Clouds of Sils Maria – Review

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Clouds of Sils Maria – Review The largest language school within Vallès Oriental is pleased to provide you with this review, crosswords and contest. Enjoy the film!!! Clouds of Sils Maria – Review Sils Maria features two magnificent performances from its female leads: Juliette Binoche as Maria Enders, a famous actress entering middle age, and Kristen Stewart as Valentine, her young assistant, who helps Maria navigate the world of cinema in which she inhabits. They are luminous in their roles, and this vivid, deep exploration of female friendship and worth is a stunning addition to the filmography of Olivier Assayas. The film opens as the pair is en route to a ceremony honouring the work of Wilhelm Melchior, an elderly Swiss playwright and friend and collaborator of Maria’s. A close bond between Maria and Valentine is immediately established via some brilliantly naturalistic dialogue, before Melchior dies, suddenly, and their plans are thrown into disarray. Maria is unhappy to learn that in her latest film - an adaptation of a Melchior play in which she starred, years earlier - she will be playing an older woman; the role which made her famous, meanwhile, will belong to a rising (and rebellious) young star played by Chloë Grace Moretz. This sets the scene for plenty of discord between Maria and Valentine, lines of conflict that lie between generations coming to the surface, all set against Yorick Le Saux’ stunning Alpine cinematography. There isn’t, really, much of a story in Sils Maria, but the performances of Binoche, Stewart and Grace Moretz and Assayas’ sharp, intelligent script mean that the film is hugely engaging nonetheless. Binoche has always been brilliant, but Stewart, who also shone in last year’s Still Alice alongside Julianne Moore, proves that there is far more to her than the Twilight films suggested. (Assayas sneaks a great joke into the script on the subject.) Stewart also became the first American actress to win a César award for her role. Moretz is fantastic, too, but the film really belongs to Stewart and Binoche and their complicated, expertly drawn relationship. .
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