37203 LOCATION OVERVIEW 6 FOR LEASE | 2814 West End Ave | Nashville, TN 37203 Centennial Centennial Park Sportsplex HCA, Lifeway HQ & The Parthenon Publix DISTANCE FROW SITE TO: HCA HQ 440..................................................... 0.5 MILES 65........................................................ 1.5 MILES Downtown...................................... 2 MILES BNA Airport.................................... 9 MILES State Capitol Nashville Yards CHARLOTTE AVE 31ST AVE Subject Property WEST END AVE BLAKEMORE MUSIC ROW Midtown Entertainment District Downtown Broadway Vanderbilt Hospital Vanderbilt Children’s Hospital Vanderbilt Stadium LOCATION OVERVIEW 7 FOR LEASE | 2814 West End Ave | Nashville, TN 37203 Subject Property TOP EMPLOYERS Employees Vanderbilt University Medical Center 20,428 Nissan North America 10,750 HCA Healthcare Inc.
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FREE MUSEUMS, SIGHTSEEING, and ENTERTAINMENT in NASHVILLE • PARTHENON, Centennial Park (Near Vanderbilt)
FREE MUSEUMS, SIGHTSEEING, AND ENTERTAINMENT IN NASHVILLE • PARTHENON, Centennial Park (near Vanderbilt). The Parthenon now houses the Nashville Art Museum. There is still no admission to the Parthenon itself; you’re free to wander around the outside pillared area. Senior admission to the museum is $4.00. Museum Open: Tuesday to Saturday, 9:00 AM to 4:30 PM; Sunday, 12:30 PM to 4:30 PM Museum Closed: Monday. • VANDERBILT FINE ARTS GALLERY, Cohen Building, Peabody Campus, Vanderbilt University (next to what was our girls’ dorm in 1966); listed first just because it is at Vanderbilt/Peabody. Open: Monday to Friday, 11:00 AM to 4:00 PM; Saturday & Sunday, 1:00 to 5:00 PM Description: A standard college art museum with a small but solid permanent collection, plus a separate area for special exhibits, which change frequently. • TENNESSEE STATE MUSEUM, 1000 Rosa L. Parks Blvd, Nashville, TN 37208. Highly recommended. This is an extremely well presented introduction to Tennessee history. Open: Tuesday to Saturday: 10 AM to 5 PM; Sunday: 1 to 5 PM; closed Mondays. Description: The museum presents a complete history of Tennessee, organized as: o First Tennesseans o Frontier o Age of Jackson o Antebellum o Civil War and Reconstruction o The New South Important: This museum just opened in its new location on October 4. We made a survey of the museum in its original location, but can’t give any tips on parking etc. For information, visit their website: tnmuseum.org. • BICENTENNIAL CAPITOL MALL STATE PARK, 600 James Robertson Parkway, Nashville, Tennessee 37243 (on the other side of the capitol building from the State History Museum) Park Hours: 6:00 AM to 10:00 PM daily Visitor Center Hours: 8:00 AM to 4:30 PM, Monday through Friday Description: A 19-acre park adjacent to the capitol building, highlighting Tennessee’s history, including: o 200-foot granite map of the state o World War II Memorial o 95-Bell Carillon o Pathway of History o Rivers of Tennessee Fountains.
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Founding Athens: Ion and Origin Myth.
Founding Athens: Ion and origin myth.! Athenian drama:! ! •"concentrates on specific episodes in a larger myth story ! ! •"focuses on human personality (and psychology)! •"investigates relationships in the family and in society! ! •"is radical in questioning the gods ! But if I aimed for a place in the first ranks of the city and strove to become someone, I would be detested by the powerless while those with ability, but not eager for public life, would ridicule me for being foolish…And then again, if I took positions from those who had them, I would be thwarted by men with knowledge, who know how the system works. ! paraphrase of Euripides Ion 595-600! Procession with religious image.! Pietrafitta, Italy! image©Sebo Theatre Dionysus Athens, ca 350 BCE! image©ARTstor! Actors with masks! Pronomos vase! 400 BCE! http://www.beazley.ox.ac.uk/images/ pottery/painters/keypieces/tiverios/33- p197-medium.jpg Sophocles Oidipous at Colonos. Segobriga Festival, 2000.# .! Mask design: Thanos Vovolis. Stage director: Gemma Gomez. Photo © Thanos Vovolis http://www.didaskalia.net/issues/vol7no1/vovolis_zamboulakis/image11.html ca. 620-480 BC: Archaic Period! Aeschylus ca. 533: introduction of the City Dionysia at Athens (Thespis)! 508/7: establishment of the Athenian democracy by Cleisthenes! 523-456 BCE ca. 499: Aeschylus' first dramatic production! 484: Aeschylus' first victory! ! 479-323 BC: Classical Period! ca. 468: Sophocles' first production! Sophocles 458: Aeschylus' Oresteia! 456/5: death of Aeschylus! 495-405 BCE 455: Euripides' first dramatic production! 447-432: construction of the Parthenon! ca. 442: Sophocles' Antigone! 441: Euripides' first victory! 431: 431: Euripides' Medea; beginning of the Peloponnesian War! Euripides ca.
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The Case of the Parthenon Sculptures
University of North Florida UNF Digital Commons All Volumes (2001-2008) The sprO ey Journal of Ideas and Inquiry 2007 Looted Art: The aC se of the Parthenon Sculptures Alison Lindsey Moore University of North Florida Follow this and additional works at: http://digitalcommons.unf.edu/ojii_volumes Part of the Arts and Humanities Commons Suggested Citation Moore, Alison Lindsey, "Looted Art: The asC e of the Parthenon Sculptures" (2007). All Volumes (2001-2008). 34. http://digitalcommons.unf.edu/ojii_volumes/34 This Article is brought to you for free and open access by the The sprO ey Journal of Ideas and Inquiry at UNF Digital Commons. It has been accepted for inclusion in All Volumes (2001-2008) by an authorized administrator of UNF Digital Commons. For more information, please contact Digital Projects. © 2007 All Rights Reserved LOOTED ART: Art returning to Italy a number of smuggled artifacts, including the famous THE CASE OF THE PARTHENON calyx-krater by Euphronios. The J. Paul SCULPTURES Getty Museum in California also recently attracted attention as Marion True, the Alison Lindsey Moore museum’s former curator of antiquities, was accused of knowingly purchasing Faculty Sponsor: Dr. Candice Carter, looted artifacts. Rather than focusing on a Associate Professor of Curriculum and recent case, I concentrate on the Instruction (Elementary Education) controversy surrounding the so-called “Elgin Marbles.” This research project was intended Many artifacts which comprise private to contextualize both the historical and and museum collections today were possibly current controversial issues pertaining to stolen from their country of origin and illegally the Parthenon. The first section titled “The smuggled into the country in which they now Architectural and Decorative Elements of reside.
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The Parthenon: Yesterday, Today, and Tomorrow
The Parthenon: Yesterday, Today, and Tomorrow The Parthenon: Yesterday, Today, and Tomorrow Luke Howard Judkins Abstract One of the world’s most beautiful and iconic structures, the Parthenon, the temple of the Virgin goddess Athena, boldly displays the culmination of culture and civilization upon the Acropolis in Athens, Greece and in Centennial Park in Nashville, Tennessee. I have attempted to research the history, architecture, and sculpture of the magnificent marble edifice by analyzing the key themes and elements that compose the great work: culture, civilization, and rebirth. Using a musical sonata form to display my research, I wished to convey a digestible analysis of how the Parthenon and its connotations transcend time through rebirth in Nashville, Tennessee. Known as the “Athens of the South,” Nashville continues the culture displayed in Ancient Greece and symbolizes this through the city’s scale replication of the Parthenon within Centennial Park. In the first century A.D., Plutarch wrote Greek history so that the Greeks could recall the history that was gradually fading from their memories. As Plutarch did with his readers, I am attempting to re-educate Nashvillians, as well as the world, about the rich history and inheritance of the Athenian culture within ourselves. Middle Tennessee State University 71 Scientia et Humanitas: A Journal of Student Research Introduction n various ways, every world civilization has attempted to explore Iand improve the quality of life, promote communal well-being, and further the education and the creative abilities of its people. One of the most successful civilizations in these endeavors was that of the ancient Greeks.
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National Register of Historic Places Continuation Sheet Name of Property
NPS Form 10-900-a (Rev. 8/2002) 0MB No. 1024-0018 (Expires 1 -31 -2009) United States Department of the Interior National Park Service National Register of Historic Places Continuation Sheet Name of Property County and State Section number ____ Page ____ Name of multiple property listing (if applicable) SUPPLEMENTARY LISTING RECORD NRIS Reference Number: 08000689 Date Listed: 7/15/08 Property Name: Centennial Park County: Davidson State: TN This property is listed in the National Register of Historic Places in accordance with the attached nomination documentation subject to the following exceptions, exclusions, or amendments, notwithstanding the National Park Service certification included in the nomination documentation. Signature of tb6 Keeper Date of Action Amended Items in Nomination: SectionS: Category of Property This large-scale, multi-component park is best categorized as a district; the nomination is hereby amended to categorize the property as a District. The Tennessee State Historic Preservation Office was notified of this amendment. DISTRIBUTION: National Register property file Nominating Authority (without nomination attachment) NPS Form 10-900 (Oct. 1990) 2280 United States Department of the Interior National Park Service JUN 0 4 2008 National Register of Historic Places NAT> "ESS** OF H|STORIC PUCES Registration Form NAT-ONAt PARK SERVICE This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking V in the appropriate box or by entering the information requested. If an item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions.
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Sophocles, Antigone Chronology 480-358 BCE Classical Greece 480
Lecture 7 Classical Greece WC 90-105 PP 113-121: Sophocles, Antigone Chronology 480-358 BCE Classical Greece 480 Athens burned to the ground by Persians 479 Greeks victorious at the battle of Plataea 478-404 Delian League ca. 460 becomes heavy-handed 431-404 Peloponnesian War Star Terms: trireme Acropolis Socrates Geog Terms Athens Delian League Peloponnesus A. Parthenon (Athens), 447-438 BCE geometric harmony, civic architecture, home of Pallas Athena, patroness of Athens The Parthenon stands as one of the greatest monuments in the Classical world. Phidias, a leading Athenian artist of his generation and a friend of Pericles, supervised the sculptural decorations. Completed in 432 BCE as a temple to Athena, the patron goddess of Athens, the Parthenon celebrates Athena in her aspect as a virgin goddess. Parthenos, Greek for ‘virgin.’ Much like the Mesopotamian ziggurat, the Greek temple was a communal symbol of reverenct for the gods, but, whereas the ziggurat enforced the separation of priesthood and populace, the Greek temple united religious and secular domains. Its damaged state reflects centuries of neglect and misuse. In the 5th century CE the Parthenon became a Christian church, and in the 15th century the Turks conquered Athens and converted the temple into a mosque. They stored gunpowder in the building! When it was shelled by artillery in 1687, most of the interior and many sculptures were destroyed. This building is significant because it represents the grand aspirations of Pericles and his ambition to make Athens the center of the Greek world. When the Delian League, originally a voluntary confederation of Greek city-states bound together as a common defense organization (think NATO) became a military tool of its largest and most powerful member Athens (think America) the treasury was moved from Delos, an important island dedicated to the god Apollo, to Athens, the Athenian Empire had begun.
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Selected Tennessee Historic Sites* Johnson
*Descriptions andphotographsofthesitesappearonfollowing pages. 454 Hancock Sullivan Johnson Pickett Clay Claiborne Macon Hawkins n to Sumner Scott Campbell g Stewart Montgomery Robertson in e Fentress h Carter al Grainger s ousd Jackson Overton Union n a C Tr ble i he am Greene W o Lake Obion Henry ath H ic Weakley Houston am Smith n Anderson U Wilson Putnam Morgan Jefferson Dickson Davidson Benton Cocke Selected TennesseeHistoricSites* Dyer Humphreys DeKalb Cumberland Gibson Carroll White Williamson Roane n Sevier e Cannon o al Rutherford d d ou er Crockett Hickman ren L Blount d Bu au Warren n L Henderson Va Bledsoe Madison Perry Maury Rhea S Haywood e s Monroe Decatur Lewis Bedford Coffee q ig u e McMinn Tipton Grundy at Chester ch M Marshall ie Moore Bradley TENNESSEE BLUEBOOK Fayette Hardeman Wayne Lawrence Giles Hamilton Shelby McNairy Hardin Polk Lincoln Franklin Marion 1. Victorian Village, Memphis 19. Mansker's Station & Bowen-Campbell House, 2. Hunt/Phelan House, Memphis Goodlettsville 3. Graceland, Memphis 20. Jack Daniel's Distillery, Lynchburg 4. Chucalissa Prehistoric Indian Village, Memphis 21. Cordell Hull Birthplace and Museum, Byrdstown 5. Beale Street Historic District, Memphis 22. Chickamauga/Chattanooga National Military Park, 6. Alex Haley Home and Museum, Henning Chattanooga 7. Reelfoot Lake, Tiptonville 23. Rhea County Courthouse, Dayton 8. Ames Plantation, Grand Junction 24. York Grist Mill/Home of Alvin C. York, Pall Mall 9. Pinson Mounds State Park, Pinson 25. Rugby 10. Shiloh National Military Park, Shiloh 26. The Graphite Reactor (X-10) at Oak Ridge National 11. Natchez Trace Parkway, Hohenwald Laboratory, Oak Ridge 12.
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