Chapter 1 DISCOVERY of PASTS
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Former Fellows Biographical Index Part
Former Fellows of The Royal Society of Edinburgh 1783 – 2002 Biographical Index Part Two ISBN 0 902198 84 X Published July 2006 © The Royal Society of Edinburgh 22-26 George Street, Edinburgh, EH2 2PQ BIOGRAPHICAL INDEX OF FORMER FELLOWS OF THE ROYAL SOCIETY OF EDINBURGH 1783 – 2002 PART II K-Z C D Waterston and A Macmillan Shearer This is a print-out of the biographical index of over 4000 former Fellows of the Royal Society of Edinburgh as held on the Society’s computer system in October 2005. It lists former Fellows from the foundation of the Society in 1783 to October 2002. Most are deceased Fellows up to and including the list given in the RSE Directory 2003 (Session 2002-3) but some former Fellows who left the Society by resignation or were removed from the roll are still living. HISTORY OF THE PROJECT Information on the Fellowship has been kept by the Society in many ways – unpublished sources include Council and Committee Minutes, Card Indices, and correspondence; published sources such as Transactions, Proceedings, Year Books, Billets, Candidates Lists, etc. All have been examined by the compilers, who have found the Minutes, particularly Committee Minutes, to be of variable quality, and it is to be regretted that the Society’s holdings of published billets and candidates lists are incomplete. The late Professor Neil Campbell prepared from these sources a loose-leaf list of some 1500 Ordinary Fellows elected during the Society’s first hundred years. He listed name and forenames, title where applicable and national honours, profession or discipline, position held, some information on membership of the other societies, dates of birth, election to the Society and death or resignation from the Society and reference to a printed biography. -
HIRATA KOKUGAKU and the TSUGARU DISCIPLES by Gideon
SPIRITS AND IDENTITY IN NINETEENTH-CENTURY NORTHEASTERN JAPAN: HIRATA KOKUGAKU AND THE TSUGARU DISCIPLES by Gideon Fujiwara A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate Studies (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2013 © Gideon Fujiwara, 2013 ABSTRACT While previous research on kokugaku , or nativism, has explained how intellectuals imagined the singular community of Japan, this study sheds light on how posthumous disciples of Hirata Atsutane based in Tsugaru juxtaposed two “countries”—their native Tsugaru and Imperial Japan—as they transitioned from early modern to modern society in the nineteenth century. This new perspective recognizes the multiplicity of community in “Japan,” which encompasses the domain, multiple levels of statehood, and “nation,” as uncovered in recent scholarship. My analysis accentuates the shared concerns of Atsutane and the Tsugaru nativists toward spirits and the spiritual realm, ethnographic studies of commoners, identification with the north, and religious thought and worship. I chronicle the formation of this scholarly community through their correspondence with the head academy in Edo (later Tokyo), and identify their autonomous character. Hirao Rosen conducted ethnography of Tsugaru and the “world” through visiting the northern island of Ezo in 1855, and observing Americans, Europeans, and Qing Chinese stationed there. I show how Rosen engaged in self-orientation and utilized Hirata nativist theory to locate Tsugaru within the spiritual landscape of Imperial Japan. Through poetry and prose, leader Tsuruya Ariyo identified Mount Iwaki as a sacred pillar of Tsugaru, and insisted one could experience “enjoyment” from this life and beyond death in the realm of spirits. -
2 Les Dragons De Natsukawa
CONCOURS CREATION 2020 THEME : Le confinement EXPRESSION LITTERAIRE Catégorie Adulte (+19ans) 2ème Prix [email protected] UFE ABU DHABI www.ufeabudhabi.com FREDERIC DUMASLes dragons de NatsukawaLES DRAGONS DE NATSUKAWA La Victoire c’est tomber sept fois, se relever huit… Proverbe japonais FREDERIC DUMAS LES DRAGONS DE NATSUKAWA Tokyo 30ème jour du confinement… Ça y est ! Je ne suis plus seule. Je ne pensais pas que ma façon de vivre, ma philosophie, pourrait irradier le monde aussi vite. Bon apparemment j’y suis pour rien et c’était pas vraiment voulu… C’est un virus qui a tout déclenché… un coronavirus… un abominable avorton acaryote, tout droit sorti d’un sordide marché putride, mêlant des animaux improbables tels que chauves-souris, pangolins et rats- musqués. Et voilà ! Tout le monde se confine… Les gens ont peur… moi j’avais déjà peur avant… Il faut dire que j’ai peur de presque tout… des gens surtout… je suis ochlophobe… pour moi la foule ça commence à deux… les grands espaces ne me font peur que parce que quelqu’un peut surgir… Alors j’évite, j’esquive, j’avorte, j’annihile toute possibilité d’une relation physique avant même qu’elle n’ait eu une chance de germer dans le monde des possibles. Mon monde c’est ma chambre, mon univers c’est mon ordinateur, mes dieux sont Osamu Tezuka et Satoshi Nakamoto et mon meilleur ami le distributeur automatique de soda en bas de mon immeuble… Je m’appelle Natsukawa Fujiwara, j’habite dans le quartier Hakihabara à Tokyo, j’ai vingt-cinq ans et je suis une hikikomori… Aujourd’hui c’est le 30eme jour de confinement pour toute la population. -
The Symbol of the Dragon and Ways to Shape Cultural Identities in Institute Working Vietnam and Japan Paper Series
2015 - HARVARD-YENCHING THE SYMBOL OF THE DRAGON AND WAYS TO SHAPE CULTURAL IDENTITIES IN INSTITUTE WORKING VIETNAM AND JAPAN PAPER SERIES Nguyen Ngoc Tho | University of Social Sciences and Humanities, Vietnam National University – Ho Chi Minh City THE SYMBOL OF THE DRAGON AND WAYS TO SHAPE 1 CULTURAL IDENTITIES IN VIETNAM AND JAPAN Nguyen Ngoc Tho University of Social Sciences and Humanities Vietnam National University – Ho Chi Minh City Abstract Vietnam, a member of the ASEAN community, and Japan have been sharing Han- Chinese cultural ideology (Confucianism, Mahayana Buddhism etc.) and pre-modern history; therefore, a great number of common values could be found among the diverse differences. As a paddy-rice agricultural state of Southeast Asia, Vietnam has localized Confucianism and absorbed it into Southeast Asian culture. Therefore, Vietnamese Confucianism has been decentralized and horizontalized after being introduced and accepted. Beside the local uniqueness of Shintoism, Japan has shared Confucianism, the Indian-originated Mahayana Buddhism and other East Asian philosophies; therefore, both Confucian and Buddhist philosophies should be wisely laid as a common channel for cultural exchange between Japan and Vietnam. This semiotic research aims to investigate and generalize the symbol of dragons in Vietnam and Japan, looking at their Confucian and Buddhist absorption and separate impacts in each culture, from which the common and different values through the symbolic significances of the dragons are obviously generalized. The comparative study of Vietnamese and Japanese dragons can be enlarged as a study of East Asian dragons and the Southeast Asian legendary naga snake/dragon in a broader sense. The current and future political, economic and cultural exchanges between Japan and Vietnam could be sped up by applying a starting point at these commonalities. -
A History of British Seismology
Bull Earthquake Eng (2013) 11:715–861 DOI 10.1007/s10518-013-9444-5 ORIGINAL RESEARCH PAPER A history of British seismology R. M. W. Musson Received: 14 March 2013 / Accepted: 21 March 2013 / Published online: 9 May 2013 © The Author(s) 2013. This article is published with open access at Springerlink.com Abstract The work of John Milne, the centenary of whose death is marked in 2013, has had a large impact in the development in global seismology. On his return from Japan to England in 1895, he established for the first time a global earthquake recording network, centred on his observatory at Shide, Isle of Wight. His composite bulletins, the “Shide Circulars” developed, in the twentieth century, into the world earthquake bulletins of the International Seismolog- ical Summary and eventually the International Seismological Centre, which continues to publish the definitive earthquake parameters of world earthquakes on a monthly basis. In fact, seismology has a long tradition in Britain, stretching back to early investigations by members of the Royal Society after 1660. Investigations in Scotland in the early 1840s led to a number of firsts, including the first network of instruments, the first seismic bulletin, and indeed, the first use of the word “seismometer”, from which words like “seismology” are a back-formation. This paper will present a chronological survey of the development of seismology in the British Isles, from the first written observations of local earthquakes in the seventh century, and the first theoretical writing on earthquakes in the twelfth century, up to the monitoring of earthquakes in Britain in the present day. -
Transactions of the Asiatic Society of Japan, 1
I/ TRANSACTIONS OF THE ASIATIC SOCIETY OF JAPAN, 1 -- VOL. XXXVI : PART3. -- CONTENTS: I THE FOX AND BADGER IN JAPANESE FOLKLORE, 1 YOKOIIAMA,SHANCIIAI, IIONGKONC, SHINCAMRE : KELLY & WAISII,1.'~) 'I'UKYO: 2. P. MAKUYACo., L'I). i Lon;uo~:KEGAN I'AUI, TKUEUNEK& CU. L'u. I 1.r11zlc: 01-ro IIn~n~ssuwrrz. i 7 1908. - - - .-. PRINTEDAT Tar YuKura YHINTINUCU., LT~..No. nl. YAUAYIIITA-CHO.YOKOHAMA, JAPAN. THE FOX AND BADGER IN JAPANESE FOLKLORE, Dr. M. W.de VISSER. THE FOX AND THE BADGER IN JAPANESE FOLKLORE. 6 From olden titnes down to tKe present day the fox has played the most important part in Japanese animal-lore. This clever brute is considered to be more skillful than any other ai~imalin taking human shape and haunting and possessing men. Moreover, the fox is the messenger of Inari, the Rice goddess, which, as we shall see below, is only a later expression of the fact that Inari, the Spirit of the Rice, was believed to have a vulpine shape. It is clear that this belief gave the fox a double character in the eyes of the Japanese people: that of a beneficent god, representing the Rice, the greatest blessing of the country, and, on the other hnnd, that of a wicked demon, haunting and possessing men. Not so important and complicated is the badger, of whose three kinds, the arnl~ki(@-I, mr~/i'~za(a) and 7tznrtzr (m,the first is the principal in folklore and is very orten combined with the fox in the term Lori (a@), or " foxes and badgers."' I. -
General Introduction
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2004 Male characters in the Japanese fairy tale : classification and analysis Petrova, Gergana Abstract: Diese Forschung untersucht die maennliche dramatis personae, die in Keigo Sekis Sammlung ”Nihon Mukashi-banashi Shusei” erscheinen. Die Forschung konzentriert sich auf maennlichen Figuren und andere Figuren mit maennlichen Funktionen (Protagonisten, Antagonisten und Nebenfiguren inklu- siv), die sich mit sich selbst, mit anderen maennlcihen oder weiblichen Figuren, Tieren oder uebernatuer- lichen Wesen konfrontieren. Die Forschung untersucht auch deren Benehmen in und ihre Interaktion mit der Maerchenumgebung in drei Gruppen - der Mann in der Familie, der Mann in der Gesellschaft und der Mann in der Natur. Als Methoden werden Literatur-analyse, Textstruktur-analyse, vergleichende Volk- skunde, Anthropologie, Gender Studies und Psychologie verwendet; Interpretationen von japanischer Kultur, sozio-historische Realitaet, Philosophie, Religion, Aesthetik und Volksglauben sind auch inbe- griffen. Das Ziel dieser Arbeit ist eine einheitliche Klassifikation und eine vielseitige Interpretation der maennlichen Figuren und ist vorgesehen fuer eine grosse Leserschaft - von Spezialisten unterschiedlicher wissenschaflichen Richtungen, bus zum breiten Publikum. The present research offers a study ofmale dramatis personae appearing in the collection of Japanese ordinary tales ”Nihon Mukashi-banashi Shu- sei”, compiled by Keigo Seki in the years 1950 - 1958. Key interest is taken in male figures or other figures with male functions, be them protagonists, antagonists or bit players, in other words - on the character of ”man” defined by his masculine role and seen in conflict with himself, other male and female characters, animal figures and representatives of the supernatural; as well as his actions in and interaction withthe tale environment. -
Panthéon Japonais
Liste des divinités et des héros des légendes et de la mythologie japonaises Divinité Kami (m) Kami (f) Esprit Bouddhisme Monstre Animal Humain Acala Déité bouddhique du mikkyo, maître immuable associé au feu et à la colère; il est l'un des cinq rois du savoir. Agyo-zo Dans le bouddhisme japonais, Agyo-zo et Ungyo-zo se tiennent à la porte des édifices pour les protéger. Aizen myo-o Déité du bouddhisme japonais qui purifie les hommes des désirs terrestres et les libère de l'illusion. Il est représenté en rouge vif (passion), avec trois yeux, six bras et un air irritée, Il tient à la main un arc et des flèches ou un crochet. Ajisukitakahikone ou Aji-Shiki ou Kamo no Omikami Kami de l'agriculture, de la foudre et des serpents. Il créa la montagne Moyama dans la province de Mino en piétinant une maison de deuil parce qu'on l'avait pris pour le défunt. Akashagarbha Un des treize bouddhas de l’école tantrique japonaise Shingon Ama no Fuchigoma Cheval mythique de Susanoo qui est décrit dans le Nihon-Shoki . Ama no Kagaseo Autre nom de Amatsu Mikaboshi le kami du mal Ame no Tajikarao Kami des exercices physiques et de la force brutale qui dégagea l'entrée de la grotte où Amatersu s'était réfugiée. Amakuni Forgeron légendaire qui forgea le tachi, l'épée courbe ancêtre de Takana. Ama no Zako Monstrueuse kami née des vomissures de Susanoo Amaterasu Kami du soleil et reine des Hautes Plaines Célestes Amatsu mikaboshi Kami du mal Ame no Oshido Mimi Fils d'Amaterasu qui refusa d'aller gouverner la terre qu'il trouvait trop pleine de cMhaos. -
Yama No Kami~Die Japanische Berggottheit
Yama no Kami~die japanische Berggottheit (Teil I : Grundvorstellungen) V o n N e l l y N a u m a n n INHALTSVERZEICHNIS (English summary p. 331-339) Einleitung. 0.1 Quellenmaterial. 0.2 Stand der Forschung. 0.3 “Berg” und “Wald” in Japan. 0.4 Das Thema und seine Probleme. Die Mythen des K ojiki und Nihonshoki. 1.1 Die Mythentexte. 1.11 Entstehungsmythen. 1.12 Wei ter e Mythen. 1.2 Analyse der Mythen. 1.21 Entstehungsmythen. Anzahl der Berggottheiten. “Oberste Berggottheit”. 1.22 Name und Wesen. 1.23 Die Berggottheiten der eroberten Gebiete. Yama no kami, die Gottheit der Jager und Waldarbeiter. 2.1 Der <(Herr der Tiere5*. 2.11 Tiergestalt des Yama no kami. 2.12 Der Spender des Jagdgliicks. 2.121 Legenden. 2.122 Opfer und Gebete vor der Jagd. 2.123 Danksagung nach der Jagd. Behandlung des er- legten Wildes. 2.13 Weitere Jagdriten. 2.14 Der Beschiitzer der Haustiere. 134 NELLY NAUMANN 2.15 Kurze Zusammenfassung. Tradition. Beziehungen des Yama no kami als Jagdgottheit zu den Jagdgottheiten der nordeurasischen Volker. 2.16 Anhang: Motive in Mythen, Sagen und Marchen, die sich auf einen Wild- oder Waldgeist beziehen. 2.2 Der “Herr des Waldes”. 2.21 Der Besitzer des Bodens. 2.22 Der Herr der Baume. 2.221 Der Baum als Wohnsitz des Yam a no kami. 2.222 Opfer beim Fallen von Baumen. 2.223 Der “Erste Gang in den Wald”,das Heimbringen von Baumchen und Zweigen und ihre Verwendung. 2.224 Der Schopfer und Erhalter des Waldes. 2.23 Die “Baumseele”. -
John Milne: the Man Who Mapped the Shaking Earth Author: Paul Kabrna Published by the Craven and Pendle Geological Society
John Milne: the man who mapped the shaking earth Author: Paul Kabrna Published by the Craven and Pendle Geological Society. 21sf March 2007 ISBN 978-0-9555289-0-3. 136 pp. £6.50. Copies available direct from the author: Tel: 01282 813772 or email:[email protected]. UK post and packing is £1.50 when purchased directly from the author. The name of John Milne (1850-1913) is today remembered by only a few and yet he was one of the pioneering giants of late 19th and early 20th century geology and geophysics. He was dubbed the "father of seismology" shortly after his death and was widely regarded in his lifetime for his work on both volcanoes and earthquakes. Biographies of Milne have not been in print for many years and this new book fills this important gap. John Milne made his name and reputation in Japan where he is better remembered than in his home country. He was appointed as Professor of Geology and Mining at the newly formed Imperial College of Engineering in Tokyo in 1875 when still only 25, whereupon he began an epic overland journey described in fascinating detail by Kabrna. Once in Japan he was ideally placed to initiate study of such geological phenomena as volcanoes and earthquakes and it was his development of an effective instrument, the seismograph, which allowed him to make substantial contributions to our understanding of earthquakes. Not least of these was the realization that major earthquakes are not related to volcanic activity. Using his seismographs, which he continued to develop and improve throughout his life, Milne measured thousands of Japanese earthquakes and on his return to England and retirement on the Isle of Wight he carried on this work. -
Pandemonium and Parade
Pandemonium and Parade Pandemonium and Parade Japanese Monsters and the Culture of YOkai Michael Dylan Foster UNIVERSITY OF CALIFORNIA PRESS Berkeley . Los Angeles . London University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. Frontispiece and title-page art: Details from Kawanabe KyOsai, HyakkiyagyO-zu: Biwa o ou otoko, c. 1879. Ink and color on paper. © Copyright the Trustees of The British Museum. Excerpt from Molloy, by Samuel Beckett, copyright © 1955 by Grove Press, Inc. Used by permission of Grove/Atlantic, Inc., and Faber and Faber Ltd., © The Estate of Samuel Beckett. An earlier version of chapter 3 appeared as Michael Dylan Foster, “Strange Games and Enchanted Science: The Mystery of Kokkuri,” Journal of Asian Studies 65, no. 2 (May 2006): 251–75, © 2006 by the Associ- ation for Asian Studies, Inc. Reprinted with permission. Some material from chapter 5 has appeared previously in Michael Dylan Foster, “The Question of the Slit-Mouthed Woman: Contemporary Legend, the Beauty Industry, and Women’s Weekly Magazines in Japan,” Signs: Journal of Women in Culture and Society 32, no. 3 (Spring 2007): 699–726, © 2007 by The University of Chicago. Parts of chapter 5 have also appeared in Michael Dylan Foster, “The Otherworlds of Mizuki Shigeru,” in Mechademia, vol. 3, Limits of the Human, ed. Frenchy Lunning (Minneapolis: University of Minnesota Press, 2008). -
Verbos Incendium
Verbos Incendium Mythology and the Modern World EDITOR’S NOTE Mythology, particularly in the context of the Indian subcontinent, is a part of our everyday lives. This is true not just for those who belong to particularly religious households but even for those who inhabit urban spaces it is present as allusions, in our everyday speech. When we refer to someone as ‘Kumbhakaran’ or as ‘Vibhishan’ we are subtly acknowledging the endless permutations these stories are capable of manifesting themselves into. Mythology is so deeply rooted in the cultural as well as the religious fabric of certain societies that it impossible to separate them. Personally, some of my fondest childhood memories are of reading the comic-book version of the tales of Krishna, Shiva, or Savitri during summer break. Going to watch the Ramlila with my cousins was a sacred annual ritual. Each Sunday my family, like many others, would gather together around the T.V for the umpteenth re-telecast of B.R. Chopra’s Mahabharat. But what does mythology mean for the millennials? This issue, ‘Mythology and the Modern World’ is an attempt to understand mythology from the perspective of our young writers. Since they study classical literature - Indian as well as European- as part of their curriculum they responded quite enthusiastically to the topic and wrote some very insightful and engaging pieces. We have, as always, attempted to cover a wide range of topics: from interviews and articles to poems and paintings. There is something for everybody. This issue would not have been possible without the support of our department in-charge, Dr Suprita Jha whose kind words of encouragement inspired us to do our best.