The Golem by Isaac Bashevis Singer , Uri Shulevitz (Illustrator)
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Jewish Experience on Film an American Overview
Jewish Experience on Film An American Overview by JOEL ROSENBERG ± OR ONE FAMILIAR WITH THE long history of Jewish sacred texts, it is fair to characterize film as the quintessential profane text. Being tied as it is to the life of industrial science and production, it is the first truly posttraditional art medium — a creature of gears and bolts, of lenses and transparencies, of drives and brakes and projected light, a creature whose life substance is spreadshot onto a vast ocean of screen to display another kind of life entirely: the images of human beings; stories; purported history; myth; philosophy; social conflict; politics; love; war; belief. Movies seem to take place in a domain between matter and spirit, but are, in a sense, dependent on both. Like the Golem — the artificial anthropoid of Jewish folklore, a creature always yearning to rise or reach out beyond its own materiality — film is a machine truly made in the human image: a late-born child of human culture that manifests an inherently stubborn and rebellious nature. It is a being that has suffered, as it were, all the neuroses of its mostly 20th-century rise and flourishing and has shared in all the century's treach- eries. It is in this context above all that we must consider the problematic subject of Jewish experience on film. In academic research, the field of film studies has now blossomed into a richly elaborate body of criticism and theory, although its reigning schools of thought — at present, heavily influenced by Marxism, Lacanian psycho- analysis, and various flavors of deconstruction — have often preferred the fashionable habit of reasoning by decree in place of genuine observation and analysis. -
Dvorah Telushkin
Dvorah Telushkin: An Inventory of Her Collection of Isaac Bashevis Singer Papers at the Harry Ransom Center Descriptive Summary Creator: Telushkin, Dvorah, 1954- Title: Dvorah Telushkin Collection of Isaac Bashevis Singer Papers Dates: 1951-1998 Extent: 7 boxes, 2 galley folders (2.94 linear feet) Abstract: Dvorah Telushkin’s Isaac Bashevis Singer materials date from 1951 to 1998 and include Singer's manuscripts; clippings and tearsheets of his published work; galley proofs, reviews, and correspondence; clippings of articles about Singer; royalty statements, lecture contracts, and receipts; one contact sheet; an award program; notes; and works by other authors. RLIN Record TXRC06-A24 ID: Language: English, Yiddish, Hebrew Access: Open for research Administrative Information Acquisition: Gift, 2002 (G 12122) Processed by: Katherine Mosley, 2006 Repository: The University of Texas at Austin, Harry Ransom Center Telushkin, Dvorah, 1954- Biographical Sketch Dvorah Telushkin was born February 12, 1954, in Brooklyn, New York. She attended the Yeshivah of Flatbush and studied at Bard College and Columbia University. Telushkin met author Isaac Bashevis Singer in 1975, when she was twenty-one years old and unable to afford the cost of a creative writing course that Singer was teaching at Bard College. She wrote to Singer, offering to drive him between Manhattan and the college in return for auditing the class. This led to a position as his personal secretary and assistant that lasted for twelve years. Telushkin’s first marriage was to photojournalist Abraham Menashe, with whom she has one daughter. She married Rabbi Joseph Telushkin in 1988; they have three children and currently reside in New York. -
Between Concealment and Revelatiotpwoon Mystical Motifs in Selected Yiddish Works of Isaac Bashevis Singer and Their Sources in Kabbalistic Literature
% % *EQ'8Tn4R Between Concealment and RevelatiotPwooN Mystical Motifs in Selected Yiddish Works of Isaac Bashevis Singer and Their Sources in Kabbalistic Literature Haike Beruriah Wiegand Department of Hebrew and Jewish Studies University College London Degree: Ph.D. ProQuest Number: 10010417 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10010417 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract of Thesis Between Concealment and Revelation - Mystical Motifs in Selected Yiddish Works of Isaac Bashevis Singer and Their Sources in Kabbalistic Literature The subject of this study is an exploration of Jewish mystical motifs in the works of Yitskhok Bashevis Zinger (Isaac Bashevis Singer). The study is based on a close reading of the Yiddish original of all of Bashevis’s works investigated here. Changes or omissions in the English translations are mentioned and commented upon, wherever it is appropriate. This study consists of three major parts, apart from an introduction (Chapter 1) and a conclusion (Chapter 9). The first major part (Chapter 2) investigates the kabbalistic and hasidic influences on Bashevis’s life and the sources which inform the mystical aspects of his works. -
January-February 2020 American Nobel Prize Winners In
January-February 2020 A Bimonthly Publication of the U.S. Consulate Krakow Volume XVI. Issue 164 American Nobel Prize winners in literature Nobel Museum in Stockholm archives and displays the heritage of Alfred Nobel and the Laureates of his Prizes. Photo B. Pilat In this issue: American Nobel Laureates in Literature Zoom in on America American Nobel Prize Winners in Literature Sinclair Lewis Eugene Gladstone O’Neill Above: Sinclair Lewis, the famous American novelist, seated on the steps of a caravan, typing, while his wife, Miss Dorothy Thompson, seated behind him, looks on, somewhere in England in May 1928. They couple spent their honeymoon in a caravan, touring of Great Britain. Photo AP Images Right: Eugene O’Neill shakes hands with a canine friend at his chateau in Tours, France, July 21, 1930. Photo AP Images Harry Sinclair Lewis was born on February 7, 1885 in Sauk Eugene Gladstone O’Neill was born on October 16, 1888 Centre, Minnesota. In his childhood Lewis was very shy, in a hotel room in New York City. O’Neill was the son of a but he was an avid reader. Lewis graduated from Yale traveling actor; thus, he was well-acquainted with theatri- University in 1908 and then began a career as a journal- cal productions from a very young age. During most of his ist and book editor in various cities throughout the United childhood he accompanied his father on the road. In 1906 States. During this time, he also wrote his first four novels, he enrolled at Princeton University, but soon discovered none of which were successful. -
Collection of Books on Yiddish Culture and Literature
Anna Elena Torres March 15, 2005 Yiddishkeit: Statement for the Edward Newton Student Library Prize Jews refer to Yiddish as the mamaloshen, or the mother language. It was traditionally the secular language of the home spoken by women in Diaspora communities, while men at the study house spoke Hebrew, the holy language. Yiddish is a language without a country, and has never been spoken by any government or king; and sadly, as my grandparents’ generation passes, fewer and fewer people are learning it at home. Its rich literary tradition was often looked down on by the western Jewish intelligentsia as sentimental and folkloric, even backwards. University programs are just now beginning to reclaim the language as a legitimate object of study. My collection of Yiddish poetry, plays, and books related to Yiddish culture is an attempt to preserve the great literary legacy of a dying language, both in translation and in the original. My books encompass the “high” and the “low” ends of the spectrum of Yiddish popular culture, including work from Nobel Prize-winning Isaac Bashevis Singer to the cartoonist Ben Katchor, contemporary darling of the Yiddish press. Also represented are anthologies of the folktales I grew up with, from stories meant to be read to children to Buber’s challenging and koan-like Hasidic riddles. Art and photography books illustrate the visual culture of Yiddish-speakers from the steppes to the Lower East Side. My Yiddish Holy Grail is an original copy of the Yiddish version of Hamlet, which was famously given a “happy ending.” I have come across references to the Yiddish Hamlet in various books and through my grandmother’s stories of the Yiddish theatres on the Lower East Side of Manhattan, but I have never seen a copy of it, nor do I know what the ending is. -
1. the Great Fair Scenes from My Childhood, Sholom Aleichem 2
FICTION (alphabetized by authors last name) (See also: Children’s Books) 1. The Great Fair Scenes From My Childhood, Sholom Aleichem 2. The Claimant, Hollis Alpert 3. The Iron Tracks, Aharon Applefeld 4. A Night of Watching, Elliot Arnold 5. Israel My Beloved, A Novel, Kay Arthur 6. The Nazarene, Sholem Asch 7. Nine Tomorows, Isaac Asimov 8. Once We Were Brothers, Ronald H. Balson 9. Candles in the Night (Jewish Tales by Gentile Authors), Joseph L. Baron, editor (2 copies) 10. Whose Little Boy Are You? A novel, Hanoch Bartov 11. Stranger to her People, Ruth Benjamin 12. Yesterday’s Child, Ruth Benjamin 13. Jacob The Baker (Gentle Wisdom For A Complicated World), Noah BenShea 14. Between Tumbling Walls, Tuvia Borzykowski 15. Milena, Margarete Buber-Neumann 16. The Yiddish Policemen’s Union, Michael Chabon 17. Three Complete Novels (Weep No More My Lady, Stillwatch, A Cry In The Night), Mary Higgins Clark 18. In The Days of Simon Stern, a novel by Arthur A. Cohen 19. Tough Jews (Fathers, Sons, and Gangster Dreams), Rich Cohen 20. The Menorah Men, Lionel Davidson 21. The Red Tent, Anita Diamant 22. All The Light We Cannot See, Anthony Doerr 23. King of the Jews, A Novel of the Holocaust, Leslie Epstein 24. Max, Howard Fast 25. Hannah’s Daughters (A Novel of Three Generations), Marianne Fredriksson 26. Come Pour the Wine, Cynthia Freeman 27. The Antagonists (A Novel About Masada) Ernest K. Gann 28. Masada (A novel of courage and the triumph of the human Spirit), Ernest K. Gann 29. Family, A Novel in the Form of Memoirs, Herbert Gold 30. -
Isaac Bashevis Singer
Isaac Bashevis Singer: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Singer, Isaac Bashevis, 1904-1991 Title: Isaac Bashevis Singer Papers Dates: 1923-1994 Extent: 176 boxes, 4 oversize boxes, 120 galley folders (77 linear feet) Abstract: Most of Singer's fictional works and many of his nonfiction essays and reviews are represented in the papers. The Works series includes Singer's short stories, novels, radio scripts, stage and screenplays, articles, reviews, poems, introductions to books by other authors, and lectures. Most of Singer's translated novels and short stories appeared originally in Yiddish in the Jewish Daily Forward (Forverts) and so exist in both Yiddish and English, as well as other languages. Correspondence primarily consists of letters to Singer (although his outgoing letters to Alma Singer and a few others are present) and dates mostly from the 1940s until Singer's death in 1991. Singer's financial and legal papers, photographs and snapshots, notebooks and notes, various clippings and ephemera, and appointment books are also present, as are works about Singer and a variety of works by other authors. However, works by Singer's sister, Ester Kreytman, and brother Israel Joshua Singer, who were also novelists, are not included. Call Number: Manuscript Collection MS-3849 Language: English, Hebrew, Yiddish, German, Polish, French, Italian, Spanish, and Russian Access: Open for research with the exception of some correspondence restricted until 2025 Administrative Information Acquisition: