Ahana Peer-reviewed Bilingual Yearly on Visual Art and Culture Volume - VII | 2021 e-mail :
[email protected] ISSN : 2278 - 1994 Web : www.ahanajournal.in TALES TOLD BY A RIVER : JOURNEYING THROUGH THE MAKING OF THE MURAL 'LIFE AND TIMES OF A PLACE : CONTEXTUALIZING MAVELIKARA' Preeti Joseph Faculty , History of Art and Aesthetics Department, Raja Ravi Varma College of Fine Arts, Mavelikara, Kerala. Figure 1: Meditating Buddha Statue at Mavelikara Abstract : Mavelikara, a township situated in what is now Alappuzha district in Kerala, has been thriving since ancient times along the banks of the Achenkovil River. Between the 3rd century BC and 13th century AD it was part of Onnattukara or Odanadu - a thriving cultural principality of ancient Kerala which flourished as a Buddhist centre after the Mauryan Emperor Ashoka convened his proselytizing missions to spread Buddhism. It was a progressive faith promoting an egalitarian and inclusive way of living which did not seek exclusion of women from mainstream dialogues. Peace and prosperity was enjoyed, as the agrarian economy prospered as the byproduct of a community that was able to work harmoniously. However, after a few centuries, the presence of Buddhism was entirely obliterated from social consciousness through the hegemony of institutionalized faith systems. It was appropriated and assimilated, and tangible forms destroyed until its existence could hardly be traced. This raised a need for a cultural institution such as Raja Ravi Varma College of Fine Arts, situated here, to have a cultural responsibility to extract the subaltern stories hidden within and place it alongside mainstream narratives. And this was best realized through the mural project that was undertaken by the faculty and students of the institution titled ' Life and times of a place: Contextualizing Mavelikara' which was not merely a formal exercise, but a tool to retrace time and rouse silenced voices.