The Iris Murdoch Review
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The Sexual Politics of Meat by Carol J. Adams
THE SEXUAL POLITICS OF MEAT A FEMINISTVEGETARIAN CRITICAL THEORY Praise for The Sexual Politics of Meat and Carol J. Adams “A clearheaded scholar joins the ideas of two movements—vegetari- anism and feminism—and turns them into a single coherent and moral theory. Her argument is rational and persuasive. New ground—whole acres of it—is broken by Adams.” —Colman McCarthy, Washington Post Book World “Th e Sexual Politics of Meat examines the historical, gender, race, and class implications of meat culture, and makes the links between the prac tice of butchering/eating animals and the maintenance of male domi nance. Read this powerful new book and you may well become a vegetarian.” —Ms. “Adams’s work will almost surely become a ‘bible’ for feminist and pro gressive animal rights activists. Depiction of animal exploita- tion as one manifestation of a brutal patriarchal culture has been explored in two [of her] books, Th e Sexual Politics of Meat and Neither Man nor Beast: Feminism and the Defense of Animals. Adams argues that factory farming is part of a whole culture of oppression and insti- tutionalized violence. Th e treatment of animals as objects is parallel to and associated with patriarchal society’s objectifi cation of women, blacks, and other minorities in order to routinely exploit them. Adams excels in constructing unexpected juxtapositions by using the language of one kind of relationship to illuminate another. Employing poetic rather than rhetorical techniques, Adams makes powerful connec- tions that encourage readers to draw their own conclusions.” —Choice “A dynamic contribution toward creating a feminist/animal rights theory.” —Animals’ Agenda “A cohesive, passionate case linking meat-eating to the oppression of animals and women . -
The Advancing Greed Tide : Silence and Nature in J.G. Farrell's
"The Advancing Green Tide": Silence and Nature in J.G. Farrell's Troubles By Elizabeth Mead Supervisor: Assoc/Prof Ralph Crane October 2005 Morris Thesis MEAD BA(Hons) 2005 Repository Access Open Tasmania of University by Provided Metadata, citation and similar papers at core.ac.uk at papers similar and citation Metadata, CORE " ,~ ----·--~- -~~ - -------·- "The Advancing Green Tide": Silence and Nature in J.G. Farrell's Troubles By Elizabeth Mead Supervisor: Assoc/Prof Ralph Crane October 2005 Morris Thesis MEAD BA(Hons) 2005 - i 1 Introduction: Choosing Sides At the beginning of J.G. Farrell's Troubles (1970), Major Brendan Archer travels to Ireland to "claim" a bride he can barely remember. It is the summer of 1919 and the gunfire of the Great War is still ricocheting in his shell-shocked brain. Home on leave three years earlier he had met Angela Spencer, eldest daughter of one of the last Anglo-Irish Ascendancy families of the Wexford coast. Reading her weekly letters at the front, the Major is overawed by a mass of domestic detail so dense that he is only dimly aware that she has started to refer to herself as his fiance. To point out that the engagement was non-consensual on his part, the Major reasons, would only be "trivial and discourteous" (12), and besides, Angela's factual tone works like a soothing salve on his badly rattled nerves. So at the end of the war he travels to the Majestic, a dilapidated monstrosity of a hotel owned by the eccentric Spencer family. Here, the Major finds not only imperial splendour gone to seed, but that the formidable "granite" (24) realism of Angela's letters obscures all but the most superficial picture of her life. -
Illusion and Reality in the Fiction of Iris Murdoch: a Study of the Black Prince, the Sea, the Sea and the Good Apprentice
ILLUSION AND REALITY IN THE FICTION OF IRIS MURDOCH: A STUDY OF THE BLACK PRINCE, THE SEA, THE SEA AND THE GOOD APPRENTICE by REBECCA MODEN A thesis submitted to the University of Birmingham for the degree of MASTER OF PHILOSOPHY (Mode B) Department of English School of English, Drama and American and Canadian Studies University of Birmingham September 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis considers how Iris Murdoch radically reconceptualises the possibilities of realism through her interrogation of the relationship between life and art. Her awareness of the unreality of realist conventions leads her to seek new forms of expression, resulting in daring experimentation with form and language, exploration of the relationship between author and character, and foregrounding of the artificiality of the text. She exposes the limitations of language, thereby involving herself with issues associated with the postmodern aesthetic. The Black Prince is an artistic manifesto in which Murdoch repeatedly destroys the illusion of the reality of the text in her attempts to make language communicate truth. Whereas The Black Prince sees Murdoch contemplating Hamlet, The Sea, The Sea meditates on The Tempest, as Murdoch returns to Shakespeare in order to examine the relationship between life and art. -
The 'Insider Outsider, in Iris Murdoch,S Bruno's Dream And
にはなぜ目をつぶったのか。ケインズやムーア を正確に認識できないというペシミズムが、ヨー 物それぞれが主役となり、描出される図式に注目 タファーによって「連続性」を象徴した。またク の‘ Sincerity’ をロマンティシズムのあやまちだ ロッパの思想史に長く一貫して継承されてきた重 すると、人間関係の渦巻の連鎖が螺旋、組紐など リモンドをヒンドゥー教のナタラージャ(踊るシ と否定するけれども、彼女が敬意をもって肯定す 要な主題であるのを考えると、彼女の‘ Good’ や 聖書写本『ケルズの書』の抽象文様の世界をス ヴァ神)で象徴しようとしたものは、ヒンドゥー るシモ̶ヌ・ヴェイユの‘ Attention’ とどこがど ‘Perfection’ の理念はその系譜のうちのどこにど トーリーの運びによって描出しようとする、マー 教の重要な特徴である「宗教的寛容の精神」であ う違うと言えるのか。プラトンの洞窟の比喩や、 う位置づけられるものなのか。 ドックの技法が読み取れる。 ろう。ティマーがダンカンとの偶発的な愛の衝動 ピュロンの判断中止の懐疑主義以来、人間は現実 かつてジョイスは『フィネガンズ・ウェイク』 の結果、被った精神的打撃により、「古い神」へ で実験的言語を駆使して『ケルズの書』の宇宙の の信仰の喪失を体験したが、キルケゴールや、サ イメージを表現しようと試みた。ジョイスとはた ン・ファン・デラ・クルスを読み、次第に救われ がいに、きわめて異質の作家であるマードック てゆくプロセスを描いて、マードックは他者認識 研究発表要約 は、渦巻状をなす抽象的な形象の絡まり合いが、 を可能にする「寛容」の精神が小説論の基本にあ 次第に中心を移動させつつ連続してゆく世界の秩 ることを表明している。この作品中に『ケルズの The‘ Insider Outsider’ in Iris Murdoch’s Bruno’s Dream 序をストーリーによって表現することを試みたと 書』の intertextuality は随所に散見できるが、『ケ and Kazuo Ishiguro’s The Remains of the Day 考察される。 ルズの書復刻版』の序文で U. エーコが、「未完 マードックは「連続性」の概念を次のように表 の書であるが今後も連続して書き続けることが期 Wendy Jones Nakanishi 現している。ローズはジェラードへの「憧憬と 待される哲学的大作の典型」であると述べたよう 愛」において善意の人であり、連続性の世界の住 に、本作品でもジェラードとクリモンドが「現代 This article compares two novels whose theme is the reflections and regrets of a 人であると述べ、一方ジィーンは、クリモンドと の善と魂」に関する思索の書を、今後も連続して lonely male protagonist. In Bruno’s Dream( 1969), it is Bruno, a sick old man nearing 共に連続性の世界の外側の偶発性をはらんだ実世 書き続けるだろうとの予感を提示して、小説はこ death. In The Remains of the Day( 1990), it is the butler Stevens who, preoccupied with 界に生きているという。 こで閉じている。 his work, has always kept to himself and now discovers a longing to establish human かねてマードックは絵画など芸術作品を援用 本作品は、同性婚や宗教的寛容の精神など、時 contact with others. Both are depicted as essentially alone. In the drama of life they are して作品のメッセージを提示するのだが、本作 代の抱えている問題を先取りしながら、それを超 spectators rather than actors. They are‘ insider outsiders’. 品ではマチスの絵画『ダンス』(Succession)のメ える普遍的な世界観を提示している。 The sense of alienation Bruno and Stevens experience is so acutely described because they are the creation of authors who were‘ insider outsiders’ themselves: inhabiting England but not native to it. -
The Book of Abstracts
THE BOOK OF ABSTRACTS Editor: Ferit Kılıçkaya, Ph.D. Mehmet Akif Ersoy University ____________________________________ Mehmet Akif Ersoy University Department of Foreign Language Education Burdur, TURKEY May 12 – 14, 2016 The 5th International Conference on Language, Literature and Culture [ THE BOOK OF ABSTRACTS ] Editor: Ferit Kılıçkaya, Ph.D. Mehmet Akif Ersoy University ____________________________________ Mehmet Akif Ersoy University Department of Foreign Language Education Burdur, TURKEY May 12 – 14, 2016 i Published by the Department of Foreign Language Education, Faculty of Education, Mehmet Akif Ersoy University, Burdur, TURKEY Original material in this book of abstracts may be reproduced with the permission of the publisher, provided that (1) the material is not reproduced for sale or profitable gain, (2) the author is informed, and (3) the material is prominently identified as coming from the 5th International Conference in Language, Literature and Culture: The Book of Abstracts. The authors are responsible for the contents of their abstracts and warrant that their abstract is original, has not been previously published, and has not been simultaneously submitted elsewhere. The views expressed in the abstracts in this publication are those of the individual authors and are not necessarily shared by the editor or the reviewers. ©2016 Department of Foreign Language Education, Mehmet Akif Ersoy University ISBN: 9786058327900 ii HONORARY COMMITTEE Hasan Kürklü, Governor of Burdur Ali Orkun Ercengiz, Mayor of Burdur Prof. Dr. Adem -
Julian Barnes
Julian Barnes Julian Barnes' work has been translated into more than thirty languages. In France, he is the only writer to have won both the Prix Medicis (for Flaubert's Parrot) and the Prix Femina (for Talking it Over). In 1993 he was awarded the Shakespeare Prize by the FVS Foundation of Hamburg. In 2011 he was awarded the David Cohen Prize for Literature, and he won the Man Booker Prize for The Sense of An Ending. He lives in London. Agents Sarah Ballard Associate [email protected] Eli Keren [email protected] 0203 214 0775 Publications Fiction Publication Notes Details THE ONLY Would you rather love the more, and suffer the more; or love the less, and suffer STORY the less? That is, I think, finally, the only real question. First love has lifelong 2018 consequences, but Paul doesn’t know anything about that at nineteen. At Jonathan Cape nineteen, he’s proud of the fact his relationship flies in the face of social convention. As he grows older, the demands placed on Paul by love become far greater than he could possibly have foreseen. Tender and wise, The Only Story is a deeply moving novel by one of fiction’s greatest mappers of the human heart. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Publication Notes Details THE NOISE OF In May 1937 a man in his early thirties waits by the lift of a Leningrad apartment TIME block. -
1 No- G COMEDY and the EARLY NOVELS of IRIS MURDOCH Larry
no- G 1 COMEDY AND THE EARLY NOVELS OF IRIS MURDOCH Larry/Rockefeller A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 1968 Approved by Doctoral Committee _Adviser Department of English I a Larry Jean Rockefeller 1969 ALL RIGHTS RESERVED PREFACE Why has Iris Murdoch failed in her attempt to resur rect the novel of characters? That is the question which has perplexed so many readers who find in her novels sig nificant statements about the human condition rendered by a talent equalled only by a handful of other writers of our time, and it is the question which the pages follow ing try to answer. In general, the implicit argument under lying those pages is tripartite: (1) only comedy of a kind which resembles closely Murdoch's conception of love will allow a novelist to detach himself enough from his charac ters to give them a tolerant scope within which to humanly exist; (2) Murdoch has succeeded in maintaining that balanced synthesis between acceptance and judgement only in her earli est work and only with complete success in The Bell; and (3) the increasingly bitter tone of her satire — not to mention just the mere fact of her use of satire as a mode for character creation — has, in her most recent work, blighted the vitality of her characters by too strictly limiting them to usually negative meanings. Close analysis has been made, hence, of the ways in which comic devices affect us as readers in our perception of Murdoch's per sons. -
'Attention, Self and the Sovereignty of Good' Was Published in Anne Rowe
‘Attention, Self and The Sovereignty of Good’ was published in Anne Rowe (ed.) Iris Murdoch:A Reassessment Palgrave Macmillan, October 2006. ChrístophetMole 73 There arc at least two strategies for avoiding this problem. The first strategy avoids the problem by taking Murdoch's view of the self to 6 entail something less than a com!Iete prchibition on attention to the and The Sovereignty self. Perhaps self-directed attention comes in different forms, only some Attention, Self of which are prohibited, or perhaps the prohibition on self-directed of Good attention only applies in certain circumstances. Samantha Vice employs this strategy in her contdbution to this yolume. The present paper pur- Christopher Mole sues a different stategy. It avoids the problem by understanding the morally important states of mind as something other than inner occur- rences taking place on the private stage of consciousness. Vice's view is that the strong prohibition on attention to the inner life is neither plau- sible, nor waÍanted by Murdoch's position. My view is that we can keep the strong prohibition on attention to the innet, but must reject the In 1958, Elizabeth Anscombe's 'Modern Moral Philosophy'1 forcefuUy idea that the morally important states of mind and character are inner launched the idea that character traits and states of mind are molally states, and think of them instead as b eiîg world inyolyíng. important in ways that could not be seen from the point of view of the contemporary moral psychology. 'ffioral philosophy', she wrote, The moral importance of the mind 'should be laid aside [. -
Brigid Brophy Anniversary Conference 9Th-10Th October 2015
Brigid Brophy Anniversary Conference 9th-10th October 2015 Avenue Campus, University of Northampton, England 2 Brigid Brophy Anniversary Conference 2015 University of Northampton, England 9th-10th October 2015: To commemorate the twentieth anniversary of the death of Brigid Brophy (1929-1995) and the fiftieth anniversary of her article ‘The Rights of Animals’, published in the Sunday Times on 10th October 1965 (and later collected in the ground-breaking 1971 anthology Animals, Men and Morals), the School of the Arts at the University of Northampton is delighted to host a two-day conference to celebrate all aspects of Brophy’s literary career, as well as her leading contribution to animal rights, vegetarianism, anti- vivisectionism, humanism, feminism and her advocacy of the Public Lending Right. Organiser: Professor Richard Canning Contact: [email protected] 3 Friday 9th October: Brigid Brophy: Novelist, Biographer, Dramatist and Cultural Thinker 9-9.30 Registration & Morning Tea and Coffee 9.30-11.00 Welcome & Plenary Lecture Philip Hensher - ‘Outer Crust and Inner Turmoil: the principles of fiction, by a beginner’ 11.00-11.30 Tea and Coffee 11.30-13.00 Panel Session 1: Brigid Brophy, Novelist and Biographer Jonathan Gibbs, ‘The Erotics of Flesh and Sex in the Sixties’ Robert McKay, ‘Brigid Brophy's Pro-animal Fictions’ Peter Parker, ‘Prancing Novelist and Black and White: Experiments in Biography’ 13.00-14.00 Lunch 14.00-15.00 Plenary Lecture Carole Sweeney - ‘“Why this rather than that?” The Delightful Perversity of Brigid Brophy’ 15.00-15.30 Tea and Coffee 4 15.30-17.00 Panel Session 2: Brigid Brophy, Dramatist and Cultural Thinker Michael Bronski, ‘Sex, Death, and the Transfiguration of Queerness’ Michael Caines, ‘“I have been a dramatist since I was six”: The theatrical Brigid Brophy’ Pamela Osborn, ‘“Stop. -
University of Oklahoma Graduate College J. M. Coetzee's ‗Postmodern' Corpus: Bodies/Texts, History, and Politics in the Ap
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE J. M. COETZEE‘S ‗POSTMODERN‘ CORPUS: BODIES/TEXTS, HISTORY, AND POLITICS IN THE APARTHEID NOVELS, 1974-1990 A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By SHADI NEIMNEH Norman, Oklahoma 2011 J. M. COETZEE‘S ‗POSTMODERN‘ CORPUS: BODIES/TEXTS, HISTORY, AND POLITICS IN THE APARTHEID NOVELS, 1974-1990 A DISSERTATION APPROVED FOR THE DEPARTMENT OF ENGLISH BY ____________________________ Dr. Ronald Schleifer, Chair ____________________________ Dr. Daniel Cottom ____________________________ Dr. Timothy Murphy ____________________________ Dr. Nyla Khan ____________________________ Dr. Robert Lemon © Copyright by SHADI NEIMNEH 2011 All Rights Reserved. Dedication For my family in love and gratitude; For knowledge seekers; For those who know the meaning of love and suffering. Acknowledgments I owe debts to many people for making this dissertation possible. I owe special thanks to Dr. Ronald Schleifer, my director, for his insightful readings and perceptive comments. I also thank Dr. Schleifer for his patience and valuable time. I learned from Dr. Schleifer as an amiable person and an accomplished academic. Sincerely, I want to thank the members of my Ph. D. committee one by one. The reviews I received from them have informed my chapters and positively influenced my writing style. I am greatly indebted to Dr. Daniel Cottom for his characteristically careful and professional readings. Having such an avid reader on my committee was a big asset for me. I am particularly grateful to Dr. Timothy Murphy who supported me throughout my study years at OU. This dissertation benefited from his literary talents. -
Bibliography
BIBLIOGRAPHY WORKS BY IRIS MURDOCH Novels Under the Net (Chatto & Windus, London, 1954; Penguin Books, Harmond- sworth, 1960) The Flight from the Enchanter (Chatto & Windus, London, 1956; Penguin Books, Harmondworth, 1960) The Sandcastle (Chatto & Windus, London, 1957; Penguin Books, Harmond- sworth,1960) The Bell (Chatto & Windus, London, 1958; Penguin Books, Harmondsworth, 1962) A Severed Head (Chatto & Windus, London, 1961; Penguin Books, Harmond sworth, 1963 An Unofficial Rose (Chatto & Windus, London, 1962; Penguin Books, Harmond sworth, 1964) The Unicorn (Chatto & Windus, London, 1963; Penguin Books, Harmondsworth, 1966) The Italian Girl (Chatto & Windus, London, 1964; Penguin Books, Harmond sworth, 1967) The Red and the Green (Chatto & Windus, London, 1965) The Time of the Angels (Chatto & Windus, London, 1966; Penguin Books, Har mondsworth, 1968) The Nice and the Good (Chatto & Windus, London, 1968; Penguin Books, Har mondsworth, 1970) Bruno's Dream (Chatto & Windus, London 1969; Penguin Books, Harmond sworth, 1971) A Fairly Honourable Defeat (Chatto & Windus, London, 1970; Penguin Books, Harmonsworth, 1972 An Accidental Man (Chatto & Windus, London, 1971; Penguin Books, Har mondsworth, 1973) The Black Prince (Chatto & Windus, London, 1973; Penguin Books, Harmond sworth, 1975) The Sacred and Profane Love Machine (Chatto & Windus, London, 1974) A Word Child (Chatto & Windus, London, 1975; Penguin Books, Harmond sworth, 1976) 85 Henry and Cato (Chatto & Windus, London, 1976; Penguin Books, Harmond- sworth 1978) The Sea, -
Attending to Reality: Iris Murdoch on the Moral Good
Ante Jerončić: Attending to reality - Biblijski pogledi, 21 (1-2), 101-114 (2013.) UDK: 224.5:227.87:22.06 Izvorni znanstveni članak Pripremljen u ožujku 2013. ATTENDING TO REALITY: IRIS MURDOCH ON THE MORAL GOOD Ante Jerončić Andrews University, Michigan, USA “Th e good and just life is thus a process of clarifi cation, a movement towards selfl ess lucidity, guided by ideas of per- fection which are objects of love.”– Iris Murdoch1 SUMMARY: Attending to Reality: Iris Murdoch on the Moral Good Even a scant acquaintance with current cultural and philosophical trends will readily point to a widespread predilection for subjectivist forms of moral reasoning. By “subjectivist” I refer to various non-cognitivist and constructionist paradigms in moral philosophy and popular parlance that reduce ethical statements to expressions of individual or collective preferences, feelings, or prejudices stripped of any object-given normativity. Th e following are but some of the factors that fuel such perspectives: the proverbial fact/value dichotomy and anti-realist sentiments pervading large swaths of analytic philosophy; poststructuralist and postcolonial “genealogies” that tie the language of universal morality to discourses of power, patriarchy, and totalitarian agency; and the utilization of the language of virtues, values, and “moral clarity” for a specifi c set of domestic and foreign policy commitments. Such intellectual positions, accor- 1 Profound thanks go to the friends and colleagues whose feedback made an invaluable contribution to the thinking in this article: L. Monique Pittman, Karl Bailey, and Vanessa Corredera. I also owe a debt of grati- tude to my research assistant Mercedes McLean who labored with me in correcting and clarifying the fi nal draft .