A Story of Old New Yo.Rk Henry Collins Brown

Total Page:16

File Type:pdf, Size:1020Kb

A Story of Old New Yo.Rk Henry Collins Brown A STORY OF OLD NEW YO.RK By HENRY COLLINS BROWN I NEW YORK VALENTINE'S MANUAL I 9 2 8 THIS BOOK WAS DONE AT THE SIGN OF T-HE THREE BLACK SWANS HASTINGS-ON-HUDSON WHICH IS IN THE SLEEPY HOLLOW REGION OF SUNNYSIDE BY HENRY COLLINS BROWN AND MARK RAFALSKY COPYRIGHT 1928 DELMONICO'§ ~/;'.:, ~ ' . ._;, , .... 1.1') 00 1--1 DELMONICO'§ CHAPTER I "HE was born-no or:e knows exactly where or when. He died -no one knows when or how. He comes into our view on the quarterdeck of a little shallop of scarcely ninety tons' burden. He goes out of it in an open boat with seven sick sailors cast adrift in the Arctic seas to perish miserably, the victim of a cruel mutiny." So writes one historian of Hendrik Hudson, whose name is so closely identified with New York. He appears to have vanished into nothingness when his great work was done, and even his portraits and autographs are not generally believed to be genuine. No one knows his age at the time he made his discoveries,. but that he was of mature years is shown by his having an eighteen-year-old son. \Vhether he was a hale mariner of forty or a grizzled veteran of seventy has never been settled. Hudson had made two attempts to find the Northwest passage, both unsuccessful. This caused the company to abandon further work along this line, and as an explorer Hudson seemed a failure. Just when it looked as if he would sink into oblivion the Dutch West India Company gave him the opportunity of his life, and by his immortal voyage in the "Half Moon" to the mouth of the great river which now bears his name, he achieved undying fame as one of the great discoverers of the world. For his perilous journey, in the frail est of frail crafts, Hudson received the munificent sum of $320, and in case he never came back, the directors of the company agreed to pay his widow a further sum of $80 in cash. "Hudson," John Fiske tells us, "was a notable instance of the irony. of human destiny. In all that he attempted he failed, yet he achieved great results that were not contemplated in his. original plans. He started two immense industries-the Spitzenbergen whale fisheries and the Hudson Bay fur trade, now the world renowned Hudson Bay Company; and he brought the Dutch to Manhattan Island. No real­ ization of his dreams, however, could have approached the astonishing [ 7 ] '!}~~i:'l~S-•'ill . ·1~~-~..v~~~l'.]tml.lffll!~v:lSmt''!DfJMiffit~,.~g.11 5 1 i;l:Tf ~;>ii±tlc~ · · .,, ;tr: ·i~t; }j~ ~·:-=,.;\~!·•.:~~,f".: : '-:~? \ \ mntt:!) r~111;·t~~r,•qf~ ,•:-:• :\'.f.. ,,_~ '- ,.. , g -~:1. .~ .. lv, ~!\:·~i '· .,. K•'':il~ 1·· ·· .. ·rt~ ·,t•, ...... •.-:; .. _, r,·J. '· '. • '-..-11,,,_ :t·•1•.. •:r>'1, ..;.1 ~~•I•'•.';'•'. ' ,. '. /,:~,.,, .... ~'<1•~,'{,,M; "1 ' ·h, \,•.,." .,,!, ,.,,,,,~ ' •:, ., ' ' . • ' -~ d•'· ''i•1T · '. ' · • f ''it' ~ 1 ,, ,. •.. '\j/, ·.{ ~. " •t~•~ 11,• ;t,,.1 ~~~~'.'.- ._., :• ,", I . , \j';,; .,•, },V,\i ',.•.• ' ; I ' . '. ,,•.;,•' ... tr;d,_: J ,ii..1 jr..il.J...,_"r'j ·. ·;,.,, •cl,!-. ·; ·, ;·•,?;-' r , . , : . -:\··:, :-..~ . ·" :··· • ,., .• i~f ~ -~1 .r,, 1(•~:fi11~iI ·,/i{~-,~~.. -~. · ..;,,... ·"!. ,,. , .. · ...:_'.;,: · •·.·. '••· /~}.'.'1£.~f,1 •t.,•~h,,._,~.. ,;,~1,. 1j~ ..... ,(".····. · · ... ·,• -: ,•·.J', .. .. •.,.:,.,-,,~•- ,~ 1ft •liV~. }:f.f,it1!: l (~'; : . JI '··. :, . , .. : . ·: • ; i\\~'·j~ 't ::_ ! ~- . ,;, ,:·; ;\1h~\~}:~ . '.~~~)-.·•. 'i:f(},., i ,~•:·:,'.,.-:;1 .. ; ? . · ·:_' -'/'.\> '·•t. ;_· , :.-,;_ ·.~.'•/,: ,;: ;· · . ' . .''..~C:.1ft.~•>} .~,:, ..,• •. ·.,1ff" 1h·,r-~.,--· · r"'.-,•;.•t ... r-- •. , . -.--.: ..-··:'• i-' •,-.,.,·.r~-r-11 t:t.i~{~l'r'·;.:;t tR(:\::i~'.i:.:',~ ... \ : .:.- ,?,>>;_-:: ;.:>:-·: :/:;:::>~_·-~>, .. \'<\· ].:___ '. ->:?'.··~ i'L't.l,~\~-.., ,~. 1~1•'i1'{''••o',,\,,t,;-I·•[· •l•.• •.. I.'•:'.,·,,, , •.. ,, " ... '·'. · .. ,:,!.• l r',!..,,_.-:t.:f;..lt,.f• :.,!\,~ ._,. ,J ~ . •.• :· 11;,, .. ·,,\' .,. ·. ' •. ,: ... ·,.... .., , ,""\ ·: r·r - , -~-... ...,,q .. ._,.,.,,,, .,;,..:. ., .. ,· ... ,J', . ''.! .. \,. ,111, ·, .,., ., . ,, ••,•·••;,( ~ ( .·. .·,; . ,.. , t1 ,\lt ,, .:) :;! , , ' . .,. • /. (\A/1? ~::t lfJ:, ;,::tJ.'l 01 i ',,,,,~.. ·.,: • .....·. ) ,·• ;,·•.'-~-~I < ,. '.-''" • .. • 1 ,! ',., i. ;/' \ ,~((:t,:,,:,-1. 1.• --~--:·. ',·:•:,J . >~11;,;. , . li1i~; : :. ... •.. · >: ,: :· i ,. :.:- .,, ,. ,. : :i.. ,,:;,; ,! ·;.• t;,,, - > ·~····t;/, ••. ~ ,1:\~ '. '•·. ,. , : ;_,.. •' "-~-· ✓;; ¾ ; " , .... ~~·_,_.. {l\•\ ..' · ,,... ~ . ,,.,,._,,,;,•, ,,...,~M;\> ~ ll y: 1 1 1,)~'.J /••.~•: .•~. •• I • ' , •7 -.~ 'ff,, l f1 ,\~ H' ~ .. (.' ' . '•• '< • • • i ,, '. l ' \ . •. \ ?; t> i.. C ... ::·~.? 1: :!:~-( :.1i. ~~r:~ .-(j{;~• fl. ,:,c,.,- )';.:{ ,::~1.i .i .b ~ 4 .._,1':-r? ·...,.~/ ,~ •~, ···i !... /'· 1.1.,. ~ ,il BROADWAY FROM BOWLING GREEN, 1825 Delmonico's second location was in the Stevens House opposite Bowling Green 011 the site now occupied by the Cunard Line. Otu· view· is looking ttp Broadway from ·in front of the Custom I-louse in 1825, The houses at left now form the new Steamship Row. D E L M · 0 N I C .0 ' S actuality which would have greeted him could he have looked through the coming centuries and caught a glimpse of what the voyager now beholds in sailing up the bay of New York." "But what, perhaps, would have surprised him most of all would have been to learn that his name was to become part of the folk lore of the beautiful river to which it is attached; that he was to figure as a Dutchman instead of an Englishman in both legend and story; that when it is thun~der weather in the Catskills children would say it is Hudson playing at skittles with his goblin crew. Perhaps it is not an unkindly fate. Even as Milton wished for his dead friend Lycidas, that he might become the genius of the shore, so the memory of the great Arctic navigator will re·main a familiar presence among the hillsides which the gentle fancy of Washington Irving has clothed with undying romance." It is not my purpose to relate in detail these cradle days of New York. Our imperial city at its beginning was imperial in name only. Cruel scourges attacked it with relentless regularity, threatening at times its almost total extinction. Water was scarce and much of it undrinkable; it was hawked about the streets in carts and sold by the. pennysworth. Plank roads were on one or two of the principal streets, but dirt paths were the rule, while here and there an attempt had been made to improve the condition by cobble stones and brick, but only in occasional sections. · During the Revolution, V\."hen frs population dwindled to less than twelve thousand, the eight years' occupation by the British left the city desolate and in ruins. A disastrous conflagration in I 7 7 6 almost leveled it to the ground, and a second fire in 1778 destroyed the few buildings that had escaped the first visitation. Streets which had been opened and partly graded had been suffered to lapse again into idle waste. The wharves, to which no ships had come, had crumbled, and were covered with barnacles and sea weed. The ruins left by the two fires presented a dismal and melancholy sight; practi­ cally all of Broadway from Wall Street to Bowling Green stood spectre-like, gaunt and foreboding. The revenues of the city had vanished and the machinery for law and order had practically ceased to exist. A ~ore doleful and hopeless outlook could hardly be imagined than New York confronted in t~e autumn of I 783. With the departure of the last British ship, however, and the entrance into the city of the victorious .,American troops with Washington, com- ;~t r ~.r ':-'"'.· ..,; , ;; f' 17:4 0 E-4z 0 &! z ... 1-1 ~4: !;.~g;•. }{ "-· '• .,,.' . -2:>:~;~:~;~-~t):·.1~~-;., D E L 1\,1 0 N I C O ' S mander-in-chief, at the head, accompanied by Hamilton, Lincoln, Knox and other famous generals of the Continental Army, the citi­ zens regained their courage and viewed the future cheerfully. In 1789, James Duane was appointed first ·Mayor of the city and New York was finally started on that career which has since become the · wonder of the world. It became the first capital of the United States, showing thus early its importance in the eyes of its sister provinces. The background from which New York emerged in 1800 was one which staggers the imagination. The burden of an untamed con­ tinent rested on the shoulders of less than seven million people, nearly half of whom were slaves. Except upon a narrow stretch along the seaboard, the land was uninhabited save by wild animals and still wilder savages, and nowhere beyond this narrow strip could the wants of civilized life be sustained. Communication was by means of virgin paths through forests, frequently impassable by freshets and torrential rains. Commerce was confined to small vessels that made infrequent trips to seaboard towns and the exchange of commodities was irregular and uncertain. Th_e denizens of the deep furnished the oil which lighted the cabins at night. .i\.:float and ashore, disaster beset the traveler at every turn. Comforts there were none and life was a con­ stant stn1ggle for bare existence. Wayfarers overtaken by night were privileged to_ claim food and shelter at any house they reached, as the wilderness still stretched to the very doors of the city and predatory animals roamed the streets. Nevertheless, with resistless energy, the new city began its career. Post roads were established, connecting the nearby important cities and some small taverns sprang up along these roads so that settlers were no longer expected to play "mine host" to the belated traveler. These little taverns sprang up all over the country and were soon to be found in eYery place where the stages stopped to change horses. They rejoiced in fancy names and still fancier signs. "The Kings Arms" or the "Queens Arms" was a general favorite; others popular were "The White Swan," the "Blue Boar," the "Black Horse," "The Buckthorn." Sometimes they took the name of their proprietors­ "Cato," "Fraunces," etc. The latter, by the way, is the only one which has survived to this day and is now the headquarters of the Sons of the Revolution, who bc;>ught the old building and remodeled it.
Recommended publications
  • Global Music Pulse: the POP CATALOG Poser's Collective
    $5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) IIII111II1 II I 1I1II,1IIII 1I,1II1J11 III 111IJ1IInIII #BXNCCVR 3-DIGIT 908 #90807GEE374EM002# BLBD 779 A06 B0128 001 033002 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT APRIL 14, 2001 COMMENTAR Y SENATE NEARING TACKLES MUSICNET PROPOSAL RAISES How To Revive INTERNET MUSIC ISSUES QUESTIONS OF FAIRNESS BY BILL HOLLAND The Senate hearing focused Singles Market BY FRANK SAXE goes into the label's pockets. WASHINGTON, D.C.-Of the many mainly on the issues of licensing NEW YORK-While the music in- Streaming media developer Real- issues presented by the 14- witness product from labels and music pub- BY MICHAEL ELLIS dustry was busy touting its new Networks is teaming with Warner panel at the Senate Judiciary Com- lishers, but no lawmakers hinted at The collapse of the U.S. sin- MusicNet digital download Music Group (WMG), mittee hearing April 3 to examine the legislation to help solve the many gles market-down more than initiative, critics were call- Inapster BMG Entertainment, growing pains marketplace 40% this year so far -is terri- ing into question the team- and the EMI Group to and problematic problems. In ble for the U.S. record indus- ing of three -fifths of the create the online sub- implications of fact, commit- try. The cause of the decline is music business into a sin- scription music service, online music, tee chairman not a lack of interest among gle entity that may one which is set to bow this lawmakers Sen.
    [Show full text]
  • FWWH Revised Songbook ―This Camp Was Built to Music Therefore Built Forever
    FWWH Revised Songbook Revised Summer 2011 ―This camp was built to music therefore built forever‖ These are the songs sung by Four Winds and Westward Ho campers – songs that have expressed their interests and ideals through the years. As you sing the songs again, may they recall memories of sunny days, and some misty and rainy ones too, of sailing on sparkling blue water, of cantering along leafy trails, of exploring the beach when the tide is out. May these songs remind you of unexpected adventure, and of friendships formed through the sharing of Summer days, working and playing together. 1 Index of songs A Gypsy‘s Life…………………………………………………….7 A Junior Song……………………………………………………..7 A Walking Song………………………………….…….………….8 Across A Thousand Miles of Sea…………..………..…………….8 Ah, Lovely Meadows…………………………..……..…………...9 All Hands On Deck……………………………………..……..…10 Another Fall…………………………………...…………………10 The Banks of the Sacramento…………………………………….…….12 Big Foot………………………………………..……….………………13 Bike Song……………………………………………………….…..…..14 Blow the Man Down…………………………………………….……...14 Blowin‘ In the Wind…………………………………………………....15 Boy‘s Grace…………………………………………………………….16 Boxcar……………………………………………………….…..……..16 Canoe Round…………………………………………………...………17 Calling Out To You…………………………………………………….17 Canoe Song……………………………………………………………..18 Canoeing Song………………………………………………………….18 Cape Anne………………………………………………...……………19 Carlyn…………………………………………………………….…….20 Changes………………………………………………………………...20 Christmas Night………………………………………………………...21 Christmas Song…………………………………………………………21 The Circle Game……………………………………………………..…22
    [Show full text]
  • Issue 39 the Blue
    !1 The Blue Nib Magazine 39 New Poetry, Fiction & Essays September 2019 ! ISBN 978-1-9161545-1-3 !2 The Blue Nib Magazine 39 New Poetry, Fiction & Essays September 2019 First published in Ireland in 2019 by The Blue Nib Copyright © The Blue Nib The rights of the contributors to be identified as the authors of this work has been asserted by them in accordance with the Copyright, Design and Patents Act of 1988 All rights reserved Cover image from Pixabay Every effort has been made to reflect each author’s intention Regarding the format and content of their piece, however the default style, which has been applied, is Times New Roman 12, single-spaced, and the formatting reflects The Blue Nib’s own house style !3 Editorial: Dave Kavanagh Managing Editor Welcome to Issue 39 of The Blue Nib 7 Essays Does Poetry Matter? - by Clara Burghelea 9 Poems As Time Machines - by John D. Kelly 13 Absence Eased - by Edward Lee 21 London in July - by Gráinne Daly 24 A Critical Examination of 21st Century Poetry 26 Poetry From Ireland, England & Elsewhere Selected By Clara Burghelea Editorial 37 Featured Poet - J. Taylor Bell 40 Interview with featured poet - J. Taylor Bell 47 Featured Poet - James Finnegan 51 Featured Poet - Rona Fitzgerald 54 Patrick Green 56 Lucy Crispin 58 Brian Rihlmann 59 Sean Smith 60 Mina Moriarty 61 Bojana Stojcic 62 Anne Ballard 65 Ysella Sims 66 Anita Gracey 67 Umit Sener Ta 68 Marilyn Francis 69 Rae O’Dowd 70 Denise O’Hagan 71 Alison Ross 73 !4 Maria Pascualy 74 Margaret Pritchard Houston 75 Fiona Sinclair 76 Sue Morgan 77 Dominic Fisher - Fast Food 78 Susan Castillo Street 79 Caoimhe McKeogh 80 Reviews Curated By Emma Lee Reviews Editorial 83 out of emptied cups - Anne Casey 84 How to Wear Grunge - Ruth Stacy 89 Table Manners - Susmita Bhattacharya 92 The Perseverance - Raymond Antrobus 94 Poetry From The US & Canada Selected By Mike Griffith Editorial 97 Featured Poet -Samn Stockwell 98 Featured Poet -Liz Balize 102 Daniel Edward Moore 104 Michael Lewis Beck 105 J.P.
    [Show full text]
  • Jimmy Barnes
    Jimmy Barnes Australia's favourite Rock & Roll singer Jimmy Barnes has been there, done that, and now he’s glad to be back. Australia’s favourite rock and roll singer for more than three decades, in the 70’s, 80’s he was the loudest, wildest and most popular rock and roll star in the country. In the 90’s Jimmy reached mega stardom with back to back #1 albums in both soul and rock genres. Jimmy Barnes’ soaring career began when aged just 16, he played his second gig as lead singer of the band that was to become Cold Chisel, on the back of a truck one hot Saturday at Gawler Raceway in Adelaide, South Australia. A couple of years later, the band attracted such crowds that fans drive a ute through the back of Larg’s Pier Hotel just to get in. By 1978, Cold Chisel was a nasty rock and roll band reputed for tearing up pubs in Sydney and Melbourne. Cold Chisel’s first single Khe Sanh was banned from commercial radio. Despite this, fans flocked to see them, knowing that when they bought a ticket at the door, all best were off – with Jimmy out font slugging spirits and using his voice to duel with the soaring guitar lines from Ian Moss, Cold Chisel delivered like rock & roll is supposed to and rarely does. Cold Chisel came to an end in December 1983 with the largest concert tour ever undertaken by an Australian band – a record that still stands over twenty years on. Within a month of the band finishing, Jimmy Barnes was on the road again with a new band and ten months on from that in October, 1984, he released his first solo album, Bodyswerve.
    [Show full text]
  • La Gramática Del Inglés a Través De Los Grandes Éxitos Musicales
    TESIS DOCTORAL LA GRAMÁTICA DEL INGLÉS A TRAVÉS DE LOS GRANDES ÉXITOS MUSICALES ROSA MARÍA MACARRO ASENSIO FILOLOGÍA INGLESA Conformidad de los Directores: Fdo: Alejandro Blas Curado Fuentes Fdo: María Pilar Barrios Manzano 2017 A mis padres, Manuel y Rosa Agradecimientos Quiero expresar mi sincero agradecimiento a los alumnos y alumnas de la quinta Promoción de Educación Primaria de la Facultad de Formación del Profesorado, Universidad de Extremadura, quienes tuvieron la amabilidad de responder a mi pequeño cuestionario, ayudándome de este modo en la elaboración de parte del presente trabajo. También quiero agradecer la dedicación de mis Directores, Alejandro y Pilar, y el apoyo de mis compañeras Toñi Paín, Juana Gómez y María del Carmen Galván. Muchas gracias. But when all else has been forgotten Still our song lives on That's how a moment lasts forever: When our song lives on Tim Rice, 2017 ÍNDICE PÁGINAS INICIALES 1. INTRODUCCIÓN 1 2. CONTEXTO TEÓRICO 11 2.1. La música y el aprendizaje de una segunda lengua 11 2.2. El aprendizaje de la gramática del inglés 22 2.3. La gramática y la música 43 2.4. Aprendizaje autónomo 50 3. ANÁLISIS 56 3.1. Encuesta 56 3.2. El repertorio de canciones 67 3.3. El lenguaje de las canciones 70 3.4. Análisis del repertorio 73 4. APLICACIONES DIDÁCTICAS 83 5. CONCLUSIONES 98 6. APÉNDICE 104 6.1. Básico 104 6.2. Imperativo 113 6.3. There Be 116 6.4. Tiempos Verbales 118 6.4.1. The Present 118 6.4.2. The Past 125 6.4.3.
    [Show full text]
  • ARIA Charts, 1988-01-29 to 1989-03-12
    AUSTRALIAN TOP 50 A A THE AUSTRALIAN RECORD INDUSTRY ASSOCIATION LTD. SINGLES CHART Proudly brought to you by your Bottler of 'Coca-Cola' WEEK ENDING 29th JANUARY, 1989 TW LW TI TITLE/ARTIST Co. Cat. No. 1 1 10 KOKOMO The Beach Boys WEA 7-69385 2 2 5 ESPECIALLY FOR YOU Kylie Minogue & Jason Donovan FES K717 3 3 9 TEARDROPS Womack &Womack FES K590 4 4 8 HANDLE WITH CARE Traveling Wilburys WEA 7-27732 5 5 10 IFI COULD 1927 WEA 7-257826 6 8 6 ROCK AND ROLL MUSIC Mental As Anything CBS 653122 7 7 10 5 I'M GONNA BE (500 MILES) The Proclaimers FES K 644 8 9 17 THE ONLY WAY IS UP Yazz &The Plastic Population CBS 652981 7 * 9 16 12 SHE MAKES MY DAY Robert Palmer EMI EMI 2122 10 12 16 I WANT YOUR LOVE Transvision Vamp WEA 7-57923 11 6 6 PUT A LITTLE LOVE IN YOUR HEART Annie Lennox & Al Green FES K 675 12 14 12 BRING ME SOME WATER Melissa Etheridge FES K 645 13 7 14 DON'T WORRY BE HAPPY Bobby McFerrin EMI MH 2131 14 11 16 GROOVY KIND OF LOVE Phil Collins WEA 7-257851 15 13 12 DON'T NEED LOVE Johnny Diesel &The Injectors FES K 643 * 16 27 5 TWO HEARTS Phil Collins WEA 7-257750 17 19 2 KISS Art Of Noise Featuring Tom Jones POL 871 038-7 * 18 NEW YOU GOT IT Roy Orbison VIR/EMI VS 1166 19 17 5 EVERY ROSE HAS ITS THORN Poison CBS LS 2036 * 20 NEW ORINOCO FLOW Enya WEA 7-247608 21 23 10 DON'T WALK AWAY/STOP YOUR FUSSIN' Toni Childs FES K618 22 24 6 ANGEL OF HARLEM U2 FES K 704 23 22 6 STAND UP FOR YOUR LOVE RIGHTS Yazz CBS 653115 7 24 15 13 NOTHING CAN DIVIDE US Jason Donovan FES K 594 25 21 16 WILD, WILD WEST The Escape Club
    [Show full text]
  • Muziekboek Wordt Weergegeven Via Een PDF-Bestand
    CREMATORIA EN BEGRAAFPLAATSEN ZOOM- EN ZEGESTEDE Stichting Crematoria en Begraafplaatsen Zoom- en Zegestede Het muziekboek wordt weergegeven via een PDF-bestand. U kunt door het bestand heen zoeken, door delen van de naam van de artiest of titel in te voeren in het zoekveld bovenaan in de werkbalk. Wanneer u de zoekopdracht heeft ingevoerd en op Enter drukt wordt er gezocht naar de eerste overeen- komende tekst. Zijn er meerdere mogelijkheden dan verschijnen er naast het zoekveld twee pijlen waarmee u vooruit en terug kunt bladeren naar de vorige of de volgende overeenkomst. Wij willen u vriendelijk verzoeken wanneer u een keus maakt uit het muziekboek om niet alleen de codes door te geven, maar ook de uitvoerende en de titel te vermelden op de aanvraag voor de muziek. Wij willen u er ook op wijzen dat gebrande cd’s niet zijn toegestaan. Muziekstukken alfabetisch op uitvoerenden 3JS - 00003 De zomer voorbij (CD Watermensen) 0:03:37 - 00004 Een met de bomen (CD Watermensen) 0:03:07 - 00005 Het goede leven (CD Watermensen) 0:03:14 - 00006 Het licht in je ogen (CD Watermensen) 0:03:14 - 00007 Hou van mij 0:03:53 - 00008 Jij lacht (en de schaduw verdwijnt) (CD Watermense 0:03:07 - 00009 Kom (CD Watermensen) 0:03:57 - 00010 Manos de Dios (CD Watermensen) 0:03:33 - 00011 Mijn dorp (CD Watermensen) 0:03:51 - 00012 Net alsof (CD Watermensen) 0:03:35 - 00013 Onschuldig (CD Watermensen) 0:03:40 - 00014 Ouderdom (CD Watermensen) 0:03:50 - 00015 Tinteling (CD Watermensen) 0:03:37 - 00016 Watermensen (CD Watermensen) 0:03:28 - 00017 Wiegelied (CD Watermensen) 0:04:13 A.A.
    [Show full text]
  • Assessment and Management of Animal Damage in Pacific Northwest Forests: an Annotated Bibliography
    This file was created by scanning the printed publication. Text errors identified by the software have been corrected; however, some errors may remain. United States Department of Agriculture Assessment and Management Forest Service of Animal Damage in Pacific Northwest Research Station General Technical Pacific Northwest Forests: Report PNW-GTR-262 October 1990 An Annotated Bibliography Donna M. Loucks, Hugh C. Black, Mary Lynn Roush, and Steven R. Radosevich I Technical DONNA M. LOUCKS is self-employed as a forestry information specialist in Centralia, Washington; HUGH C. BLACK is the national program manager, animal Coordinators damage control, U.S. Department of Agriculture, Forest Service, Pacific Northwest Research Station, Portland, Oregon; MARY LYNN ROUSH is a research assistant and STEVEN R. RADOSEVICH is professor, Department of Forest Science, Oregon State University, Corvallis, Oregon. Assessment and Management of Animal Damage in Pacific Northwest Forest: An Annotated Bibliography Technical Coordinators Donna M. Loucks Hugh C. Black Mary Lynn Roush Steven R. Radosevich U.S. Department of Agriculture, Forest Service Pacific Northwest Research Station Portland, Oregon General Technical Report PNW-GTR-262 October 1990 This bibliography was developed to provide a state-of-the-knowledge resource for Foreword forest land managers and others concerned with animal damage management and as a reference for the authors of a compendium expected in December 1990. The compendium will be titled A Silvicultural Approach to Managing Animal Damage in Pacific Northwest Forests and will be authored by experts in various aspects of an- imal damage management and silviculture. It will provide a synthesis of published information and operational experience for preventing or avoiding most animal dam- age to reforestation and older stands through improved vegetation management and silvicultural practices.
    [Show full text]
  • Australian Music Special
    S4E's Australian Music Special Contents Introduction The 70's Pt I & II The 80's Pt I & II The 90's Pt I & II Beyond 2000 Pt I & II The Music of All Time Additional Material Ten of the Worst Australian Songs Odds & Ends – Aussie Musical Oddities Introduction I made note recently of the fact that I’m Australian and that I rarely feature Australian music here. It’s something that catches my attention every now and then, and bothered me enough mid-last year to prompt a fairly in-depth hunt for Aussie music; not because I wanted to write about it, more because I wanted to hear it. I thought it surely had to be a case of not making myself aware enough as, either by circumstance, taste in general, the fact that I never listen to the radio (local or otherwise), or some other unknown factor, 99% of recommendations and so forth that I receive are for international artists, which results in a fair bit of my attention being in other places. What frustrated me the most when I was on this particular scavenger hunt (as it turned out to be – for me anyway), was that almost each and every time I wanted to investigate an artist further than a blog review / preview, there was virtually nothing to be found. Frustrating, yes, but perhaps not wholly surprising. Traditionally and culturally, I think Australia is a nation that favours using the live music scene to create an awareness, but I was left with the impression that a lot of really interesting, perhaps even exciting, music was being missed out on simply because I couldn’t access anything other than someone else raving about how good a band was live, and an occasional boot of a gig – funnily enough, fans seemed to be more interested in bringing the music to a wider audience than the artists themselves.
    [Show full text]
  • BZN Lyrics Book
    lyrics book All BZN lyrics together This is an exclusive release of BZN Online. In this release, all lyrics can be found, as they are presented via the BZN Online website. BZN Online does not guarantee the correctness of the contents of this document, nor does it guarantee its completeness. The latest version of this document can be found at www.bzn-online.com. This version of the document is generated on Wednesday, December 03, 2008. This release is made possible with the cooperation of: Etienne van Haren Leo Kolijn Guillaume Sourisce (www.franedvertaling.nl) Alphonsa van de Ven Marcel Versteeg Nothing from this release may be reproduced in any way without the explicit approval of the owners of the published work. This file is only provided for personal use and may not be republished or spreaded in any way. The rights on the contents of this release are with the respective owners. Copyright © 2008, BZN Online Preface During their 42 years of existence the band BZN (the Band Without a Name) from Volendam released many albums and singles and wrote hundreds of songs. Via the website of the band all these lyrics can be found and could be downloaded for personal use. Now that BZN no longer exists, we looked at a new way to make the lyrics available for download. The old format (a zip-file with HTML- files) could not be generated easily and was no longer completely up- to-date. We now chose to release an electronic book containing all lyrics. This method offers some advantages over the old method.
    [Show full text]
  • Paul Laurence Dunbar - Poems
    Classic Poetry Series Paul Laurence Dunbar - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive Paul Laurence Dunbar(1872-1906) Dunbar was born in Dayton, Ohio to parents who had escaped from slavery; his father was a veteran of the American Civil War, having served in the 55th Massachusetts Infantry Regiment and the 5th Massachusetts Colored Cavalry Regiment. His parents instilled in him a love of learning and history. He was a student at an all-white high school, Dayton Central High School, and he participated actively as a student. During high school, he was both the editor of the school newspaper and class president, as well as the president of the school literary society. Dunbar had also started the first African-American newsletter in Dayton. He wrote his first poem at age 6 and gave his first public recital at age 9. Dunbar's first published work came in a newspaper put out by his high school friends Wilbur and Orville Wright, who owned a printing plant. The Wright Brothers later invested in the Dayton Tattler, a newspaper aimed at the black community, edited and published by Dunbar. His first collection of poetry, Oak and Ivy, was published in 1892 and attracted the attention of James Whitcomb Riley, the popular "Hoosier Poet". Both Riley and Dunbar wrote poems in both standard English and dialect. His second book, Majors and Minors (1895) brought him national fame and the patronage of William Dean Howells, the novelist and critic and editor of Harper's Weekly. After Howells' praise, his first two books were combined as Lyrics of Lowly Life and Dunbar started on a career of international literary fame.
    [Show full text]
  • Midpacific Volume13 Issue2.Pdf
    EBRUARY, 1917. PRICE, 25 CENTS A COPY. $2.00 A YEAR. 11111111111 . ) IWPACIfIC HAWAII S FLOWER, THE HIBISCUS It SEE THE MOST BEAUTIFUL VARIETIES IN NATURAL COLORS IN THIS ISSUE. ol. XIII. No. 2. HONOLULU, HAWAII. Speedy Trains in New South Wales The Mother State of the Australian Commonwealth. The World's Famous Railway Bridge Over the Hawkesbury River, N. S. W. All the year round New South Wales is railway bridge. Here is to be found the best place for the tourist. From, Syd- glorious river, scenery as well as excellent ney and New Castle, as well as from points fishing and camping grounds. By rail also in other states, there are speedy trains, with is reached the splendid trout fishing streams comfortable accommodations, at very cheap of New South Wales, stocked with fry. rates to the interesting points of the Mother yearling and two year old trout. State of the Australian Commonwealth. Beautiful waterfalls abound throughout Within a few hours by rail of the metrop- the state and all beauty spots are reached olis of Sydney are located some of the most after a few hours' comfortable trip from wonderful bits of scenery in the world. It is but a half afternoon's train ride to the beautiful Blue Mountains, particularly fa- Steamship passengers arriving at Sydney mous for the exhilarating properties of at- disembark at Circular Quay. Here the mosphere. Here and in other parts of the city tramways (electric traction) converge, state are the world's most wonderful arid and this is the terminus of thirty routes, beautiful limestone caverns.
    [Show full text]