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Pilot Season
Portland State University PDXScholar University Honors Theses University Honors College Spring 2014 Pilot Season Kelly Cousineau Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Let us know how access to this document benefits ou.y Recommended Citation Cousineau, Kelly, "Pilot Season" (2014). University Honors Theses. Paper 43. https://doi.org/10.15760/honors.77 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Pilot Season by Kelly Cousineau An undergraduate honorsrequirements thesis submitted for the degree in partial of fulfillment of the Bachelor of Arts in University Honors and Film Thesis Adviser William Tate Portland State University 2014 Abstract In the 1930s, two historical figures pioneered the cinematic movement into color technology and theory: Technicolor CEO Herbert Kalmus and Color Director Natalie Kalmus. Through strict licensing policies and creative branding, the husband-and-wife duo led Technicolor in the aesthetic revolution of colorizing Hollywood. However, Technicolor's enormous success, beginning in 1938 with The Wizard of Oz, followed decades of duress on the company. Studios had been reluctant to adopt color due to its high costs and Natalie's commanding presence on set represented a threat to those within the industry who demanded creative license. The discrimination that Natalie faced, while undoubtedly linked to her gender, was more systemically linked to her symbolic representation of Technicolor itself and its transformation of the industry from one based on black-and-white photography to a highly sanctioned world of color photography. -
To Better Serve and Sustain the South: How Nineteenth Century
CORE Metadata, citation and similar papers at core.ac.uk Provided by Digital Commons at Buffalo State State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State History Theses History and Social Studies Education 8-2012 To Better Serve and Sustain the South: How Nineteenth Century Domestic Novelists Supported Southern Patriarchy Using the "Cult of True Womanhood" and the Written Word Daphne V. Wyse Buffalo State College, [email protected] Advisor Jean E. Richardson, Ph.D., Associate Professor of History First Reader Michael S. Pendleton, Ph. D., Associate Professor of Political Science Department Chair Andrew D. Nicholls, Ph.D., Professor of History To learn more about the History and Social Studies Education Department and its educational programs, research, and resources, go to http://history.buffalostate.edu/. Recommended Citation Wyse, Daphne V., "To Better Serve and Sustain the South: How Nineteenth Century Domestic Novelists Supported Southern Patriarchy Using the "Cult of True Womanhood" and the Written Word" (2012). History Theses. Paper 8. Follow this and additional works at: http://digitalcommons.buffalostate.edu/history_theses Part of the Literature in English, North America Commons, United States History Commons, Women's History Commons, and the Women's Studies Commons Abstract During the eighteenth and nineteenth centuries, American women were subjected to restrictive societal expectations, providing them with a well-defined identity and role within the male- dominated culture. For elite southern women, more so than their northern sisters, this identity became integral to southern patriarchy and tradition. As the United States succumbed to sectional tension and eventually civil war, elite white southerners found their way of life threatened as the delicate web of gender, race, and class relations that the Old South was based upon began to crumble. -
Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer -
China's WTO Accession, Film Piracy and Prospects for Enforcement of Copyright Laws
DePaul Journal of Art, Technology & Intellectual Property Law Volume 12 Issue 1 Spring 2002: The Recording Academy Entertainment Law Initiative Legal Writing Article 8 Competition 2001-02 Enter the Dragon: China's WTO Accession, Film Piracy and Prospects for Enforcement of Copyright Laws Brent T. Yonehara Follow this and additional works at: https://via.library.depaul.edu/jatip Recommended Citation Brent T. Yonehara, Enter the Dragon: China's WTO Accession, Film Piracy and Prospects for Enforcement of Copyright Laws, 12 DePaul J. Art, Tech. & Intell. Prop. L. 63 (2002) Available at: https://via.library.depaul.edu/jatip/vol12/iss1/8 This Lead Article is brought to you for free and open access by the College of Law at Via Sapientiae. It has been accepted for inclusion in DePaul Journal of Art, Technology & Intellectual Property Law by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. Yonehara: Enter the Dragon: China's WTO Accession, Film Piracy and Prospect LEAD ARTICLE ENTER THE DRAGON: CHINA'S WTO ACCESSION, FILM PIRACY AND PROSPECTS FOR ENFORCEMENT OF COPYRIGHT LAWS Brent T. Yonehara* I. INTRODUCTION On November 8, 2001, the World Trade Organization ("WTO") adopted the People's Republic of China's accession agreement at its Ministerial Conference in Doha, Qatar.' The People's Republic of China is the third-largest economic power in the world.2 It had exports of $249.2 billion in 2000, the seventh largest in the world.3 Currently, China is the eleventh-largest export market for American goods.4 With a population of roughly 1.3 billion people, *LL.M. -
Guide to the William K
Guide to the William K. Everson Collection George Amberg Memorial Film Study Center Department of Cinema Studies Tisch School of the Arts New York University Descriptive Summary Creator: Everson, William Keith Title: William K. Everson Collection Dates: 1894-1997 Historical/Biographical Note William K. Everson: Selected Bibliography I. Books by Everson Shakespeare in Hollywood. New York: US Information Service, 1957. The Western, From Silents to Cinerama. New York: Orion Press, 1962 (co-authored with George N. Fenin). The American Movie. New York: Atheneum, 1963. The Bad Guys: A Pictorial History of the Movie Villain. New York: Citadel Press, 1964. The Films of Laurel and Hardy. New York: Citadel Press, 1967. The Art of W.C. Fields. Indianapolis: Bobbs-Merrill, 1967. A Pictorial History of the Western Film. Secaucus, N.J.: Citadel Press, 1969. The Films of Hal Roach. New York: Museum of Modern Art, 1971. The Detective in Film. Secaucus, N.J.: Citadel Press, 1972. The Western, from Silents to the Seventies. Rev. ed. New York: Grossman, 1973. (Co-authored with George N. Fenin). Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1974. Claudette Colbert. New York: Pyramid Publications, 1976. American Silent Film. New York: Oxford University Press, 1978, Love in the Film. Secaucus, N.J.: Citadel Press, 1979. More Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1986. The Hollywood Western: 90 Years of Cowboys and Indians, Train Robbers, Sheriffs and Gunslingers, and Assorted Heroes and Desperados. Secaucus, N.J.: Carol Pub. Group, 1992. Hollywood Bedlam: Classic Screwball Comedies. Secaucus, N.J.: Carol Pub. Group, 1994. -
Confrontation Cinema in the Age of Neoliberalism; Where Brazil and the United States Meet Rachel F
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2008 Confrontation Cinema in the Age of Neoliberalism; Where Brazil and the United States Meet Rachel F. Rosenfeld Claremont McKenna College Recommended Citation Rosenfeld, Rachel F., "Confrontation Cinema in the Age of Neoliberalism; Where Brazil and the United States Meet" (2008). CMC Senior Theses. Paper 222. http://scholarship.claremont.edu/cmc_theses/222 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. CLAREMONT McKENNA COLLEGE CONFRONTATION CINEMA IN THE AGE OF NEOLIBERALISM; WHERE BRAZIL AND THE UNITED STATES MEET SUBMITTED TO SALVADOR VELAZCO AND DEAN GREGORY HESS BY RACHEL FAYE ROSENFELD FOR SENIOR THESIS Academic Year 2007-2008 28 APRIL 2008 2 Acknowledgements I would like to thank all of the individuals who have helped to shape this International Relations Honors Thesis. It is an immense work, and I could not have done it without your help. Much thanks to Professor Velazco for his patience and kindness with my many drafts and changes in film choice. I came to him only knowing that I loved Brazilian film and studied politics; from this he has introduced me to an inspiring and remarkable myriad of films and artists. His immense knowledge of and love for film has been extremely valuable and without his guidance, I would never have found such significant sources in my research nor understood their full importance. I would also like to thank Professor Haley, my dedicated advisor, without whom I would never have found Professor Velazco nor my love for Brazil. -
Cinema Studies: the Key Concepts
Cinema Studies: The Key Concepts This is the essential guide for anyone interested in film. Now in its second edition, the text has been completely revised and expanded to meet the needs of today’s students and film enthusiasts. Some 150 key genres, movements, theories and production terms are explained and analysed with depth and clarity. Entries include: • auteur theory • Black Cinema • British New Wave • feminist film theory • intertextuality • method acting • pornography • Third World Cinema • War films A bibliography of essential writings in cinema studies completes an authoritative yet accessible guide to what is at once a fascinating area of study and arguably the greatest art form of modern times. Susan Hayward is Professor of French Studies at the University of Exeter. She is the author of French National Cinema (Routledge, 1998) and Luc Besson (MUP, 1998). Also available from Routledge Key Guides Ancient History: Key Themes and Approaches Neville Morley Cinema Studies: The Key Concepts (Second edition) Susan Hayward Eastern Philosophy: Key Readings Oliver Leaman Fifty Eastern Thinkers Diané Collinson Fifty Contemporary Choreographers Edited by Martha Bremser Fifty Key Contemporary Thinkers John Lechte Fifty Key Jewish Thinkers Dan Cohn-Sherbok Fifty Key Thinkers on History Marnie Hughes-Warrington Fifty Key Thinkers in International Relations Martin Griffiths Fifty Major Philosophers Diané Collinson Key Concepts in Cultural Theory Andrew Edgar and Peter Sedgwick Key Concepts in Eastern Philosophy Oliver Leaman Key Concepts in -
Atlanta's Marketplace for Gone with the Wind Memory Jennifer Word Dickey
Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History 8-2-2007 "A Tough Little aP tch of History": Atlanta's Marketplace for Gone with the Wind Memory Jennifer Word Dickey Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Dickey, Jennifer Word, ""A Tough Little aP tch of History": Atlanta's Marketplace for Gone with the Wind Memory." Dissertation, Georgia State University, 2007. https://scholarworks.gsu.edu/history_diss/4 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “A TOUGH LITTLE PATCH OF HISTORY”: ATLANTA’S MARKETPLACE FOR GONE WITH THE WIND MEMORY By JENNIFER W. DICKEY Under the Direction of Clifford M. Kuhn ABSTRACT Since the 1936 publication of Gone with the Wind and the 1939 release of David O. Selznick’s film version of the book, the city of Atlanta has been associated in the public mind with Margaret Mitchell’s tale of the Old South, the Civil War and Reconstruction. The work of Mitchell and Selznick created images that shaped the public’s understanding of southern history and of Atlanta’s identity. This dissertation examines a series of attempts to capitalize on the fame and popularity of Gone with the Wind in museums in the Atlanta area. Focusing on the interpretive efforts of three entities—the Atlanta History Center, Clayton County, and the Margaret Mitchell House, Inc.—this study reveals the problematic nature of Mitchell’s and Selznick’s work and the impact that the book and film have had on shaping Atlanta’s identity and the public memory of the South. -
THE BARD OBSERVER DBW~, Febuary 22Nd, 2005 Bard Student's Home in Palestine Demolished by Israeli Forces; Student Fundraising Effort Hits Procedural Obstacles
N 0 0 V1. THE BARD OBSERVER DBW~, Febuary 22nd, 2005 Bard Student's Home in Palestine Demolished by Israeli Forces; Student Fundraising Effort Hits Procedural Obstacles RY ETHAN PORTER First of two parts As the night sky lay over the Dhcishch refugee camp in Palestine money from their accounts. Instead, individual community sial nature of the Israeli-Palestinian conflict. But the political on November 30th of last year, the Ibdaa Cultural Center was members donated money to try to help her out. The administra nature of the predicament Hammash's family finds itself in can ready to operate for another day. Founded in 1994 with the stat tion argues that the same path should be followed by those who not be discounted from an inventory of what has happened. The ed mission of "provid[ing] an environment for the camp's chil wish to help Zcyd. Israeli government justified its demolition of the houses by dren and young people to develop their abilities, creativity and "While you would be hard pressed to find anyone who claiming it was a sort of retributive action against two of Zeyd's leadership skills through social, cultural and educational activities would disagree that the situation Zaid [sic] is dealing with is a cousins, who are now in lsracl.i custody for allegedly participat not otherwise available," the Center hosted a kindergarten, a tragedy, providing support in this way is simply not appropriate," ing in terrorist activity. In reference to one of the cousins, Zeyd library, a girls' basketball team and even a dance troupe. -
View/Download Complete Unit
John Adams Abigail Adams Abigail Adams Smith Adams Family Foreign Policy: Letters and Diaries from Europe John Quincy Charles Francis Adams Henry Brooks Adams Adams Jason L. S. Raia Adams Family Foreign Policy 2 This project was created in partial fulfillment of a Summer 2006 Adams Teacher Fellowship at the Massachusetts Historical Society. Developed by: Jason L.S. Raia Pope John XXIII High School Everett, Massachusetts Copyright 2007 Massachusetts Historical Society. Permission is hereby granted to reproduce and distribute these materials for educational purposes. For non-classroom use, please contact the Massachusetts Historical Society. Cover images from the collections of the Massachusetts Historical Society: John Adams portrait, pastel by Benjamin Blyth, circa 1766. Abigail Adams portrait, pastel by Benjamin Blyth, circa 1766. Abigail Adams Smith, miniature portrait on porcelain tile after the portrait by John Singleton Copley, circa 1795. John Quincy Adams, carte de visite of daguerrotype by Brady's National Photographic Portrait Galleries, [Matthew B. Brady], after 1860. Charles Francis Adams, carte de visite by John & Chas. Watkins, 1862. From the Adams family papers III. Henry Brooks Adams, photograph by Marian Hooper Adams, circa 1883. From the Marian Hooper Adams photographs. 3 MHS Adams Teacher Fellowship Table of Contents Preface……………………………………………………………………………………………..4 Introduction………………………………………………………………………………………..5 Adams Foreign Policy Timeline.......................................................…………………………...…7 Lesson One: John Adams in the Netherlands, 1781-1783………………...…………………….13 Lesson Two: Abigail and Abigail 2nd in Europe, 1784-1788 ………………………………...…60 Lesson Three: John Quincy Adams in the Netherlands, April-September 1814 ……………….86 Lesson Four: Charles Francis and Henry Adams in England, 1861-1863 ……………………..116 Adams Family Foreign Policy 4 P r e f a c e Adams Family Foreign Policy was completed during the summer of 2006 as part of my Adams Teacher Fellowship at the Massachusetts Historical Society (MHS). -
UT128 Understanding Movies Bklt.Qxp
UNDERSTANDING MOVIES: THE ART AND HISTORY OF FILM COURSE GUIDE Professor Raphael Shargel PROVIDENCE COLLEGE Understanding Movies: The Art and History of Film Professor Raphael Shargel Providence College Recorded Books™ is a trademark of Recorded Books, LLC. All rights reserved. Understanding Movies: The Art and History of Film Professor Raphael Shargel Executive Producer John J. Alexander Executive Editor Donna F. Carnahan RECORDING Producer - David Markowitz Director - Matthew Cavnar COURSE GUIDE Editor - James Gallagher Design - Ed White Lecture content ©2008 by Raphael Shargel Course guide ©2008 by Recorded Books, LLC 72008 by Recorded Books, LLC #UT128 ISBN: 978-1-4361-4167-3 All beliefs and opinions expressed in this audio/video program and accompanying course guide are those of the author and not of Recorded Books, LLC, or its employees. Course Syllabus Understanding Movies: The Art and History of Film About Your Professor...................................................................................................4 Introduction...................................................................................................................5 Lecture 1 The Origins of Cinema and the Grammar of Film .................................6 Lecture 2 Film Imagery and the Theory of Montage ...........................................11 Lecture 3 Storytelling in the 1930s: Stagecoach ................................................16 Lecture 4 Citizen Kane: An American Masterpiece.............................................21 Lecture -
Working Title Films and Transatlantic British Cinema Nathaniel
Working Title Films and Transatlantic British Cinema Nathaniel Townsend PhD University of York Theatre, Film and Television September 2014 2 Abstract This thesis presents a business history of the London-based film production company, Working Title Films. The focus is on the creative and business structures and processes through which Working Title has operated and, in turn, the individual and collective agency of the key players responsible for developing and maintaining these institutional determinants. The same set of research questions are applied to the principal filmmaking institutions with which Working Title has collaborated, and, more particularly, examines how Working Title has negotiated creative and business relationships with various larger film businesses. By taking a chronological approach to Working Title’s evolution, a detailed account of the company’s years as an independent production company (1984-1990), a subsidiary of PolyGram Filmed Entertainment (1990-1998) and a subsidiary of Universal Pictures (1998-present) is provided. The thesis also offers a historical and conceptual framework through which the business history of Working Title is analysed. In the first instance, this involves a reconsideration of the relationship between the film industries and cultures of Britain and Hollywood which combines the discourses of national cinema with more recent scholarship about transnational cinema. This conceptual reinterpretation is subsequently applied to three indicative business histories from the 1930s and 1940s: London Films, MGM-British and the Rank Organisation — and then to Working Title itself. The central concept of the thesis — ‘Transatlantic British Cinema’ — describes a type of cultural production that challenges orthodox accounts of British cinema as national cinema and indicates the ways in which representations of Britain and ‘Britishness’ function within transnational film culture.