Soulofmoneydigitalbook-Chapter3
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Journal of Academic Perspectives
Journal of Academic Perspectives Religion, Politics, and Public Discourse: Bruce Springsteen and the Public Church of Roll Frederick L. Downing, Professor of Philosophy & Religious Studies, Valdosta State University and Jonathan W. Downing, Co-Director, Screaming Shih-Tzu Productions Abstract The thesis of this paper is that Bruce Springsteen’s art participates in a musical public square in which the outsider can come up close and overhear a dialogue that has been going on for centuries. Following the work of Robert Detweiler on religion and public life, this paper starts from the premise that the bard’s music, like literature, creates a type of public square or a form of public discourse where urgent matters of human survival, like the nature and nurture of a just state, are expressed, a call for social justice can be heard, and faith and hope for the future can be assimilated. Using the theory of Martin Marty on religion and civic life, the paper further describes Springsteen’s work as the creation of a “public church” beyond sectarian demand which is open to all and approximates, in his language, a true “land of hopes and dreams.” The paper uses the theory of Walter Brueggemann on the ancient church idea to demonstrate the nature and dimension of Springsteen’s “public church.” Using Brueggemann’s theory, Springsteen’s Wrecking Ball album is shown to have both a prophetic and priestly function. As a writer and performer, Springsteen demonstrates on this album and on the Wrecking Ball tour that he not only speaks truth to power, but attempts to create a sense of alternative vision and alternative community to the unjust status quo. -
Meet Me in the Land of Hope and Dreams Influences of the Protest Song Tradition on the Recent Work of Bruce Springsteen (1995-2012)
Ghent University Faculty of Arts and Philosophy Meet me in the Land of Hope and Dreams Influences of the protest song tradition on the recent work of Bruce Springsteen (1995-2012) Supervisor: Paper submitted in partial Dr. Debora Van Durme fulfilment of the requirements for the degree of “Master in de Taal- en Letterkunde: Nederlands- Engels” by Michiel Vaernewyck May 2014 Word of thanks The completion of this master dissertation would not have been possible without the help of several people that have accompanied me on this road. First of all, thank you to my loving parents for their support throughout the years. While my father encouraged me to listen to an obscure, dusty vinyl record called The River, he as well as my mother taught me the love for literature and music. Thanks for encouraging me to express myself through writing and my own music, which is a gift that money just cannot buy. Secondly, thanks to my great friends of the past few years at Ghent University, although they frequently – but not unfairly – questioned my profound passion for Bruce Springsteen. Also, thank you to my supervisor dr. Debora Van Durme who provided detailed and useful feedback to this dissertation and who had the faith to endorse this thesis topic. I hope faith will be rewarded. Last but not least, I want to thank everyone who proofread sections of this paper and I hope that they will also be inspired by what words and music can do. As always, much love to Helena, number one Croatian Bruce fan. Thanks to Phantom Dan and the Big Man, for inspiring me over and over again. -
Easy Guitar Songbook
EASY GUITAR SONGBOOK Produced by Alfred Music Publishing Co., Inc. P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com Printed in USA. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions. ISBN-10: 0-7390-9399-1 ISBN-13: 978-0-7390-9399-3 Photos: Danny Clinch CONTENTS Title Release Page 4th of July, Asbury Park (Sandy) . The Wild, the Innocent & the E Street Shuffle . .8 Atlantic City . Nebraska . .12 Badlands . Darkness on the Edge of Town . .3 Better Days . Lucky Town . .16 Blinded by the Light . Greetings from Asbury Park, N .J . .19 Born in the U .S .A . Born in the U .S .A . .24 Born to Run . Born to Run . .26 Brilliant Disguise . Tunnel of Love . .32 Dancing in the Dark . Born in the U .S .A . .35 Glory Days . Born in the U .S .A . .64 Human Touch . Human Touch . .38 Hungry Heart . The River . .44 Lucky Town . Lucky Town . .46 My City of Ruins . The Rising . .50 My Hometown . Born in the U .S .A . .53 Pink Cadillac . B-side of “Dancing in the Dark” single . .56 Prove It All Night . Darkness on the Edge of Town . .60 The Rising . The Rising . .75 The River . The River . .78 Secret Garden . Greatest Hits . .67 Streets of Philadelphia . Philadelphia soundtrack . .70 Tenth Avenue Freeze-Out . -
Podcast #44- a Psychologist Analyzes Bruce Springsteen I Want to Offer up Some Thoughts About the Psychology of Bruce
1 Podcast #44- A Psychologist Analyzes Bruce Springsteen I want to offer up some thoughts about the psychology of Bruce Springsteen today. Now, Springsteen’s psyche isn’t the easiest thing for me to analyze, I must admit. The reason is that he is also my musical hero. I’ve been a fan since 1969 when he ruled the musical scene on the Jersey Shore where I grew up. In fact, he lived in my neighborhood and played at my high school prom. So, I love his music and, well, frankly, I idealize him as a performer and songwriter. Just as shrinks aren’t supposed to treat anyone in their own family, so too it feels awkward wearing my therapist hat trying to understand Springsteen’s psyche. It’s hard to be objective. Fortunately, I’m greatly aided by his highly revealing and soul-searching autobiography, Born to Run, and, secondarily by his intimate storytelling in his one-man Broadway show, Springsteen on Broadway. Springsteen’s ruthless honesty and clear-eyed introspection no doubt derive, in part, from the fact that he has been in psychotherapy for over 30 years, much of it with 2 psychiatrist, Wayne Myers—therapeutic work that he says lay at the heart of the autobiography. For someone so prominent to talk about his mental illness—in Springsteen’s case it was a profound and long standing depression--has made it safe for others to do the same. Springsteen’s depression found its roots in a childhood filled with neglect, emotional cruelty, and unstable attachments. His father, Doug, was an explosive alcoholic tormented by persecutory and paranoid thoughts. -
Tough Mind Soft Heart
Tough Mind Soft Heart Nurturing solidarity in the struggle against fascism Tough Mind, Soft Heart: Nurturing Solidarity In The Struggle Against Fascism (2019) Cover art by N.O. Bonzo (slightly modified) by stinging nettles [email protected] “One must have a tough mind and a soft heart.” - Sophie Scholl Thank you to the village it has taken to keep me going through the rough patches! Shout out to free self-defense classes, jail support, community gatherings with food, and places to sleep. Special thanks to Antifa International for helping me in a jam, the Victoria Anarchist Bookfair for hosting the workshop this zine is based on, and to the people who helped me edit and work through ideas. Thank you to my family, therapists, and the many comrades and friends who I’ve worked with and supported me in all different ways throughout the years, I appreciate you! Contents Introduction 7 Nurturing Antifascism 11 Obstacles 17 Trauma & Support 21 Fear & Boundaries 26 Dehumanization & Compassion 33 Ego & Solidarity 40 Despair & Meaning 44 Conclusion 50 Endnotes 52 In Loving Memory 56 Introduction Antifascism has ebbed and flowed throughout the years depending on the need for it, and it seems the tide will not be going out for some time. The stresses of climate catastrophe and the corresponding global rise in authoritarianism has made fascism a more present and pressing menace than it has been in decades with no clear end in sight. There has also been a corresponding uptick and interest in fighting against fascism and a new wave of antifascists have emerged from all different corners in an inspiring upswell of action and energy alongside growing worldwide unrest and revolt. -
Easy Guitar TAB by Bruce Springsteen
Bruce Springsteen Easy Guitar Songbook: Easy Guitar TAB by Bruce Springsteen Ebook Bruce Springsteen Easy Guitar Songbook: Easy Guitar TAB currently available for review only, if you need complete ebook Bruce Springsteen Easy Guitar Songbook: Easy Guitar TAB please fill out registration form to access in our databases Download here >> Series:::: Guitar Songbook+++Paperback:::: 104 pages+++Publisher:::: Alfred Music (November 1, 2012)+++Language:::: English+++ISBN-10:::: 9780739093993+++ISBN-13:::: 978-0739093993+++ASIN:::: 0739093991+++Product Dimensions::::9 x 0.2 x 12.2 inches+++ ISBN10 ISBN13 Download here >> Description: Spanning Bruce Springsteens amazing career, this book contains 27 of his best songs, all arranged in an easy guitar TAB format. Titles: 4th of July, Asbury Park (Sandy) * Atlantic City * Badlands * Better Days * Blinded by the Light * Born in the U.S.A. * Born to Run * Brilliant Disguise * Dancing in the Dark * Glory Days * Human Touch * Hungry Heart * Lucky Town * My City of Ruins * My Hometown * Pink Cadillac * Prove It All Night * The Rising * The River * Secret Garden * Streets of Philadelphia * Tenth Avenue Freeze-Out * Thunder Road * Tunnel of Love * We Take Care of Our Own * Working on a Dream * The Wrestler. My husband said the book contained some of his favorite songs and was indeed easy to follow, even for a beginner.. Obviously all of Springsteens many hits couldnt fit in one book but it does contain a good selection across the board of his many albums such as Born in the USA, Born to Run, Thunder Road and Glory Days to name a few. Theyre such amazing songs. We would definitely recommend the book to one who is interested in getting started in playing Springsteen. -
Music and Historical Narrative
MUSIC AND HISTORICAL NARRATIVE OVERVIEW RELATED AcTIVITIES Music has been a part of human culture since prehistoric • Sing for Your Rights! times. From the national anthem to rock anthems, music Learn about how the Constitution and Bill of brings Americans together. Rhythms, familiar choruses, Rights protect the rights of musicians. and song verses can unite people of various backgrounds • Born in the U.S.A.: Music as with a sense of their shared history and culture. How has Political Protest music, including Bruce Springsteen’s, shaped Americans’ Analyze Springsteen’s use of irony and understanding of our shared history? In this lesson, metaphor in this song that is more complex than it might first appear. students will trace the ways musicians have responded to events on a national scale and furthered political dialogue • Debate It! among citizens. They will also compare music in countries Role play two First Amendment scenarios and decide where you stand! where governments respect freedom of speech with those that don’t. Developed in partnership with the Bill of Rights Institute NATIONAL CONSTITUTION CENTER Developed in partnership with the Bill of Rights Institute teAcheR noteS LeARnIng goALS extenSIon Students will understand: Music and Governments Around the World • Music can be a powerful “Whoever would overthrow the Liberty of a Nation, form of expression about must begin by subduing the Freeness of Speech.” political and social issues. – Benjamin Franklin, 1722 • Music is a widely accessible Citizens in countries that protect individual freedom means by which individuals of expression often take it for granted that people can understand themselves everywhere can express political views. -
Musiconomics!!! Assignment Overview
Money, Money, Money – Musiconomics!!! Assignment Overview Common Core Standards Addressed: Key Ideas and Details CCSS.ELA-Literacy.RH.11-12.1 Cite specific textual evidence to support analysis of primary and secondary sources, connecting insights gained from specific details to an understanding of the text as a whole. CCSS.ELA-Literacy.RH.11-12.2 Determine the central ideas or information of a primary or secondary source; provide an accurate summary that makes clear the relationships among the key details and ideas. CCSS.ELA-Literacy.RH.11-12.3 Evaluate various explanations for actions or events and determine which explanation best accords with textual evidence, acknowledging where the text leaves matters uncertain. CCSS.ELA-Literacy.RH.11-12.4 Determine the meaning of words and phrases as they are used in a text, including analyzing how an author uses and refines the meaning of a key term over the course of a text (e.g., how Madison defines faction in Federalist No. 10). CCSS.ELA-Literacy.RH.11-12.6 Evaluate authors’ differing points of view on the same historical event or issue by assessing the authors’ claims, reasoning, and evidence. Integration of Knowledge and Ideas CCSS.ELA-Literacy.RH.11-12.7 Integrate and evaluate multiple sources of information presented in diverse formats and media (e.g., visually, quantitatively, as well as in words) in order to address a question or solve a problem. CCSS.ELA-Literacy.RH.11-12.8 Evaluate an author’s premises, claims, and evidence by corroborating or challenging them with other information. CCSS.ELA-Literacy.RH.11-12.9 Integrate information from diverse sources, both primary and secondary, into a coherent understanding of an idea or event, noting discrepancies among sources. -
Bruce Springsteen As Post-Christian Pastor
Bruce Springsteen as Post-Christian Pastor Lee Beach McMaster Divinity College Abstract This article explores how Bruce Springsteen embodies a North American/Western European twenty-first century religious sensibility that encompasses a secular outlook but is colored by the Christian tradition and is informed by biblical language, images, and ideals. Because Springsteen is able to give voice to an orientation to the world that resonates with the experiences, aspirations, and religious understanding of those who have grown up in the same world as him, Springsteen has become a pastoral/priestly figure to the extensive community that identifies with his work. The poet’s job is to know the soul.1 —Bruce Springsteen The pastor’s job is to care for the soul.2 —Eugene Peterson The venture of trying to know the soul has been a driving force behind the songwriting of Bruce Springsteen for a long time. Of course, the word “soul” is nebulous and notoriously hard to define. But at its core it connotes the deep place of human existence, the spiritual (another nebulous term) side of life. For many, it carries an inescapable religious implication. No matter how one understands the term, there is little doubt that Springsteen’s music Copyright © Lee Beach, 2018. Address correspondence to [email protected]. 1 Bruce Springsteen interview with Will Percy in Springsteen on Springsteen: Interviews, Speeches and Encounters, ed. Jeff Burger (Chicago: Chicago Review Press, 2013), 251. 2 Adapted from Eugene Peterson, The Contemplative Pastor: Returning to the Art of Spiritual Direction (Grand Rapids: Eerdmans, 1989), 57. BOSS: The Biannual Online-Journal of Springsteen Studies 3 (2018) SPRINGSTEEEN AS PASTOR 61 goes to that deep place for many of his fans, even those who would not consider themselves religious and even for those who may not think of themselves as fans but who have been touched by his music at a particular moment in their life. -
Bruce Springsteen: American Poet and Prophet Donald L
Cedarville University DigitalCommons@Cedarville Faculty Books 12-1-2013 Bruce Springsteen: American Poet and Prophet Donald L. Deardorff II Cedarville University, [email protected] Follow this and additional works at: http://digitalcommons.cedarville.edu/faculty_books Part of the Music Commons Recommended Citation Deardorff, Donald L. II, "Bruce Springsteen: American Poet and Prophet" (2013). Faculty Books. 162. http://digitalcommons.cedarville.edu/faculty_books/162 This Book is brought to you for free and open access by DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in Faculty Books by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. Bruce Springsteen: American Poet and Prophet Keywords Bruce Springsteen Disciplines Arts and Humanities | Music Publisher The caS recrow Press, Inc. Publisher's Note This excerpt of Bruce Springsteen: American Poet and Prophet (pp. 1-21) by Donald L. Deardorff, 2013, was reproduced by permission of Rowman & Littlefield. All rights reserved. Please contact the publisher for permission to copy, distribute or reprint. ISBN 9780810884267 This book is available at DigitalCommons@Cedarville: http://digitalcommons.cedarville.edu/faculty_books/162 I ADAM RAISED A CAIN Biographical and Musical Influences THE POWER OF PLACE B ruce F rederick Joseph Springst n was born on S pt 1nb r 23, 1949, in Long Branch, N w Jersey, th first child and only son of Ad le and Douglas Springsteen. It would l1ardly b an u11d rstate1nent to ay tl1at he and l1is sisters, Virginia and Pa1nela, had an inauspicious b gir111i.11g. The family s ttled in Freehold, a working-cla s town about a l1c1lf l1our from the fading tourist r tr at of Asbury Park, whos r putation Spring st n would lat r stablisl1 as part of rock 'n ' roll's g ograpl1ic lor . -
Volume 2 • Number 1 • 2016 Published by Mcgill University
Volume 2 • Number 1 • 2016 Published by McGill University Volume 2 • Number 1 • 2016 Managing Editor: Jonathan D. Cohen Editors: Roxanne Harde Irwin Streight Editorial Board: Eric Alterman Jim Cullen Steven Fein Bryan Garman Stephen Hazan Arnoff Donna Luff Lorraine Mangione Lauren Onkey June Skinner Sawyers Bryant Simon Jerry Zolten Mission Statement BOSS: The Biannual Online-Journal of Springsteen Studies aims to publish scholarly, peer- reviewed essays pertaining to Bruce Springsteen. This open-access journal seeks to encourage consideration of Springsteen’s body of work primarily through the political, economic, and socio-cultural factors that have influenced his music and shaped its reception. BOSS welcomes broad interdisciplinary and cross-disciplinary approaches to Springsteen’s songwriting and performance. The journal aims to secure a place for Springsteen Studies in the contemporary academy. Submission Guidelines The editors of BOSS welcome submissions of articles that are rigorously researched and provide original, analytical approaches to Springsteen’s songwriting, performance, and fan community. Inter- and cross-disciplinary works, as well as studies that conform to specific disciplinary perspectives, are welcome. Suggested length of submission is between 15 and 25 pages. Contact To access BOSS, please visit http://boss.mcgill.ca/ Please address all queries and submissions to Jonathan D. Cohen (Managing Editor) at [email protected] or to Corcoran Department of History, University of Virginia C/O Jonathan Cohen Nau Hall - South Lawn Charlottesville, VA 22904 Cover Image By Antonio Rossi. Used with kind permission from Shore Fire Media (http://shorefire.com/). BOSS: The Biannual Online-Journal of Springsteen Studies 2.1 (2016) Contents Introduction to BOSS The Editors 5 Contributors 8 Articles “Outlaw Pete”: Bruce Springsteen and the Dream-Work of Cosmic American Music Peter J. -
BRUCE SPRINGSTEEN Wrecking Ball
JANUARY/FEBRUARY 2012 ISSUE MMUSICMAG.COM REVIEWS HOLE BNobody’sRUCE Daughter SPRINGSTEEN[Universal] The first album released Wreckingunder the Hole moniker Ball since 1998’s Celebrity Skin is really [Columbia] frontwoman Courtney Love’s Although Bruce Springsteen’s latest unmistakably second solo album—co-founder, featuressongwriter a couple and of lead blistering guitarist sax solos from the lateEric E Street Erlandson Band mainstayisn’t involved, Clarence Clemons—a soundnor isnow any othercharged previous with Hole emotionmember. for So fans it’s Lovemissing and three theringers Big onMan— 11 Wreckingnew songs—10 of which Love wrote with Ball is mostly a Springsteen collaborators like Billy Corgan, Linda Perry and new solo album. Working with guitarist Micko Larkin. (Perry gets full credit on one tune, producer“Letter to God.”)Ron Aniello (Lifehouse,Much ofGuster) the riveting the Boss intensity of the group’s 1990s employsheyday moreappears outsiders to have left along with her former Daniel Jackson thanbandmates, E Streeters but on there songs are fl ashes here of the snarling Too often, though, the slower songs trip her up. While once triangulatingfury Love the deployed sparse, todusty such devastating effect back in the day. they were showcases for harrowing displays of naked emotion, feelShe of 1982’sspits out Nebraska her vocals and with the vengeful rambunctious disdain on “Skinny Little Love sounds more dispassionate these days. The production Bitch,” overdriven guitars roiling atop an elastic bassline that doesn’t help—the songs have an airless, sanded-downBruce Springsteen feel that folk of 2006’s We Shall Overcome: The Seeger speeds up as the song races toward a climatic pile-up at the doesn’t fi t with her visceral persona.