DOCSLIB.ORG

Sovereignty of Good

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

REVISTA DE INVESTIGACIÓN FILOSÓFICA Y TEORÍA SOCIAL Dialektika A disciple of Plato among British Moral Philosophers: A review of The Sovereignty of Good UN DISCÍPULO DE PLATÓN ENTRE LOS FILÓSOFOS MORALES BRITÁNICOS: UNA REVISIÓN DE LA SOBERANÍA DEL BIEN 1* Rogney Piedra Arencibia 1* Doctorando en Filosofía, Queen’s University, Canadá Email: [email protected] Recibido: 14/06/2019 Aceptado: 13/08/2019 REVIEW Para Citar: Piedra Arencibia, R. (2019). Un Discípulo de Platón entre los filósofos morales británicos: Una revisión de La Soberanía del Bien. Dialektika: Revista De Investigación Filosófica Y Teoría Social, 1(2), 47-49. Recuperado a partir de https://journal.dialektika.org/ojs/index.php/logos/article/view/14. LA PALANCA FÍSICA EN LA FILOSOFÍA 47 SEPTIEMBRE-DICIEMBRE. (2019). Vol. 1 (2), pp. 47-49. REVISTA DE INVESTIGACIÓN FILOSÓFICA Y TEORÍA SOCIAL Dialektika Murdoch, Iris. The Sovereignty of Good. New York: Routledge, 2001, 126 pp., $16.76 USD (pbk), ISBN 13: 979-0-415-25552-3 (pbk) he Sovereignty of Good is a short volume (70 pages in its first, (D). (It is curious that here Murdoch retains the pedantic 1970, edition) composed of three previously separately analytical style of using symbols for no reason at all in her published essays on moral philosophy by the British intent to argue against this very tradition, perhaps in an T philosopher and novelist Iris Murdoch. One of its many attempt to not appear as a complete outsider). Our evaluation appeals is that it is not like the typical (grey-soberly of an object is true when we see it how it is through just, analytical) British philosophy text. This can be said not only loving and unselfish attention toward it. A since there is no regarding Murdoch's lively style of writing but also general formula for each moral situation, we should develop concerning the content of her ideas. Murdoch's book is a a sensibility to feel "magnetic pull" of the perfectness of things reaction against the predominant Anglo-Saxon moral in order to see them as they are. Thus, love is knowledge of philosophy of her time. Against the continuous efforts of the the individual object in its perfection. This is a move directed REVIEW latter for making moral affairs either a non-sense or an against the dominant moral philosophy of her time, not only emotional-subjective matter, Murdoch offers the peculiar for its cognitive approach to morality but also for rescuing Platonist approach of stating Good as the objective aim of the the commonly neglected concept of love. virtuous (unselfish and loving) person's attention. In the second essay, "On 'God' and 'Good,'" Murdoch The first of the three essays, "The Idea of Perfection," offers a struggles between two one-sided opposite trends in critical approach to several analytical philosophers such as G. contemporary philosophy: the "romantic" humanism E. Moore, Wittgenstein, Ryle, Ayer, Hare, and Stuart (existentialism) that proclaims that we are free, and the Hampshire and their —at the time— influential moral "scientific" (reductionist) empiricism that makes of man just philosophy. The outcome of this analytical moral philosophy another object of nature captive in its iron cause-effect chain. was its sharp division between fact and value, and the belief She is not satisfied with either of these views, although she that while the former is the proper object of knowledge, the makes a significant concession to the latter when she accepts latter lack of any cognitive content — a picture of a world a "realistic" picture of human nature following the "quasi- deprived of intrinsic value, a cold neutral realm of pure facts. mechanical" Freudian description of our psyche. The The moral agent in such a world is the "free" (abstract, Hobbesian notion of homo homini lupus seems to dominate unconditioned, autonomous) will, a will of choosing. It is her view on this. Murdoch openly declares that, for her, highly significant, as Murdoch suggests, that this picture of human beings are naturally selfish. She does not take this the world and the moral subject is also typical of the most assumption to its final implications, but it follows from this famous continental philosophy at the time, existentialism. that all her positive views on how we should be, stand against Murdoch situates her self in the crossroads of these quite the our supposed nature as human beings. So, why we should opposite trends in contemporary philosophy and shows that fight our nature, why selfishness —our true nature— should they share more than it could appear at first glance. not be admitted as goodness? Murdoch does not address this contradiction nor put in question the Freudian picture of the Against this "Kantian" (liberal) picture of human moral self either. She naively identifies a socio-historical agency, Murdoch rightfully argues that we perform moral conditioned mode of behavior with an abstract (shared by all actions, not because an empty unconditioned will, but separate individuals) human nature. because we see the objective moral value in the world, i.e., values that do not depend on our will, nor are the outcome of Here Murdoch seems to be dealing with "the death of the our choosing. Those, she believes, are objective features that subject," i.e., the shipwreck of the idea of subjectivity as self- we must learn to spot in the object by attending to it without determinate consciousness and a spontaneous will. On the the distorting clouds of our selfish nature. To illustrate this, other hand, Murdoch explicitly deals with the "death of God," she uses her most famous example of "M" and "D," a i.e., the disappearance of any transcendental telos for giving hypothetical "ordinary and everyday" situation of moral sense to our lives. How to be morally good in a life without evaluation from a woman (M) towards her daughter-in-law God? This theme was also artistically developed in some of Piedra Arencibia, R. (2019). Un Discípulo de Platón entre los filósofos morales británicos: Una revisión de La Soberanía del 48 Bien. Dialektika: Revista De Investigación Filosófica Y Teoría Social, 1(2), 47-49. Recuperado a partir de https://journal.dialektika.org/ojs/index.php/logos/article/view/14 REVISTA DE INVESTIGACIÓN FILOSÓFICA Y TEORÍA SOCIAL Dialektika her novels, such as The Time of the Angels. Murdoch faces similar virtue to goodness. Is humility the virtue which what J.P. Sartre called "starting point of existentialism" in his provides us with true vision. "The humble man, because he famous short paper Existentialism is a Humanism, but she sees himself as nothing, can see other things as they are," she gives an entirely different solution to the problem. Although says. Even Sartre would be astonished by the sweet innocence Murdoch seems to be entirely in agreement with this divine of this exhortation, especially when Murdoch repeatedly death, she is interested in the structure of an activity directed accuses him of being too romantic or unrealistic. What she toward God as a transcendental object, prayer. For this does not provide to any extent is an explanation of why being activity resembles the precious process of redirecting our humble is so hard. Here she has nothing else to say except to loving attention toward a non-egocentric object. The Good, appeal to a presumed human (selfish) nature as the enemy of supreme aim of the virtuous person’s attention, should be morality. The naivety of her romanticism consists of its similar to God in this sense; that is, in the sense of an object inability to take into account the socio-historical reasons that we could only see if we lose ourselves in it if we "expel" than make us selfish. In a world in which being selfish is the our ego —that "fat relentless" enemy of morality, as Murdoch only way to survive, the humble shall indeed "accept the calls it— from our view. death," but not in the sophisticated metaphoric sense used by Murdoch at the end of her book, but sadly in a literal sense. It is not hard to find this "expelling" procedure that Murdoch Therefore, the path to goodness does not consist of a personal is proposing as a problematic, if not self-contradictory, and quest of "unselfing" but a historical act of transformation of impossible aspiration. Here I am emptying my self to "see" the social structure; it is a collective struggle for the objective the other as he is, but if the other wants to do the same, we (social) conditions to enable us to become multifaceted and will end up in the pointless relation of two empty mirrors complete selves, not a personal exercise of illumination by facing each other to reflect nothing. More importantly, this becoming nothing, by negating ourselves. moral philosophy seems to lead us to a sort of "humble" (miserable and poor) existence: the less you are, the better Murdoch's book is valuable not because of its uncertain and you are. One could sense an inclination of the author to take romantic answers but because it draws our attention toward an idealized image of the "simple people" as the closest to essential and yet for a long-time neglected questions in goodness. philosophy. It is a warm exotic island within the cold sea of British XX century philosophy, and the best of its merits This romantic view is even more palpable in the third and last resides in its daring spirit. Its challenging claim is against the chapter, "The sovereignty of good over other concepts," famous last sentence of Wittgenstein's Tractatus. Moral where Murdoch again makes the "selfish" human nature in a concerns are issues that we cannot afford to "pass over in Godless world her starting point.
Recommended publications
  • 'Attention, Self and the Sovereignty of Good' Was Published in Anne Rowe

    'Attention, Self and the Sovereignty of Good' Was Published in Anne Rowe

    ‘Attention, Self and The Sovereignty of Good’ was published in Anne Rowe (ed.) Iris Murdoch:A Reassessment Palgrave Macmillan, October 2006. ChrístophetMole 73 There arc at least two strategies for avoiding this problem. The first strategy avoids the problem by taking Murdoch's view of the self to 6 entail something less than a com!Iete prchibition on attention to the and The Sovereignty self. Perhaps self-directed attention comes in different forms, only some Attention, Self of which are prohibited, or perhaps the prohibition on self-directed of Good attention only applies in certain circumstances. Samantha Vice employs this strategy in her contdbution to this yolume. The present paper pur- Christopher Mole sues a different stategy. It avoids the problem by understanding the morally important states of mind as something other than inner occur- rences taking place on the private stage of consciousness. Vice's view is that the strong prohibition on attention to the inner life is neither plau- sible, nor waÍanted by Murdoch's position. My view is that we can keep the strong prohibition on attention to the innet, but must reject the In 1958, Elizabeth Anscombe's 'Modern Moral Philosophy'1 forcefuUy idea that the morally important states of mind and character are inner launched the idea that character traits and states of mind are molally states, and think of them instead as b eiîg world inyolyíng. important in ways that could not be seen from the point of view of the contemporary moral psychology. 'ffioral philosophy', she wrote, The moral importance of the mind 'should be laid aside [.
  • Attending to Reality: Iris Murdoch on the Moral Good

    Attending to Reality: Iris Murdoch on the Moral Good

    Ante Jerončić: Attending to reality - Biblijski pogledi, 21 (1-2), 101-114 (2013.) UDK: 224.5:227.87:22.06 Izvorni znanstveni članak Pripremljen u ožujku 2013. ATTENDING TO REALITY: IRIS MURDOCH ON THE MORAL GOOD Ante Jerončić Andrews University, Michigan, USA “Th e good and just life is thus a process of clarifi cation, a movement towards selfl ess lucidity, guided by ideas of per- fection which are objects of love.”– Iris Murdoch1 SUMMARY: Attending to Reality: Iris Murdoch on the Moral Good Even a scant acquaintance with current cultural and philosophical trends will readily point to a widespread predilection for subjectivist forms of moral reasoning. By “subjectivist” I refer to various non-cognitivist and constructionist paradigms in moral philosophy and popular parlance that reduce ethical statements to expressions of individual or collective preferences, feelings, or prejudices stripped of any object-given normativity. Th e following are but some of the factors that fuel such perspectives: the proverbial fact/value dichotomy and anti-realist sentiments pervading large swaths of analytic philosophy; poststructuralist and postcolonial “genealogies” that tie the language of universal morality to discourses of power, patriarchy, and totalitarian agency; and the utilization of the language of virtues, values, and “moral clarity” for a specifi c set of domestic and foreign policy commitments. Such intellectual positions, accor- 1 Profound thanks go to the friends and colleagues whose feedback made an invaluable contribution to the thinking in this article: L. Monique Pittman, Karl Bailey, and Vanessa Corredera. I also owe a debt of grati- tude to my research assistant Mercedes McLean who labored with me in correcting and clarifying the fi nal draft .
  • Running Head: MS. MURDOCH's EXISTENTIALIST FOIL

    Running Head: MS. MURDOCH's EXISTENTIALIST FOIL

    Running head: MS. MURDOCH’S EXISTENTIALIST FOIL 1 Ms. Murdoch’s Existentialist Foil in The Idea of Perfection Neminemus Author Note [email protected] Electronic copy available at: https://ssrn.com/abstract=3845363 MS. MURDOCH’S EXISTENTIALIST FOIL 2 Abstract In her Idea of perfection, Ms. Murdoch criticizes what she takes to be an existentialist conception of ethics. This conception is not, however, existentialist, either in the sense in which Sartre characterized it, or any of those other existentialists from Dostoyevsky onwards. Whether her alternative ethic is better or worse than that of the existentialist, I do not know; but the one is not in contrast to the other. Keywords: Iris Murdoch; Jean-Paul Sartre; Existentialism; Ethics; Behaviourism. Electronic copy available at: https://ssrn.com/abstract=3845363 MS. MURDOCH’S EXISTENTIALIST FOIL 3 Ms. Murdoch’s Existentialist Foil in The Idea of Perfection Ms. Murdoch takes as a philosophic foil an ethical conception which is ‘behaviourist, existentialist, and utilitarian in a sense which unites these three conceptions’.1 She calls this the ‘choice and argument’ model,2 or the ‘existentialist-behaviourist view’.3 She takes the existentialist pole of this ethic as ‘unrealistic, over-optimistic, romantic, because it ignores what appears at least to be a sort of continuous background with a life of its own’.4 Her ethic of attention, ‘a just and loving gaze directed upon an individual reality’, 5 is meant to take account of this moral continuity. Existentialism is not, however, what Ms. Murdoch thinks it is. She does not address ‘a wide tradition stretching from Dostoyevsky, Kierkegaard and Nietzsche to Heidegger and Sartre’,6 but something ‘existentialist-sounding’ belonging to ‘a certain familiar intellectual milieu’.7 As a consequence, this existentialist foil is a lacunary philosophy; a faith without its faithful, a belief without its believers.
  • Iris Murdoch's Five Ways from Art to Religion

    Iris Murdoch's Five Ways from Art to Religion

    Religions 2015, 6, 875–890; doi:10.3390/rel6030875 OPEN ACCESS religions ISSN 2077-1444 www.mdpi.com/journal/religions Article Images of Reality: Iris Murdoch’s Five Ways from Art to Religion Elizabeth Burns Department of Philosophy, Heythrop College, University of London, Kensington Square, London W8 5HN, UK; E-Mail: [email protected]; Tel.: +44-020-7795-6600 Academic Editor: Jonathan Hill Received: 8 May 2015 / Accepted: 13 July 2015 / Published: 30 July 2015 Abstract: Art plays a significant role in Iris Murdoch’s moral philosophy, a major part of which may be interpreted as a proposal for the revision of religious belief. In this paper, I identify within Murdoch’s philosophical writings five distinct but related ways in which great art can assist moral/religious belief and practice: art can reveal to us “the world as we were never able so clearly to see it before”; this revelatory capacity provides us with evidence for the existence of the Good, a metaphor for a transcendent reality of which God was also a symbol; art is a “hall of reflection” in which “everything under the sun can be examined and considered”; art provides us with an analogue for the way in which we should try to perceive our world; and art enables us to transcend our selfish concerns. I consider three possible objections: that Murdoch’s theory is not applicable to all forms of art; that the meaning of works of art is often ambiguous; and that there is disagreement about what constitutes a great work of art.
  • Platonic Perfectionism in John Williams' Stoner

    Platonic Perfectionism in John Williams' Stoner

    SATS 2020; 21(1): 39–60 Frits Gåvertsson* Platonic Perfectionism in John Williams’ Stoner https://doi.org/10.1515/sats-2019-0028 Published online October 12, 2020 Abstract: I argue that given a plausible reading of John Williams’s Stoner (2012 [1965]) the novel throws light on the demands and costs of pursuing a strategy for self-realisation along Platonic lines which seeks unification through the adoption of a single exclusive end in a manner that emulates the Socratic maieutic teacher. The novel does not explicitly argue either for or against such a strategy but rather vividly depicts its difficulties, appeal, and limitations, thus leaving the ultimate evaluation up to the reader. Keywords: John Williams, Stoner, Philosophy and Literature, Aristotle, Plato 1 Introduction The philosophical insight to be gathered from literature is often thought of as somewhat opaque, or at least unsystematic, in character since it is usually sug- gested that the primary virtue of fiction lies in its attention to the particular (on this see Goldberg 1993; Hämäläinen 2016a; Nussbaum 1990; Winch 1972, 1987), its highlighting of the interplay between form and content (e.g., Nussbaum 1990: 3– 53), or in its ability to go beyond conventional philosophical prose and argu- mentative techniques (cf. e.g., Diamond 1993; Hämäläinen 2016b; Moyal-Sharrock 2016; Wittgenstein 1922: 6.421; Winch 1972, 1987). Sometimes, however, it seems that literary works present us with easily identifiable philosophical arguments (on this see Green 2010, 2016). A third way in which literary texts can provide insight in a way that is neither opaque nor strictly argumentative is by scrutinizing philo- sophical positions in a manner that elucidates or poses problems for the position(s) *Corresponding author: Frits Gåvertsson, Department of Philosophy, Lund University, Box 192, 221 00, Lund, Sweden, E-mail: frits.gavertsson@fil.lu.se.
  • If the Good Were God: Platonic Meditations on Theism

    If the Good Were God: Platonic Meditations on Theism

    [Expo. 3.1 (2009) 5–21] Expositions (print) ISSN 1747-5368 doi:10.1558/expo.v3i1.5 Expositions (online) ISSN 1747-5376 If the Good were God: Platonic Meditations on Theism JAMES WETZEL Villanova University [email protected] Abstract The usual way to relate Platonism to theism is to contrast an impersonal conception of the Good with a God of absolutely benevolent will. I call into question the usefulness of that contrast and argue for a reading of Plato that takes centrally into account Socratic service to the god. My overall aim is to suggest that a genuinely philosophical faith tends to defy the distinction between an ethics of will and an ethics of vision. Keywords: Plato; Socrates; theism; ethics; will; Murdoch; Korsgaard Augustine assumed that Plato was a monotheist or at least that Plato’s philosophy required monotheism as its working presupposition. The most apparent conclusion to draw from Plato’s dialogues, however, is that he, like his teacher Socrates, believed in many gods and never singled out a particular one of them to be the sum and substance of all goodness. In the Euthyphro, Plato’s dialogue about the proper object of piety, Socrates encounters a self-styled seer by the name of Euthy- phro, who is about the odd business of prosecuting his own father for impiety. Since Socrates himself is on his way to trial, to face a charge of impiety, he is naturally anxious to profit from a supposed vision- ary’s insight into what piety is. As all readers of the dialogue know, Euthyphro never delivers on the goods, and the dialogue founders on an unresolved choice: “For consider,” says Socrates to Euthyphro, “is the holy loved by the gods because it is holy? Or is it holy because it is loved by the gods?”1 Long after philosophers have ceased to care about gods and the way that gods may be said to love, the choice, in altered form, still beckons us.
  • Iris Murdoch on Privacy and Ethics

    Iris Murdoch on Privacy and Ethics

    DOI: 10.1111/ejop.12538 BOOK SYMPOSIUM: 50TH ANNIVERSARY OF IRIS MURDOCH'S THE SOVEREIGNTY OF THE GOOD What if the private linguist were a poet? Iris Murdoch on privacy and ethics Rachael Wiseman Department of Philosophy, University of Liverpool, Liverpool, UK 1 | INTRODUCTION The historical individual, or rather the absence of the historical individual, in modern philosophy is at the centre of the three lectures collected in The Sovereignty of Good and at the centre of Murdoch's moral philosophy taken as a whole. Murdoch is driven by the insight, and the anxiety, that the conceptual resources available to moral philosophy are catastrophically diminished by a picture of the human individual as ‘an isolated principle of will, or burrowing pin- point of consciousness, inside, or beside, a lump of being which has been handed over to other disciplines’ (GG 338). Though her contemporaries might not recognise this rather grotesque character as the hero of their philosophy, Murdoch believes that the presence of this ‘soul-picture’ in their work is betrayed by the anaemic character of the moral scene they describe. Such a soul-picture, Murdoch argues, has left ethicists with the resources to speak only of reasonableness, rationality, authenticity, sincerity and correctness and has transformed moral progress from a demanding personal struggle towards unachievable perfection into a ‘mediocre achievement’ (GG 340) consisting in ‘the making of sensible choices and the giving of sensible and simple reasons’ (HT 177; GG 340; SG 364). Murdoch argues that moral philosophy must be able speak in terms of good and evil, piety and salvation, humil- ity and love—concepts that are connected to perfection, not mediocracy—and she thinks that these concepts get application only against a background picture of humans as substantive individuals or selves, each with a personal history, and a rich, unique, and ultimately private, inner life (e.g., GG 343).

  • We Need Character

    “At my age, you live in your mind”: Reviewing the Past in Bruno´s Dream by Iris Murdoch “A mi edad, se vive en la mente”: Repaso al pasado en Bruno’s Dream, de Iris Murdoch MARIÁNGEL SOLÁNS GARCÍA Institution address: UNED. Departamento de Filologías Extranjeras. Facultad de Filología. Paseo Senda del Rey 7. 28040 Madrid. Spain. E-mail: [email protected] ORCID: 0000-0003-0999-4390 Received: 30/11/2018. Accepted: 16/09/2019. How to cite this article: Soláns García, Mariángel. “‘At my age, you live in your mind’: Reviewing the Past in Bruno´s Dream by Iris Murdoch.” ES Review: Spanish Journal of English Studies, vol. 40, 2019, pp. 33‒55. DOI: https://doi.org/10.24197/ersjes.40.2019.33-55 Abstract: This paper analyses the way in which the ageing Bruno, the central character of Iris Murdoch´s Bruno´s Dream (1969), approaches his death and confronts the meaning of finitude. His last stage of life is understood as a time of reminiscence that brings up past conflicts. This study offers an opportunity to explore the moral and psychological aspects of guilt, regret and forgiveness, which trigger the process that Robert N. Butler called “life review.” It also aims to examine Murdoch’s philosophical concepts about love and her idea of unself. Keywords: Ageing Studies; finitude; life review; Iris Murdoch; love. Summary: Introduction. Finitude in the Face of Death. Living in the Mind. Experiencing the Unself. Conclusion. Resumen: Este artículo analiza el modo en que el anciano Bruno, protagonista de la novela Bruno´s Dream de Iris Murdoch (1969), aborda su muerte y se enfrenta al significado de la finitud.

  • The Case of Iris Murdoch Jane Mattisson Ekstam

    Meaning and What it Can Convey: The Case of Iris Murdoch Jane Mattisson Ekstam Iris Murdoch’s novels explore human truths that are timeless. She defended her ideas of literature as representing something true of human nature in an era “marked by a crisis of representation” (Rowe: 2). The postmodern rejection of truth, and Murdoch’s resistance to the theory-centred approach to textual analysis that emerged in the 1960s and reached its peak in the 1980s and 1990s, caused her to lose favour among scholars. It is time to revisit Iris Murdoch, a writer with a profound understanding of the importance of meaning in a literary text. What is this meaning? How is it represented in the novel? It is with these two questions that this article is concerned as it explores how Murdoch viewed her artistic mission and how it is embodied in the younger and older identities of the first-person narrator, Bradley Pearson, in The Black Prince (1973). Keywords: truth, postmodern, meaning, moral thought, art, The Black Prince Traditionally, the humanities have been dedicated to interpretation, i.e. the reconstruction and attribution of meaning. The social construction of reality and its apparent relativity and plurality, as well as the questioning of the existence of objective truth brought about by the post-World War Two postmodernist movement have stimulated debate on the purpose of literature, particularly with regard to its role as a vehicle for ideas. At the same time, Hans Ulrich Gumbrecht’s plea for a rethinking and reshaping of the intellectual practice within the humanities has encouraged greater focus on the aesthetic experience of literary texts.1 Iris Murdoch is a particularly interesting example of a writer who, despite her postmodern context, saw it as her mission to explore truth both in her fiction and philosophical writings.

  • Iris Murdoch on Art, Ethics and Attention

    IRIS MURDOCH ON ART, ETHICS AND ATTENTION Anil Gomes Trinity College, University of Oxford Forthcoming, The British Journal of Aesthetics [accepted 2013] Can the experience of great art play a role in our coming to understand the ethical framework of another person? In this paper I draw out three themes from Iris Murdoch’s The Sovereignty of Good in order to show the role that communal attention to works of art can play in our ethical lives. I situate this role in the context of Murdoch’s wider philosophical views. 1. Introduction The three essays which make up Iris Murdoch’s The Sovereignty of Good constitute an extended reflection on the nature of goodness and a sustained defence of the thought that great art can and should play a role in our ethical lives.1 My aim in this paper is to draw out some of the ideas and themes that support Murdoch’s claims in these essays. I will suggest that Murdoch’s discussion isolates one form in which the experience of art has ethical significance: a form which centres upon the communal nature of art appreciation. 1 (Murdoch 1970). I will use the following abbreviations to refer to the individual essays: ‘The Idea of Perfection’ (IP), ‘On ‘God’ and ‘Good’’ (G) and ‘The Sovereignty of Good over Other Concepts’ (SG). All page numbers refer to the Routledge Classics edition (2001). I will refer to (Murdoch 1957) as (S&G), to (Murdoch 1959) as (SBR) and to (Murdoch 1992) as (MGM). The relation between art and ethics is as much a topic of Murdoch’s fiction as her philosophy, and her discussion of the subject spans an array of concerns.
  • Valuing Love and Valuing the Self in Iris Murdoch

    Valuing Love and Valuing the Self in Iris Murdoch

    VALUING LOVE AND VALUING THE SELF IN IRIS MURDOCH Tony Milligan RESUMEN El artículo cuestiona aspectos de la interpretación de D. Velleman, la cual parte de un acercamiento entre el amor en Murdoch y el respeto en Kant. Esta aproximación es inexac- ta porque el amor para Murdoch no se define solamente por lo cognitivo, sino que incluye una dimensión conativa (deseo orientado hacia el otro particular) Además se propone una forma de reconocer el valor de sí mismo sin basarlo en el amor o respeto de sí mismo. Palabras clave: amor, respeto de sí mismo, egoismo, Iris Murdoch. ABSTRACT David Velleman’s influential analytic reworking of Iris Murdoch’s account of love is problematic. It proposes a rapprochement between Murdochian love and Kantian re- spect. Both are taken to be responses to, and recognitions of, personhood. I shall try to show that Velleman’s emphasis upon recognition (hence vision) is faithful to Murdoch, but his treatment of love as (i) a purely cognitive response; and (ii) a response which is ori- ented towards sheer personhood, departs from her position. Murdochian love is both cog- nitive and connative, it includes desire oriented towards particular others. The paper will go on to address a problem that Velleman’s reading of Murdoch obscures, the problem of recognizing self-worth without appealing to self-love. I will suggest a way in which Murdoch can manage to do so by attending to the importance of seeing ourselves in the light of an- other’s love. Iris Murdoch figures repeatedly in contemporary discussions within the philosophy of love, and particularly in work by philosophers who write within the analytic tradition.
  • A Merge Reflection of Humanism and Existentialism Is Overflowing in The

    A Merge Reflection of Humanism and Existentialism Is Overflowing in The

    IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 9, Issue 3 (Mar. - Apr. 2013), PP 48-54 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.Iosrjournals.Org Iris Murdoch‟s “The Bell”: Sagacity of humanism and liberalism Dr. Richa Tripathi 1(Department of English, Galgotias College of Engineering and Technology,MT University,New Delhi, India) Abstract: A merge reflection of humanism, liberalism and existentialism is overflowing in the novels of Irish- born Booker Prizewinner British author, philosopher, novelist, Dame Jean Irish Murdoch, which is still a mere appetite for social sustenance. She was a humanistic by spirit but apparently she knows the ruling power of suppressed Individuality & severity of real world over humanity., She looks at human behavior not only through the eyes of the writer, but through the person doing the behaving which connects her to their inner feelings and self concept of human nature and their behavior and conditions. This paper reveals Murdoch’s revolt against the conventional social hierarchy system, gender discrimination, prejudicial conduct, wide-ranging social pre-assumptions and misconception about the real self- determination with the help of her thought provoking novel “The Bell”. Her fiction shows the modern changes of society such as changes of the science of the human psychology and their revolutionized modern phenomenon like sexuality, homosexuality and other rising social issues like women empowerments, major distinction among bigotry, superstition, religion and spiritual aspirations which leads a path towards true liberalism and empowerment of not only the individuals but also to human society. This paper clearly confirms her favor to humanism, liberalism, and immortal declaration and its hardcore need for human society.