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Contemporary American Painting and Sculpture
AT UR8ANA-GHAMPAIGN ARCHITECTURE The person charging this material is responsible for .ts return to the library from which it was withdrawn on or before the Latest Date stamped below '"" """"""'"9 "< "ooks are reason, ™racTo?,'l,°;'nary action and tor di,elpl(- may result in dismissal from To renew the ""'*'e™«y-University call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN I emp^rary American Painting and Sculpture University of Illinois Press, Urbana, 1959 Contemporary American Painting and Scuipttfre ^ University of Illinois, Urbana March 1, through April 5, 195 9 Galleries, Architecture Building College of Fine and Applied Arts (c) 1959 by the Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A4 8-34 i 75?. A^'-^ PDCEIMtBieiiRr C_>o/"T ^ APCMi.'rri'Ht CONTEMPORARY AMERICAN PAINTING AND SCULPTURE DAVID D. HENRY President of the University ALLEN S. WELLER Dean, College of Fine and Applied Arts Chairman, Festival of Contemporary Arts N. Britsky E. C. Rae W. F. Doolittlc H. A. Schultz EXHIBITION COMMITTEE D. E. Frith J. R. Shipley \'. Donovan, Chairman J. D. Hogan C. E. H. Bctts M. B. Martin P. W. Bornarth N. McFarland G. R. Bradshaw D. C. Miller C. W. Briggs R. Perlman L. R. Chesney L. H. Price STAFF COMMITTEE MEMBERS E. F. DeSoto J. W. Raushenbergcr C. A. Dietemann D. C. Robertson G. \. Foster F. J. Roos C. R. Heldt C. W. Sanders R. Huggins M. A. Sprague R. E. Huh R. A. von Neumann B. M. Jarkson L. M. Woodroofe R. Youngman J. -
1998 Acquisitions
1998 Acquisitions PAINTINGS PRINTS Carl Rice Embrey, Shells, 1972. Acrylic on panel, 47 7/8 x 71 7/8 in. Albert Belleroche, Rêverie, 1903. Lithograph, image 13 3/4 x Museum purchase with funds from Charline and Red McCombs, 17 1/4 in. Museum purchase, 1998.5. 1998.3. Henry Caro-Delvaille, Maternité, ca.1905. Lithograph, Ernest Lawson, Harbor in Winter, ca. 1908. Oil on canvas, image 22 x 17 1/4 in. Museum purchase, 1998.6. 24 1/4 x 29 1/2 in. Bequest of Gloria and Dan Oppenheimer, Honoré Daumier, Ne vous y frottez pas (Don’t Meddle With It), 1834. 1998.10. Lithograph, image 13 1/4 x 17 3/4 in. Museum purchase in memory Bill Reily, Variations on a Xuande Bowl, 1959. Oil on canvas, of Alexander J. Oppenheimer, 1998.23. 70 1/2 x 54 in. Gift of Maryanne MacGuarin Leeper in memory of Marsden Hartley, Apples in a Basket, 1923. Lithograph, image Blanche and John Palmer Leeper, 1998.21. 13 1/2 x 18 1/2 in. Museum purchase in memory of Alexander J. Kent Rush, Untitled, 1978. Collage with acrylic, charcoal, and Oppenheimer, 1998.24. graphite on panel, 67 x 48 in. Gift of Jane and Arthur Stieren, Maximilian Kurzweil, Der Polster (The Pillow), ca.1903. 1998.9. Woodcut, image 11 1/4 x 10 1/4 in. Gift of Mr. and Mrs. Frederic J. SCULPTURE Oppenheimer in memory of Alexander J. Oppenheimer, 1998.4. Pierre-Jean David d’Angers, Philopoemen, 1837. Gilded bronze, Louis LeGrand, The End, ca.1887. Two etching and aquatints, 19 in. -
This Page Intentionally Left Blank JAN MATULKA: the UNKNOWN MODERNIST EXHIBITION (Jan Matulka: the Modernist)
This page intentionally left blank JAN MATULKA: THE UNKNOWN MODERNIST EXHIBITION (Jan Matulka: The Modernist) By Rachael L. Holstege THESIS PROJECT Presented to the Arts Administration Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Arts Administration August 6, 2020 2 Jan Matulka: The Unknown Modernist (Jan Matulka: The Modernist) Exhibition A Thesis Presented to the Faculty of the Masters of Arts Administration In Partial Fulfillment of the Requirements For the Degree of Master of Arts Administration From the Rackham School of Graduate Studies at the University of Michigan-Flint Rachael Holstege August 6, 2020 ____ _____________________________ Linda Johnson, PhD Thesis Committee Chair Lecturer II—DePartment of Art and Art History University of Michigan-Flint _________________________________ Nicole Broughton Thesis Committee Member Program Director-MA Arts Administration Lecturer IV—Theatre Management University of Michigan-Flint _________________________________ Benjamin Gaydos Thesis Committee Member Chair and Associate Professor of Design—DePartment of Art and Art History University of Michigan-Flint ACKNOWLEDGEMENTS I am incredibly grateful to the Flint Institute of Arts (FIA) for allowing me the time, space, and resources to execute this exhibition and accompanying online catalog. I’d like to especially thank FIA Curator of Collections and Exhibitions Tracee Glab for going above-and-beyond the duties of a boss to help me accomplish this entire endeavor. Thank you, Tom McCormick of the Estate of Jan Matulka, for your kindness, generosity, and most of all the loans for this exhibition. Thank you, Dr. Linda Johnson, for your continued advice and for stepping in when needed. -
Erik Linstrum
ERIK LINSTRUM Department of History P.O. Box 400180 University of Virginia Charlottesville, VA 22904 (434) 924-7147 [email protected] FACULTY APPOINTMENTS Associate Professor of History, University of Virginia, August 2018-. Assistant Professor of History, University of Virginia, January 2015-August 2018. Assistant Professor of History and Postdoctoral Fellow, Society of Fellows, University of Michigan, September 2012-December 2014. EDUCATION Ph.D. in History, Harvard University, November 2012. Dissertation: “Making Minds Modern: The Politics of Psychology in the British Empire, 1898-1970.” Committee: Maya Jasanoff (chair), David Blackbourn, Caroline Elkins, and Erez Manela. Winner, Harold K. Gross Prize, Department of History, Harvard University. A.M. in History, Harvard University, June 2009. Exam fields: Britain and its empire since 1750, Germany since 1750, cultural and intellectual history of early modern Europe, history of psychology in modern Europe and its empires. A.B. in History, Princeton University, summa cum laude, June 2006. BOOKS What They Knew: Living with Violence at the End of Empire (manuscript in progress). Ruling Minds: Psychology in the British Empire (Harvard University Press, 2016). Winner, George Louis Beer Prize, American Historical Association. 1 ARTICLES AND CHAPTERS “Political Reporting,” in A Companion to the History of Information, edited by Anthony Grafton, Ann Blair, Paul Duguid, and Anja Goeing (Princeton University Press, submitted). * “Domesticating Chemical Weapons: Tear Gas and the Militarization of Policing in the British Imperial World, 1919-1981,” Journal of Modern History (forthcoming September 2019). * “The Case Study in the Colonies,” History of the Human Sciences, special issue on John Forrester’s Thinking in Cases (forthcoming 2019). -
Atelier 17 and the Art Students League November 4 – December 5, 2021
THE ART STUDENTS LEAGUE PRESENTS Two Generations of Women Printmakers: Atelier 17 and the Art Students League November 4 – December 5, 2021 Worden Day, The Great Divide, 1969, Woodblock print, 23” x 28”. Permanent collection of The Art Students League (New York, NY): The Art Students League of New York is pleased to present Two Generations of Women Printmakers: Atelier 17 and The Art Students League on view November 4–December 5, 2021. The exhibition explores the intertwined histories of The League and the renowned avant-garde printmaking studio Atelier 17, which formed in interwar Paris in the late 1920s. Established by Stanley William Hayter (1901-1988), the studio, together with The League, produced some of the most accomplished female printmakers of the twentieth century. Featuring works by twenty-four artists, the exhibition spotlights the rich possibilities that printmaking presented to women across two generations of artists. Augmenting this exhibition, guest curator Dr. Christina Weyl will present a lecture on the exhibition Tuesday, November 9 in the Phyllis Harriman Mason Gallery at 6 PM. This live talk will bring to life the stories our exhibition tells, spotlighting the rich possibilities that printmaking presented to women across two generations of artists. Atelier 17’s founder, Stanley William Hayter, took his first printmaking lessons in 1926 from Mary Huntoon (1896-1970), who had spent several years mastering the graphic arts at The Art Students League of New York. Huntoon’s instruction carried forward the pedagogy of her own teacher, Joseph Pennell (1857-1926), who had established a rigorous program at The League whereby students executed all aspects of the printmaking process themselves and were encouraged to test new technical approaches. -
JAN MATULKA the Unknown Modernist
JAN MATULKA the unknown modernist Rachael Holstege University of michigan-flint graduate stUdent This online catalogue is published in conjunction with exhibition Jan Matulka: The Unknown Modernist presented at the Flint Institute of Arts, Flint, Michigan. Jan Matulka loans courtesy of McCormick Gallery, Chicago. Copyright © 2020 Rachael Holstege. All right reserved. No part of this publication may be reproduced, transmitted, or utilized in any form or in any means, electronic or mechanical, including photocopying, recording, or information storage or retrieval systems, without the prior written consent of the author. Rights and reproductions: © 2020 Estate of Pablo Picasso / Artists Rights Society (ARS), New York (page 10) © Georgia O’Keeffe Museum / Artists Rights Society (ARS), New York (page 12) © Estate of Stuart Davis / Licensed by VAGA at Artists Rights Society (ARS), New York (page 17) Cover: Double-exposed portrait of Jan Matulka, c. 1920. Jan Matulka papers, 1923-1960. Archives of American Art, Smithsonian Institution. contents PREFACE ix INTRODUCTION 5 THE YOUNG ARTIST 6 LE TYPE TRANSATLANTIQUE 8 THE NEW SPIRIT 11 LASTING LEGACY 13 ABSTRACTED CONCLUSION 16 CATALOGUE 20 BIBLIOGRAPHY 22 III PREFACE I first read the name Jan Matulka while nature of art history, Matulka is continually looking through the Flint Institute of Arts forgotten. This exhibition looks to reinforce database of the nearly 9,000 artworks in his role in the pivotal decades of the their collection. Eager to find a compelling development of modern art and reinforce artist or subject to base my research on, his importance in the oeuvre of art history. I was continually drawn to two works in the collection by Czech-American artist This catalogue and accompanying exhibition Jan Matulka. -
Letter in Support of Professor Audrey Truschke
March 17, 2021 To the Rutgers community, We write, as faculty of South Asian origin at Rutgers, with colleagues at other universities co-signing, to add our voices to that of Rutgers administrators in unreserved support of our colleague Dr. Audrey Truschke. We are encouraged by their defense of the principle of academic freedom and the practice of critical inquiry, which are essential to the work that we do both as scholars and teachers and should be guarded against political pressure. We also echo their call for the threats against Dr. Truschke and her family and the attacks that have targeted her on the basis of race and gender, often viciously and hatefully, to stop. As scholars from a wide range of faith backgrounds, including Hinduism, we understand in deep and personal ways what it means to occupy the position of minority in the United States. Many of us are also immigrants or the children of immigrants as well as racialized minorities. We will fight staunchly for safe spaces for all of our students to express their faiths and identities. It is part of our calling. It is also part of our calling to examine critically the social and political forces shaping our globe and to provide students with the analytical tools to do the same, as they see fit. The two missions are reconcilable: students can be safe and supported in their identities and intellectually challenged at the same time. We insist that a critical examination of Hindutva, a political ideology, is not the same thing as Hinduphobia. Dr. -
Carroll Barnes (March 1–March 15) Carroll Barnes (1906–1997) Worked in Various Careers Before Turning His Attention to Sculpture Full Time at the Age of Thirty
1950 Sculpture in Wood and Stone by Carroll Barnes (March 1–March 15) Carroll Barnes (1906–1997) worked in various careers before turning his attention to sculpture full time at the age of thirty. His skills earned him a position as a professor of art at the University of Texas and commissions from many public and private institutions. His sculptures are created in various media, such as Lucite and steel. This exhibition of the California-based artist’s work presented thirty-seven of his sculptures. Barnes studied with Carl Milles (1875– 1955) at the Cranbrook Academy of Art. [File contents: exhibition flier] Color Compositions by June Wayne (March) June Wayne’s (1918–2011) work received publicity in an article by Jules Langsner, who praised her for developing techniques of drawing the viewer’s eye through imagery and producing a sense of movement in her subjects. Her more recent works (as presented in the show) were drawn from the dilemmas to be found in Franz Kafka’s works. [File contents: two articles, one more appropriate for a later show of 1953 in memoriam Director Donald Bear] Prints by Ralph Scharff (April) Sixteen pieces by Ralph Scharff (1922–1993) were exhibited in the Thayer Gallery. Some of the works included in this exhibition were Apocrypha, I Hate Birds, Walpurgisnacht, Winter 1940, Nine Cats, and Four Cows and Tree Oranges. Watercolors by James Couper Wright (April 3–April 15) Eighteen of James Couper Wright’s (1906–1969) watercolors were presented in this exhibition. Wright was born in Scotland, but made his home in Southern California for the previous eleven years. -
Print This Article
f International Journal of Applied Linguistics & English Literature ISSN 2200-3592 (Print), ISSN 2200-3452 (Online) Vol. 6 No. 4; July 2017 Flourishing Creativity & Literacy Australian International Academic Centre, Australia Sir Richard Burton as Totemic Pantomime Demon in Postcolonial Theory John Wallen University of Sharjah, Unite Arab Emirates E-mail: [email protected] Received: 24-12-2016 Accepted: 28-03-2017 Advance Access Published: April 2017 Published: 01-07-2017 doi:10.7575/aiac.ijalel.v.6n.4p.255 URL: http://dx.doi.org/10.7575/aiac.ijalel.v.6n.4p.255 Abstract The present article examines the ways in which the travels and journeys in Arabia and other Muslim lands of Richard Francis Burton, the nineteenth-century explorer and writer have, since the influential work of EdwardW. Said on Orientalism, been somewhat undervalued by contemporaries. It aims to offer a re-evaluation of those works and their contribution to Victorian knowledge. It will also offer a challenge to Said’s account of Burton and, particularly in the second part, look at ways in which Burton has been viewed more generally by post-colonial theorists since Said’s influential work. Keywords: Richard Burton, Edward Said, Postcolonialism, Orientalism, Victorian explorers, Victorian science 1. Introduction The present article examines the ways in which the travels and journeys in Arabia and other Muslim lands of Richard Francis Burton, the nineteenth-century explorer and writer have, since the influential work of Edward W. Said on Orientalism, been somewhat undervalued by contemporaries. It aims to offer a re-evaluation of those works and their contribution to Victorian knowledge. -
Erik Linstrum
ERIK LINSTRUM Department of History P.O. Box 400180 University of Virginia Charlottesville, VA 22904 (434) 924-7147 [email protected] FACULTY APPOINTMENTS Associate Professor of History, University of Virginia, August 2018-. Assistant Professor of History, University of Virginia, January 2015-August 2018. Assistant Professor of History and Postdoctoral Fellow, Society of Fellows, University of Michigan, September 2012-December 2014. EDUCATION Ph.D. in History, Harvard University, November 2012. Dissertation: “Making Minds Modern: The Politics of Psychology in the British Empire, 1898-1970.” Committee: Maya Jasanoff (chair), David Blackbourn, Caroline Elkins, and Erez Manela. A.M. in History, Harvard University, June 2009. A.B. in History, Princeton University, summa cum laude, June 2006. BOOKS Age of Emergency: Living with Violence at the End of Empire (under contract, Oxford University Press). Ruling Minds: Psychology in the British Empire (Harvard University Press, 2016). * Winner, George Louis Beer Prize, American Historical Association. 1 ARTICLES AND CHAPTERS “Colonial Counterinsurgency in the Shadow of Total War,” in Globalizing the History of Twentieth-Century War, ed. Bruno Cabanes (in progress). “What Is Decolonization Now? An Exchange,” Twentieth-Century British History (with Priyamvada Gopal, Saima Nasar, Vanessa Ogle, Tehila Sasson, and Stuart Ward) (in progress). “Political Reporting,” in Information: A Historical Companion, edited by Anthony Grafton, Ann Blair, Paul Duguid, and Anja Goeing (Princeton University Press, 2021). “The Case History in the Colonies,” History of the Human Sciences 33, no. 3-4 (October 2020): 85-94. “Domesticating Chemical Weapons: Tear Gas and the Militarization of Policing in the British Imperial World, 1919-1981,” Journal of Modern History 91, no. -
Avangardna Umetnost Kao Teorijska Praksa Black Mountain College , Darmštatski Internacionalni Letnji Kursevi Za Novu Muziku I Tel Quel
UNIVERZITET UMETNOSTI U BEOGRADU Interdisciplinarne studije Teorija umetnosti i medija, doktorske studije Doktorska disertacija Avangardna umetnost kao teorijska praksa Black Mountain College , Darmštatski internacionalni letnji kursevi za Novu muziku i Tel Quel autor: Sanela Nikoli mentor: dr Mirjana Veselinovi -Hofman, red. prof. komentor: dr Miodrag Šuvakovi , red. prof. Beograd, april 2011. SADRŽAJ APSTRAKT ...................................................................................................................... 1 ABSTRACT ...................................................................................................................... 3 UVOD Predmet rada, istraživaki problem i teorijski okvir ....................................................................... 6 1. AVANGARDNA UMETNOST, TEORIJA I PRAKSA ...................................................... 10 1. 1. O POJAVNOSTIMA AVANGARDE • Avangarda i moderno doba/moderna/modernizam .......................................... 11 • Avangarda u razli itim likovima – dosadašnje teorije o avangardi ................. 17 1. 2. AVANGARDA KAO TEORIJSKA PRAKSA • Avangarda kao društvena praksa ...................................................................... 32 • Avangarda kao teorijska praksa ........................................................................ 35 • Polje teorije umetnika. Od metajezika do tekstualne prakse ............................ 44 • Black Mountain College , Darmštatski internacionalni letnji kursevi i Tel Quel kao tri slu aja avangardne -
Contemporary American Painting and Sculpture
ILLINOIS LIBRARY AT URBANA-CHAMPAIGN ARnM!TFXTURE KIOMR LliiHAKY AKOHITKTUKfc UNiVEIWTY OF ILLINOIS NOTICE: Return or renew all Library Malerlalst The minimum Fee for each Lost Book is $50.00. The person charging this material is responsible for its return to the library from which it was withdrawn on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for discipli- nary action and may result in dismissal from the University. To renew call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN L16I—O-1096 ' » • .( ij.^.'. / »f T»^ 'A^Vc^ * • ir* ;' I n'V', ii'.mM :"! ii'vi '' > ' i: 1 "i .m'i ;:[ ' iv/iv/,''ir' ',!.;' ill ! i;'M,'i)">'i>''; I I I'^i'iii' , I ji II, >,M]' i,,i,ii, I * l'.',, i ! I i M!, ,.ll;!;J!-!;'!li^:*^'(WrM''^ I 1 ' ' I •,''',•1 ' , ill'' I fe!(''::!:ifi!'yi§li''i'!''';iVM^ »ntemporary American Painting and Sculpture] niversity off Illinois . -i&Sv i; z^' ii^ THE LIBRARY OF THE FEB ,?4iS5G UNIVERSITY OF ILLINOIS c ^MTifn? Y-^.m ARCWTEcnwi oi .n oi. =4 CONTEMPORARY AMERICAN PAINTING AND SCULPTURE University of Illinois, Urbana Sunday, February 27, through Sunday, April 3, 1955 Galleries, Architecture Building Co//ege of Fine and Applied Arts THE LIBRARY OF THE IVIAR 1 1955 iiMi\fFe<:rrv nr iiiiNrii5$ Copyright 1955 by the University of Illinois Manufactured in the United States of America RICKFP 5-^>/ ,^r^^ tIRRARY ARCHITCCTU8E 7 UMVfcXS.IY OF lumois CONTEMPORARY AMERICAN PAINTING AND SCULPTURE LLOYD MOREY President of the University- ALLEN S.