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Proposed Cultural Awareness Schedule for 2000
CULTURAL ARTS SERIES 2008– 2009 (Schedule) A Classical Celebration! Oklahoma City Community College Artist Performance Date Lark Chamber Artists – Strings, Piano, Woodwinds, and Percussion Tues. Sept. 16, 7:00 P.M. The Romeros – Guitar Quartet (Special venue; Westminster Presbyterian Church) Tues. Oct. 7, 7:00 P.M. Jerusalem Lyric Trio – Soprano, Flute, and Piano Tues. Nov. 18, 7:00 P.M. The Four Freshmen – Vocal Quartet Tues. Dec. 2, 7:00 P.M. The Texas Gypsies – Gypsy/Texas Swing Jazz Quintet Tues. Feb. 17, 7:00 P.M. Rosario Andino – Pianist Tues. Mar. 3, 7:00 P.M. Best of Broadway – Vocal Trio Tues. Apr. 14, 7:00 P.M. Brad Richter, Viktor Uzur – Guitar and Cello Thurs. May 7, 7:00 p.m. • Lark Chamber Artists – Strings, Piano, Woodwinds, and Percussion Ensemble Lecture – TBA Performance – Tuesday, September 16, 2008, 7:00 p.m., Oklahoma City Community College Theatre. A diverse selection of musical delights. (Short) Lark Chamber Artists present a broad range of musical styles, embracing the traditional as well as adventuresome commissions and collaborations. (Medium) Lark Chamber Artists is a uniquely structured ensemble who present a broad range of musical styles, embracing the traditional favorites of the chamber music repertoire, as well as adventuresome commissions and collaborations for a new standard in innovative programming. (Long) As an outgrowth of the world-renowned Lark Quartet, Lark Chamber Artists (LCA) is a uniquely structured ensemble featuring some of today's most active performers who have come together to present a broad range of musical styles, embracing the traditional favorites of the chamber music repertoire, as well as adventuresome commissions and collaborations for a new standard in innovative programming. -
Hw Biography 2021
HUGH WOOLDRIDGE Director and Lighting Designer; Visiting Professor Hugh Wooldridge has produced, directed and devised theatre and television productions all over the world. He has taught and given master-classes in the UK, Europe, the US, South Africa and Australia. He trained at the London Academy of Music and Dramatic Art (LAMDA) and made his West End debut as an actor in The Dame of Sark with Dame Celia Johnson. Subsequently he performed with the London Festival Ballet / English National Ballet in the world premiere production of Romeo and Juliet choreographed by Rudolph Nureyev. At the age of 22, he directed The World of Giselle for Dame Ninette de Valois and the Royal Ballet. Since this time, he has designed lighting for new choreography with dance companies around the world including The Royal Ballet, Dance Theatre London, Rambert Dance Company, the National Youth Ballet and the English National Ballet Company. He directed the world premieres of the Graham Collier / Malcolm Lowry Jazz Suite Under A Volcano and The Undisput’d Monarch of the English Stage with Gary Bond portraying David Garrick; the Charles Strouse opera, Nightingale with Sarah Brightman at the Buxton Opera Festival; Francis Wyndham’s Abel and Cain (Haymarket, Leicester) with Peter Eyre and Sean Baker. He directed and lit the original award-winning Jeeves Takes Charge at the Lyric Hammersmith; the first productions of the Andrew Lloyd Webber and T. S. Eliot Cats (Sydmonton Festival), and the Andrew Lloyd Webber / Don Black song-cycle Tell Me 0n a Sunday with Marti Webb at the Royalty (now Peacock) Theatre; also Lloyd Webber’s Variations at the Royal Festival Hall (later combined together to become Song and Dance) and Liz Robertson’s one-woman show Just Liz compiled by Alan Jay Lerner at the Duke of York’s Theatre, London. -
American Music Research Center Journal
AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 19 2010 Paul Laird, Guest Co-editor Graham Wood, Guest Co-editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Eric J. Harbeson, Archivist Sister Mary Dominic Ray, O.P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music William S. Farley, Research Assistant, 2009–2010 K. Dawn Grapes, Research Assistant, 2009–2011 EDITORIAL BOARD C. F. Alan Cass Kip Lornell Susan Cook Portia Maultsby Robert R. Fink Tom C. Owens William Kearns Katherine Preston Karl Kroeger Jessica Sternfeld Paul Laird Joanne Swenson-Eldridge Victoria Lindsay Levine Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25.00 per issue ($28.00 outside the U.S. and Canada). Please address all inquiries to Lisa Bailey, American Music Research Center, 288 UCB, University of Colorado, Boulder, CO 80309-0288. E-mail: [email protected] The American Music Research Center website address is www.amrccolorado.org ISSN 1058-3572 © 2010 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro- posals from the scholarly community, ranging from 3,000 to 10,000 words (excluding notes). All articles should be addressed to Thomas L. Riis, College of Music, University of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301. -
The Celluloid Christ: Godspell Church of the Saviour Lenten Study - 2011 (Leader: Lejf E
9 VIEWING GUIDE: Godspell (1973 D. Greene) The Celluloid Christ: Godspell Church of the Saviour Lenten Study - 2011 (leader: Lejf E. Knutson) 9 “The characters in Godspell can be looked at in two ways, and both are inspired. On one hand, these people could literally be Jesus, John, and the disciples, in a story updated to modern day New York. With this approach, their colorful outfits, face-painting, and childish antics truly puts into perspective how bizarre and radical Jesus’ actions must have been in first century Israel, and yet these people are filled with so much joy and happiness that, much like in The Apostle, we find their lifestyle contagious. On the other hand, I choose to view this film not as a literal update of Christ’s life, but as a group of radicals living in New York embracing the teachings of Christ as a lifestyle. As a result, they are simply playing the life of Christ out to get a better understanding of his ideas. Either way, the message is the same: Be yourself, be radical, push the envelope, and love one another. Godspell is a film breathing with life and joy.”1 “In anything remotely resembling something that could begin to be called a religious sense, Godspell is a zero; it’s Age-of Aquarius Love fed through a quasi-gospel funnel, with a few light-hearted supernatural touches. ”2 “Turn On, Tune In, Drop Out – Find God” – David Greene’s Godspell (1973) I concluded my discussion of The Gospel According to St. Matthew with a deliberately (or hopefully) provocative statement: “What would a Jesus film look like if it tried to present Jesus preaching his revolutionary, world-upsetting ethos of the kingdom in the here and now, in the heart of the modern city?” – and then suggested that Godspell would be an answer to that question. -
Andrew Lloyd Webber's Musicals
MASARYK UNIVERSITY Faculty of Education Department of English Language and Literature ANDREW LLOYD WEBBER’S MUSICALS Diploma Thesis Brno 2009 Radka Adamová Supervisor: Mgr. Lucie Podroužková, PhD. 1 BIBLIOGRAPHICAL ENTRY Adamová, Radka. Andrew Lloyd Webber’s Musicals Brno: Masaryk University, Faculty of Education, Department of English Language and Literature, 2007. Diploma thesis supervisor Mgr. Lucie Podroužková, Ph. D. ANNOTATION This diploma thesis deals with British musical composer Andrew Lloyd Webber and his works. The first part of the thesis introduces Lloyd Webber’s biography, his close collaborators as well as his production company the Really Useful Group and description of all his works. The main part of the thesis is aimed at his musicals Joseph and the Amazing Technicolor Dreamcoat and Jesus Christ Superstar , rather their origin and development, the main plot and their main characters that have many things in common. Both these musicals are based on topics from the Bible. The thesis also deals with the librettos and their translation into Czech. ANOTACE Diplomová práce se zabývá britským hudebním skladatelem Andrew Lloyd Webberem a jeho díly. První část práce seznamuje s Lloyd Webberovým životopisem, jeho blízkými spolupracovníky, stejně jako s jeho produkční společností Really Useful Group a popisem všech jeho děl. Hlavní část práce je zaměřena na muzikály Josef a jeho úžasný pestrobarevný plášť a Jesus Christ Superstar , přesněji řečeno jejich vznik a vývoj, hlavní dějovou linii a jejich hlavní postavy, které mají mnoho společného. Oba tyto muzikály jsou založeny na příbězích z Bible. Práce se také zabýva librety obou muzikálů a jejich překladem do češtiny. 2 I declare that I have worked on this thesis on my own and used only the sources listed in the Bibliography. -
Cats, Based on the Universally Popular Poetry of T.S
Thalian Association Children’s Theater 2014-2015 SEASON 2014-2015 SEASON Teacher Resource Guide ! and Lesson Plan Activities Featuring general information about our production along with some creative activities to help you make connections to your classroom curriculum before and after the show.! ! The production and accompanying activities address North Carolina Essential ! Standards in Theatre Arts, Goal A.1: Analyze literary texts & performances. ! ! Look for this symbol for other curriculum connections. ! ! Free Tickets for Teachers!! ! Teachers are welcome to attend our 7:00 PM Wednesday, May 13th preview performance. ! Additional tickets may be purchased for $6.00 per person. Reservations are required. Contact ! Thalian Association Artistic Director: David T. Loudermilk ([email protected]) for ! !more information. ! ! About the Musical! Music by Andrew Lloyd Webber Andrew Lloyd Webber's Cats, based on the universally popular poetry of T.S. Eliot, tells the Based on story, through song and dance, of the annual gathering of Jellicle cats at which time one Old Possum's Book Of Practical special cat is selected to ascend to the Heaviside layer. A true musical theatre phenomenon, Cats opened in London (1981) and became the longest-running musical in that city’s history, By T. S. Eliot running for 21 years. On Broadway, Cats ran for 18 years (7,485 performances). At that time ! it was the longest-running musical in Broadway history; a record only surpassed by The One Week Only!! Phantom Of The Opera - also by Andrew Lloyd Webber -
LOVE LIFE Your Personal Guide to the Production
NEW YORK CITY CENTER EDUCATION MARCH 2020 BEHIND THE CURTAIN: Wiseman Art by Ben ENCORES! LOVE LIFE Your personal guide to the production. TABLE OF CONTENTS CONTEXT 2 A Note from Jack Viertel, Encores! Artistic Director 3 Meet the Creative Team 4 Meet the Cast 5 An Interview with Costume Designer Tracy Christensen 7 Love Life in the 21st Century by Rob Berman and Victoria Clark RESOURCES & ACTIVITIES 10 Before the Show 11 Intermission Activity 13 After the Show 14 Glossary 15 Up Next for City Center Education CONTEXT Selecting shows for Encores! has always been a wonderfully A NOTE FROM enjoyable but informal process, in which Rob Berman, our Music Director and I toss around ideas and titles until we feel like we’ve achieved as perfect a mix as possible: three shows that we are as eager to see as we are to produce, and three JACK that are nothing alike. This year was different only in that we were joined by Lear deBessonet, who will begin her tenure as my successor next season. That only made it more fun, and VIERTEL, we proceeded as if it were any other season. ENCORES! Although we never considered the season a “themed” one— it turned out to have a theme: worlds in transition. And I ARTISTIC suppose my world, and maybe the world of Encores! itself are DIRECTOR about to change too—so it seems appropriate. Love Life is a case in point. Produced in 1948, it is Alan Jay Lerner and Kurt Weill’s only collaboration (they had tremendous success in other collaborations, including My Fair Lady and The Threepenny Opera). -
QUINCY SYMPHONY CHORUS PROGRAM NOTES British Invasion ~ March 9, 2019 Dr
QUINCY SYMPHONY CHORUS PROGRAM NOTES British Invasion ~ March 9, 2019 Dr. Carol Mathieson Andrew Lloyd Webber relaunched musical theatre in the 1960’s in ways that welcomed electronic technology and rock music without allowing ephemeral fads to highjack well-crafted composition. And audiences responded, with younger aficionados swelling the general flock to the theatres. Tonight’s medley follows chronologically from earliest efforts with Tim Rice to turn Jesus Christ, Superstar— a scripture story recast in rock, produced as a concept album with basic plot, all the songs, and minimal dialog—into a stage show, opening in London’s West End. It was a mega-hit. Soon after came Evita about the Perón dictatorship in Argentina. Rice did not feel comfortable remolding established writing into lyrics, so for Cats, Lloyd Webber went directly to T.S. Eliot’s poetry. Song and Dance is a short musical play with lyrics by Don Black, paired with a short ballet with music Lloyd Webber wrote for his cellist brother Julien as variations on a Paganini caprice. However, Phantom of the Opera, with Charles Hart lyrics, was back to high drama. Phantom smashed attendance records in both London and New York, running for decades. Tonight’s medley opens and closes with songs from that iconic show. Nineteenth-century English musical theatre consisted of cheerful song and dance revues or badly translated, risqué French burlesques until Gilbert and Sullivan brought satirical, silly Savoy Operas to a family-friendly stage. QSC sings highlights from the first and the final masterpieces of these saviors of both the English and American musical stage. -
SINGER's MUSICAL THEATRE ANTHOLOGY Master Index, All Volumes
THE SINGER’S MUSICAL THEATRE ANTHOLOGY SERIES GUIDE AND INDEXES FOR ALL VOLUMES • Alphabetical Song Index • Alphabetical Show Index Updated September 2016 Key Accompaniment Book Only CDs Book/Audio S1 = Soprano, Volume 1 00361071 00740227 00000483 S2 = Soprano, Volume 2 00747066 00740228 00000488 S3 = Soprano, Volume 3 00740122 00740229 00000493 S4 = Soprano, Volume 4 00000393 00000397 00000497 S5 = Soprano, Volume 5 00001151 00001157 00001162 S6 = Soprano, Volume 6 00145258 00151246 00145264 ST = Soprano, Teen's Edition 00230043 00230051 00230047 S16 = Soprano, 16-Bar Audition 00230039 NA NA M1 = Mezzo-Soprano/Belter, Volume 1 00361072 00740230 00000484 M2 = Mezzo-Soprano/Belter, Volume 2 00747031 00740231 00000489 M3 = Mezzo-Soprano/Belter, Volume 3 00740123 00740232 00000494 M4 = Mezzo-Soprano/Belter, Volume 4 00000394 00000398 00000498 M5 = Mezzo-Soprano/Belter, Volume 5 00001152 00001158 00001163 M6 = Mezzo-Soprano/Belter, Volume 6 00145259 00151247 00145265 MT = Mezzo-Soprano/Belter, Teen's Edition 00230044 00230052 00230048 M16 = Mezzo-Soprano/Belter, 16-Bar Audition 00230040 NA NA T1 = Tenor, Volume 1 00361073 00740236 00000485 T2 = Tenor, Volume 2 00747032 00740237 00000490 T3 = Tenor, Volume 3 00740124 00740238 00000495 T4 = Tenor, Volume 4 00000395 00000401 00000499 T5 = Tenor, Volume 5 00001153 00001160 00001164 T6 = Tenor, Volume 6 00145260 00151248 00145266 TT = Tenor, Teen's Edition 00230045 00230053 00230049 T16 = Tenor, 16-Bar Audition 00230041 NA NA B1 = Baritone/Bass, Volume 1 00361074 00740236 00000486 B2 = Baritone/Bass, -
The Music of Andrew Lloyd Webber
LYNN UNIVERSITY Presented by the College of Arts and Sciences Lynn Drama Keith C. and Elaine Johnson Wold Performing Arts Center October 17, 18 & 19, 2018 The College of Arts and Sciences Lynn Drama Director’s notes Presents Sir Andrew Lloyd Webber celebrates his 70th birthday this year, so it seems appropriate that we should choose this show of his The Music of Andrew Lloyd Webber best-loved music to celebrate the birth of our new BFA Music by Andrew Lloyd Webber in Drama! Lyrics by Tim Rice, Don Black, Christopher Hampton, Charles Hart, Usually done as a classic “stand and sing” revue, we’ve T.S.Eliot, Ben Elton, Trevor Nunn, Glenn Slater, Jim Steinman, decided instead to set most of the songs in our production Richard Stilgoe, David Yazbek and David Zippel of The Music of Andrew Lloyd Webber in the scenes from the various shows. This gives our BFA Musical Theatre students the chance to act the Dean of College of Arts and Sciences characters as well as sing the songs – complete with costume changes! Katrina Carter-Tellison Prepare to be amazed as you are transported into the worlds of these popular hit Director musicals – Evita, Joseph and the Amazing Technicolor Dreamcoat (which turned Bruce Linser 50 in 2018!), Cats, Song and Dance, Starlight Express, Jesus Christ Superstar, Technical Director Musical Director Choreographer Sunset Boulevard, Aspects of Love, and of course The Phantom of the Opera, which Adam Simpson Paul Reekie Becky Timms celebrates its 30th anniversary on Broadway this year! For those who already know and love Webber’s music, this show will remind you Asst. -
Joseph and the Amazing Technicolor Dreamcoat the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
Insights A Study Guide to the Utah Shakespeare Festival Joseph and the Amazing Technicolor Dreamcoat The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to be an educational jumping-off point to understanding and enjoying the plays (in any pro- duction at any theatre) a bit more thoroughly. Therefore the stories of the plays and the interpretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. Insights is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, publications manager and editor; Clare Campbell, graphic artist. Copyright © 2011, Utah Shakespeare Festival. Please feel free to download and print Insights, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover Art for Joseph and the Amazing Technicolor Dreamcoat by Cully Long. Joseph and the Amazing Technicolor Dreamcoat Contents Information on the Play Synopsis 4 Characters 5 About the Playwright 6 Scholarly Articles on the Play Andrew Who? 8 A Springboard Called Joseph 10 Utah Shakespeare Festival 3 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880 Synopsis: Joseph and the Amazing Technicolor Dreamcoat The play opens with the Narrator finding an old book, picking it up, blowing off the dust, and starting to read. The story she relates is of a young dreamer, a man named Joseph—the same Joseph whose story is told in the Book of Genesis. -
CAMERON MACKINTOSH and the REALLY USEFUL THEATRE COMPANY, INC
........................................................................................................................................................................................................................................... CAMERON MACKINTOSH and THE REALLY USEFUL THEATRE COMPANY, INC. present THE STUDY GUIDE FOR ™ Music by ANDREW LLOYD WEBBER Lyrics by CHARLES HART Additional Lyrics by RICHARD STILGOE Book by RICHARD STILGOE and ANDREW LLOYD WEBBER Based on the novel ‘Le Fantôme de L’Opéra’ by Gaston Leroux Production Design by MARIA BJÖRNSON Lighting by ANDREW BRIDGE Sound by MARTIN LEVAN Musical Staging and Choreography by GILLIAN LYNNE Directed by HAROLD PRINCE ........................................................................................................................................................................................................................................... Study Guide by Peter Royston THE PHANTOM OF THE OPERA LYRICS, MASK LOGO & TITLE TREATMENT © 1986 RUG PLC About the PHANTOM of the Opera ............................................................................................................................... ........................................................................ elcome to a strange new world! Andrew Lloyd Webber’s darkly W romantic musical about a mysterious “Opera Ghost” who inspires a young singer has become a legend, drawing standing-room audiences throughout the world. The Phantom of the Opera is a perfect way to introduce young people to the pleasures and