2117 PDF 18 Dr
Total Page:16
File Type:pdf, Size:1020Kb
www.research-chronicler.com Research Chronicler ISSN 2347–503X International Multidisciplinary Research Journal Research Chronicler A Peer-Reviewed Refereed and Indexed International Multidisciplinary Research Journal Volume II Issue I: January – 2014 CONTENTS Sr. Author Title of the Paper Download No. 1 Dr. M. Ravichand Bigger Thomas – The Hero in the Novel 2101 PDF S. Pushpa Latha Native Son by Richard Wright 2 Sushant Chaturvedi The Kite Runner through Wayne Booth’s 2102 PDF Evaluative System 3 Ms. Upasana Dugal Multi Touch: A Finger Synchronized Screen 2103 PDF 4 M.K.Sharma Formulation of Linear Programming for Cost 2104 PDF Ankur Kulshreshtha Optimization in Soap Stone Powder Industry Richa Sharma 5 Dr. Archana Spousal Violence: A Woman’s Destiny 2105 PDF Dr. Pooja Singh 6 Dr. Sutapa Biswas Interpreting the ‘World Within’: A 2106 PDF Psychoanalytical Study of the Characters from The God of Small Things and Cry, the Peacock 7 Kamna Dubey Nayantara Sahgal: A New Perspective to 2107 PDF Naveen Kumar Pathak Women’s Writing in India 8 Dr. Sahebrao B. Ohol Challenges before Co-operative Dairy 2108 PDF Industries 9 Ramchandra R. Joshi Rethinking Classics, English and Indian: A 2109 PDF Comparative Approach to Milton’s Satan in Paradise Lost Book I and Bhasa’s Duryodhana in Urubhangam 10 Dr. Krishna Mohan Jha Sarjanatmak Bhay Ki Kavita 2110 PDF Volume II Issue I: January 2014 Editor-In-Chief: Prof. K.N. Shelke www.research-chronicler.com Research Chronicler ISSN 2347–503X International Multidisciplinary Research Journal 11 Mr. Anant Singh Manpower Planning in Pharmaceutical 2111 PDF Companies in India 12 Shamrao J. Waghmare Ngugi’s A Grain of Wheat: a Saga of 2112 PDF Miss. Vijaya D. Bidwai Common Masses Struggle 13 Ms. Deepali Agravat The Concept of ‘New Woman’ in the plays of 2113 PDF G.B. Shaw & Vijay Tendulkar 14 Dr. Anurag Agnihotri Empirical Study of Indian Export and 2114 PDF Rajkumar Exchange Rate Elasticity 15 Ms. Richa Pathak Empowered Indian Women in Selected 2115 PDF Dr. Apara Tiwari Novels 16 Vijay Lingayat A New Media to Explore English Language 2116 PDF Learning Skills: A Perspective Approach 17 Dr. P.B. Patil Migratory Modes in The Shadow Lines 2117 PDF 18 Dr. Hasmukh Suthar Importance of Correlation in Rural Higher 2118 PDF Prof. Vishal Joshi Education 19 Dr. Meenakshi Kaushik The Role of HR as a Knowledge Facilitator 2119 PDF 20 Dr. V. A. Patil Feminism without Illusions 2120 PDF 21 Dr. Prakash M. Joshi The Role of Linguistics in English Language 2121 PDF Teaching 22 Dr. Keyur K. Parekh Rasa Theory 2122 PDF 23 Mayur Wadhwaniya Philosophy of ‘Marjaranyaya’ through the 2123 PDF characters: An Analysis (With special reference to The Cat and Shakespeare) 24 Ms. Nisha Chanana Organizational Role Stress among 2124 PDF Dr. Naresh Kumar Management Teachers: A Comparative Study 25 Harshad K. Bhosale The Promise and Peril of Civil Society in 2125 PDF Russia Volume II Issue I: January 2014 Editor-In-Chief: Prof. K.N. Shelke www.research-chronicler.com Research Chronicler ISSN 2347-503X International Multidisciplinary Research Journal Migratory Modes in The Shadow Lines Dr. P.B. Patil A.C.S. College, Shivle, Tal-Murbad, Dist-Thane, (M.S.) India Abstract This paper seeks to investigate the use migratory modes in The Shadow lines. Migration has been remained a greater force of living life from the time unknown. People migrate for the livelihood and its effects have been portrayed very effectively by Amitav Ghosh. He uses migration to highlight the sad plight of human beings. Now a days migration has taken different dimension. It takes place by choice or by force. Both these forms of migration find place in the novel. By using it as a major mode of narration, Amitav Ghosh amalgamates various themes in this novel. Key Words: Migration, narration, memory, diaspora, identity Amitav Ghosh‟s The Shadow Lines1, witnessed the scene of terrifying violence in recipient of Sahitya Akademy award, is Dhaka. narrated by a nameless protagonist. The Right from the beginning of the novel, narrative begins in 1939 with the outbreak the subjectivity of the narrator gets of Second World War and ends after the overlapped with the subjectivity of Tridib. riots in East Pakistan and the eruption of This indicates an intersubjective migration violence in India and Pakistan in 1964 when and experiences of Tridib become the Tridib, the narrator‟s father‟s cousin, gets experiences of the narrator. Tridib is also murdered by a mob in Khulna near his the narrator‟s mentor and guiding spirit. At mother‟s family home in Dhaka. many points in the narrative the viewpoint The Shadow Lines does not follow a of the narrator gets telescoped into that of chronological narrative because the Tridib. Thus, there is also a crossing of experiences narrated in the novel are not boundaries between the selves by mingling just limited to the narrator-hero. Hence the voices and viewpoints of the narrator and narrator has to recreate the past of his Tridib. The narrator internalizes the family by weaving memory with physical experience of Tridib of visiting imagination. The focus of the narrative is a London. He tries to relive them mystery of Tridib‟s death which the narrator imaginatively. His boyhood is filled with pursues with a dogged sense of the experiences and memories of Tridib and commitment. Later the details of Tridib‟s he starts looking at the world through the death are given to the narrator by Tridib‟s eyes of Tridib. Later when the narrator girl friend, May Price who had actually visits London, his experience is nothing Volume II Issue I: January 2014 (120) Editor-In-Chief: Prof. K.N. Shelke www.research-chronicler.com Research Chronicler ISSN 2347-503X International Multidisciplinary Research Journal more than revision of the memories of boundaries. It implies that there are no Tridib. Thus, Amitav Ghosh smudges the separate or cultural realities and that all boundaries between nations by erasing the demarcations are shadow lines, arbitrary boundaries between two individuals and by and invented divisions effecting a mode of migration through Amitav Ghosh‟s notion of migration as imagination and memories. reflected in The Shadow Lines also has an The Shadow Lines also cuts across the ideological significance. The novel time barriers to indicate another kind of juxtaposes migration with the forces which migration. It begins in the colonial times divide people and land. By doing so, Ghosh with the spotlight of two families – the indicates that divisions can lead to terrible Datta Chaudhuris of Bengal and the Price consequences. Ghosh also seems to imply in family of London. The relationship between the novel that crossing the lines of nations, these two families spans over three cultures and religions can lead to better generations. However, this relationship understanding between people. traced in this novel is not in a proper The Shadow Lines also marks a sequence. It is recreated as pieces of movement across various disciplines. Under experiences from different consciousness. In the basic structure of a novel, it moves into the process, the narrative moves like a the realms of history, politics and culture. It memory web and transcends the tries to look into silences and gaps of conventional distinction between past and history of partition. These gaps and silences present. Along with the crossing over of the are filled with personal memories and the time line, the narrative crosses over novelist tries to generate a historiographic geographical lines too. A study of the interest in the novel by placing documented relationship between two families involves history as against the history of personal several passages between India and memory. England. Towards the end of the novel, the narrative crosses the newly created frontier Amitav Ghosh also interrogates the between India and East Pakistan. Further, traditional concept of time and place in The the novel also takes the readers to other Shadow Lines. Characters like Tridib and countries and continents as and when the the narrator are capable of moving across characters move to these locations. Two of space even without a physical displacement the Datta Chaudhuris get posted in other whereas someone like Ila experiences countries to the Indian Diplomatic Service physical displacement without belonging to and U.N. postings. Their experiences also any place. The narrator observes his ability influence the consciousness of the narrator to migrate: “Tridib had given me worlds to and they indicate another form of border travel in and he had given me eyes to see crossing. them with.” (p.20) The narrator keeps on sketching an imaginative map of the world The title of the novel itself indicates a in his mind whereas Ila drifts around the form of crossing or erasing all kinds of world without perceiving the places. She, Volume II Issue I: January 2014 (121) Editor-In-Chief: Prof. K.N. Shelke www.research-chronicler.com Research Chronicler ISSN 2347-503X International Multidisciplinary Research Journal writes the narrator, “Who had been narrator says that for Ila, “the current was travelling around the world since she was a the real: it was as though she lived in a child, could never understand what those present which was like an airlock in a canal, hours in Tridib‟s room had meant to me, a shut away from the tidewaters of the past boy who had never been more than a few and the future by steel floodgates.” (p.30) hundred miles from Calcutta.” (p.20) The narrator noticed how Ila has no The Shadow Lines is deeply rooted in connection with her past and hence he is the dynamics of space and time as any unsure about where she is heading to.