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An American in Paris Capitol H-301 Paul Whiteman Released February, 1952
Capitol Albums, 301 to 400 and EP Identifier Gershwin: An American in Paris Capitol H-301 Paul Whiteman Released February, 1952. Gershwin: Rhapsody in Blue Capitol H-302 Leonard Pennario, Piano, with Paul Whiteman & His Orchestra Released February, 1952. An American in Paris/Rhapsody in Blue Capitol P-303 Paul Whiteman Released February, 1952. Combines H-301 and H-302. Later reissued as T-303. Moods for Candlelight Capitol DCN-304 = KCF-304 < L-304 Francis Scott & His Orchestra Released March, 1952. The LP contains two bonus tracks. Reissued later in 1952 as H-304. Keyboard Cocktails Capitol CDF-305 = H-305 Chuy Reyes Released April, 1952. Kitten on the Keys Capitol CCN-306 = CCF-306 < H-306 Ray Turner Released April, 1952. The LP contains two bonus tracks; the first back cover does not mention the bonus tracks. Accordion Powerhouse Capitol DCN-307 = KCF-307 < L-307 Ernie Felice Released April, 1952. The title on the cover is Accordion Power House. The LP contains two bonus tracks. Top Banana Capitol FDR-308 = EDM-308 = S-308 Original Cast featuring Phil Silvers Released January, 1952. With a Song in My Heart Capitol DDN-369 = KDF-309 = L-309 Jane Froman Released March, 1952. Pal Joey Capitol FDR-310 = EDM-310 = S-310 Original Cast Released March, 1952. Sugar Blues Capitol CCN-311 = CCF-311 < H-311 Clyde McCoy Released May/June, 1952. The LP contains two bonus tracks. Dixieland Detour Capitol CCN-312 = CCF-312 < H-312 Pee Wee Hunt Released June 1952. The LP contains two bonus tracks. Circus Parade Capitol DCN-313 = KCF-313 < L-313 Merle Evans Released April, 1952. -
THE PRESS Friday, December 13, 1963 TELEVISION LOG for the WEEK FRIDAY SATURDAY SUNDAY
A-8—THE PRESS Friday, December 13, 1963 TELEVISION LOG FOR THE WEEK FRIDAY SATURDAY SUNDAY. MONDAY WEDNESDAY THURSDAY DECEMBER 16 DECEMBER 13 DECEMBER 14 DECEMBER 15 DECEMBER 18 DECEMBER 19 12:00 ( 2) Burns and Alien 11:00 ( 7) AFL Game 12:00 ( 2) Burns and Alien ( 4) People Will Talk 11:00 ( 2) NFL Game ( 4) People Will Talk 12:00 ( 2) Burns and Alien 12:00 ( 2) Burns and Alien ( 5) Dateline Europe 12:00 ( 2) Sky KKing 12:00 ( 2) Insight ( 5) Cross Current ( 4) People Will Talk ( 4) People Will Talk ( 7) Tennessee ^rme ( 4) Exploring ( 4) Jr. Rose bowl ( 7) Tennessee Ernie ( 5) Overseas Adventure ( 5) Overseas Adventure ( 9) Hour of St. Francis ( 9) Searchlight on ( "<) Ernie Ford (11) Sheriff John (13) Cartoons ( 7) Press Conference Delinquency ( 7) Tennessee Ernie 9) Books and Ideaa (13) Oral Roberts ( 9) Dr. Spock 12:30 ( 2) As World Turns 12:30 ( 2) Do You Know (11) Sheriff John (11) Sheriff John ( 5) TV Bingo (13) Movie (11) Sheriff John (13) Movie ( 7) Father Knows Best ( 5) Movie 12:30 ( 5) Movie ( 9) Mr. D.A. "Tonight We Raid Calali" 12:30 ( 2) As World Turn* (13) Movie 12:30 ( 2) As World Turns 1:00 (2) News Lee J. Cohb (4 ) The Doctors ( 4) The Doctors 12:45 ( 5) Dateline Europe ( 7) Discovery 12:30 ( 2) As World Turns 1:00 ( 2) Password ( 4) Ornamental World ( 5) TV Bingo ( 5) TV Bingo (13) Social Security ( 7) Father Knows Best (4 ) The Doctors ( 7) Father Knows Best ( 4) Loretta Young ( 5) Movie ( 5) TV Bingo ( 5) Douglas Fairbanks ( 9) Mr. -
Download Booklet
120762bk DorseyBros 14/2/05 8:43 PM Page 8 The Naxos Historical labels aim to make available the greatest recordings of the history of recorded music, in the best and truest sound that contemporary technology can provide. To achieve this aim, Naxos has engaged a number of respected restorers who have the dedication, skill and experience to produce restorations that have set new standards in the field of historical recordings. Available in the Naxos Jazz Legends and Nostalgia series … 8.120625* 8.120628 8.120632* 8.120681* 8.120697* 8.120746* * Not available in the USA NAXOS RADIO Over 70 Channels of Classical Music • Jazz, Folk/World, Nostalgia www.naxosradio.com Accessible Anywhere, Anytime • Near-CD Quality 120762bk DorseyBros 14/2/05 8:43 PM Page 2 THE DORSEY BROTHERS Personnel Tracks 1, 3 & 4: Bunny Berigan, trumpet; Tracks 8-11: Manny Klein & unknown, trumpet; ‘Stop, Look and Listen’ Original 1932-1935 Recordings Tommy Dorsey, trombone; Jimmy Dorsey, Tommy Dorsey, Glenn Miller, trombones; clarinet, alto sax; Larry Binyon, tenor sax; Jimmy Dorsey, clarinet, alto sax; unknown, alto Whether you call them The Fabulous or The over to the newly formed American Decca label. Fulton McGrath, piano; Dick McDonough, sax; Larry Binyon (?), tenor sax; Fulton Battling Dorsey Brothers, Tommy (1905-1956) In the two knock-down drag-out years that guitar; Artie Bernstein, bass; Stan King, drums McGrath (?), piano; Dick McDonough, guitar; and Jimmy Dorsey (1904-1957) were major followed, the Dorseys produced some Track 2: Bunny Berigan, trumpet; Tommy Artie Bernstein (?), bass; Stan King or Ray influences on the development of jazz in the outstanding and exciting jazz, all the while Dorsey, trombone; Jimmy Dorsey, clarinet; McKinley, drums 1920s and ’30s. -
For Additional Information Contact the Archives Center at 202.633.3270 Or
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. HANK JONES NEA Jazz Master (1989) Interviewee: Hank Jones (July 31, 1918 – May 16, 2010) Interviewer: Bill Brower Date: November 26-27, 2004 Repository: Archives Center, National Museum of American History Description: Transcript, pp. 134 Hank Jones: I was over there for about two and a half weeks doing a promotional tour. I had done a couple of CDs; one was with my brother Elvin and Richard Davis, the bass player. They made – – I think they made two releases from that date. And I did another date with Jack DeJohnette and John Patitucci. But, these two albums were the objects of the promotion. I mean, they promote very, very heavily everyday. I must have had 40 interviews and about 30 record signings at the record shops, plus all of the recording. We did seven concerts and people inevitably want the records, CDs of the concert for us to sign. I have a trio over there, with Jimmy Cobb and John Fink. It was called, “The Great Jazz Trio.” It was not my name, but the Japanese have special names for everything, you know? That's only one in a series of tree others which he called the great jazz trio. The first one was Ron Carter, Tony Williams and myself. But, there had been a succession of different changes in personnel. It changed about six times. The current one was Jimmy Cobb and Dave Fink--Oh, the cookies have arrived and not a minute too soon. -
Capitol Records.” They Removed That Word from Their Logo in 1951, Helping Us Distinguish First Pressings from Later Copies
Capitol Albums, 180 to 300 Piano Moods CC-180 = CCF-180 < H-180 Diana Lynn [1950] Released November, 1949. The LP has two bonus tracks. Gypsy Dreams Capitol H-181 Jascha & His Gypsy Ensemble Released November, 1949. A reissue of CC-100. Tango Capitol H-182 Georges Tzipine Orchestra Released 1950. A reissue of CC-147. Pete Daily's Dixieland Band CC-183 = CCF-183 < H-183 Pete Daily Released March, 1950 The LP has two bonus tracks that are not listed on the front cover. Paul Weston Conducts Chopin, Debussy, Ravel Capitol H-184 Paul Weston Released late 1949. A reissue of CC-174. Classics in Modern – Capitol H-185 Frank DeVol & His Orchestra Released 1950. A reissue of CC-88. More College Medleys – Capitol H-186 Jan Garber & His Orchestra Released 1950 A reissue of CC-173. Honky Tonk Piano – CC-187 = CCF-187 < H-188 Various Artists Other formats released March, 1950; LP released slightly later. The LP has two bonus tracks. Innovations in Modern Music, Vol. 1 EDL-189 = KDM-189 = P-189 Stan Kenton Released March, 1950 Both the 78 RPM singles and the LP are 12” in diameter. Stan Kenton's Milestones Capitol CDF 190 = H-190 Stan Kenton Released 1950. Records that were actually released during 1950 have the word “Hollywood” underneath “Capitol Records.” They removed that word from their logo in 1951, helping us distinguish first pressings from later copies. Piano Highlights Capitol CCF-191 < H-191 Barclay Allen Released March, 1950. The LP has two bonus tracks. Cocktail Time Capitol CCF-192 < H-192 Ernie Felice Quartet Released March, 1950. -
6. Count Basie's Cleveland Connections
6. Count Basie's Cleveland Connections illiam Basie, pianist and bandleader, was not a In his autobiography, Good Morning Blues, Basie Clevelander, but he certainly perfonned recalled he married the girl from Cleveland in 1943 in Wfrequently in Cleveland and hired a number of Seattle. Their honeymoon was a series ofone-night band Clevelanders to play in his swinging band. Basie' s appearances. strongest tie to Cleveland is frequently forgotten. He The Basie band was working in New York when Katy married a girl from Cleveland and their only child was was about to have a baby. She returned to Cleveland and born here. stayed with her parents. Katy and Bill Basie's only child, Diane Basie, was born in Cleveland. He rushed to Catherine Morgan Basie Cleveland to be with his wife and Catherine Morgan left Cleveland daughter. at the age of 16 in 1931 to become a Later, when they rejoined Basie in dancer. She joined a very popular New York, he said he had vivid vaudeville act, the Whitman Sisters. memories of seeing Katy getting off She was one of three girls in the the plane from Cleveland carrying dance company who called their baby. He said, "It was a special themselves "The Snake Hips thrill bringing my family home from Queens." When they appeared at the the airport that day, Old Base, his Lafayette Theatre in New York City, wife and daughter." there was a jazz band from Kansas They moved into an apartment City on the same bill. The young building near New York' s Central dancer from Cleveland noticed the Park. -
Eihhfltrko KEITH's Way, Closes Saturday Night, Goes Into the Books As a Failure
housework now, and you sense some- sacrificing money, but Snnabella 'For Me and how that she isn’t _AMUSEMENTS. My Gal’ Tells Tyrone Leaves kidding when she knows what it is not to have any. says she enjoys it. The lovely French girl already has Wis/iinaten Showing/ I’m not a But Annabella “Maybe such good turned down a movie contract which Of maid,” she'' “but I am williams.. Vaudeville With continues, would interfere with her travel, and B^emlynSTAA *'TM STAMt IQOK OOW fast. rvy Song I clean the bedrooms and she'll probably have chances at at Heels scrub the bathrooms and I am not others. Yj RODDY MeOOWELL.. For, in "Secret Mission.” • Stays bored STAR .A THS PHD pi pep Judy Garland, Gene HOLLYWOOD. because it is fun to see things she's returning to films for the first; Kelly’, made clean. % When Husband Tyrone Power time since she and Power were an All these for t Featured dons a Marine uniform, some day plans sticking close married in 1939. During those three Shadows George Murphy to will soon. Wife Annabella doesn't intend Ty involve some sacrifice. years, she spurned offers from al- You In New Palace Feature to say good-by. She’s going to stay may sneer at a movie actress most every studio in town. Ueiicon _ mil as close to him as just possible. amusements" ORCHID' By ANDREW R. KELLEY. “At first, Tyrone will have his AMUSEMENTS. ggjggjjgjgg "For Me and My GaP treats the old-time three-and-four-a-day training in San Diego, so far as we vaudeville so affectionately, and is flavored with such heart-warming know. -
WP Mileposts Oct 1949 No. 3
WESTERN PACIFIC J1,[~~p'~Sls In response to many queries re Pacific m ileposts the present editor's garding the pictures of Western P a worries would some day be over. cific's mileposts which have ap He was stumped, however, when peared in the first and second issues he recall ed that the first three mile of MILEPOSTS' masthead, we offer posts on the main line are out in San Vol. I OCTOBER , 1949 No . 3 this explanation. Francisco Bay. Inasmuch as our Department of Public Relation s, 526 Mi ss ion Street, San Francisco Much thought and consideration photographer did not have in his Lee Sherwood, Ed itor Arthur Lloyd , Jr., Associat. Editor was given to choosing a name for possession, or know how to use, a this little magazine, which first ap diving suit, the idea of coming up CORRESPONDENTS peared in August. From a long list Ruth Crane, Sacramento Northern . Hal.el Petersen, <?akland from the bottom of the bay with a Frank Lind ee, Tidewater Southern Bill McGrath, Ch,cago of many names submitted by all good snappy negative was aban Nevada Michelson, Elko • Gene Trace, S~o ckton concern ed , MILE POSTS seemed to doned. Neither did the editor want Jim Mills, Molly Fagan, Rita Connolly, San FrancISco stand out like a clear block in the to confuse his readers by publishing H . A . Q ' Rullian , Irene Burton, Sacramento dark. a first issue numbered 31,6, the mile ~ 7 It seemed appropriate, also, to in post at Oakland Pier. Then he re Page clude a picture of the Western P a membered the San J ose branch line. -
3Rd and 4Th Div. Presented with Basketballtrophies
w w . r <_ .....: . Vol. V, No. 36 U. S. Naval Operating Base, Guantanamo Bay, Cuba Saturday, 22 December 1951 BOB HAWK SHOW HERE 3RD AND 4TH DIV. PRESENTED WITH IN JANUARY; YVONNE DE BASKETBALLTROPHIES E t IIYC C xEE tXC S CARLO NOT IN CAST Last Monday night a party was given in the Flamingo Room of the j The new year will be started off Recreation Building in honor of the winner of the Naval Station Basket- From the Base Commander in a big way at this Base Bob ball Tournament, the 3rd and 4th Division team. Rear Admiral and Mrs. Murphy Hawk, popular radio and TV star, Quite a few people were on hand to witness the presentation of trophies extend to all military and civilian arrives on the 2nd of January with as all teams participating in the recent tournament as well as personnel personnel and their dependents a USO Camp Show for a two day attached to the 3rd and 4th divi- their sincere best wishes for a stay. - sions were invited. Happy Holiday Season and a Pros- Much to everyone's disappoint- SANTA TO PARADE IN Before the trophies were present- porous New Year. The Base Coi- ment it was learned earlier in the NEWTOWN AND BARGO ed however, a few laughs were had manner is deeply appreciative of week that Yvonne De Carlo is not _______when Dick Rohland did a couple of the splendid support he has re- included in the cast as previously In an effort to help make this very humoroua impersonations. -
October. 1949 3 Who's Going to Say
Go North, East South - orlVest ••• youngman! THE BETTER WE PRODUCE, ~.. , THE BETTER WE LIVE '\t;;;;I e'G . THE o West, young man, and grow up output of each of us for every hour we r/MIRACLE ------------, with the country." Horace Greeley said work. OF' FREESend for this it in 1854. He was right ... but he was AMERII The best is yet to come - _~II valuable booklet today! also wrong. He was wrong because all This is what we have done, and this is Approved by representatives of of America turned out to have room for Management, Labor and development then undreamed of. the way we have done it-to get higher the Public wages, shorter hours, and lower-cost I" words a"d pic!llres, it tells you Let's look at the record: goods for everybody. • How our U. S. Economic System Here's what's happened all over Amer And this is the way we can make a started ica just dming the last 40 years. still better living in the future-with • Why Americans enjoy the world's highest standard of living Income: Since 1910 we have increased greater use of machine power, better • How mass production began our annual income per household from an machines, better distribution, better col. lective bargaining. • How we have been able to raise average of less than $2400 to about $4000 wages and shorten working hours (in dollars of the same purchasing power), Sure, our system still has faults ... yet- • Why tbe mainspring of our sys· but none that we cannot cure if we all tern is productivity Work hours: Since 1910 we have cut work together to do it. -
Guide to the Joseph Bruhl Territory Band Collection
Guide to the Joseph Bruhl Territory Band Collection NMAH.AC.0869 Kimberley Braun 2005 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical/Historical note.............................................................................................. 2 Arrangement..................................................................................................................... 3 Scope and Contents note................................................................................................ 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Personal Papers, 1922-1980, undated..................................................... 4 Series 2: Scrapbooks, 1925-1938, undated............................................................. 5 Joseph Bruhl Territory Band Collection NMAH.AC.0869 Collection Overview Repository: Archives Center, National Museum of American History Title: Joseph Bruhl Territory Band Collection Identifier: -
RWUN V34 07 Jul09.Pdf
SOCIA S TI A O L N A O C I F R C O T O S I L O H R O A I D D O A R FO 5 U 7 NDED 19 Volume 34, Number 7 July, 2009 War is Gone,’ ‘‘’Tis The Last Rose of Summer’ and THE RAILROAD HOUR: ‘Believe Me If All Those Endearing Young Charms’ A BRIEF PERSPECTIVE ON THE were tastefully presented by musical director MUSICAL RADIO PROGRAM (Cont.) Carmen Dragon.” Regrettably, the final two seasons of The by Martin Grams Jr. and Gerald Wilson Railroad Hour featured very little highlights worth mentioning compared to the program’s first season. The June 4, 1952 issue of Variety reviewed the Repeat performances of musicals performed premiere of the new summer season: previously on the show became more common “The Railroad Hour launched its summer format towards the end of the program’s run. In fact, of the Monday with a trifle that can be properly termed as 38 episodes broadcast during the program’s final hot weather fare. It was the series’ second seasonal season, 28 were repeats. If it was not for the Variety attempt at offering original plays with music (during reviews and varied summer presentations, dividing the cold weather months The Railroad Hour, which, the episodes by season for the episode guide would incidentally only runs 30 minutes, rehashes old otherwise be difficult. music comedies and operettas) and Among the highlights was the it’ll probably meet with so-so broadcast of May 14, 1951, which success. It’s pleasant if not inspiring featured an adaptation of Sigmund and won’t make anybody angry.