The Patricia and Donald Oresman Collection the Patricia and Donald Oresman Collection

THE PATRICIA AND DONALD ORESMAN COLLECTION

Tuesday, November 20, 2018 NEW YORK THE PATRICIA & DONALD ORESMAN COLLECTION

AUCTION Tuesday, November 20, 2018 at 10am

EXHIBITION Friday, November 16, 10am – 5pm Saturday, November 17, 10am – 5pm Sunday, November 18, Noon – 5pm

LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com THE PATRICIA & DONALD ORESMAN COLLECTION

Doyle is honored to auction the Collection of quintessential New Yorkers Patricia and Donald Oresman.

Comprising over 500 lots, this remarkable collection showcases the works of prominent artists, popular illustrators and renowned photographers. The paintings, sculptures, works on paper, editions and photographs span several decades, movements and mediums. Each work shares a common theme: Reading. Throughout the collection, figures can be spotted in the act of reading, writing, printing and studying, many fully engrossed in literature.

Not coincidentally, the works are a reflection of the Oresmans themselves — a long-married couple who could often be found sitting among their books, fully engrossed in literature. Naturally their love of reading informed their acquisitions. CONTENTS Their constantly growing art collection complemented a massive private library, Paintings 1-366 designed by noted New York architects Fairfax & Sammons to showcase both Prints 367-500 books and art. The collection clearly mirrors the Oresmans’ lifelong passion Photographs 501-567 for literature.

Their extensive library was in constant use. The hundreds of books lining the Glossary I shelves were not decorative design elements. Each book was meant to be read, Conditions of Sale II and Mr. Oresman endeavored to complete every one. At over 1,200 square feet, Terms of Guarantee IV the Renaissance-inspired space with high coffered ceilings featured ornately Information on Sales & Use Tax V carved bookshelves and a graceful winding staircase inspired by one found in Buying at Doyle VI New Mexico’s Loretto Chapel. Photographed in 2013 for New York magazine, Selling at Doyle VIII the library sported clever sliding panels and secret compartments for the ever-expanding Auction Schedule IX art collection. The Oresmans’ Central Park South duplex afforded a commanding Company Directory X view of the park while also providing a magically serene setting for immersing Absentee Bid Form XII oneself in a fine novel.

The couple collected many pieces created during the Great Depression, from images depicting upper class businesspeople poring over great literature and theologians immersed in religious texts to struggling down-on-their-luck folks studying the want ads. This focus led them to amass an important group of works by WPA artists including Aaron Bohrod, Jacob Lawrence, Louis Lozowick, Louise Nevelson, Ben Shahn and many others.

The New Deal’s Federal Art Project — the public arts arm of the WPA — was a massive undertaking. It employed artists and craftspeople to teach young artists, create murals and commercial illustration, and design stage sets. From 1935 to 1943 the WPA was responsible for creating over 200,000 unique works of art.

Mrs. Oresman was a social worker, book lover and a passionate student of Emily Dickinson’s poetry. Mr. Oresman, an attorney and businessman, served on the board of The New Criterion, The Landmarks Conservancy, The Morgan Library, The Library of America, The Academy of American Poets, and others. His energy seemingly knew no bounds. A tireless activist for preservation, his role in the Conservancy, in particular, helped create the New York City Historic Properties Fund.

On the event of the 2004 exhibition of works from their collection at Poets House in New York, Mr. Oresman commented, “I think there is an intensity to reading that captures artists’ imaginations because it has a very private element to it.”

Lot 102

3 4 6 9 10 12

Paintings

1 3 5 6 7 8 10 12 Helen Adams Benny Andrews Harold Anchel Richard Artschwager Carl Ashby Ethel V. Ashton Sally Michel Avery Sally Michel Avery American, 1917-1997 American, 1930-2006 American, 1912-1980 American, 1923-2013 American, 1914-2004 American, 1896-1975 American, 1902-2003 American, 1902-2003 Woman Reading in Bed Portrait of Mimi Gross Grooms, Cafeteria, circa 1935 The Book, 1973 Bob DeNiro/Study of a Man Sunday Paper Focused Reader, 1987 Sally Michel 73, 1973 Signed Helen C. Adams and 1966 Inscribed by Murie Anchel Signed Artschwager and (a double sided work), 1944 Estate stamp on the reverse Signed Sally Michel and Signed Sally Michel and dated with extensive inscriptions (lr) Signed Benny Andrews and Study for a/Lithograph - dated ‘73 (lr) Signed Carl Ashby and dated Pastel on paper dated 1987 (lr) 1973 (ur), signed Sally Michel Watercolor on paper dated 66 (lc), dated W.P.A. project by Charcoal on paper 44 (lr), inscribed Bob/De Niro/ 9 x 12 inches Watercolor on paper and dated 1973 (lr), signed 22 1/8 x 15 1/4 inches Sat. Nov. 4 1967 and inscribed Harold Anchel (Murie Anchel) 25 x 19 inches Day’s Lumber Yd./P’Town (ll) 24 x 18 inches Sally Michel, dated 73 and Unframed as titled on the reverse Wife Graphite on paper Provenance: Unframed inscribed as titled on Oil on paper laid to board on the reverse Provenance: 11 3/4 x 8 3/4 inches R.M. Worth Antiques, the reverse Provenance: 14 3/8 x 11 3/8 inches Charcoal on paper Nolan/Eckman Gallery, Chadd’s Ford, PA Provenance: Oil on canvasboard Estate of the artist 11 1/2 x 15 1/8 inches New York Provenance: C The Patricia and Estate of the Artist 12 x 9 inches Childs Gallery, Boston Provenance: C The Patricia and Susan Teller Gallery, New York Donald Oresman Collection Childs Gallery, Boston C The Patricia and Susan Teller Gallery, New York Provenance: Donald Oresman Collection $300-500 C The Patricia and Provenance: Donald Oresman Collection C The Patricia and Sragow Gallery, New York $4,000-6,000 Exhibited: Donald Oresman Collection Childs Gallery, Boston Selected Readers from $200-400 Donald Oresman Collection Together with Attributed to See Illustration 9 $1,000-1,500 C The Patricia and $3,000-5,000 the Collection of Patricia and See Illustration Donald Oresman Collection Harold Anchel Donald Oresman, Oct. 8 - Milton Avery 2 See Illustration City Hall, circa 1940 American, 1885-1965 $600-800 Lithograph on wove paper Nov. 22, 2004, Poets House, See Illustration John Ahearn New York March in the Studio, circa 1950 11 American, b. 1951 4 Sheet size 22 x 15 3/4 inches Signed Milton Avery (lr) Sally Michel Avery Unframed C The Patricia and Woodworth, 1999 Benny Andrews Donald Oresman Collection Ink on paper American, 1902-2003 Inscribed as titled (lc) American, 1930-2006 Provenance: $100-200 11 1/8 x 8 5/8 inches Poolside Reader, 1986 Ink on paper Portrait of Viola Andrews, 1986 George Baker, New York Unframed Signed Sally Michel and 11 x 14 inches Signed Benny Andrews, dated 1986 (lr) C The Patricia and Provenance: dated August 3, 1986, Donald Oresman Collection Watercolor on paper Provenance: inscribed Lacoste, France Milton Avery Trust 20 x 16 inches Alexander and Bonin, New York $300-500 Long Island Fine Art, New York and as titled (lr) Unframed C The Patricia and Ink on paper Donald Oresman Collection Exhibited: Provenance: 22 1/4 x 14 3/4 inches Readers, Nov. 19 - Jan. 10, 1997, $400-600 Unframed The Artist Grolier Club, New York , no. 1 Childs Gallery, Boston Provenance: C The Patricia and C The Patricia and Susan Teller Gallery, New York Donald Oresman Collection Donald Oresman Collection C The Patricia and $1,000-1,500 $1,000-1,500 Donald Oresman Collection See Illustration $800-1,200 See Illustration

6 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 7

13 19 20 24

13 15 16 18 20 22 24 25 Elsie Bacharach Peggy Bacon Peggy Bacon Peggy Bacon Lidia Bagnoli Will Barnet Jack Beal Reynolds Beal American, 1899-1940 American, 1895-1987 American, 1895-1987 American, 1895-1987 Italian, b. 1952 American, 1911-2012 American, 1931-2013 American, 1867-1951 Reading the News, 1934 Upper Berth, 1931 The White Horse Girl and Reading on a Deck Lidia Reading, 2004 Boy Reading, 1930 Pride, 1977-78 Untitled (Man Reading in Signed E. Bacharach and Signed Peggy Bacon, the Blue Wind Boy Ink on paper Signed Bagnoli and Signed Will Barnet (lr), and Signed Jack Beal (ur) Madison Square Park), dated 34 (lr) dated 1931, (Rootabaga Country), 1929 8 1/2 x 8 inches dated 04 on the reverse inscribed as titled on the reverse Pastel on artist’s board circa 1925

Oil on canvas inscribed #1 and as titled (lr) Signed Peggy Bacon Oil on canvas Ink on paper 40 x 32 inches Graphite on sketchbook paper Provenance: 30 x 25 inches Charcoal on paper Ink on paper 19 3/4 x 23 5/8 inches 13 x 11 1/2 inches 6 3/4 x 8 inches Kraushaar Galleries, Inc., Provenance: 10 3/4 x 8 inches Image size 8 x 10 1/8 inches, Unframed Unframed Provenance: Unframed sheet size 12 1/2 x 11 1/4 inches New York Provenance: Alan Frumkin Gallery, New York Janet Marqusee Fine Arts Ltd., C The Patricia and Tatistcheff Gallery, New York Provenance: [Sale] Doyle New York, Provenance: New York Provenance: Provenance: Donald Oresman Collection C The Patricia and Susan Teller Gallery, New York December 1, 2004, lot 54 Estate of the artist

C The Patricia and George Baker, New York Kraushaar Galleries, Inc., $250-350 Donald Oresman Collection C The Patricia and George Baker, New York Exhibited: Donald Oresman Collection C The Patricia and New York $600-800 Donald Oresman Collection C The Patricia and Abstract Expressionism and the $800-1,200 Donald Oresman Collection See Illustration $600-800 Donald Oresman Collection Literature: 19 “New” American Realism: See Illustration $400-600 $200-400 Carl Sandburg, Rootabaga Donald Baechler Paintings by Jack Beal and Country, Harcourt, Brace and American, b. 1956 21 23 Philip Pearlstein, Columbus 14 Company, New York, 1929, p. 79 Profile with Child Reading, 1994 Herbert Philip Barnett Leonard Baskin Museum, Columbus, GA, Peggy Bacon C The Patricia and Initialed DB and dated 94 (ul) American, 1910-1972 American, 1922-2000 Apr. 1 - Jun. 17, 2001 American, 1895-1987 Donald Oresman Collection Gouache, gesso and paper Reading in Bed, 1941 Untitled, 1999 C The Patricia and Playing Hopscotch $400-600 collage on paper Signed Barnett (ll) Signed Baskin and dated 1999 (lr) Donald Oresman Collection Signed Peggy Bacon (lr) 53 x 41 inches Oil on Masonite Watercolor on paper $1,500-2,500 Black crayon on paper 16 x 36 inches 22 3/4 x 15 3/8 inches See Illustration 12 3/4 x 9 1/4 inches 17 Provenance: Unframed Peggy Bacon Laura Carpenter Fine Art, Santa Fe Provenance: Provenance: American, 1895-1987 Baron/Boisante Editions, New York Estate of the artist Provenance: Kraushaar Galleries, Inc., At the Theater, circa 1925 Tatischeff Gallery, Inc., New York Childs Gallery, Boston Thomas G. Boss New York Initialed P.B. (lr) C The Patricia and C The Patricia and Fine Books, Boston C The Patricia and Ink on paper Donald Oresman Collection Donald Oresman Collection C The Patricia and Donald Oresman Collection 11 x 8 1/2 inches $6,000-8,000 $1,200-1,800 Donald Oresman Collection $400-600 Unframed See Illustration and Back Cover See Illustration $500-700

Provenance: Catherine C. Burns, Oakland C The Patricia and Donald Oresman Collection $300-500 8 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 9

27 30

28 35 26 27 28 30 31 33 35 36 Max Beerbohm Max Beerbohm Max Beerbohm Vanessa Bell Vanessa Bell Gerald Betts George Biddle George Biddle British, 1872-1956 British, 1872-1956 British, 1872-1956 British, 1879-1961 English, 1879-1961 American, 20th/21st Century American, 1885-1973 American, 1885-1973 Arthur James Balfour, Dean Inge Finding, as Ever, An English Working Class Study for Dust Jacket of “ Two Designs for the Hogarth Reading Room, 2008 Nuremberg Trial, The Accused, 1946 Nuremberg Trial, The Judges, 1946 1st Earl of Balfour, 1920 Sustenance in Plotinus, 1931 Family, 1919 A Room of One’s Own”, 1929 Press Modern Essays (a double Initialed GB (ll) Signed George Biddle, dated 1946, Signed George Biddle, dated 1946, Signed Max and dated 1920 (ll), Signed Max and dated 1931 (ll), Signed Max and dated Artist’s stamp on the reverse sided work), circa 1924 Oil on panel and inscribed Nuremberg (lr), and inscribed Nuremberg (lr), inscribed Mr. Arthur Balfour (lr), inscribed as titled (ll) March 31, 1919 (lr) Graphite on paper Signed Virginia W and 7 x 8 7/8 inches inscribed Top row. First edition guards. inscribed Top row: Two interpreters inscribed extensively by Graphite and watercolor on paper Graphite and colored washes 8 x 6 3/8 inches inscribed The Hogarth Press on One stood back of each prisoner. for judges. / Second row: (left to

Edward Gordon Craig on 13 3/8 x 9 inches on paper the reverse Provenance: Next row from left to right: Doenitz, right) General Nikichenko, Justice Provenance: the reverse 7 7/8 x 11 3/4 inches Ink and graphite on paper George Baker, New York Raeder, vonSchirach/Sankel, Norman Burkit, alternate; / Provenance: Davis & Langdale Company, Inc., Graphite, chalk and 7 1/2 x 5 3/4 inches C The Patricia and von Papen. Third row: Goering, Hess, Lord Justice Geoffrey Lawrence; The Spectator Provenance: New York colored wash on paper Donald Oresman Collection Ribbentrop, Keitel, von Kaltenbrun, Francis Biddle; Judge John Parker, James Cummins, New York James Cummins Bookseller, 12 3/4 x 6 3/4 inches Provenance: $300-500 Streicher, Schact. / Bottom row: alternate; Professor / Donnedien New York Exhibited: Estate of the artist See Illustration German advocates. As with the de VaBres; Magistrate Robert Falco. / Provenance: Literature: A Room of Their Own: Davis & Langdale Inc., New York low cartoons, I have not always Row below judges: Form Edward Gordon Craig The Spectator Supplement, Literature: The Artists of Bloomsbury in C The Patricia and 34 placed them in the order in which / typists, etc. / Bottom row: left, Miss Kaye Webb, M.B.E. Mar. 14, 1931 Rupert Hart-Davis American Collections, Donald Oresman Collection Leon Bibel they usually sit & for purposes German advocate Fritz Sauter / Davis & Langdale Company, Inc., Rupert Hart-Davis A Catalogue of the Caricatures Apr. 1 - Apr. 28, 1994, $300-500 American, 1913-1996 of space and scale I have right: Councellor of documents. New York A Catalogue of the Caricatures of Max Beerbohm, no. 1981 Herbert F. Johnson Museum of of Max Beerbohm, no. 783 C The Patricia and Art, Cornell University, Ithaca, NY Mosholu Park, 1941 omitted many. on the reverse Ink on paper Exhibited: C The Patricia and Donald Oresman Collection C The Patricia and 32 Signed LBibel and dated 41 (lr), Ink on paper 11 3/8 x 13 7/8 inches Reading Between the Wars: Donald Oresman Collection $1,000-2,000 Donald Oresman Collection Debra Bermingham inscribed as titled (lc) 11 x 14 inches Unframed

Books and Readers, 1915-1950, $1,800-2,500 See Illustration $300-500 American, b. 1953 Ink and watercolor on paper Unframed Provenance: Oct. 15 - Dec. 4, 1994, See Illustration Self Portrait with Book 8 3/8 x 10 7/8 inches Provenance: Susan Teller Gallery, New York Oberlin College, Ripin Print Gallery, 29 and Mask, 2001 Unframed Susan Teller Gallery, New York Oberlin OH, no. 22 Charcoal on paper Exhibited: Vanessa Bell Provenance: English, 1879-1961 35 3/8 x 23 1/8 inches Exhibited: George Biddle: An American Literature: George Baker, New York Design for Plate: George Biddle: An American Conscience, Dec. 3-30, 1999, Rupert Hart-Davis rovenance: C The Patricia and Jonathan Swift, circa 1931 Conscience, Dec. 3-30, 1999, no. 24, Susan Teller Gallery, New York, A Catalogue of the Caricatures of DC Moore Gallery, New York Donald Oresman Collection Watercolor and graphite Susan Teller Gallery, New York no. 23 Max Beerbohm, no. 76 C The Patricia and $500-700 on paper C The Patricia and C The Patricia and C The Patricia and Donald Oresman Collection 7 7/8 x 8 inches Donald Oresman Collection Donald Oresman Collection Donald Oresman Collection $400-600 $800-1,200 $800-1,200 $2,000-4,000 Provenance: See Illustration See Illustration See Illustration Estate of the artist until 2004 Davis and Langdale Company, New York C The Patricia and Donald Oresman Collection 10 DOYLE • NOVEMBER 20, 2018 • NEW YORK $500-700 VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 11

37 41 45 48 49 part

37 38 40 42 44 46 48 50 George Biddle Esther Brock Bird Isabel Bishop Isabel Bishop Abe Blashko Abe Blashko Julius Bloch Julius Bloch American, 1885-1973 American, 1888-1950 American, 1902-1988 American, 1902-1988 American, 1920-2011 American, 1920-2011 American, 1888-1966 American, 1888-1966 Alice Foote MacDougal’s Untitled (Couple Reading on an Two Women, circa 1935 Girl Reading the Newspaper, Renaissance Monk, 1938 Sunday Morning, Devouring the (i) Two Women Sharing a Book, 1936 Opera Box (study for the print), Coffee Shop, 1933 Ocean Liner), circa 1940 Signed Isabel Bishop (lc) circa 1940 Signed A. Blashko and dated New York Times, 1992 Initialed J.B. and dated 12. 26/36 (ll) circa 1940 Signed Biddle, dated 1933, Signed Esther Brock Bird (lr) Ink on paper Ink and wash on paper 1938 (lr), inscribed as titled (ll) Signed A. Blashko (lc) Graphite on paper Graphite on paper and inscribed Karl Marx and a Watercolor on paper Sheet size 8 3/4 x 6 3/4 inches, Image size 5 1/8 x 3 1/2 inches, Conte crayon on paper Ink, correction fluid, and 8 1/8 x 5 1/8 inches 8 1/4 x 4 3/4 inches New DEAL/AT ALICE FOOTE 10 3/4 x 15 inches image size 4 5/8 x 6 inches sheet size 6 7/8 x 5 1/2 inches 23 x 14 1/2 inches collage on paper Unframed MACDOUGAL’S (lr), inscribed Unframed Unframed 16 3/4 x 12 inches (ii) Women Reading Provenance: as titled on the reverse Provenance: Provenance: Unframed Beneath a Sconce, 1936 George Baker, New York Ink on paper Provenance: Estate of the artist Midtown Payson Galleries, Provenance: Initialed J.B. (ll) C The Patricia and 9 x 11 3/4 inches Paramour Fine Arts, DC Moore Gallery, New York New York Susan Teller Gallery, New York Provenance: Graphite on paper Donald Oresman Collection Franklin, Michigan C The Patricia and The Artist $300-500 Unframed Exhibited: Exhibited: 8 1/8 x 5 1/8 inches C The Patricia and Donald Oresman Collection Susan Teller Gallery, New York Unframed Provenance: Donald Oresman Collection $500-700 Reading Between the Wars: Reading Matter, Newspapers Books and Readers, 1915-1950, and Books in American Prints Exhibited: 51 Susan Teller Gallery, New York $300-500 Provenance: Julius Bloch Oct. 15 - Dec. 4, 1994, Ripin and Drawings, Oct. 17 - The Lower East Side, 2000, George Baker, New York Exhibited: 41 Print Gallery, Oberlin College, Nov. 27, 1993, Susan Teller Gallery, New York American, 1888-1966 39 Isabel Bishop C The Patricia and Studies of Men Reading George Biddle: An American Oberlin, OH Susan Teller Gallery, New York Donald Oresman Collection Conscience, Dec. 3-30, 1999, Robert Birmelin American, 1902-1988 C The Patricia and C The Patricia and Literature: (three works), 1929 American, b. 1933 Two Union Square Men, Saint Mark’s Place, Abe Blashko, $500-700 Graphite on three Susan Teller Gallery, New York, Donald Oresman Collection Donald Oresman Collection See Illustration no. 10 Study for a Portrait - circa 1930 $300-500 $500-700 published by the artist, 1995 sketchbook pages Selected Readers, Poets House, Mrs. Chavez, 1992-93 Signed Isabel Bishop (lr) C The Patricia and Each 8 1/4 x 5 inches Signed Birmelin (ur), Graphite, ink and wash Donald Oresman Collection 49 Unframed New York inscribed as titled (cr) on paper 43 45 $300-500 C The Patricia and Julius Bloch Provenance: Conte crayon on paper 13 1/4 x 10 1/2 inches Abe Blashko Abe Blashko American, 1888-1966 Donald Oresman Collection George Baker, New York 38 x 50 inches American, 1920-2011 American, 1920-2011 47 Figures Reading, circa 1940 $700-900 Provenance: C The Patricia and The Man of Sorrows, circa 1938 Judge Reading, 1937 Abe Blashko Initialed J.B. (ll) See Illustration Provenance: Midtown Payson Galleries, Donald Oresman Collection Signed A Blashko (lr), inscribed Signed A. Blashko and American, 1920-2011 Graphite on paper Katherine Chapin, New York New York $300-500 as titled (lc) dated -37 (ll) The Street, 1935 8 1/8 x 5 inches Susan Teller Gallery, New York Crayon on paper Lithographer’s crayon on Signed A. Blashko and Unframed Exhibited: C The Patricia and 23 x 14 1/2 inches illustration board dated 1935 (lr) (ii) Man Reading a Large Folio, Powerful Expressions: Donald Oresman Collection Unframed 15 x 13 1/4 inches Crayon and graphite on paper circa 1940 Recent American Drawings, $400-600 Unframed 10 3/4 x 12 1/8 inches Initialed J.B. (lc) Jan. 24 - Mar. 16, 1997, See Illustration Provenance: The Arkansas Art Center, Paramour Fine Arts, Provenance: Unframed Ink on paper Little Rock Franklin, Michigan M. Lee Stone Fine Prints, Provenance: 8 1/4 x 5 1/8 inches C The Patricia and Unframed C The Patricia and San Jose M. Lee Stone Fine Prints, San Jose Donald Oresman Collection Donald Oresman Collection C The Patricia and C The Patricia and Provenance for both works: $500-700 $500-700 Donald Oresman Collection Donald Oresman Collection George Baker, New York $400-600 $300-500 C The Patricia and See Illustration Donald Oresman Collection $400-600 See Illustration of Part 12 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 13

56 66

52 55 57 59 61 63 65 67 Julius Bloch Aaron Bohrod George Booth John Rutherford Boyd Frank Hartley Brangwyn Alexander Brook Arthur William Brown Bernard Brussel-Smith American, 1888-1966 American, 1907-1992 American, b. 1926 American, 1884-1951 English, 1867-1956 American, 1898-1980 American, 1881-1966 American, 1914-1989 Two Views of a Man Reading, 1936 Fate, Destiny, or Something, Rise from the Ashes, 1997 Harriet Seated in a Chair, Untitled (Bookplate Design) Niles Spencer, 1950 Ephraim Tutt, 1936 Press Release, 1937 Initialed J.B. (ll), dated 1936 on circa 1940 Signed Booth (ll), inscribed Reading, 1910 Signed Frank Brangwyn (lc) Signed A. Brook (lr) Signed Arthur William Brown Signed Bernard Brussel-Smith (lr), the reverse Initialed B (lc), inscribed as I can only rise from the ashes/ Estate stamp, dated Early 1910 Ink and wash with graphite Oil on canvas and dated 36 (lr), Saturday inscribed as titled (ll) Graphite and lithographer’s titled (ll), numbered #5 (ur) like a phoenix so many times! and bears inscription on paper 10 x 14 inches Evening Post reproduction Black crayon and graphite with

crayon on paper Ink and scratchboard and with New Yorker label H. The Greystone on 8 1/2 x 4 3/4 inches label affixed to the reverse scratching out on wove paper Provenance: 8 1/4 x 5 1/8 inches 6 7/8 x 9 1/8 inches on the reverse the reverse Unframed Watercolor on paper 16 x 13 3/8 inches Estate of the artist Unframed Unframed Pen and marker on paper Ink on paper 15 x 20 1/2 inches Unframed Provenance: Mr. and Mrs. Herbert A. Sheet size 11 x 8 1/2 inches 5 3/4 x 7 1/4 inches C The Patricia and Provenance: Provenance: Thomas G. Boss Fine Books, Goldstone, New York Donald Oresman Collection Provenance: George Baker, New York M. Lee Stone Fine Prints, Provenance: Provenance: Boston Kraushaar Galleries, Inc., Susan Teller Gallery, New York $100-200 C The Patricia and San Jose Davis and Langdale Company, Estate of the artist New York C The Patricia and Literature: Donald Oresman Collection New York Hirschl and Adler Galleries, Donald Oresman Collection Literature: Eden Phillpotts, Bookplates of Exhibited: $200-400 New York 66 $300-500 Albert Halpert, Golden Watch Exhibited: C The Patricia and Frank Brangwyn, 1920, p. 26 Alexander Brook, 1960, Elmer William Brown C The Patricia and Artists of “The New Yorker”: C The Patricia and Donald Rehn Gallery, New York, no. 9 American, 1909-1971 53 Donald Oresman Collection Donald Oresman Collection An Exhibition to Celebrate Oresman Collection Artists by Artists, 1965, Mural for Freedom 68 $300-500 Julius Bloch $400-600 the 75th Anniversary of the $300-500 Forum Gallery, New York, no. 3 (Study for Men’s City Club, David Burliuk American, 1888-1966 Magazine, Apr, 2000, C The Patricia and Cleveland, Ohio), 1942 American/Russian, 1882-1967 Theater Audience, 1929 60 Mama Reading, 1946 56 Davis and Langdale Company, 62 Donald Oresman Collection Signed Elmer W Brown Dated 1929 on the reverse Signed D Burliuk, dated New York, no. 6 Joan Brady $400-600 and dated ‘42 (lr), Lithographer’s crayon on paper Aaron Bohrod American, b. 1934 David Bromley 27.IV.1946 and inscribed as American, 1907-1992 C The Patricia and Australian, b. 1960 inscribed Mural for Freedom (ll) 8 3/8 x 5 1/8 inches Lunch at the Colombe d’or titled (lc) Mural Study for Vandalia Illinois Donald Oresman Collection Boy Reading, 2005 64 Watercolor and gouache on Unframed With Menu, 1986 Graphite on paper Post Office, 1934 $700-900 Signed Bromley and inscribed illustration board Signed Joan Brady, Alexander Brook 13 x 10 inches Provenance: Signed Aaron Bohrod and AP on frame American, 1898-1980 Image size 8 x 14 1/2 inches, dated 10/12/86 and Unframed George Baker, New York dated 1934 (lc), 58 Painted embroidery (i) Reading on the Floor, board size 15 x 20 inches inscribed as titled (lr) C The Patricia and signed Aaron Bohrod 11 3/8 x 13 3/4 inches circa 1935 Provenance: Adolph Borie Watercolor and ink on paper Provenance: Donald Oresman Collection on the reverse American, 1877-1934 Initialed A.B. (cr) Paramour Fine Arts, 8 3/4 x 10 3/4 inches Provenance: Paramour Fine Arts, Franklin, MI $200-400 Gouache on illustration board Lady Wearing a White Collar Charcoal on paper Franklin, Michigan Rice/Polak Gallery, C The Patricia and Image size 12 x 31 1/2 inches, and White Cuffs Provenance: 17 x 13 3/4 inches Provincetown, MA Donald Oresman Collection board size 20 x 40 inches Signed Adolph Borie (ll) Tatistcheff Gallery, Inc., (ii) Reading Standing, Exhibited: 54 George Baker, New York $800-1,200 Oil on canvas New York circa 1935 Selected Readers from the Aaron Bohrod Provenance: C The Patricia and See Illustration 20 x 16 inches C The Patricia and Initialed A.B. (lr) Collection of Patricia and American, 1907-1992 Harco Gallery, Columbia, MO Donald Oresman Collection Donald Oresman Collection Charcoal on paper Donald Oresman, Date, circa 1940 Paramour Fine Arts, Franklin, MI Provenance: $300-500 Oct. 8-Nov. 22, 2004, $200-400 17 x 13 3/4 inches Signed Bohrod and Estate of the artist Poets House, New York Exhibited: inscribed #13/Date (lr) Hirschl and Adler Galleries, Inc., Provenance: C The Patricia and Aaron Bohrod: A Retrospective Ink and scratchboard New York Estate of the artist Donald Oresman Collection Exhibition, Apr. 2 - May 22, 1997, 6 1/2 x 11 inches C The Patricia and Childs Gallery, Boston $200-400 The Ashby-Hodge Gallery of Unframed Donald Oresman Collection C The Patricia and American Art, Central Methodist $1,000-2,000 Donald Oresman Collection Provenance: College, Fayette, MO $200-400 M. Lee Stone Fine Prints, Inc., San Jose C The Patricia and Donald C The Patricia and Oresman Collection Donald Oresman Collection $7,000-9,000 $400-600 See Illustration

14 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 15

77 78 79 72

69 71 73 74 75 77 79 81 David Burliuk John Buscema Paul Cadmus Alexander Calder Daniel Celentano Daniel Celentano Daniel Celentano Daniel Celentano American, b. Russia, 1882-1967 American, 1927-2002 American, 1904-2000 American, 1898-1976 American, 1902-1980 American, 1902-1980 American 1902-1980 American, 1902-1980 Untitled Self-Portrait, 1948 Two Figures, circa 1990 Study for “To E.M. Forster,” Economy of Light, 1925 Mother and Child with Family Reading, circa 1935 Quiet Evening (Study for Quiet Evening (Study for Signed Burliuk and dated Signed John Buscema (lr) circa 1948 Inscribed as titled (ll) Father Reading I, circa 1935 Estate stamp (lr) the Painting I), 1936 Painting II), 1936 Dec. 30. 1948. (ul) Ballpoint pen on paper Signed Cadmus (lr) Graphite on paper Estate stamp (lr) Ink and graphite on paper Estate stamp (lr) Signed Daniel R. Celentano (ur) Ink on paper 11 x 8 1/2 inches Graphite on paper 4 x 6 inches Graphite and ink on paper 11 x 9 inches Graphite on paper Ink on paper 10 1/4 x 7 1/4 inches Unframed 4 x 6 1/2 inches Unframed 9 x 8 inches 10 3/4 x 9 inches 8 1/4 x 9 inches Unframed Unframed Provenance: Unframed Provenance: Provenance: Provenance: George Baker, New York Provenance: Provenance: Thomas G. Boss Robert Maines, New York Gift of the artist to private Provenance: C The Patricia and Provenance: Janet Marqusee Fine Arts, Ltd., Paramour Fine Arts, Franklin, MI Fine Books, Boston Henry Aidt, Jr., Florida collection, New York, circa 1925 George Baker, New York Donald Oresman Collection George Baker, New York New York C The Patricia and Midtown Payson Galleries, [Sale] Christie’s New York, C The Patricia and $300-500 C The Patricia and C The Patricia and Exhibited: Donald Oresman Collection New York Nov. 17, 1988, (part) lot 292 Donald Oresman Collection See Illustration Donald Oresman Collection Donald Oresman Collection Readers, Nov. 19, 1996 - $100-200 Private collection, Paris $300-500 $200-400 $200-400 Jan. 10, 1997, Grolier Club, Exhibited: [Sale] Sotheby’s Arcade, See Illustration New York, no. 9 Paul Cadmus: Still Lifes, 78 72 New York, Feb. 16, 1999, (part) 76 Daniel Celentano 82 C The Patricia and Portraits, Tableaux, Nov. 11 - lot 314 Donald Oresman Collection Paul Cadmus Dec. 30, 1994, Daniel Celentano American, 1902-1980 80 Daniel Celentano American, 1904-2000 Kraushaar Galleries, Inc., New York American, 1902-1980 Night Reading, circa 1935 Daniel Celentano American, 1902-1980 $200-400 Glenway Wescott, 1938 Midtown Payson Gallery, New York Grolier Club, New York Exhibited: Man Reading, circa 1935 Estate stamp (lr) American, 1902-1980 Subway Scene (Large Study), Signed Cadmus and dated 38 (lr) Estate stamp (lr) Graphite on paper Straphangers circa 1940 70 Ink and graphite on paper C The Patricia and New York, Poets House, Donald Oresman Collection Selected Readers from the Graphite, ink, and wash 10 3/8 x 8 1/2 inches Signed Daniel R. Celentano (ll) Estate stamp (lr) Milio Burquin 11 7/8 x 14 inches on paper Unframed Charcoal and graphite on paper Charcoal on tissue paper, French, 20th Century $1,500-2,500 Collection of Patricia and Provenance: See Illustration Donald Oresman, Oct. 8 - 10 1/8 x 8 inches 20 x 15 3/4 inches laid to card Tarif Double, 1930 Unframed Provenance: 16 5/8 x 20 7/8 inches Signed Milio Burquin and Gift of the Artist to Nov. 22, 2004 George Baker, New York Provenance: Glenway Westcott Unframed dated Paris 30 (ll), This work is registered in the Provenance: C The Patricia and Estate of the artist inscribed as titled (lr) Midtown Payson Gallery, George Baker, New York Donald Oresman Collection Janet Marqusee Fine Arts, Ltd., Provenance: New York archives of the Calder Foundation, Gouache on paper New York, under application C The Patricia and $200-400 New York George Baker, New York Sight 18 x 21 1/4 inches C The Patricia and Donald Oresman Collection See Illustration C The Patricia and C The Patricia and Donald Oresman Collection number A17934 C The Patricia and $300-500 Donald Oresman Collection Donald Oresman Collection Provenance: $3,000-5,000 $300-500 $200-400 Paramour Fine Arts, Franklin, MI See Illustration Donald Oresman Collection C The Patricia and $800-1,200 Donald Oresman Collection See Illustration $200-400

16 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 17

85 91 95 99

83 86 88 91 93 95 97 100 Daniel Celentano Adnan Charara Adnan Charara Minna Wright Citron Minna Citron Jean Cocteau Lucille Corcos Lucille Corcos American, 1902-1980 American, b. 1962 American, b. 1962 American, 1896-1985 American, 1896-1991 French, 1889-1963 American, 1906-1973 American, 1906-1973 Subway Scene, circa 1935 Reading Regatta, 2005 The Pleasures of Reading, 1999 Beauty Culture, 1933 Wheel of Fortune and Doping Man Reading Reading the Paper, circa 1950 Autobiography-1930’s, Signed Daniel R Celentano (lr), Signed Charara and dated 2005 (lc) Signed Adnan (lc) Signed Minna Citron and the Horses (a double sided work), Initialed JC (ur) Signed corcos (lr) Brooklyn Heights, inscribed Study Painting (ll) Ink on vellum Ink, graphite and prisma on paper dated ‘33 (lr) 1936 Graphite on paper Gouache and ink on artist’s board circa 1965-1973 Pencil and ink on paper 11 3/8 x 14 3/8 inches Sheet size 11 x 11 inches Oil, graphite, ink and tempera Signed Citron (lc), inscribed 10 3/4 x 8 3/4 inches Sheet size 5 x 6 1/2 inches Crayons on illustration board,

8 1/2 x 10 inches Unframed on Masonite gambling House Series Doping Unframed with ink on key sheet overlay Provenance: Roma Reading, 2006 Provenance: 17 5/8 x 21 1/2 inches the Horses (lc), inscribed 9 3/4 x 13 7/8 inches Together with John Szoke Editions, New York Provenance: Provenance: Dated 03 13.06 (ll) Paramour Fine Arts, Franklin, Pacific Daily Racing Form (ll), Unframed C The Patricia and Susan Teller Gallery, New York George Baker, New York Ink and watercolor on envelope Michigan Provenance: signed Minna Citron, dated ‘36 Donald Oresman Collection C The Patricia and Provenance: C The Patricia and 4 1/2 x 6 3/4 inches C The Patricia and The artist and inscribed The Wheel of Donald Oresman Collection Donald Oresman Collection Susan Teller Gallery, New York $1,200-1,800 Donald Oresman Collection Susan Teller Gallery, New York Unframed Fortune on the reverse $300-500 $200-400 Graphite on sketchbook paper See Illustration $400-600 C The Patricia and Provenance: Exhibited: Donald Oresman Collection 100 Years: National Association of 12 x 9 inches 84 George Baker, New York 89 Unframed 96 98 $300-500 C The Patricia and Woman Artists, Oct. - Dec., 1988, Daniel Celentano Roz Chast Nassau County Museum of Art, Lucille Corcos Lucille Corcos American, 1902-1980 Donald Oresman Collection American, b. 1954 Provenance: American, 1908-1973 American, 1906-1973 101 $300-500 Roslyn, NY Susan Teller Gallery, New York Untitled, circa 1935 Horror, 2004 C The Patricia and The Duet (Study for the Print), 1949 Then and Now - Lighting, circa 1955 Lucille Corcos Estate stamp (lr) Signed R. Chast (lr), dated Jan 04 C The Patricia and Signed corcos and dated Gouache and ink, with attached American, 1906-1973 Donald Oresman Collection Donald Oresman Collection Pencil on yellow paper 87 and inscribed indistinctly (lc) $4,000-6,000 signed in 1971 (lr), inscribed typed notes on tracing paper Everybody meets the Boat, 1937 $300-500 original sketch for lithograph 11 5/8 x 17 inches Graphite and ink on paper 10 1/2 x 8 inches Adnan Charara Watercolor and ink on paper See Illustration American, b. 1962 11 7/8 x 9 inches - “The Duet”/Edgar - Unframed 12 x 15 3/4 inches Provenance: Postal Perusers #1, 2006 Unframed 94 Jenny Brownbridge - David (ll) George Baker, New York Provenance: Provenance: Signed Charara (ll), 92 Litho crayon on paper C The Patricia and Minna Citron Susan Teller Gallery, New York Janet Marqusee Fine Arts, dated 03 14.06 (lr) Provenance: Minna Citron American, 1896-1985 14 5/8 x 11 1/8 inches Donald Oresman Collection C The Patricia and New York Ink and watercolor on envelope Julie Saul Gallery, New York American, 1896-1991 Untitled (Man Reading), 1938 $300-500 Provenance: Donald Oresman Collection George Baker, purchased 3 x 4 1/2 inches C The Patricia and Untitled (Two Men in Newspaper Signed Minna Citron and dated ‘38 (lr) Susan Teller Gallery, New York $1,000-1,500 January, 2003 Unframed Donald Oresman Collection Press Room), circa 1940 Graphite on paper C The Patricia and C The Patricia and 85 Postal Perusers $600-800 Signed Citron (cl) 5 1/8 x 7 7/8 inches Together with Donald Oresman Collection Donald Oresman Collection Daniel Celentano #2, 2006 Charcoal on paper Unframed 99 $700-900 $600-800 American, 1902-1980 Dated 03 14.06 (lr) 90 15 1/4 x 12 1/4 inches Lucille Corcos Provenance: Woman Reading, circa 1935 Ink watercolor on envelope Roz Chast Unframed American, 1906-1973 Susan Teller Gallery, New York Ink and wash on paper 3 3/4 x 7 1/4 inches American, b. 1954 Typing Pool, 1950 Provenance: C The Patricia and 10 x 8 inches Unframed Last Fifty Pages, 2000 Susan Teller Gallery, New York Signed corcos (lr) Unframed Donald Oresman Collection Gouache on paper Signed R. Chast (lr) C The Patricia and Provenance: $100-200 8 1/4 x 13 inches Provenance: Ink and wash on paper Donald Oresman Collection George Baker, New York 12 x 9 inches Unframed George Baker, New York $400-600 C The Patricia and Unframed C The Patricia and Donald Oresman Collection Provenance: Donald Oresman Collection $200-400 Provenance: Susan Teller Gallery, New York $200-400 Julie Saul Gallery, New York C The Patricia and See Illustration C The Patricia and Donald Oresman Collection Donald Oresman Collection $1,000-1,500 $500-700 See Illustration

18 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 19

102 106 107 110

102 103 105 106 107 109 111 113 Miguel Covarrubias Konrad Cramer John Steuart Curry Whitney Darrow, Jr. James Daugherty James Daugherty Clara D. Davidson Thrya Davidson Mexican, 1904-1957 American, 1888-1963 American, 1897-1946 American, 1909-1999 American, 1889-1974 American, 1889-1974 American, 1874-1962 American, b. 1926 Untitled (Portrait of a Man), Woman Reading, circa 1929 Inscriptions #3: McCall’s, 1957 Untitled (Beach Scene), Vision, circa 1960 At the Beach - Three Scenes, Apple and Book, circa 1965 circa 1925 Inscribed and dated Pencil Leaves of Grass, 1943 Signed Whitney Darrow, Jr. (lr) circa 1915 Signed J. Daugherty and circa 1900 Initialed TD Watercolor and collage Drawing By My Father Konrad Inscribed as titled (ll), Grease pencil, ink and wash on Signed James Daugherty (lr) inscribed as titled on the reverse Estate stamp (lr) Wood sculpture on paper Cramer c. 1929 / B. Cramer (lr) estate stamp (lc), reproduction illustration board Gouache and ink on paper Acrylic on paper Watercolor, ink and colored Height 13 inches Sight size 8 x 5 1/4 inches Graphite on tissue paper rights stamp on the reverse 16 3/8 x 14 inches 12 1/4 x 16 3/8 inches 23 x 14 5/8 inches pencil on paper

17 x 13 1/4 inches Ink and lithographer’s crayon Unframed Each scene 4 x 5 5/8 inches Provenance: Provenance: Unframed on paper Provenance: Provenance: Robert Schoelkopf Gallery, James Cummins Bookseller, Sheet size 13 3/4 x 8 1/2 inches Davis and Langdale Company, Kraushaar Galleries, Inc., New York Provenance: Provenance: New York New York Provenance: New York C The Patricia and George Baker, New York Estate of the artist no. 4048 C The Patricia and Unframed M. Lee Stone Fine Prints, San Jose Donald Oresman Collection C The Patricia and Private collection, New York Donald Oresman Collection Literature: Exhibited: C The Patricia and Provenance: $1,000-1,500 Donald Oresman Collection Ronny Cohen Fine Art, New York $200-400 Miguel Covarrubias: Homenaje, Artists of The New Yorker: Donald Oresman Collection Estate of the Artist See Illustration $200-400 C The Patricia and Mexico, Centro Cultural/Arte An Exhibition to Celebrate $300-500 Childs Gallery, Boston See Illustration Donald Oresman Collection Contemporaneo, 1987, p. 74 the 75th Anniversary of the 114 $400-600 Carl Van Vechten and Literature: Magazine, Apr. 2000, Davis and 108 Arthur B. Davies the Irreverent Decades, 104 Walt Whitman, Leaves of Grass, Langdale Company, New York James Daugherty 110 American, 1862-1928 Bruce Kellner, pp. 188-89 Konrad Cramer Peter Pauper Press, Mt. Vernon, C The Patricia and American, 1889-1974 James Daugherty 112 Two Variations on the Theme of Covarrubias, Adriana Williams, American, 1888-1963 New York, 1943 Donald Oresman Collection The Barbershop, 1931 American, 1889-1974 Clara D. Davidson Woman at Table, circa 1900 pp. 36 et seq. Reclining Woman Reading, 1929 C The Patricia and $800-1,200 Signed Daugherty and dated 31 (ul) Childs Restaurant, 1930 American, 1874-1962 Artist’s stamp (lr) C The Patricia and Signed Konrad Cramer and Donald Oresman Collection See Illustration Watercolor, crayon and Signed James Daugherty and Union Square, circa 1900 Charcoal, pastel and colored Donald Oresman Collection dated 1929 (lc) $600-800 graphite on card dated 30 (ll), estate stamp on Estate stamp on the reverse pencil on brown paper Ink and lithographer’s crayon 26 1/2 x 18 3/4 inches the reverse Charcoal and pastel on paper 9 x 12 inches $7,000-9,000 See Illustration on paper Watercolor and crayon on 18 3/4 x 12 1/4 inches 12 x 18 inches Provenance: paper Provenance: Unframed Janet Marqusee Fine Art, Ltd., 20 x 15 inches Provenance: Estate of the artist

New York Unframed Estate of the artist, no. 4025 Ronny Cohen, New York Provenance: C The Patricia and Private collection, New York C The Patricia and George Baker, New York Donald Oresman Collection Provenance: Ronny Cohen Fine Art, New York Donald Oresman Collection C The Patricia and $800-1,200 Salander-O’Reilly Galleries, C The Patricia and $200-400 Donald Oresman Collection New York Donald Oresman Collection $300-500 Robert Schoelkopf Gallery, $300-500 New York Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection $300-500 See Illustration 20 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 21

115 116 124 128

115 117 119 121 123 125 127 129 George Deem Adolph Dehn Pele Murdock de Lappe Andre Dunoyer deSegonzac Nathaniel Dirk Malcolm Drummond Malcolm Drummond Guy Pene du Bois American, 1932-2008 American, 1895-1968 American, 1916-2007 French, 1884-1974 American, 1895-1961 English, 1880-1945 English, 1880-1945 American, 1884-1958 Edward and Jo Hopper 1955, 1995 I Do Help You Carry Things, 1935 The Working Press (Study for Seated Woman with Hat, Gloucester Fisherman, circa 1930 Woman Reading, 1922 Portrait of the Artists Father, Untitled Signed George Deem and Signed with artist’s mark and the Print), 1965 circa 1925 Signed N Dirk (lr) Dated 1922 (lr) circa 1922 Ink on paper dated 1995 (lr), inscribed as dated 1935 (ll), Signed Pele de Lappe (ll) Signed A. Dunoyer de Segonzac (lr) Watercolor on paper Ink on paper Graphite on tracing paper 11 x 8 1/2 inches titled (ll) inscribed as titled (uc) Pencil on tracing paper Ink and wash on cream wove paper 17 3/8 x 22 1/4 inches 12 x 9 inches 7 1/2 x 9 1/2 inches Oil on paper Ink on paper 17 x 9 3/4 inches 11 3/8 x 18 7/8 inches Unframed Provenance: 20 x 24 inches 18 3/8 x 14 1/2 inches Unframed Unframed Provenance: Provenance: Estate of the artist

Unframed Provenance: Thos. Agnew and Sons, London Davis & Langdale Company, Inc., James Graham and Sons, Inc., Provenance: Provenance: Provenance: George Baker, New York Montpelier Studio, London New York New York Nancy Hoffman Gallery, New York Provenance: Susan Teller Gallery, New York [Sale] Swann Galleries, C The Patricia and Davis and Langdale Company, Inc., C The Patricia and C The Patricia and C The Patricia and Susan Teller Gallery, New York C The Patricia and Sep. 28, 2000, lot no. 618 Donald Oresman Collection New York Donald Oresman Collection Donald Oresman Collection Donald Oresman Collection C The Patricia and Donald Oresman Collection Susan Teller Gallery, New York $200-400 C The Patricia and $300-500 $400-600 $600-800 Donald Oresman Collection $200-400 C The Patricia and Donald Oresman Collection See Illustration $200-400 Donald Oresman Collection 124 $300-500 128 130 120 $400-600 Malcolm Drummond Guy Pene du Bois Marcel Dumont 116 118 Andre Dunoyer de Segonzac English, 1880-1945 126 American, 1884-1958 Belgian, 1910-1985 Adolph Dehn Pele Murdock de Lappe French, 1884-1974 122 Portrait of the Artist’s Father, Malcolm Drummond Untitled (Man at Table, Reading) Homme dans interior cubist, 1955 American, 1895-1968 American, 1916-2007 Pour l’Education Sentimentale Dan Dickey The Reverend Canon Arthur English, 1880-1945 Ink on paper Signed M. Dumont and Ludwig Lewisohn, Paris, 1927 Stewart’s Cafeteria Signed A.D. de Segonzac (lr), American, 1910-1961 Hislop Drummond, 1922 Little Girl Reading, circa 1910 8 3/8 x 10 1/2 inches dated 1955 (lr) Signed Adolf Dehn, dated Paris Signed Pele de Lappe (ll) inscribed as titled (ll) Mural Study for the San Diego Signed Drummond and Graphite on paper Ink on paper 1927, and inscribed as titled (ll) Graphite on paper Ink on paper Post Office, circa 1935 dated 1922 (lr) 7 x 7 1/8 inches Provenance: 25 1/2 x 19 1/2 inches Ink on paper 13 x 22 1/4 inches 16 7/8 x 10 1/4 inches Ink and watercolor on paper Oil on canvas Estate of the artist 12 7/8 x 9 7/8 inches C The Patricia and Image size 8 1/2 x 21 inches, 24 x 21 1/2 inches Provenance: James Graham and Sons, Inc., Provenance: Unframed Provenance: Donald Oresman Collection sheet size 13 1/2 x 25 inches Davis & Langdale Company, Inc., New York Susan Teller Gallery, New York

Andrew Stasik Fine Arts, $200-400 Provenance: New York C The Patricia and C The Patricia and Provenance: Darien, CT Provenance: The Artist’s family, until 1994 C The Patricia and Donald Oresman Collection Donald Oresman Collection

Susan Teller Gallery, New York Sragow Gallery, New York Agnew’s, London Donald Oresman Collection $500-700 $200-400 Exhibited: C The Patricia and C The Patricia and Davis and Langdale Company, Inc., $300-500 See Illustration Donald Oresman Collection New York City Readers: 20th Donald Oresman Collection New York $200-400 Century Prints, Drawings, and $300-500 C The Patricia and See Illustration Photographs from the Collection Donald Oresman Collection of Donald Oresman, May 2000, $6,000-9,000 The New York Society Library, See Illustration New York C The Patricia and Donald Oresman Collection $300-500

22 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 23

131

138

133

132

131 133 134 135 Fred Ellis Lyonel Feininger Lorser Feitelson Lorser Feitelson American, 1885-1965) American, 1871-1956 American, 1898-1978 American, 1898-1978 Racing Form, circa 1935 Newspaper Reader at the Nude Reading and Study of a Nude Woman Reading and Figure Black ink and charcoal Dome, 1908 Man (a double sided work), 1922 Studies (a double sided work), 1920 15 x 8 inches Dated Feb Mar 08 (ur) Initialed L. F. and dated ‘22 (lr), Signed Feitelson, dated 1920 Graphite and crayon on paper signed Lorser Feitelson and and inscribed (study for painting/ 139 Provenance: 4 1/8 x 2 3/4 inches inscribed ‘Nude Reading’ 1922 in the Allen Collection) (cr) Sragow Gallery, New York Paris- / study for painting on Graphite on paper C The Patricia and Provenance: cardboard which was exhibited 11 1/2 x 7 1/4 inches Donald Oresman Collection Achim Moeller Fine Art, New York at the Salon d’Automne 1923 in Unframed $200-400 Literature: Paris on the reverse See Illustration Graphite on paper Provenance: Feininger in Paris: Eugene Allen, Los Angeles The Paris Drawings, 1882-1911, 11 x 8 1/2 inches 137 138 139 132 Unframed Tobey Moss Gallery, Los Angeles Germanisches Nationalmuseum, C The Patricia and Alan Feltus David Fredenthal David Fredenthal Richard Estes Jun. 6 - Aug. 30, 1992, Nuremberg American, b. 1936 Provenance: Donald Oresman Collection American, b. 1943 American, 1914-1958 American, 1914-1958 C The Patricia and Toby Moss Gallery, Los Angeles $300-500 Dream, 1993 Mural Study of the Ford Range Mural Study of the Ford Range Upper West Side, 1963 Donald Oresman Collection Signed Estes and dated 63 (lr) C The Patricia and Signed Alan Feltus (ur), dated 1993 (ul), Assembly Plant, 1940 Assembly Plant, 1940 $4,000-6,000 Donald Oresman Collection signed Alan Feltus, dated 1993 and Signed David Fredenthal (ll) Graphite on paper Oil on paper See Illustration 136 4 3/4 x 6 5/8 inches $300-500 inscribed as titled on the stretcher Watercolor and graphite on wove paper Image size 7 3/4 x 24 inches, Alan Feltus Oil on linen Sight 15 x 48 inches sheet size 14 x 26 3/8 inches American, b. 1943 Provenance: Study for Woman in Profile, 1985 10 x 8 inches Deerfield Gallery, Provenance: Provenance: Signed Alan Feltus (lr), dated 1985 (ll) Provenance: Paramour Fine Arts, Franklin, MI Paramour Fine Arts, Franklin, MI South Deerfield, MA Oil on canvas Thomas G. Boss Fine Books, Boston Forum Gallery, New York C The Patricia and Donald Oresman Collection C The Patricia and Donald Oresman Collection 14 x 11 inches $4,000-6,000 $1,500-2,500 Exhibited: Exhibited: Provenance: See Illustration See Illustration Selected Readers from the Alan Feltus: Two Years in Umbria, Mar. 1994, Forum Gallery, New York Forum Gallery, New York Collection of Patricia and C The Patricia and Donald Oresman, Oct. 8 - C The Patricia and Donald Oresman Collection Donald Oresman Collection $400-600 Nov. 22, 2004, Poets House, $500-700 New York C The Patricia and Donald Oresman Collection $1,500-2,500 See Illustration

24 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 25

140 142 152 155

140 142 144 146 148 150 152 154 David Fredenthal Don Freeman Don Freeman Don Freeman Don Freeman Don Freeman Jane Freilicher Sue Fuller American, 1914-1958 American, 1908-1978 American, 1908-1978 American, 1908-1978 American, 1908-1978 American, 1908-1978 American, 1924-2014 American, 1914-2006 Untitled (Man Reading), circa 1930 The Helping Hand, 1933 A Drama Scene the Audience Brooks Atkinson in his Office For Colored Only and Brooks Atkinson Reading Woman Reading, circa 1960 Woman Reading at Table, Signed DAVE (lc) Oil on board Doesn’t See Graphite, correction fluid, Portrait of Sgt. Villareal Inscribed Brooks Atkinson (ul) Signed Jane Freilicher (lr) circa 1940 Graphite on paper 16 x 13 1/2 inches Signed Don Freeman (ll), and ink on paper (a double sided work), circa 1940 Graphite and ink on paper Pastel on paper Oil on paper mounted to

12 x 9 7/8 inches inscribed as titled and Stage 8 7/8 x 11 5/8 inches Ink and white gouache over 8 7/8 x 11 5/8 inches Sight 12 5/8 x 9 inches support sheet Provenance: Unframed Hands effecting an Eviction - Unframed black crayon on paper Unframed 6 1/4 x 7 1/2 inches Estate of the artist Between Acts of ‘Paradise Lost’ (lc) 8 x 10 3/4 inches Provenance: Unframed Provenance: Paramour Fine Arts, Franklin, MI Provenance: Lithographer’s crayon, graphite, Unsigned Provenance: Tibor de Nagy Gallery, New York Paramour Fine Arts, C The Patricia and and ink on tan paper Thomas Boss, Boston Thomas Boss, Boston C The Patricia and Provenance: Franklin, Michigan Donald Oresman Collection 13 3/8 x 13 3/8 inches C The Patricia and Provenance: C The Patricia and Donald Oresman Collection Susan Teller Gallery, New York C The Patricia and $800-1,200 Unframed Donald Oresman Collection Estate of the Artist Donald Oresman Collection $1,000-1,500 C The Patricia and Donald Oresman Collection See Illustration $200-400 Paramour Fine Arts, $200-400 See Illustration Donald Oresman Collection $300-500 Provenance: Franklin, Michigan $100-200 143 M. Lee Stone Fine Prints, San Jose 147 C The Patricia and 151 153 141 Don Freeman C The Patricia and Don Freeman Donald Oresman Collection Kathryn Freeman Roger Fry 155 Don Freeman American, 1908-1978 Donald Oresman Collection American, 1908-1978 $500-700 American, b. 1956 English, 1866-1934 Wanda Gag American, 1908-1978 Wedding Bureau, Municipal $300-500 Cartoon Readers, circa 1935 By the Lake (Virginia), 1986 The Artist’s Daughter, Pamela, American, 1893-1946 On the Subway Building, New York, 1934 Signed Don Freeman (lr) 149 Signed Freeman (lr), dated Knitting and Reading, 1918 Woman in Chair Reading, 1927 Estate stamp (ll) Estate stamp (ll), inscribed 145 Tempera and watercolor on paper Don Freeman 1986 and inscribed as titled (lc) Graphite on paper Dated 1927 on the reverse Ink on paper as titled (lc), estate stamp Sheet size 8 1/4 x 11 3/8 inches American, 1908-1978 Oil on paper 4 1/2 x 7 inches Ink on paper Don Freeman 8 3/4 x 6 3/4 inches on the reverse American, 1908-1978 Unframed The Gossip Pages, circa 1940 11 x 15 inches 8 1/2 x 7 inches Provenance: Unframed Ink, graphite, and watercolor Young Man Reading, Signed Don Freeman (ll) Unframed Provenance: Davis and Langdale Company, Ltd., on paper circa 1939-40 Graphite and ink on paper Provenance: Provenance: George Baker, New York Tatischeff Gallery, Inc., New York New York Provenance: Sheet size 8 5/8 x 11 1/4 inches Estate stamp with the initials of 9 x 11 7/8 inches M. Lee Stone Fine Prints, San Jose C The Patricia and C The Patricia and M. Lee Stone Fine Prints, Inc., Unframed Lydia Freeman (lr) Unframed Exhibited: C The Patricia and Donald Oresman Collection Donald Oresman Collection San Jose Lithographer’s crayon on gray paper Bloomsbury: Recent Acquisitions, Donald Oresman Collection Provenance: $300-500 Provenance: $200-400 C The Patricia and 14 3/4 x 11 inches Sep. 10 - Nov. 8, 1997, $200-400 Estate of the Artist George Baker, New York Donald Oresman Collection Unframed Davis and Langdale Company, M. Lee Stone Fine Prints, San Jose C The Patricia and $1,500-2,500 New York, no. 19 C The Patricia and Provenance: Donald Oresman Collection See Illustration C The Patricia and Donald Oresman Collection The Old Print Shop, New York $200-400 Donald Oresman Collection $600-800 C The Patricia and $400-600 Donald Oresman Collection $300-500

26 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 27 156

162

165 167 159

156 158 160 162 163 165 167 169 Wanda Gag Philip Geiger Eric Gill William Glackens Bernard Glasgow Julio Gonzalez Spencer Frederick Gore Douglas Gorsline American, 1893-1946 American, b. 1956 English, 1882-1940 American, 1870-1938 American, 1914-1986 Spanish, 1876-1942 English, 1878-1914 American, 1913-1985 Woman Reading, Man Lying C.M. Reading, 1992 Man Holding Book: Well Fed, Well Cared For, Reading the Wall Street Journal, Femme A Sa Lecture, 1928 Self Portrait/Study of a Cat Woman Reading in the Subway, on Bed, 1924 Signed P. Geiger (ll) Who Believes What He Hears Well Brought Up circa 1945 Initialed j.G. and dated 1928 (ll) (a double sided work), 1913 New York City, circa 1945 Graphite on paper Oil on panel Graphite on paper, (William Morris Butler), 1904 Signed Glasgow (lr) Watercolor, graphite and Estate stamp (lr) Inscribed Gorsline M.G. (lr) 11 x 7 7/8 inches 18 x 12 inches squared for transfer Signed W. Glackens (lr), Oil on canvas ink on paper Graphite on paper Ink on paper

Unframed 4 1/4 x 2 1/4 inches inscribed William Morris Butler 16 x 20 inches 4 1/4 x 5 1/2 inches 8 x 6 1/2 inches 8 1/2 x 5 3/8 inches Provenance: Unframed on the reverse, signed W. Glackens Unframed Provenance: Tatischeff Gallery, New York and inscribed The Patient on a Provenance: Provenance: Provenance: M. Lee Stone Fine Prints, Inc., C The Patricia and Provenance: label affixed to the reverse Estate of the Artist Amy Wolf Fine Art, New York Estate of the artist Provenance: San Jose Donald Oresman Collection The Artist’s family Ink on paper Jane Marquesee Fine Arts, Ltd., C The Patricia and Davis and Langdale Company, Ltd., Susan Teller Gallery, New York C The Patricia and $1,000-2,000 Davis and Langdale Company, Inc., 8 3/4 x 6 3/8 inches New York Donald Oresman Collection New York Please note: this work was Donald Oresman Collection New York C The Patricia and $4,000-6,000 C The Patricia and authenticated by Marie Gorsline, $600-800 159 C The Patricia and Provenance: Donald Oresman Collection See Illustration Donald Oresman Collection wife of the artist, and bears See Illustration Eric Gill Donald Oresman Collection Estate of the artist $1,000-2,000 $700-900 her signature. $800-1,200 Kraushaar Galleries, New York See Illustration C The Patricia and English, 1882-1940 166 Donald Oresman Collection 157 Our Lord, St. Monica, St. Austin Exhibited: 164 Bertram Goodman $200-400 Emil Ganso and Our Lady, Studies of Buildings 161 Reading Between the Wars: Charles Goeller American, 1904-1988 168 American, 1895-1941 (a double sided work) Gregory Joseph Gillespie Books and Readers, 1915-1950, American, 1901-1955 The News, circa 1945 Douglas Gorsline Montparnasse (Study for Inscribed as titled (ur) American, 1936-2000 Oct. 15 - Dec. 4, 1994, Lunch Hour, circa 1930 Signed Bertram Goodman (ll) American, 1913-1985 170 the print), circa 1922 Graphite on tissue paper Self-Portrait Ripin Print Gallery, Oberlin College, Signed Charles L. Goeller (lr) Oil on canvas Plateau Reader II Douglas Gorsline Signed Ganso (lr) 4 7/8 x 6 1/8 inches Initialed GG and numbered 32 Oberlin, OH, no. 14 Graphite on paper 48 x 28 inches Signed Gorsline (ll), signed American, 1913-1985 Graphite and watercolor on paper Unframed on the reverse 11 x 14 inches Gorsline (lr) Man Reading, circa 1940 Grolier Club, New York 10 5/8 x 12 1/2 inches Oil on panel Unframed Provenance: Oil on canvas Inscribed Gorsline M.G. (lr) Provenance: C The Patricia and Unframed 8 1/8 x 9 1/8 inches Paramour Fine Arts, Franklin, MI 18 x 24 inches Graphite on paper The Artist’s family Donald Oresman Collection Unframed Provenance: C The Patricia and 11 1/8 x 10 1/4 inches Provenance: Davis and Langdale Company, Inc., $2,000-4,000 Franklin Riehlman Fine Art, Donald Oresman Collection Provenance: Unframed Weyhe Gallery, New York New York Provenance: See Illustration New York $300-500 Susan Teller Gallery, New York Paramour Fine Arts, C The Patricia and Forum Gallery, New York C The Patricia and C The Patricia and Provenance: Franklin, Michigan Donald Oresman Collection C The Patricia and Donald Oresman Collection Donald Oresman Collection Susan Teller Gallery, New York C The Patricia and $1,500-2,500 Donald Oresman Collection $1,000-1,500 $400-600 Please note: this work was Donald Oresman Collection See Illustration $1,000-2,000 authenticated by Marie Gorsline, $300-500 wife of the artist, and bears her signature. C The Patricia and Donald Oresman Collection $200-400

28 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 29 173 177 180

171 173 174 176 178 180 Harry Gottlieb Duncan Grant Duncan Grant Duncan Grant Duncan Grant Juan Gris American, 1894-1991 English, 1885-1978 English, 1885-1978 English, 1885-1978 English, 1885-1978 Spanish, 1887-1927 Eugenie Gershoy Reading, circa 1930 The Group at Asheham: Adrian Stephen, Man in Chair by Fireplace, Reading (Study for Vanessa Bell Reading to a Child, circa 1955 Vanessa Bell Reading to Her Son Julian/ Femme au Livre, circa 1926 Signed H. Gottlieb (lr) Virginia Woolf, Vanessa Bell, Woodcut), a double sided work, circa 1918 Initialed DG (ll) Study of Julian (a double sided work), Inscribed A mon charmont gendre de la Oil on canvas and Henri Doucet, 1913 Watercolor and graphite on paper Ballpoint pen on paper circa 1955 parte/de sa bellemere L. Gonzalez Gris/ 24 x 20 inches Remnants of signature d. Grant (lc), 5 x 7 inches 13 x 8 inches Ballpoint pen on two conjoined sheets 1 Fevrier 75 on the reverse

inscribed Doucet Vanessa Virgina Adrian Sight size 11 1/2 x 7 3/4 inches Ink and graphite on paper Provenance: Provenance: on the reverse Provenance: 7 5/8 x 6 1/4 inches Estate of the artist Provenance: George Baker, New York Oil on board Estate of the artist, until 1999 Davis and Langdale Company, Ltd., New York Estate of the artist until 1996 Provenance: C The Patricia and Donald Oresman Collection 10 3/8 x 25 inches Davis and Langdale Company, Inc., New York $800-1,200 C The Patricia and Donald Oresman Collection C The Patricia and Donald Oresman Collection Davis and Langdale Company, Inc., New York L. Gonzalez Gris (widow of the artist) until 1975

Provenance: $600-800 $1,000-1,500 Thence by descent in the family Exhibited: 172 Davis and Langdale Company, Ltd., New York Davis & Langdale Co., Inc, New York Readers, Nov. 19 - Jan. 10, 1997, C The Patricia and Donald Oresman Collection Harry Gottlieb Exhibited: 175 177 Grolier Club, New York, no. 24 American, 1894-1991 Duncan Grant Duncan Grant $15,000-25,000 The Omega Workshops: Alliance and C The Patricia and Donald Oresman Collection See Illustration Woodstock Post Office, 1930 Enmity in British Art 1911-1920, Anthony English, 1885-1978 English, 1885-1978 $1,000-1,500 Signed Harry Gottlieb and dated 1930 (lc) d’Offay Gallery, London, 1984, no. 49 Quentin Bell Reading (Study for “The Family Vanessa Bell Reading to her Grandchild, 1954 Ink and gouache on board at Charleston”), 1953 Intitialed D.G. and dated August 1954 (ll) 181 Fundacio Caiza de Pensions, Barcelona 179 11 7/8 x 26 3/4 inches Initialed DG (lr), inscribed Duncan Bell on Ballpoint pen on paper A Room of Their Own: The Artists of William Gropper the reverse 13 x 8 inches Samuel Greenberg American, 1897-1978 Bloomsbury in American Collections, American, 1905-1980 Provenance Charcoal on brown paper Reading the Paper and Construction Scene Paramour Fine Art, Franklin, MI Cornell University Herbert F. Johnson Provenance: Mural Study, circa 1940 Museum of Art, Ithaca, NY, no. 67 21 7/8 x 17 7/8 inches (a double sided work), circa 1930 C The Patricia and Donald Oresman Collection Estate of the artist until 1996 Inscribed From the estate of Samuel Greenberg/ Signed Gropper (lr) $800-1,200 C The Patricia and Donald Oresman Collection Provenance: Davis and Langdale Company, Inc., New York Leah Greenberg on the reverse Ink on paper $40,000-60,000 Estate of the artist (until 1997) Gouache and graphite on paper Exhibited: Sheet size 11 x 6 3/8 inches See Illustration Davis and Langdale Company, Inc., New York 5 x 8 inches Readers, Nov. 19 - Jan. 10, 1997, Unframed C The Patricia and Donald Oresman Collection Grolier Club, New York, no. 25 Provenance: $1,000-1,500 Provenance: C The Patricia and Donald Oresman Collection Estate of the Artist Susan Teller Gallery, New York $1,000-1,500 Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection See Illustration Exhibited: $600-800 Hickory, North Carolina, Hickory Museum of Art C The Patricia and Donald Oresman Collection $200-400

30 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 31 183 184 195 196

182 184 186 188 190 192 194 197 William Gropper George Grosz Bernhard Gutmann Hananiah Harari Hananiah Harari John Held, Jr Riva Helfond Fannie Hillsmith American, 1897-1978 German/American, 1893-1959 American, 1869-1936 American, 1912-2000 American, 1912-2000 American, 1889-1958 American, 1910-2002 American, 1911-2007 Convention News: Lesender Mann Elizabeth Reading, 1921 Dick Stein Reading, 1961 Home Study, 1958 Nocturne, circa 1920 Fort Hancock Station, 1946 Spring Park (Central Park), 1941 Third Day, a Delegate Bears stamped signature (lr) and Initialed B.G. (ll), dated Jan 1921 (lr) Signed Harari (lr), signed Signed Harari (lr), signed Signed John Held Jr. (lr) Signed Helfond, and dated 1946 (lr) Signed Hillsmith and dated 41 (lr) Signed Gropper (lr) with George Grosz Nachlass stamp Red conte crayon on paper Hananiah Harari, dated 1961, and Hananiah Harari, dated 1958 and Ink on illustration board Ink, watercolor and gouache Oil and tempera on Masonite Ink on tan paper (UC 353 35) on the verso Sheet size 11 x 14 inches inscribed as titled on the reverse inscribed as titled on the reverse 12 x 7 1/4 inches on paper 9 x 12 inches

Sight size 9 1/2 x 8 1/2 inches Graphite on paper Graphite and crayon on paper Graphite, wash, and crayon Unframed 13 7/8 x 17 inches Provenance: 8 3/4 x 11 1/4 inches 9 x 11 1/2 inches on paper Unframed Provenance: Provenance: Beacon Hill Fine Art, New York Provenance: Susan Teller Gallery, New York Unframed 12 x 9 1/2 inches ACA Galleries, New York Provenance: C The Patricia and Donald Unframed Graham Gallery, New York Provenance: Beacon Hill Fine Art, New York [Sale] Doyle New York, Modern Oresman Collection Provenance: [Sale] Heritage Galleries Susan Teller Gallery, New York Exhibited: C The Patricia and and Contemporary Art Sale, $400-600 Susan Teller Gallery, New York Provenance: Auction, Dallas, May 11, 2005, C The Patricia and Fannie Hillsmith, Donald Oresman Collection Dec. 1, 2004, lot no. 4 C The Patricia and Susan Teller Gallery, New York lot no. 23110 Donald Oresman Collection Nov. 15, 1996 - Feb. 15 1997, Black Mountain College Museum, $500-700 Crane Kalman Gallery, London 187 Donald Oresman Collection C The Patricia and Susan Teller Gallery, New York $200-400 Blains Limited, London $400-600 Donald Oresman Collection C The Patricia and Asheville, NC Joseph Mellor Hanson C The Patricia and 183 C The Patricia and English, 1900-1963 $400-600 Donald Oresman Collection 195 Donald Oresman Collection $700-900 Donald Oresman Collection Red Grooms Poetry Readers (or Listening to 189 John Heliker $700-900 American, b. 1937 $3,000-5,000 the Score), 1947 Hananiah Harari 191 American, 1909-2000 The Tin Drum See Illustration Initialed JMH (lr), initialed JMH American, 1912-2000 193 Self Portrait with Landscape, Hananiah Harari 198 (Woman Reading), 1964 and dated 1947 on the reverse, Ethel Stein Reading, American, 1912-2000 John Held, Jr. circa 1990 Signed Red Grooms and 185 signed JM Hanson, dated 1947 with Dog, 1988 Picnic in Senasqu Park, 1975 American, 1889-1958 Signed Heliker (lr) Theo Hios American, 1908-1999 dated 64 (lr) Juanita Hambrook Guccioni-Rice and inscribed Poetry Readers Signed Harari (lc), signed Signed Harari (lr) The Highbrow, 1919 Oil on canvas Oil on board American, 1904-1999 on the stretcher Hananiah Harari, dated 1988, Graphite and colored pencil Ink and wash on illustration board 42 1/4 x 50 inches Stamos Reading in his Studio, 1946 5 1/2 x 7 1/2 inches Mural Study - State Building, Oil on canvas and inscribed as titled on on paper 11 3/4 x 7 inches Signed Theo and Hios, dated New York, circa 1935 36 x 32 inches the reverse 9 x 12 inches Provenance: 46 and inscribed Stamos (ll) Provenance: Oil on Masonite Graphite and crayon on paper Unframed Provenance: Kraushaar Galleries, Inc., New York Watercolor on paper Paramour Fine Arts, Franklin, MI Provenance: Graham Gallery, New York C The Patricia and 22 1/2 x 15 1/2 inches 10 1/2 x 22 1/2 inches 12 5/8 x 9 1/2 inches Aaron Galleries, Chicago Provenance: James Cummins Bookseller, Donald Oresman Collection Unframed Exhibited: Unframed Provenance: C The Patricia and Susan Teller Gallery, New York New York $5,000-7,000 Selected Readers from the Estate of the artist Donald Oresman Collection Provenance: C The Patricia and See Illustration Provenance: Collection of Patricia and Literature: Susan Teller Gallery, New York Susan Teller Gallery, New York $1,000-1,500 Susan Teller Gallery, New York Donald Oresman Collection Donald Oresman, C The Patricia and C The Patricia and $400-600 Oberlin, Ohio, Ripin Print Gallery, Oct. 8 - Nov. 22, 2004, Oberlin College, Reading 196 Exhibited: Donald Oresman Collection Donald Oresman Collection John Heliker Reading Matter, Newspapers Poets House, New York $2,000-4,000 $400-600 Between the Wars: Books and C The Patricia and Readers, 1915-1950, American, 1909-2000 and Books in American Donald Oresman Collection Oct. 15 - Dec. 4, 1994, no. 28 Reading in Bed Prints and Drawings, $1,500-2,500 C The Patricia and Oil on canvas Oct. 12 - Nov. 27, 1993, 14 x 20 inches Susan Teller Gallery, New York See Illustration Donald Oresman Collection $700-900 C The Patricia and Provenance: Donald Oresman Collection Kraushaar Galleries, Inc., New York $500-700 C The Patricia and Donald Oresman Collection $1,000-2,000 See Illustration

32 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 33 201 203 206 207 213 215

199 201 203 205 207 209 212 214 Theo Hios Adolph Hoffmeister Carl Holty Joel Janowitz Gwen John Lester Johnson Mervin Jules Maira Kalman Barbara Nicolaides Reading Czech, 1902-1973 American, 1900-1973 American, b. 1945 British, 1876-1939 American, 1919-2010 American, 1912-1994 American, b. 1949 the New York Times, 1937 Theodore Dreiser, 1929 Seated Figure Reading Beach from Above, 1992 Woman in Railway Carriage Untitled (Cannes, February), 1993 News, circa 1935 Barnes & Noble - Book Man, 1995 Signed Hios and dated 37 (lr), Initialed AH, dated 29 and a Newspaper, 1947 Signed Janowitz and dated Reading a Newspaper, circa 1915 Watercolor on paper Signed Jules (ll), inscribed as Inscribed Page 6 (lc), signed dated 1937 and inscribed inscribed Prague (lr) Signed Carl Holty and dated 47 (lr) 1992 (lr), signed Janowitz, Estate stamp (lr) 9 1/8 x 12 1/4 inches titled on the reverse Maira Kalman on the reverse as titled (ll) Collage, ink and graphite Pastel on paper dated 1992 and inscribed as Graphite on tan paper Oil on board Gouache on paper Watercolor on paper on paper 12 x 9 1/4 inches titled on the reverse 8 3/4 x 6 7/8 inches Provenance: 5 3/4 x 9 3/8 inches 13 x 9 7/8 inches

19 1/4 x 24 1/2 inches 23 5/8 x 17 3/8 inches Oil on canvas Edward Thorp Gallery, New York Unframed Provenance: Unframed Provenance: 20 x 24 inches Provenance: C The Patricia and Provenance: William McWillie Chambers III, Estate of the artist Donald Oresman Collection Paramour Fine Arts, Franklin, MI Provenance: Provenance: Family of the artist New York Provenance: Davis and Langdale Company, Inc., $400-600 C The Patricia and Julie Saul Gallery, New York Susan Teller Gallery, New York Rachel Adler Gallery, New York C The Patricia and Victoria Munroe Fine Art, Ltd., New York Donald Oresman Collection C The Patricia and C The Patricia and C The Patricia and Donald Oresman Collection New York C The Patricia and 210 $300-500 Donald Oresman Collection Donald Oresman Collection Donald Oresman Collection $800-1,200 C The Patricia and Donald Oresman Collection Malvin Gray Johnson $500-700 $400-600 $1,000-1,500 See Illustration Donald Oresman Collection $2,000-4,000 American, 1896-1934 213 See Illustration $500-700 See Illustration Immigration, circa 1925 Maira Kalman 215 200 204 Signed by Malvin Johnson on American, b. 1949 John Kane Theo Hios 202 Ellison Hoover 206 208 the reverse Barnes and Noble - American, 1860-1934 Greek/American, 1910-1998 Adolph Hoffmeister American, 1888-1955 Gwen John Lester Johnson Charcoal on paper Back Cover, 1995 In a Library My Studio (260 W 29th St. Czech, 1902-1973 Untitled (Couple on the British, 1876-1939 American, 1919-2010 10 1/2 x 14 5/8 inches Signed Maira Kalman Signed John Kane (lr) New York), 1946 Virginia Woolf, 1929 Left Bank, Paris), circa 1950 Arthur Symons in a Hat, Pare Messina #3, 1992 Unframed on the reverse Oil on canvas

Signed Theo Hios, dated ‘46 Initialed AH and dated 29 (lr) Signed Ellison Hoover (lr) Reading, circa 1920 Signed Lester Johnson and Gouache on paper 14 1/8 x 8 inches Provenance: and inscribed as titled (lr) Ink and graphite on card Crayon on illustration board Estate stamp (lr) dated 92 (lr) 13 x 9 3/4 inches George Baker, New York Provenance: Watercolor on paper 18 3/4 x 12 1/2 inches 15 x 20 1/8 inches Charcoal on tan paper Oil on canvas Unframed C The Patricia and Stefan Hirsch 17 x 21 3/4 inches Unframed 11 5/8 x 10 inches 16 x 12 inches Provenance: By descent to the family Untitled Provenance: Donald Oresman Collection Rachel Adler Gallery, New York Provenance: Provenance: Provenance: $200-400 Julie Saul Gallery, New York Richard York Gallery, New York Provenance: C The Patricia and Susan Teller Gallery, New York Estate of the artist until 1997 Edward Thorp Gallery, New York C The Patricia and C The Patricia and Susan Teller Gallery, New York Donald Oresman Collection C The Patricia and Davis and Langdale Company, Inc., C The Patricia and 211 Donald Oresman Collection Donald Oresman Collection C The Patricia and $600-800 Donald Oresman Collection New York Donald Oresman Collection Joe Jones $500-700 $6,000-8,000 Donald Oresman Collection $400-600 C The Patricia and $1,000-2,000 American, 20th Century See Illustration See Illustration $300-500 Donald Oresman Collection Girl Reading, circa 1945 $2,000-4,000 Signed Joe Jones (lr) See Illustration Oil on canvas 24 x 20 inches

Provenance: Alan Cristea Gallery, London C The Patricia and Donald Oresman Collection $500-700

34 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 35 222 Deborah Maverick Kelley American, 20th Century Screamer, 1991 Signed D.M. Kelley and dated ‘91 (lr), signed D.M. Kelley, dated 1991 and inscribed as titled on the reverse Oil on canvas 24 x 30 inches Unframed

Provenance: Sragow Gallery, New York 224 C The Patricia and 223 Donald Oresman Collection $400-600

216 218 220 223

Bernard Karfiol Charles Keller Charles Keller Rockwell Kent American, 1886-1952 American, 1914-2006 American, 1914-2006 American, 1882-1971 Man Reading, circa 1925 Lintoyper, 1945 Fishing News, 1961 Cover for Demcourier, Signed B. Karfiol (lr) Signed Charles Keller and Signed Charles Keller (ll) circa 1937-38 Ink and gouache on paper dated ‘45 (ll), inscribed as titled (lr) Oil and acrylic on canvas Signed Rockewell Kent (ul) 14 1/8 x 12 7/8 inches Conte crayon on sketchbook paper 29 1/2 x 20 1/4 inches Ink and conte crayon on paper Unframed 14 x 9 7/8 inches Sheet size 11 3/4 x 9 inches, Unframed Provenance: image size 8 x 5 1/2 inches Provenance: Susan Teller Gallery, New York 225 Forum Gallery, New York Provenance: Provenance: C The Patricia and Susan Teller Gallery, New York Exhibited: Estate of the Artist The League at the Cape, Donald Oresman Collection C The Patricia and Larcarda Gallery, New York 225 226 227 228 Aug. 14 - Sep. 20, 1993, $200-400 Donald Oresman Collection Hirschl and Adler Gallery, New York Provincetown Art Association & Gustav Klimt John Koch John Koch John Koch $300-500 Susan Teller Gallery, New York Austrian, 1862-1918 American, 1909-1978 American, 1909-1978 American, 1909-1978 Museum, Provincetown, MA C The Patricia and Reading Woman, circa 1907 Noel Straus, circa 1952 Interior with Figure Reading, 1956 Dora Reading 217 C The Patricia and Donald Oresman Collection Estate stamp (lr) Signed Koch (lr) Signed Koch, and dated 56 (lr), Inscribed as titled (lr) Camille Andrene Kauffman 219 Donald Oresman Collection $3,000-5,000 Pencil on Japan paper Graphite and white chalk on inscribed Interior (ll) Graphite and wash on paper American, 1905-1993 Charles Keller $1,000-1,500 See Illustration Child Reading, circa 1925 American, 1914-2006 22 1/8 x 14 5/8 inches tan paper Graphite and white chalk on 12 5/8 x 9 1/2 inches (56.2 x 37.3 cm.) 19 x 22 1/4 inches brown paper Unframed Signed CA Kauffman (lr) Arbor Day, 1958 Oil on canvas Signed Charles Keller (lr) 221 224 7 5/8 x 12 1/2 inches Clyde Frederick Kelley William Dickey King Provenance: Provenance: Unframed Provenance: 34 x 28 inches Oil on canvas Estate of the artist John Koch Kraushaar Gallery, New York 24 x 30 inches American, 1886-1965 American, 1925-2015 Provenance: Registration, circa 1935 Statua, 1997 Galerie St. Etienne, New York, Anya Dorfman Provenance: C The Patricia and Robert Henry Adams Fine Art, Provenance: Signed CR Kelley (lr) Initialed BK, dated 97-9 and acquired in 1996 Kraushaar Galleries Inc., New York Susan Teller Gallery, New York Donald Oresman Collection Private collection, MA C The Patricia and $500-700 Chicago The Artist Gouache and pastel on paper inscribed as titled Exhibited: C The Patricia and Susan Teller Gallery, New York laid to board Balsa wood Kraushaar Galleries Donald Oresman Collection New York, The Galerie St. Etienne, C The Patricia and $400-600 Donald Oresman Collection 20 x 16 1/8 inches 69 x 25 x 15 inches The Viennese Line: $400-600 Exhibited: C The Patricia and Donald Oresman Collection 77th Annual Exhibition, Provenance: Art and Design circa 1900, $800-1,200 Donald Oresman Collection Nov. 19, 1996 -Jan. 4, 1997 Nov. 28 - Dec. 17, 1995, $200-400 Kraushaar Galleries, Inc., New York American Society of C The Patricia and Literature: Contemporary Artists, New York Donald Oresman Collection Alice Strobl, Gustav Klimt: C The Patricia and $1,500-2,500 Die Zeichnungen, no, 1639 Donald Oresman Collection See Illustration C The Patricia and $1,500-2,500 Donald Oresman Collection $20,000-30,000 See Illustration

36 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 37 237

233

244

231 236 243

229 231 233 235 237 239 241 243 John Koch Kathe Kollwitz Edith Kramer Jean-Emile Laboreur Henry Lamb Henry Lamb Edna Lawrence Jacob Lawrence American, 1909-1978 German, 1867-1945 American, 1916-2014 French, 1877-1943 British, 1883-1960 British, 1883-1960 American, 1898-1987 American, 1917-2000 Study of Dora, Setauket Der Lesende, 1917 86th St. Station, 1993-94 Le Route dans le Foret Landes, 1934 The Artist’s Children, Reading, Two Girls on a Sofa, circa 1936 Lunch Counter, Staten Island Man with Book, circa 1945 Signed Koch (lc) and inscribed Initialed K (ll) Signed Kramer and dated 1994 (lr), Initialed JL, and inscribed circa 1958 Watercolor, crayon, and graphite Ferry, circa 1935 Signed Jacob Lawrence (lr) Lamps lit- / New picture / Charcoal on buff wove paper signed Edith Kramer, dated 93 Dans le landes (lr) Watercolor and graphite on paper on paper Signed E. W. Lawrence (lr) Ink on sketchbook paper Dora + Bust + Fern (ur), 18 1/2 x 16 1/8 inches and inscribed as titled on Graphite and ink on paper 7 5/8 x 11 1/8 inches image Image size 7 x 10 inches, Blue ink with wash on 12 x 18 inches

inscribed as titled on the reverse the reverse Sheet size 6 7/8 x 8 1/4 inches sheet size 10 x 15 1/2 inches sketchbook paper Provenance: Provenance: Graphite on paper Provenance: Oil on canvas Unframed 11 1/2 x 9 inches Estate of the Artist (until 2000) Provenance: D.C. Moore Gallery, New York 10 3/4 x 14 inches [Sale] Galerie Kornfeld Auktion, 28 x 46 inches Unframed Davis and Langdale Company, Inc., Estate of the artist (until 2000) C The Patricia and Unframed Jun. 21, 2001, Bern, Switzerland, Provenance: lot no. 510 Provenance: George Baker, New York New York Davis and Langdale Company, Inc., Provenance: Donald Oresman Collection Provenance: Galerie St. Etienne, New York Susan Teller Gallery, New York C The Patricia and C The Patricia and New York Susan Teller Gallery, New York, $3,000-5,000 Kraushaar Galleries, New York C The Patricia and C The Patricia and Donald Oresman Collection Donald Oresman Collection C The Patricia and purchased June, 1995 See Illustration C The Patricia and Donald Oresman Collection Donald Oresman Collection $300-500 $500-700 Donald Oresman Collection C The Patricia and Donald Oresman Collection $25,000-35,000 $3,000-5,000 See Illustration $700-900 Donald Oresman Collection 244 $300-500 See Illustration See Illustration 236 $300-500 Doris Emrick Lee Henry Lamb 238 240 American, 1905-1983 230 232 234 British, 1883-1960 Henry Lamb Henry Lamb 242 The Storyteller, Woodstock John Franklin Koenig Richard Koppe Charles la Borde The Gramophone, 1923 British, 1883-1960 British, 1883-1960 Edna Lawrence Estate stamp (lr) American, 1924-2008 American, 1916-1973 French, 20th Century Oil on board Julia Strachey Reading, circa 1935 The Artist’s Wife, Reading, 1933 American, 1898-1987 Pastel and graphite on paper Meeting, 1949 Untitled (Woman Reading), 1946 Paris Cafe, 1937 13 x 16 inches Graphite on paper Graphite on paper Nude Beach, circa 1940 9 x 7 inches

Signed J Koenig and dated 49 (lr) Signed Koppe and dated 46’ (ul), Signed Chas. La Borde, 8 1/4 x 5 3/8 inches 10 x 14 inches Graphite and conte crayon Provenance: Oil on illustration board artist stamp on the reverse dated Paris 37 (lr) Provenance: on paper Provenance: Provenance: D. Wigmore Fine Art, Inc., 21 3/4 x 30 inches Gouache on paper Graphite and ink on paper The artist 9 x 12 inches Estate of the artist (until 2000) Estate of the artist (until 2000) New York 14 1/2 x 11 1/2 inches 14 5/8 x 10 3/4 inches J.L. Behrend Unframed Provenance: Davis and Langdale Company, Inc., Davis and Langdale Company, C The Patricia and Unframed Unframed By descent to George Behrend George Baker, New York until 1973 New York Inc., New York Provenance: Donald Oresman Collection C The Patricia and Provenance: Provenance: Anthony d’Offay Gallery, London C The Patricia and C The Patricia and George Baker, New York $700-900 Donald Oresman Collection Robert Henry Adams Fine Art, Paramour Fine Arts, Davis and Langdale Company, Inc., Donald Oresman Collection Donald Oresman Collection C The Patricia and See Illustration $400-600 Chicago Franklin, Michigan New York $200-400 $300-500 Donald Oresman Collection C The Patricia and C The Patricia and $200-400 Donald Oresman Collection Donald Oresman Collection Exhibited: $800-1,200 $200-400 Henry Lamb 1883-1960, 1984, Arts Council of Great Britain, London, no. 63 C The Patricia and Donald Oresman Collection $2,000-3,000 38 DOYLE • NOVEMBER 20, 2018 • NEW YORK See Illustration VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 39 247 248 253 254 256

245 247 248 250 252 254 256 258 Louise Leech Michael Lenson David Levine David Levine Martin Lewis Samella Lewis Saul Lishinsky Saul Lishinsky American, 1926-2011 American, 1903-1971 American, 1926-2009 American, 1926-2009 American, 1881-1962 American, b. 1924 American, 1922-2012 American, 1922-2012 Portrait of Kitty, 1972 The Deaf Man Heard the Dumb Vladimir Nabokov, 1972 The Subway, circa 1950 Untitled (Woman in Green Boy Reading, 1949 Studies for Reclining Street Corner, circa 1950 Signed Leech (ur) Man Say That the Blind Man Saw Signed D. Levine and dated 72 (lr), Signed Uncle Dave Levin (ll) Reading), circa 1940 Signed Samella Lewis and Women Reading, circa 1950 Graphite on paper Acrylic on paper the Lame Man Run, circa 1940s inscribed Nabokov and stamped Graphite on index card Estate stamp Lucille Deming dated 1949 (ll) Graphite on paper 5 1/2 x 5 3/4 inches 26 x 20 inches Signed M Lenson (ll) with artist’s stamp on the reverse 5 x 3 inches Lewis Collection on the reverse Graphite on paper 11 x 8 1/2 inches Unframed Unframed Oil on canvas Ink on paper Colored pencil on sketchbook paper 13 1/4 x 9 5/8 inches Unframed 24 x 28 inches 14 5/8 x 10 3/4 inches Provenance: 10 x 7 inches Unframed Provenance: Provenance: Davis and Langdale Company, Inc., Unframed Provenance: George Baker, New York Susan Teller Gallery, New York Provenance: Provenance: New York Provenance: George Baker, New York C The Patricia and C The Patricia and Estate of the Artist Davis and Langdale Company, Inc., C The Patricia and Provenance: Paramour Fine Arts, C The Patricia and Donald Oresman Collection Donald Oresman Collection Janet Marqsee Fine Arts Ltd., New York Donald Oresman Collection The Old Print Shop, New York Franklin, Michigan Donald Oresman Collection $100-200 $300-500 New York C The Patricia and $200-400 C The Patricia and C The Patricia and $100-200

Donald Oresman Collection Donald Oresman Collection Donald Oresman Collection See Illustration 259 Exhibited: 246 $500-700 251 $700-900 $800-1,200 Michael Lenson, Real and Charles Wheeler Locke See Illustration See Illustration 257 American, 1899-1983 Louise Leech Surreal: Paintings from the 30s, Beatrice Levy American, 1926-2011 American, 20th Century 253 Cafe Scene, circa 1930 40s & 50s, Mar. 1 - Apr. 9, 1994, Saul Lishinsky Friends Free Library, 249 Woman Reading, circa 1940 255 American, 1922-2012 Ink on paper Robeson Center Gallery, Martin Lewis Philadelphia, 1962 Signed Beatrice R. Levy (ll) American, 1881-1962 Reader on a Train, circa 1930 11 1/4 x 14 7/8 inches Rutgers University, Newark David Levine Saul Lishinsky Signed L.G. Leech, dated 1962 American, 1926-2009 Watercolor on paper Woman Reading a Newspaper, American, 1920-2012 Graphite, ink and wash on Unframed Traveled to: Hunterdon Art and inscribed as titled on W.H. Auden, 1970 18 x 12 inches circa 1930 Reclining Woman Reading, illustration board Center, Clinton, NJ, Apr. 24 the reverse Signed D. Levine and dated 70 (lr), Unframed Signed M. Lewis (lr), circa 1950 11 x 7 1/8 inches Provenance: - Jun. 26, 1994, Monmouth Watercolor and charcoal on dated July 14, 1970, inscribed stamped with estate stamp Signed Lishinsky (lr) Unframed Susan Teller Gallery, New York Museum, Lincrost, NJ, sketchbook paper Auden and Look on the reverse Provenance: Lucile Deming Lewis Collection Graphite on paper C The Patricia and Jul. 1 - Aug. 28, 1994 8 1/2 x 11 inches Ink on paper Paramour Fine Arts, Franklin, MI on the reverse 20 x 24 1/2 inches Provenance: Donald Oresman Collection C The Patricia and Unframed 9 7/8 x 9 1/8 inches C The Patricia and Charcoal and ink on paper Unframed George Baker, New York $200-400 Donald Oresman Collection Donald Oresman Collection 12 x 11 inches C The Patricia and $1,000-1,500 Provenance: Provenance: $100-200 Unframed Provenance: Donald Oresman Collection See Illustration 260 Susan Teller Gallery, New York Davis and Langdale Company, Inc., George Baker, New York $100-200 Charles Wheeler Locke C The Patricia and New York Provenance: C The Patricia and American, 1899-1983 Donald Oresman Collection C The Patricia and The Old Print Shop, New York Donald Oresman Collection Coffee Shop, circa 1925 $300-500 Donald Oresman Collection C The Patricia and $300-500 Crayon with graphite and wash $400-600 Donald Oresman Collection on illustration board $1,000-1,500 10 x 15 inches See Illustration Provenance: Hirschl and Adler Galleries, Inc., New York C The Patricia and Donald Oresman Collection $400-600

40 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 41 263

262

264 270 271

261 263 265 267 268 270 271 273 Charles Wheeler Locke Louis Lozowick Helen Ludwig George Luks George Luks Reginald Marsh Reginald Marsh Frank Mauro American, 1899-1983 American, 1892-1973 American, 1911-2009 American, 1867-1933 American, 1867-1933 American, 1898-1954 American, 1898-1954 American, 20th Century Men Reading in a Park, circa 1940 Books on Belt, circa 1930 Liston Oak, circa 1930 Study of Men Reading, circa 1910 Hard Times, 1925 Man Reading a Paper, 1938 Subway Train, Three People Subway Robotics, 1955 Ink on illustration board Signed Louis Lozowick (lr) Signed H Ludwig (lr) Crayon on paper Inscribed A Geo/Luks/per Will Luks/ Signed Reginald Marsh and (Study for the Etching), 1934 Signed Frank R. Mauro (lr) Sheet size 15 x 11 inches Ink on paper Oil on canvas 10 1/4 x 7 inches Executor (lc), inscribed indistinctly (ll) dated 1938 (lr) Ink and graphite on paper Graphite on illustration board Unframed Sheet size 11 1/2 x 7 inches 26 x 20 inches Charcoal on brown paper Watercolor on paper Sheet size 14 x 10 inches 15 x 11 1/4 inches Provenance: 17 1/4 x 11 3/8 inches 19 3/4 x 13 5/8 inches Unframed Provenance: Provenance: Provenance: Midtown Galleries, New York Provenance: George Baker, New York Sid Deutsch Gallery, New York Estate of the artist Kraushaar Galleries, Inc., New York Provenance: Provenance: Midtown Payson Gallery, New York Provenance: C The Patricia and Mary Ryan Gallery, New York George Krevsky Gallery, [Sale] Sotheby’s New York, Estate of the artist George Baker, New York Donald Oresman Collection C The Patricia and San Francisco Exhibited: March 30, 1999 Rehn Gallery, New York Exhibited: C The Patricia and $300-500 Donald Oresman Collection C The Patricia and George Luks: An American C The Patricia and Herbert A. Goldstone, New York American Drawings 1910-1960, Donald Oresman Collection $2,000-3,000 Donald Oresman Collection Artist, May 3 - Jun. 14, 1987, Donald Oresman Collection Kraushaar Gallery, Inc., New York Jul. 8 - Sep. 2, 1990, Minnesota $100-200 Sordoni Art Gallery, Wilkes College, Museum of Art, St. Paul, MN 262 See Illustration $400-600 $150-250 C The Patricia and Wilkes-Barre, PA, no. 59 Donald Oresman Collection C The Patricia and Whitfield Lovell American Drawings 1910 - 1960, Donald Oresman Collection 274 American, b. 1959 264 266 269 $1,000-1,500 Dan McCleary Jul. 8 - Sep. 2, 1990, Minnesota See Illustration $1,000-1,500 Salvation, 2001 Molly Luce George Luks Museum of Art, Saint Paul Albert Marquet See Illustration American, b. 1952 Signed Whitfield Lovell, American, 1896-1986 American, 1867-1933 C The Patricia and French, 1875-1947 Oscar Echevarria, 1994 dated 2001 and inscribed as Reading from Robert Frost, Woman With Book Cafe, circa 1900-1905 Signed Dan McCleary and Donald Oresman Collection 272 titled on the reverse circa 1925 Inscribed This drawing is an $200-300 Initialed a.m. (lr) dated 12-94 (lr) Charcoal and found objects Oil on canvas original/work by George Luks. Graphite on paper Jan Matulka Graphite, watercolor and on wood 16 x 20 inches It was/obtained directly from 3 3/4 x 5 1/4 inches American, 1890-1972 gouache on paper 37 5/8 x 27 1/2 x 7 1/2 inches George Luks/by Mr. Peter Fries Five Women and a Baby in a 21 3/4 x 15 1/2 inches Provenance: who was a/fellow artist and Provenance: Formal Group, circa 1930 Provenance: Childs Gallery, Boston friend of Luks/and, for a time, Wolseley Fine Arts, London Estate stamp on the reverse Provenance: DC Moore Gallery, New York C The Patricia and his landlord./Robert Chapellier A certificate for this work Graphite and black crayon Tatistcheff & Co., New York C The Patricia and Donald Oresman Collection on the backing paper was issued by the on paper C The Patricia and Donald Oresman Collection $1,500-2,500 Wildenstein Institute, 27 1/2 x 21 7/8 inches Donald Oresman Collection Black crayon on paper $6,000-9,000 See Illustration 10 1/4 x 7 3/4 inches ref. no. 93.10.25/1785/436. $400-600 See Illustration C The Patricia and Provenance: Provenance: Donald Oresman Collection Susan Teller Gallery, New York Chapellier Gallery, New York $500-700 C The Patricia and ACA Galleries, New York Donald Oresman Collection C The Patricia and $300-500 Donald Oresman Collection $300-500 42 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 43 283

287

275 277 281 289

275 277 279 281 283 285 287 288 Dan McCleary Louise Nevelson Dale Nichols Tom Otterness Robert Philipp Edmund Quincy Josef Karl Radler Philip Reisman American, b. 1952 American, 1899-1988 American, 1904-1995 American, b. 1952 American, 1895-1981 American, 1903-1997 Austrian, 1844-1917 American, 1904-1992 Susan Streitfield, Reading, Female Nude, 1932 The Tree of Knowledge, Science, (Untitled) Tree of Knowledge, 1997 Russian Tea Room, 1972 Man Reading at Desk Future Generations! Look IBM Atrium Reader 1983 Initialed DM and Signed Nevelson (cr) circa 1940 Signed Tom Otterness and Signed Philipp (lr), Estate stamp on the reverse Upon Well-Bred, Excellent Initialed P.R. (lr) dated 83 (lr) Ink on paper Initialed dn (ll) dated 1997 (lr) signed Philipp and dated 1972 Charcoal and pastel on gray Mr. Mathias Weichselberger, Ink on paper Graphite on paper 11 x 6 inches Ink and china white on paper Marker and graphite on paper on the reverse wove paper Formerly Wine Producer in 11 1/2 x 8 7/8 inches 14 x 11 inches Sheet size 14 1/2 x 11 1/2 inches 29 x 18 3/4 inches Oil on canvas 12 1/4 x 9 1/2 inches Grosenzersdorf, Witty, Happy, Unframed Provenance: 12 x 16 inches Unframed Talkative...at Other Times He Provenance: The Estate of Louise Nevelson, Provenance: Provenance: Reads the Catechism (Man Provenance: Tatistcheff Gallery, New York cat no. 60184 LNev318 Susan Teller Gallery, New York Marlborough Gallery, New York Provenance: Provenance: Reading ABC Book, Four Men Gift of Catherine Ryan C The Patricia and G.W. Einstein Company, Inc., C The Patricia and C The Patricia and Donald Swann Auctions, New York, Susan Teller Gallery, New York in Background) a double sided C The Patricia and Donald Oresman Collection New York Donald Oresman Collection Oresman Collection Jun. 9, 2005, lot no. 158 C The Patricia and work, 1910 Donald Oresman Collection $300-500 C The Patricia and $200-400 $2,000-4,000 Susan Teller Gallery, New York Donald Oresman Collection Signed JK Radler (lc), $200-400 See Illustration Donald Oresman Collection See Illustration C The Patricia and $300-500 dated 1910 (cr) $1,500-2,500 280 Donald Oresman Collection Watercolor and gouache 289 276 See Illustration Clifford Odets 282 $1,500-2,500 286 on paper Winfred Rembert Malcolm Morley American, 1906-1963 Bereneice Penner See Illustration Edmund Quincy 11 7/8 x 8 5/8 inches American, b. 1945 British, b. 1931 278 The Letter, 1946 American, 20th Century American, 1903-1997 Class of ‘59, 1999 Man Reading Newspaper, 1972 James Michael Newell Initialed CO, dated 10/46 and Passengers, 1935 284 Man Reading with a Lens, Provenance: Signed Winfred Rembert (lc), Signed Malcolm Morley and American, 1900-1985 inscribed as titled (ll) Signed Bereneice Penner, Fairfield Porter circa 1940 The Galerie St. Etienne, New York signed Winfred Rembert and dated 72 (ll) Audience Watercolor, ink and type on paper inscribed indistinctly and dated American, 1907-1975 Estate stamp on the reverse C The Patricia and dated 1999 on the backing Graphite on paper Signed Michael (lr) 8 1/2 x 11 inches Feb. 1935 (cl) Untitled, circa 1960 Graphite on paper Donald Oresman Collection Tooled and painted leather 11 5/8 x 7 3/4 inches Ink on paper Oil on panel Signed Farifeld Porter (lr) 11 x 8 5/8 inches $2,000-3,000 22 1/2 x 32 1/2 inches Unframed 10 5/8 x 14 1/8 inches Provenance: 24 x 18 inches Ink on paper Unframed See Illustration Unframed Michael Rosenfeld Gallery, 18 x 23 3/4 inches Provenance: Provenance: New York Provenance: Provenance: M. Lee Stone Fine Prints, San Jose Susan Teller Gallery, New York Provenance: C The Patricia and Paramour Fine Arts, Franklin, MI Provenance: Susan Teller Gallery, New York C The Patricia and C The Patricia and George Baker, New York Donald Oresman Collection C The Patricia and Richard Gray Gallery, Chicago C The Patricia and Donald Oresman Collection Donald Oresman Collection C The Patricia and $400-600 Donald Oresman Collection G.W. Einstein Company, Inc., Donald Oresman Collection $1,500-2,500 $300-500 Donald Oresman Collection $400-600 New York $100-200 See Illustration $100-200 C The Patricia and Donald Oresman Collection $800-1,200

44 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 45 305 306 294 295 299

290 293 296 298 300 302 305 307 Charles Robinson Charles Sarka Charles Saxon Jacques Schnier Bernarda Bryson Shahn William Sharp George Shellhase Clyde J. Singer American, 20th Century American, 1879-1960 American, 1920-1988 Romanian/American, 1898-1988 American, 1903-2003 American, 1900-1961 American, 1895-1988 American, 1908-1999 The Office, 1939 Man Reading Deck Chairs Siblings, 1929 Franklin Delano Roosevelt, The Cafeteria, 1945 Norwalk Symphony in Sad News, 1950 Signed Charles O Robinson Graphite on paper Signed Saxon (lr) Signed Jacques Schnier and Sketch for Bronx Mural, 1938 Estate stamp on the reverse Rehearsal, 1940 Signed Singer and dated ‘50 (ll) and dated 1939 (lr) 8 1/4 x 5 5/8 inches Conte and marker on paper dated 1929 (ll) Signed Bernarda Bryson and Watercolor and graphite on paper Signed Shellhase (lr), signed Oil on canvas Pastel on paper mounted on board Graphite on tracing paper inscribed Part of sketch for 20 x 27 1/4 inches George Shellhase, dated 20 x 24 inches 16 1/4 x 11 1/2 inches Provenance: 14 x 16 5/8 inches Image size 10 7/8 x 6 1/2 inches, Bronx mural/Larger detail in Unframed May 23, 1940, inscribed Davis & Langdale Company, Inc., sheet size 14 7/8 x 12 3/8 inches Wichtia Museum/other small Conn. W.P.A. Art Project and Provenance: Provenance: New York Provenance: pieces somewhere/Bronx Provenance: as titled on the reverse Paramour Fine Arts, Franklin, MI George Baker, New York C The Patricia and Davis and Langdale company, Inc., Provenance: Post-Office/2 images used by Sragow Gallery, New York Watercolor and tempera on paper C The Patricia and Donald C The Patricia and Donald Oresman Collection New York Estate of the artist others/by Ben (lr) C The Patricia and 18 1/2 x 22 1/2 inches Oresman Collection Donald Oresman Collection $100-200 C The Patricia and Conner Rosenkranz, New York Gouache and graphite on Donald Oresman Collection $1,200-1,800 $600-800 Donald Oresman Collection C The Patricia and Donald illustration board $300-500 Provenance: 294 $600-800 Oresman Collection Image size 5 1/8 x 8 1/8 inches, [Sale] Jun. 5, 2003, Swann 308 291 Charles Nicholas Sarka $100-200 sheet size 14 1/4 x 13 3/4 inches 303 Auction, New York, lot 214 Clyde J Singer Jane Rogers American, 1879-1960 297 Unframed William Sharp Susan Teller Gallery, New York American, 1908-1999 American, b. 1896 Man Reading, Paris Louis Schanker 299 American, 1900-1961 This work depicts a woman Singer Family, 1931 Breakfast, 1927 Graphite on paper American, 1903-1981 Ben Shahn Provenance: Man Reading Newspaper, 1941 playing the theremin, assumed Signed Singer and dated 1931 (lr), Signed Jane Rogers and 8 1/2 x 5 5/8 inches Seated Woman, circa 1930 American, 1898-1969 Susan Teller Gallery, New York Dated May 27 1941 (ll) to be Juliet Shaw, a pioneer of inscribed Malvern/Clara/Mom/ dated 1927 (lr) Signed Schanker (lr) Man with Newspaper (Study for C The Patricia and Graphite on sketchbook paper contemporary music who was a Mary on the reverse Oil on canvas Provenance: Watercolor on paper Judge and Jury), circa 1940 Donald Oresman Collection 14 x 11 inches member of the Hartford Music Watercolor on paper 20 x 24 inches Davis & Langdale Company, Inc., 17 3/4 x 21 3/8 inches Signed Ben Shahn (lr) $300-500 Unframed Club and the Schubert Club of 15 1/4 x 19 3/8 inches New York Unframed Gouache on paper Fairfield County. Unframed Provenance: C The Patricia and Provenance: 10 x 8 inches 301 C The Patricia and Donald George Baker, New York Donald Oresman Collection Provenance: Sragow Gallery, New York Provenance: Oresman Collection C The Patricia and Donald $100-200 Susan Teller Gallery, New York Provenance: William Sharp C The Patricia and Paramour Fine Arts, American, 1900-1961 $800-1,200 Oresman Collection See Illustration C The Patricia and George Baker, New York Donald Oresman Collection Franklin, Michigan 10 a.m. (Subway Riders), 1940 See Illustration $500-700 Donald Oresman Collection C The Patricia and $200-400 C The Patricia and Artist’s stamp on the reverse $400-600 Donald Oresman Collection Donald Oresman Collection 295 Ink and charcoal on 306 $2,000-3,000 $300-500 292 David Saunders illustration board 304 See Illustration Everett Shinn Barbara Sandler British, b. 1936 20 x 15 inches William Sharp American, 1876-1953 American, b. 1943 Figues, 1997-98 Unframed American, 1900-1961 Drawings of Paula Shinn, 1935 Sleepless Night, 2006 Signed Saunders (lr) To Let, 1935 Pastel and charcoal on blue paper Signed Barbara Sandler and Watercolor and paper collage Provenance: Signed Sharp and dated 35 (lr) 14 3/4 x 18 1/2 inches inscribed as titled on the reverse on wove paper Sragow Gallery, New York Charcoal, graphite and ink on paper Oil on paper 20 x 15 inches C The Patricia and 13 x 11 3/8 inches Provenance: 18 1/8 x 15 3/8 inches sight Donald Oresman Collection [Sale] Christie’s East, New York, Unframed Provenance: $300-500 Provenance: American Paintings, Drawings Charles Cowles Gallery, New York Sragow Gallery, New York and Sculpture, Dec. 3, 1996, Provenance: Fischbach Gallery, New York C The Patricia and lot no. 144 George Baker, New York C The Patricia and Donald Oresman Collection C The Patricia and C The Patricia and Donald Oresman Collection $200-400 Donald Oresman Collection Donald Oresman Collection $200-400 $800-1,200 $400-600 See Illustration See Illustration

46 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 47 319

317 313 314

324

309 311 313 315 317 319 321 323 Mitchell Siporin Peter Sis John Sloan G. Ralph Smith Joseph Solman Lauretta Sondag Moses Soyer Raphael Soyer American, 1910-1976 Czech, b. 1949 American, 1871-1951 American, 20th Century American, 1909-2008 American, 1900-1930 American, 1899-1974 American, 1899-1987 Conversation, Max Weber and The Encyclopedia of Dolly Reading Newspaper, 1931 Bus Riders, circa 1940 Subway, 1977 Lunch Break, Westside, Model in the Studio, circa 1930 Girl Reading, circa 1955 Rousseau, circa 1957 New York City, 2003 Signed John Sloan and dated 31 (lr) Initialed G.R.S. on the reverse Signed J. Solman and dated ‘77 (lr) New York, circa 1925 Signed M Soyer (lc) Signed Raphael Soyer (lr) Watercolor on paper Inscribed The Encyclopedia of Pastel on paper Charcoal on paper Gouache and graphite on Signed Sondag (lr) Graphite and brown crayon Conte crayon and watercolor 21 x 29 inches New York City K. T. Jackson (c) 14 x 9 3/8 inches 21 1/4 x 18 1/2 inches newsprint laid to card Ink and watercolor on paper on paper on paper Unframed Ink on paper C The Patricia and 13 1/4 x 10 1/2 inches 14 7/8 x 19 3/8 inches 18 x 12 inches 13 3/8 x 16 3/4 inches Sheet size 17 x 15 inches Provenance: Donald Oresman Collection Unframed Unframed Unframed Provenance: Unframed Kraushaar Galleries, Inc., New York $100-150 Provenance: [Sale] Wright, Chicago, C The Patricia and Summit Gallery, New York Provenance: Provenance: Provenance: The American Scene: Provenance: Donald Oresman Collection C The Patricia and George Baker, New York Estate of Joseph Freidlander Forum Gallery, New York Art of the 1930s and 1940s, Mary Ryan Gallery, New York $1,000-1,500 316 Donald Oresman Collection C The Patricia and (master printmaker) C The Patricia and May 15, 2001, lot no. 420 C The Patricia and See Illustration William E. Smith $600-800 Donald Oresman Collection M. Lee Stone Fine Prints, San Jose Donald Oresman Collection C The Patricia and Donald Oresman Collection American, 1913-1997 See Illustration $500-700 C The Patricia and $400-600 On Board a Ship Donald Oresman Collection $200-400 314 See Illustration Donald Oresman Collection $800-1,200 (in the Pacific), 1945 $300-500 John Sloan Signed Wm. E. Smith, dated “45” 318 324 312 American, 1871-1951 and inscribed T/5 (ll) Joseph Solman 320 Ethel Spears 310 Helen Farr Sloan Damaged Mail, 1913 Watercolor on brown paper American, 1909-2008 Edward Sorel 322 American, 1903-1974 Mitchell Siporin American 1911-2005 Initialed JFS (lr) 10 3/4 x 8 1/2 inches Untitled American, b. 1929 Raphael Soyer LaSalle Depot, circa 1930 American 1910-1976 Self Portrait Reading, circa 1950 Black crayon on paper Unframed Signed J. Solman and Bertrand Russell and American, 1899-1987 Signed Ethel Spears (lr) North Africa, 1943 Signed Helen Farr on the reverse 11 x 17 5/8 inches numbered GR7-6962 (uc) Ludwig Wittgenstein Sketches, circa 1915 Ink and watercolor on paper Signed Mitchell Siporin, dated Oil on board Provenance: Graphite on brown paper Signed Edward Sorel (ul) Initialed R S (lr) 11 3/4 x 14 1/2 inches 1943 and inscribed as titled (lr) 20 x 16 inches Provenance: Susan Teller Gallery, New York 11 1/2 x 9 1/2 inches Ink and watercolor on paper Graphite and ink on paper Unframed Ink on paper Kraushaar Galleries, Inc., New York C The Patricia and Unframed 13 1/4 x 17 7/8 inches 8 3/4 x 5 1/4 inches 18 1/4 x 12 1/2 inches Provenance: C The Patricia and Donald Oresman Collection Unframed Provenance: Unframed Childs Gallery, Boston Donald Oresman Collection $500-700 Provenance: Provenance: Susan Teller Gallery, New York C The Patricia and $2,000-4,000 Thomas G. Boss Fine Books, Davis and Langdale Company, Provenance: C The Patricia and Provenance: Donald Oresman Collection See Illustration Boston New York George Baker, New York Donald Oresman Collection Susan Teller Gallery, New York $800-1,200 C The Patricia and C The Patricia and C The Patricia and $1,000-1,500 C The Patricia and Donald Oresman Collection Donald Oresman Collection Donald Oresman Collection See Illustration Donald Oresman Collection $300-500 $1,000-2,000 $200-400 $800-1,200

48 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 49 327

331 333 336

332

325 327 329 331 333 335 337 339 Eugene Speicher Maud Hunt Squire Mark Alan Stamaty Saul Steinberg Harry Sternberg Harry Sternberg Harry Sternberg Harry Sternberg American, 1883-1962 American, 1873-1954 American, b. 1947 American, 1919-1999 American, 1904-2001 American, 1904-2001 American, 1904-2001 American, 1904-2001 Man Reading Untitled, 1929 Classroom, 1993 Reader in a Tree Mervin Jules, 1944 Seated Man with Hat and Coat, Man with Derby, circa 1945 Man with Hat, Reading, circa 1945 Signed Eugene Speicher (lr) Signed M. Squire and Signed Mark Alan Stamaty and Ink on paper Signed H. Sternberg (lr), circa 1940 Signed Sternberg (lr) Signed Sternberg (ll) Graphite on paper inscribed Nice (lr) dated 1993 (lr) 10 3/4 x 8 1/8 inches inscribed as titled (ll) Signed Sternberg (lr) Graphite on paper Graphite on paper 15 1/2 x 12 1/2 inches Watercolor and graphite on paper Ink on paper Unframed Watercolor over screenprint on Graphite on paper 8 x 5 inches 8 x 5 inches

Image size 13 x 16 1/4 inches, 9 x 12 inches illustration board 8 x 5 inches Unframed Unframed Provenance: sheet size 19 x 24 1/4 inches Unframed Provenance: 16 x 22 inches Unframed ACA Galleries, New York Provenance: George Baker, New York Unframed Provenance: C The Patricia and Provenance: Provenance: C The Patricia and Provenance: Susan Teller Gallery, New York Susan Teller Gallery, New York Donald Oresman Collection Mary Ryan Gallery, New York Julie Saul Gallery, New York Donald Oresman Collection Provenance: Susan Teller Gallery, New York C The Patricia and C The Patricia and $200-400 C The Patricia and C The Patricia and $1,200-1,800 Susan Teller Gallery, New York C The Patricia and Donald Oresman Collection Donald Oresman Collection Donald Oresman Collection Donald Oresman Collection See Illustration C The Patricia and Donald Oresman Collection $300-500 $300-500 326 $1,000-1,500 $300-500 Donald Oresman Collection $300-500 Carl Sprinchorn See Illustration 332 $600-800 338 340 American, 1887-1971 330 Joseph Stella See Illustration 336 Harry Sternberg Harry Sternberg Figures in a Garden, 1910 328 Mark Alan Stamaty American, 1877-1946 Harry Sternberg American, 1904-2001 American, 1904-2001 Signed Carl Sprinchorn and Mark Alan Stamaty American, b. 1947 Figures on a Park Bench 334 American, 1904-2001 Man with Glasses, Reading, Five Studies (Man with dated Paris-1910 (ll) American, b. 1947 Spring Books, 1980 Estate stamp on the reverse Harry Sternberg Man Reading on the Subway, circa 1940 Head on Hand), 1930 Ink on paper Summer Reading, 2000 Signed Mark Alan Stamaty and Graphite on paper American, 1904-2001 circa 1945 Signed Sternberg (lr) Signed Sternberg (lr), inscribed 11 x 12 inches Signed Mark Alan Stamaty (ll) dated 1980 (lr) 5 3/4 x 9 inches Murder! circa 1940 Signed Sternberg (lr), Graphite on paper HHH 5 sketches, one a woman Unframed Ink on paper Ink and watercolor on paper Signed Sternberg (ll) inscribed as titled on the reverse 8 x 5 inches reading on the reverse

15 x 12 inches 14 x 10 1/2 inches Provenance: Graphite on paper Lithographer’s crayon on paper Unframed Ink on paper Provenance: Unframed Unframed Kraushaar Galleries, Inc., New York 7 1/4 x 4 3/4 inches 10 3/4 x 7 1/2 inches 11 x 7 3/4 inches [Sale] Swann, New York, Provenance: C The Patricia and Unframed Unframed Unframed May 17, 2001 Provenance: Provenance: Donald Oresman Collection Susan Teller Gallery, New York Susan Teller Gallery, New York Julie Saul Gallery, New York Julie Saul Gallery, New York $400-600 Provenance: Provenance: C The Patricia and Provenance: C The Patricia and C The Patricia and C The Patricia and See Illustration Susan Teller Gallery, New York Susan Teller Gallery, New York Donald Oresman Collection Susan Teller Gallery, New York Donald Oresman Collection Donald Oresman Collection Donald Oresman Collection C The Patricia and C The Patricia and $300-500 C The Patricia and $200-400 $300-500 $300-500 Donald Oresman Collection Donald Oresman Collection Donald Oresman Collection $300-500 $300-500 $200-400 See Illustration

50 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 51 343 353

355 344

354

346

341 343 345 347 349 350 352 354 Harry Sternberg Pavel Tchelitchew Sam Thal Alfred Tyler Louis Valtat Tabitha Vevers Jacques Villon Edouard Vuillard American, 1904-2001 Russian/American, 1898-1957 American, 1903-1964 American, 1933-2011 French, 1869-1952 American, 20th Century French, 1875-1963 French, 1868-1940 Man on Beach, Reading, circa 1940 Model Reading, circa 1925 Street - Narrow View, circa 1950 47th Street El Stop, Rush Hour, 1951 Femme Lisante, 1922 Flying Dream (Ellen K.), 2000 La Lecteur, 1900 Personnage Lisant, 1914 Signed Sternberg (lr) Signed P. Tchelitchew (lr) Signed Sam Thal (lr) Signed Alfred Tyler and Initialed LV (lr) Signed Tabitha Vevers and Signed Jacques Villon and Estate stamp (lr) Graphite on paper Pastel on card Oil on Masonite dated 1951 (lr) Graphite on paper dated 00 (ul), signed Tabithia dated 00 (ur) Graphite on paper 8 1/4 x 5 3/8 inches 8 1/2 x 11 1/2 inches 18 1/4 x 34 1/2 inches Watercolor on paper 6 1/2 x 7 inches Vevers, dated 2000 and Charcoal and graphite on paper 4 1/4 x 5 inches

Unframed 18 1/4 x 24 1/4 inches sight inscribed as titled on the reverse 7 7/8 x 4 5/8 inches Provenance: Provenance: Provenance: Provenance: Oil on steel Provenance: Jill Newhouse, New York Mr. and Mrs. Max Wilk, George Baker, New York Provenance: Galerie J. Le Chapelin, Paris 12 x 12 inches Provenance: Susan Teller Gallery, New York Ridgefield, CT C The Patricia and Paramour Fine Arts, Franklin, MI Private collection, Florida Shary Grossman Fine Arts, C The Patricia and C The Patricia and Rex Evans Gallery, Los Angeles Donald Oresman Collection C The Patricia and Shary Grossman Fine Art, New York Provenance: New York Donald Oresman Collection Donald Oresman Collection Elrick-Manley Fine Art, Inc., New York $1,500-2,500 Donald Oresman Collection Gallery label notes that Kraushaar Galleries, Inc., New York C The Patricia and $1,500-2,500 $200-400 C The Patricia and $300-500 Dr. Jean Valtat produced a C The Patricia and Donald Oresman Collection See Illustration Donald Oresman Collection 346 certificate for this work on Donald Oresman Collection $600-800 342 $2,000-4,000 George Tooker 348 Feb. 15, 1977. $800-1,200 355 James Stevenson See Illustration American, 1920-2011 Alfred Tyler C The Patricia and 353 Andy Warhol American, 1929-2017 Woman Reading, 2001 American, 1933-2011 Donald Oresman Collection 351 Edouard Vuillard American, 1928-1987 How Come You’re Never on 344 Graphite on paper Entering the School of the Art $600-800 Jacques Villon French, 1868-1940 Man Reading, 1950-51 Anybody’s Short List?, 1988 Pavel Tchelitchew 20 1/2 x 27 1/2 inches Institue, circa 1955 French, 1875-1963 Femme Lisant, circa 1920 Ink on acetate with watercolor Signed Stevenson (lr) and Russian/American, 1898-1957 Signed Al Tyler (lr) Five Figures Reading, 1961 Studio stamp (lr) on support inscribed as titled (lc) Mrs. George Maratier Reading, 1927 Provenance: Tempera on board Signed Jacques Villon and Graphite on brown paper 12 3/4 x 9 3/8 inches

Felt tip marker and wash on paper Signed P. Tchelitchew (lr) DC Moore Gallery, New York 18 x 15 inches dated 61 (lr) 5 1/4 x 8 1/4 inches Provenance: 14 x 16 1/2 inches Watercolor on paper Unframed Ink on paper tipped to Exhibited: Provenance: J.J. Brookings Gallery, 14 1/4 x 9 3/4 inches printed sheet Provenance: Annual Exhibition, National Galerie Vallotton, Lausanne San Francisco Provenance: 15 x 20 1/4 inches Davis and Langdale Company, Inc., Academy of Design, New York Wolseley Fine Arts, London Andy Warhol Art Authentication Provenance: Paramour Fine Arts, Unframed New York Kraushaar Galleries, Inc., New York C The Patricia and Franklin, Michigan C The Patricia and Board no. A126.981 C The Patricia and C The Patricia and Donald Oresman Collection C The Patricia and Provenance: Donald Oresman Collection C The Patricia and Donald Oresman Collection Donald Oresman Collection $5,000-7,000 Donald Oresman Collection George Baker, New York $1,500-2,500 Donald Oresman Collection $600-800 $1,500-2,500 See Illustration $600-800 C The Patricia and See Illustration $6,000-9,000 See Illustration Donald Oresman Collection See Illustration $800-1,200

52 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 53

356 part 358 362 365

356 357 359 360 362 364 365 366 Masood Wilbert Warren Massood Wilbert Warren John Wilson Santos Zingale William Zorach American School, 20th Century Janet Fish Ben Shahn American, 1907-1995 American, 1907-1995 American, 1922-2015 American, 1908-1999 American, 1887-1966 Morning Departure, 1946 American, b. 1938 American, 1898-1969 Daily Sketches II (Group of Daily Sketches I, (group of six works) Interrogation News Stand, circa 1940 Salvation Army Band at Signed Adriance and Emily Reading, 1983 Sketches and Artist’s Chop, Twelve Works), circa 1935 circa 1935 (Study for Lithograph), 1944 Signed Santos Zingale and Jefferson Market, 1912 dated ‘46 (lr) Signed Janet Fish and circa 1960 Various mediums, including Each graphite on paper Signed Wilson and dated 1944 (lr) inscribed as titled on the reverse Signed William Zorach and Oil on canvas dated 1983 (lr) Signed Ben Shan (lc) graphite and conte crayon, Each 6 3/4 x 4 1/2 inches Watercolor, ink, and crayon Oil on Masonite dated 1912 (ll) 30 x 24 inches Pastel on paper Graphite and artist’s chop on

on paper Unframed on paper 28 x 36 1/2 inches Graphite and watercolor on paper 38 x 27 1/2 inches wove paper Provenance: Largest 12 x 8 1/4 inches 10 1/2 x 7 inches 9 3/4 x 8 inches 13 x 10 inches Provenance: Provenance: George Baker, New York Provenance: Unframed Unframed Unframed George Baker, purchased May, 2003 Janet Marqusee Fine Arts, Ltd., Provenance: C The Patricia and DC Moore Gallery, New York,

Provenance: C The Patricia and Provenance: New York Kraushaar Galleries, New York Donald Oresman Collection Provenance: Exhibited: George Baker, New York Donald Oresman Collection Sragow Gallery, New York C The Patricia and C The Patricia and $600-800 Susan Teller Gallery, New York Janet Fish: Recent Paintings C The Patricia and $800-1,200 C The Patricia and Donald Oresman Collection Donald Oresman Collection and Pastels 1980-85, 1986, Donald Oresman Collection Donald Oresman Collection $1,200-1,800 $1,000-1,200 Smith College Museum of Art, $1,800-2,200 $1,000-1,500 See Illustration 358 Northhampton, MA See Illustration of Part John Wilson 361 C The Patricia and American, 1922-2015 Martin Jack Zipin 363 Donald Oresman Collection Julie Reading, 1969 American, 20th Century 20th Century School $4,000-6,000 Signed Wilson and dated 1969 (lc) Senate Investigation, circa 1948 See America First, 1929 See Illustration Pastel on paper Signed Zipin (lr) Signed Willard and dated 1929 (lr) 18 x 24 inches Oil on canvas Watercolor and gouache on 22 x 28 inches illustration board Provenance: 17 x 13 inches Sragow Gallery, New York Provenance: Unframed C The Patricia and Paramour Fine Arts, Franklin, MI Donald Oresman Collection C The Patricia and Provenance: $2,500-3,500 Donald Oresman Collection James Cummins, Boston See Illustration $600-800 C The Patricia and Donald Oresman Collection $200-400

54 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 55 Prints

367 368 369 375 Carlos Anderson (1905-1978) Frank Hartley Anderson (1890-1947) Stanley Anderson (1884-1966) Peggy Bacon CURTAIN TIME; PRAYER MEETING THE READING ROOM HAPPY HOLIDAY (F. 91) NEW SCHOOL LIBRARY Wood engraving, circa 1939, on laid Engraving, 1930, on laid paper, signed, titled and Etching and drypoint, 1930, on wove paper, Lithographs, 1935-1943, on wove Japan paper, signed, titled, inscribed inscribed Edition 83 proofs in pencil, with good signed, dated, titled and dedicated and with paper, signed and titled in pencil, 2nd State and dedicated in pencil, margins, framed. a sketch of a woman in pencil, with full margins, unframed. published by the Federal Art Project, with full margins, unframed. 6 5/8 x 8 5/8 inches; 168 x 219 mm. 11 7/8 x 16 3/4 inches; 302 x 425 mm. WPA, New York and the first with their 8 3/4 x 10 3/8 inches; 222 x 264 mm. Sheet 11 x 12 inches; 279 x 305 mm. Sheet 14 7/8 x 19 3/8 inches; 378 x 492 mm. inkstamp, with full margins, unframed. (2) Sheet 12 1/2 x 14 7/8 inches; C The Patricia and Donald Oresman Collection C The Patricia and Donald Oresman Collection Largest 12 3/8 x 17 3/4 inches; 318 x 378 mm. $400-600 $1,000-1,500 311 x 451 mm. C The Patricia and See Illustration Sheet 15 7/8 x 22 inches; 403 x 559 mm. Donald Oresman Collection 370 C The Patricia and $400-600 Robert Sargent Austin (1895-1973) 376 Donald Oresman Collection THE LETTER Peggy Bacon $600-800 Engraving, 1938, on laid paper, signed and QUEER BREEDS (F. 104) dated in pencil, the fifth state of five, from the Lithograph, 1931, on wove paper, signed, edition of 150, for the Print Collector’s Club, dated, titled and located Munich in pencil, with full margins, unframed. with full margins, unframed. 5 3/8 x 4 inches; 137 x 102 mm. 10 x 8 inches; 254 x 203 mm. Sheet 10 1/2 x 8 1/2 inches; 267 x 216 mm. Sheet 15 3/4 x 11 3/4 inches; 400 x 298 mm. C The Patricia and Donald Oresman Collection C The Patricia and Donald Oresman Collection $200-400 $300-500 375 371 377 Milton Avery (1885-1965) Peggy Bacon MY WIFE SALLY (LUNN 5) HARD OF HEARING (F. 115) Drypoint, 1934, on wove paper, signed, dated Drypoint, 1933, on wove paper, signed, dated and and numbered 94/100 in pencil, with full margins, titled in pencil, with good margins, unframed. unframed. 7 3/8 x 10 7/8 inches; 187 x 276 mm. 5 5/8 x 8 3/8 inches; 143 x 213 mm. Sheet 10 5/8 x 16 3/8 inches; 270 x 416 mm. Sheet 13 x 14 7/8 inches; 330 x 378 mm. C The Patricia and Donald Oresman Collection C The Patricia and Donald Oresman Collection $800-1,200 $1,000-1,500 See Illustration 378 Peggy Bacon 372 PLEADING FOR THE OPPRESSED (F. 129) Peggy Bacon (1895-1987) Drypoint, circa 1936, on wove paper, titled and THE LUNCH ROOM (LUNCH AT THE LEAGUE) (FLINT 8) dedicated in pencil, with full margins, unframed. Drypoint, 1918, on wove paper, signed and titled in 7 x 15 7/8 inches; 178 x 403 mm. pencil, with full margins, unframed. Sheet 12 3/8 x 20 3/8 inches; 314 x 518 mm. 6 x 7 7/8 inches; 152 x 200 mm. C The Patricia and Donald Oresman Collection Sheet 8 1/4 x 10 5/8 inches; 210 x 270 mm. $700-1,000 C The Patricia and Donald Oresman Collection 371 $400-600 379 See Illustration Ernst Barlach (1870-1938) SCHREIBENDER PROPHET (JOHANNES AUF PATMOS) (SCHULT 159) 373 Woodcut, 1919, on wove paper, signed and Peggy Bacon numbered 2 in pencil, from the edition of 100, THE PROMENADE DECK (F. 47) with margins, unframed. Drypoint, 1920, on wove paper, signed and titled in 10 5/8 x 13 7/8 inches; 270 x 352 mm. pencil, from the edition of approximately 500, Sheet 12 1/8 x 16 3/4 inches; 308 x 425 mm. published by The New Republic, New York, C The Patricia and Donald Oresman Collection with full margins, framed. $600-800 6 x 8 3/8 inches; 152 x 213 mm. Sheet 11 x 13 5/8 inches; 279 x 346 mm. 380 C The Patricia and Donald Oresman Collection 380 Will Barnet (1911-2012) $500-700 BUTCHER’S SON (SZOKE 64) 381 Woodcut, 1939, on thin wood veneer, signed and Will Barnet 374 titled in pencil, from the edition of 20, CHILD READING-RED (S. 140) Peggy Bacon with full margins framed. Color screenprint, 1970, on Arches paper, signed, THE TITAN (CROSSPATCH); MAYOR LA GUARDIA 13 1/2 x 15 inches; 343 x 381 mm. titled and inscribed artist’s proof in pencil (aside from the (F. 87; 122) Sheet 18 1/2 x 22 5/8 inches; 468 x 573 mm. numbered edition of 100), printed by Printer Fine Creations, Inc., Lithographs, 1929 and 1934, respectively, on wove C The Patricia and Donald Oresman Collection New York, published by The New Jersey Haddasah, paper, signed, the first dated and inscribed $1,500-2,000 Westfield, New Jersey, with full margins, framed. Misanthrope, the second titled, in pencil, with good See Illustration 19 3/8 x 10 1/2 inches; 492 x 267 mm. or full margins, unframed. (2) C The Patricia and Donald Oresman Collection 14 3/4 x 13 inches; 375 x 330 mm. $300-400 Sheet 19 1/4 x 15 3/4 inches; 489 x 400 mm. 372 C The Patricia and Donald Oresman Collection $600-800

56 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 57 386 389 Thomas Hart Benton Pierre Bonnard (1889-1975) AU THÉÂTRE (B. 67) OLD MAN READING Color lithograph, 1899, (FATH 44) on Chine volant, titled in Lithograph, 1941, on wove pencil, from Quelques paper, signed in pencil, Aspects de la Vie de Paris, from the edition of 250, published by Vollard, Paris, published by Associated with full margins, unframed. American Artists, New Sheet 16 x 20 3/4 inches; York, with good margins, 406 x 527 mm. unframed. C The Patricia and 10 x 12 1/8 inches; Donald Oresman Collection 254 x 308 mm. $1,000-1,500 Sheet 11 3/4 x 14 1/8 inches; See Illustration 298 x 359 mm. C The Patricia and 390 Donald Oresman Collection Cora Boone (1871-1953) $1,500-2,500 [WOMAN READING] See Illustration White line color woodcut, Previous Page circa 1930, on Japan paper, trimmed into the image, 387 framed. 382 383 Julius Bloch (1888-1966) Sheet 10 3/8 x 9 1/4 inches; DOCTOR’S WAITING 264 x 235 mm. 388 ROOM; OPERA BOX; C The Patricia and PARLOR CAR Donald Oresman Collection Lithographs, circa 1930 and $300-500 circa 1940 (2), respectively, on wove paper, signed, 391 the first and third titled Bernard Brussel-Smith and numbered 35/50 and (1914-1989) 2/36, the first and second GUTENBERG; WILLIAM dedicated in pencil, CAXTON; BODONI; with good or full margins, NICHOLAS JENSEN; unframed. (3) RUDOLF KOCH Largest 10 x 13 1/4 inches; Wood engravings, 254 x 337 mm. 1945-1950, on wove Largest sheet 13 3/4 x paper, signed, titled 18 3/4 inches; 349 x 476 mm. and numbered 18/100, C The Patricia and 49/100, 48/100, 37/100 Donald Oresman Collection and 43/100, respectively, $400-600 in pencil, with full margins, unframed. (5) 388 Each approximately 389 Pierre Bonnard 6 x 4 1/2 inches; 152 x 114 mm. (1867-1947) Sheets approximately 384 386 LA LOGE (BOUVET 53) 11 1/4 x 10 inches; Color lithograph, 1898, 286 x 254 mm. on Chine volant, an artist’s C The Patricia and proof (aside from Donald Oresman Collection the edition of 200), from $700-1,000 382 383 384 385 La Lithographie en See Illustration Couleurs, published by George Bellows (1882-1925) George Bellows George Bellows Frank Weston Benson L’Estampe Originale, ELSIE READING TO EMMA, THE APPEAL TO THE PEOPLE SIXTEEN EAST GAY STREET (1862-1951) 392 NO. 2 (MASON 105) (M. 167) (M. 183) PORTRAIT OF Paris, with full margins, Paul Cadmus (1904-1999) Lithograph, 1921, on wove paper, Lithograph, 1923-1924, on wove Lithograph, 1924, on wove paper, AUGUSTUS HEMENWAY unframed. CONEY ISLAND signed, also signed and inscribed paper, signed, also signed and signed and titled, also signed and (PAFF 157) Sheet 13 3/4 x 10 1/8 inches; (DAVENPORT 38) imp by the printer, Bolton Brown, inscribed imp and Printer’s Copy inscribed imp by the printer, Etching, 1919, on wove paper, 349 x 257 mm. Etching, 1935, on wove in pencil, from the edition of 24, by the printer, Bolton Brown, Bolton Brown, in pencil, from signed and numbered 12 in C The Patricia and paper, signed, titled and with full margins, unframed. in pencil, from the edition of 55, the edition of 72, with full pencil, from the edition of Donald Oresman Collection inscribed (artists proof) in 9 3/4 x 8 3/8 inches; 248 x 213 mm. with full margins, unframed. margins, framed. approximately 13, with full $1,000-1,500 pencil, with full margins, Sheet 14 x 11 3/4 inches; 14 x 18 1/8 inches; 357 x 460 mm. 9 1/2 x 11 3/4 inches; 241 x 298 mm. margins, unframed. See Illustration framed. 356 x 298 mm. Sheet 16 1/2 x 21 3/8 inches; Sheet 11 1/4 x 13 1/2 inches; 8 7/8 x 6 7/8 inches; 225 x 175 mm. 9 x 10 1/8 inches; C The Patricia and 419 x 543 mm. 286 x 343 mm. Sheet 14 3/8 x 11 1/8 inches; 229 x 257 mm. Donald Oresman Collection C The Patricia and C The Patricia and 365 x 283 mm. Sheet 13 x 15 inches; $1,500-2,500 Donald Oresman Collection Donald Oresman Collection C The Patricia and 330 x 381 mm. See Illustration $1,000-1,500 $3,000-5,000 Donald Oresman Collection C The Patricia and See Illustration See Illustration $300-500 Donald Oresman Collection $3,000-5,000 See Illustration 392

58 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 59 402

395 397 401 Marc Chagall (1887-1985) Minna Citron DIE GROSSMUTTER BEAUTY CULTURE (KORNFELD 4) Lithograph, 1933, on wove paper, signed, Etching and drypoint, 1923, on wove paper, titled and numbered 5/20 in pencil, signed and numbered 101/110 in pencil, with full margins, unframed. from Mein Leben, published by Paul Cassirer, 8 x 11 1/2 inches; 203 x 292 mm. Berlin, with full margins, unframed. Sheet 11 x 12 5/8 inches, 279 x 321 mm. 8 1/4 x 6 1/4 inches; 210 x 159 mm. C The Patricia and Donald Oresman Collection 397 Sheet 14 1/2 x 10 1/2 inches; 368 x 267 mm. $500-700 C The Patricia and Donald Oresman Collection $1,500-2,500 402 See Illustration Minna Citron SUBWAY TECHNIQUE 398 Lithograph, 1933, on wove paper, signed, 394 Marc Chagall dated, titled and numbered 13/20 in THE ARTIST WITH THE BOOK pencil, with full margins, unframed. (CRAMER BOOKS 75) 8 1/4 x 10 1/8 inches; 210 x 257 mm. Woodcut, 1968, on Japanese Imperial Sheet 12 1/2 x 15 1/4 inches; 318 x 387 mm. paper, signed and numbered 16/26 in C The Patricia and Donald Oresman Collection pencil, from Poèmes, published by Cramer, $800-1,200 Geneva, with full margins, unframed. See Illustration 13 x 10 inches, 330 x 254 mm. Sheet 20 1/2 x 13 7/8 inches; 521 x 352 mm. 403 396 C The Patricia and Donald Oresman Collection Minna Citron $1,500-2,500 GRIST FOR THE MILL See Illustration Lithograph, 1934, on wove paper,signed, dated, titled and numbered 9/25, also signed 393 394 395 396 399 and inscribed imp by the printer, Will Goldberg, Paul Cadmus Elizabeth Catlett (1915-2012) Elizabeth Catlett Elizabeth Catlett Adnan Charara (b. 1962) in pencil, with full margins, unframed. IN THE FULLNESS OF TIME IN SOJOURNER TRUTH I MY ROLE HAS BEEN IMPORTANT LITERATURE CITY NEWS V 12 x 14 inches; 305 x 356 mm. Offset lithograph, 1999, FOUGHT FOR THE RIGHTS OF IN THE STRUGGLE TO Lithograph, 1950, on wove Hand-colored etching, 2007, on wove Sheet 14 5/8 x 16 1/2 inches; 371 x 419 mm. on wove paper, signed in ink, WOMEN AS WELL AS BLACKS ORGANIZE THE UNORGANIZED paper, signed, dated and paper, signed and inscribed V in ink, C The Patricia and Donald Oresman Collection from the edition of Linocut, 1946, on wove paper, Linocut, 1946, on wove paper, numbered 4/30 in pencil, with full margins, unframed. $400-600 approximately 100, signed, dated, titled and signed, dated, titled and with full margins, framed. 7 7/8 x 5 7/8 inches; 200 x 149 mm. with full margins, unframed. numbered 12/20 in pencil, numbered 15/20 in pencil, 11 3/4 x 16 3/8 inches; Sheet 15 x 11 inches; 381 x 279 mm. 404 Sheet 14 x 11 inches; from I am the Black Woman, from I am the Black Woman, 298 x 416 mm. C The Patricia and Donald Oresman Collection Minna Citron 356 x 279 mm. printed at Robert Blackburn’s printed at Robert Blackburn’s Sheet 16 5/8 x 22 7/8 inches; $100-150 DRESS CIRCLE, C The Patricia and Printmaking Workshop, New York, Printmaking Workshop, New York, 422 x 581 mm. CARNEGIE HALL Donald Oresman Collection 1989, with full margins, unframed. 1989, with full margins, unframed. C The Patricia and 400 Lithograph, 1936, on wove paper, 398 $300-500 8 7/8 x 5 7/8 inches; 225 x 149 mm. 6 x 9 inches; 152 x 229 mm. Donald Oresman Collection Minna Citron (1896-1991) signed, dated, titled, and inscribed ed 40 Sheet 14 7/8 x 11 1/8 inches; Sheet 11 1/4 x 15 inches; $1,000-2,000 BARBER SHOP and litho in pencil, with full margins, unframed. 378 x 283 mm. 286 x 381 mm. See Illustration Lithograph, 1931, on chine collé, signed 8 3/4 x 13 3/8 inches; 222 x 340 mm. C The Patricia and C The Patricia and and titled in pencil, with full margins, unframed. Sheet 11 3/8 x 15 3/4 inches; 289 x 400 mm. Donald Oresman Collection Donald Oresman Collection 15 x 10 inches; 381 x 254 mm. C The Patricia and Donald Oresman Collection $800-1,200 $2,500-3,500 Sheet 17 3/4 x 12 5/8 inches; 451 x 321 mm. $600-800 See Illustration See Illustration C The Patricia and Donald Oresman Collection $300-500

60 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 61 405 409 Minna Citron George Constant (1892-1978) READERS WHEN WE WERE VERY YOUNG Lithograph, 1937, on wove paper, Drypoint, circa 1936-1939, on wove signed, dated and inscribed ed 25 paper, signed in pencil, from the in pencil, with full margins, unframed. edition of 25, published by the 8 7/8 x 12 3/4 inches; 225 x 324 mm. Federal Art Project, WPA, New York Sheet 11 5/8 x 15 7/8 inches; and with their inkstamp, with full margins, 295 x 403 mm. unframed. C The Patricia and 8 7/8 x 7 7/8 inches; 225 x 200 mm. Donald Oresman Collection Sheet 16 1/4 x 11 3/8 inches; $300-400 413 x 289 mm C The Patricia and 406 Donald Oresman Collection Minna Citron $75-125 STRIKE NEWS Lithograph, 1938, on wove paper, signed, 410 dated, titled and inscribed ed 25 in Lovis Corinth (1858-1925) pencil, with full margins, unframed. LEKTURE AUF DEM SOFA 9 x 10 inches; 229 x 254 mm. (SCHWARZ 253) 411 part Sheet 11 1/2 x 15 7/8 inches; Etching, 1916, on Japan paper, 292 x 403 mm. signed in pencil, from the edition of C The Patricia and Donald Oresman 40, with full margins, unframed. Collection 7 5/8 x 9 1/2 inches; 194 x 241 mm. $300-400 Sheet 14 1/8 x 18 inches; 359 x 457 mm. C The Patricia and 414 415 407 Donald Oresman Collection Minna Citron $300-400 LADY WITH THE PROGRAM 414 417 Etching and aquatint, 1941, on wove 411

paper, signed, dated, titled, numbered Mabel Dwight (1875-1955) Mabel Dwight Allan Rohan Crite FERRY BOAT (ROBINSON/PIROG 50) SILENCE (BEALL 141; R./P. 106) 26/45 and inscribed etch + aqua in THE FOUR APOSTLES: LUKE; Lithograph, 1930, on wove paper, Lithograph, 1939, on wove paper, pencil, with full margins, unframed. JOHN; MARK; MATTHEW signed and dated in pencil, from signed, titled and inscribed 8 3/4 x 6 3/4 inches; 222 x 171 mm. Hand-colored and gold-leafed the edition of 60, printed by Federal Art Project, N.Y.C. - WPA in Sheet 11 1/8 x 9 inches; 283 x 229 mm. linocuts, 1951, on wove paper, George C. Miller, with full margins, pencil, from the edition of 25, C The Patricia and signed and dated in ink, unframed. (4) unframed. published by the Federal Art Project, Donald Oresman Collection Sheets 5 7/8 x 7 7/8 inches; 9 1/8 x 10 1/8 inches; 232 x 257 mm. WPA, New York, $150-250 149 x 200 mm. Sheet 11 1/2 x 13 inches; 292 x 330 mm. with full margins, framed. C The Patricia and C The Patricia and 7 5/8 x 11 1/2 inches; 194 x 292 mm. Donald Oresman Collection 408 Donald Oresman Collection Sheet 10 x 16 inches; 254 x 406 mm. $1,500-2,500 Minna Citron $700-1,000 C The Patricia and See Illustration THE MAGIC BOX See Illustration Donald Oresman Collection Lithograph, 1941, on wove paper, $400-600 signed, dated and inscribed ed 40 412 415 and S.A.E. in pencil, with full margins, Erik Desmazières (b. 1948) 418 unframed. SALLE HEXAGONALE Mabel Dwight BOOK AUCTION (R./P. 63) 10 1/2 x 8 3/4 inches; 267 x 222 mm. Etching and aquatint, 1998, Fritz Eichenberg (1901-1990) Lithograph, 1932, on wove paper, THE STOCK MARKET Sheet 13 3/8 x 12 1/2 inches; on wove paper, signed, dated, signed and dated in pencil, Wood engraving, 1976, on wove 340 x 317 mm. titled and numbered 22/60 in pencil, from the edition of 40, paper, signed, titled and numbered C The Patricia and from La Biblioteca de Babel, with full margins, framed. 78/100 in pencil, with full margins, Donald Oresman Collection with full margins, framed. 7 3/8 x 8 1/2 inches; 187 x 216 mm. with the original paper folder, $300-500 13 7/8 x 10 1/2 inches; 352 x 267 mm. Sheet 11 1/2 x 12 7/8 inches; unframed. Sheet 22 1/2 x 14 7/8 inches; 412 292 x 327 mm. 14 x 12 inches; 356 x 305 mm. 572 x 378 mm. C The Patricia and Sheet 16 1/2 x 14 inches; 419 x 356 mm. C The Patricia and Donald Oresman Collection C The Patricia and Donald Oresman Collection $600-800 Donald Oresman Collection $700-1,000 See Illustration $600-800 See Illustration See Illustration 416 418 413 419 Mabel Dwight Erik Desmazières OLD AQUARIUM (R./P. 83) LES LECTEURS DE LA SALLE Maurits Cornelis Escher Lithograph, 1936, on wove paper, LABROUSTE (FITCH/FEBVREL 178) (1898-1972) signed and titled in pencil, from BOOKPLATE D. H. ROODHUYZEN 420 Etching and aquatint, 2001, on the edition of 25, published by the DE VRIES–VAN DISHOECK (BOOL/ David Feinstein wove paper, signed, dated, titled Federal Art Project, WPA, New York KIST/LOCHER/WIERDA 325) REFERENCE ROOM and numbered 7/90 in pencil, with and with their inkstamp, with full Wood engraving, on wove paper, Lithograph, circa 1936-42, on wove paper, full margins, unframed. margins, unframed. with full margins, framed. (2) signed and titled in pencil, with full margins, framed. 9 1/4 x 24 3/4 inches; 235 x 629 mm. 10 x 14 inches; 254 x 356 mm. 3 1/8 x 2 3/8 inches; 79 x 60 mm. 13 5/8 x 16 1/2 inches; 346 x 419 mm. Sheet 15 3/4 x 28 7/8 inches; Sheet 11 1/2 x 15 3/4 inches; Sheet 3 5/8 x 2 5/8 inches; 92 x 67 mm. Sheet 15 7/8 x 22 7/8 inches; 403 x 581 mm. 400 x 733 mm. 292 x 400 mm. C The Patricia and C The Patricia and Donald Oresman Collection C The Patricia and C The Patricia and Donald Oresman Collection $500-700 Donald Oresman Collection Donald Oresman Collection $300-500 $700-1,000 $300-400 413 See Illustration

62 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 63 425 428 429 430

421 424 427 429 431 David Feinstein Seymour Fogel Don Freeman Lucian Freud (1922-2011) Emil Ganso (1895-1941) LUNCH COUNTER NEW YORK NO. 1 THE ENEMY’S PUBLIC (MCC. 103) AFTER CHARDIN (HARTLEY 53; REPOSE, GIRL READING NUDE WITH Lithograph, circa 1935-1943, on wove Lithograph, 1936, on wove paper, signed, Lithographs, 1937, on wove paper, FIGURA 101) BOOK (SMITH L90) paper, signed and titled in pencil, dated, titled and numbered 5-12 in pencil, signed and inscribed “Family Circle” Etching, 2000, on Somerset Satin Lithograph, 1937, on wove paper, with full margins, unframed. with full margins, unframed. in pencil, from the edition of Textured wove paper, initialed and signed in pencil, from the edition of 15, 17 1/4 x 13 1/8 inches; 438 x 333 mm. 9 x 13 inches; 228 x 330 mm. approximately 35, with full margins, framed. numbered 13/46 in pencil, with full margins, unframed. Sheet 22 3/4 x 15 7/8 inches; 578 x 403 mm. Sheet 11 1/8 x 15 3/4 inches; 283 x 400 mm. 9 5/8 x 11 3/4 inches; 244 x 298 mm. published by Matthew Marks Gallery, Sheet 15 5/8 x 22 7/8 inches; C The Patricia and Donald Oresman Collection C The Patricia and Donald Oresman Collection Sheet 11 3/8 x 15 7/8 inches; 289 x 403 mm. New York, with full margins, framed. 397 x 581 mm. $300-400 $400-600 C The Patricia and Donald Oresman Collection 23 3/8 x 28 7/8 inches; 594 x 733 mm. C The Patricia and $200-300 Sheet 30 1/2 x 38 inches; Donald Oresman Collection 775 x 965 mm. $100-150 422 425 Conrad Felixmüller (1897-1977) Frank Morley Fletcher (1866-1949) 428 Provenance: BILDNIS - HANS CONON VON THE BOOKWORM: THE BLUE GIRL Isaac Friedlander (1890-1968) Matthew Marks Gallery, New York 432 DER GABELENTZ Color woodcut, 1904, on Japan paper, 3 A.M. C The Patricia and Alberto Giacometti (1901-1966) Woodcut, 1934, on wove paper, signed, signed, titled and numbered 57/75 in Etching and drypoint, 1934, on laid paper, Donald Oresman Collection THE ARTIST’S MOTHER READING III dated, titled and inscribed Holzschnitt, pencil, with full margins, framed. signed, dated, titled, located New York $8,000-12,000 (LUST 44) with full margins, unframed. 7 5/8 x 6 1/8 inches; 194 x 156 mm. and inscribed Trial proof in pencil, See Illustration Lithograph, 1964, on Rives BFK paper, 15 5/8 x 19 1/2 inches; 397 x 495 mm. Sheet 9 5/8 x 8 1/4 inches; 244 x 210 mm. with full margins, unframed. signed and numbered 72/75 in pencil, Sheet 18 3/8 x 22 1/8 inches; 467 x 562 mm. C The Patricia and Donald Oresman Collection 9 3/8 x 15 5/8 inches; 238 x 397 mm. published by Maeght, Paris, with full 430 C The Patricia and Donald Oresman Collection $1,000-1,500 Sheet 12 x 18 1/2 inches; 305 x 470 mm. margins, framed.

$600-800 See Illustration C The Patricia and Donald Oresman Collection Harry Louis Freund (1905-1999) Sheet 26 3/4 x 19 3/4 inches; 679 x 502 mm. HOLY ROLLERS See Illustration $1,500-2,500 C The Patricia and Lithograph, circa 1935, on laid paper, See Illustration Donald Oresman Collection 426 signed, titled, inscribed 10/ed, $2,000-3,000 423 Don Freeman (1908-1978) also signed by the artist’s wife, See Illustration Seymour Fogel (1911-1984) WEDDING BUREAU - MUNICIPAL in pencil, unframed. DESPAIR BUILDING N.Y. (MCCULLOCH 101) 13 1/4 x 9 5/8 inches; 336 x 244 mm. Lithograph, 1936, on wove paper, Lithograph, 1934, on wove paper, signed, Sheet 18 5/8 x 13 inches; 473 x 330 mm 433 signed and dated in pencil, with full margins, titled and inscribed in pencil, from C The Patricia and Joseph Webster Golinkin 432 unframed. the edition of 50, with good margins, Donald Oresman Collection (1896-1977) 11 1/4 x 8 3/8 inches; 286 x 213mm. unframed. $600-800 ART LOVERS Sheet 16 5/8 x 12 5/8 inches; 422 x 321 mm. 6 3/8 x 9 1/4 inches; 162 x 235 mm. See Illustration Lithograph, 1933, on wove paper, C The Patricia and Donald Oresman Collection Sheet 8 1/2 x 11 inches; 216 x 279 mm. signed and numbered 11/25 in pencil, $400-600 C The Patricia and Donald Oresman Collection with full margins, unframed. $300-400 14 1/4 x 17 1/2 inches; 362 x 445 mm. Sheet 15 7/8 x 22 1/2 inches; 403 x 572 mm. C The Patricia and Donald Oresman Collection $500-700 64 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 65 436 438 440

434 436 438 440 442 Joseph Webster Golinkin Marcel Gromaire (1892-1971) George Grosz (1893-1959) Richard Hamilton (1922-2011) Peter Ilsted (1861-1933) BANANA BOAT L’AMATEUR DES LIVRES (GROMAIRE 103) CAFÉ (DÜCKERS SI 41) COLLECTED WORKS (LULLIN 105) THE LITTLE CONVALESCENT Lithograph, circa 1938, on wove paper, Etching, 1932, on wove paper, signed and Photolithograph, 1916, signed in pencil, Color offset lithograph, 1977, Mezzotint printed in dark brown, signed and numbered 20/25 in pencil, numbered 12/40 in pencil, with full margins, from the edition of 100, from Ecce Homo, on Schoelleshammer Karton paper, 1929, on wove paper, with with full margins, framed. unframed. published by Malik-Verlag, Berlin, signed and numbered 44/75 in the artist’s estate stamp, 14 3/8 x 13 1/4 inches; 365 x 337 mm. 9 1/4 x 7 inches; 235 x 178 mm. with full margins, unframed. pencil, published by the artist, with full margins, unframed. Sheet 22 3/4 x 16 inches; 578 x 406 mm. Sheet 12 7/8 x 10 inches; 327 x 254 mm. 13 5/8 x 9 7/8 inches; 346 x 251 mm. with full margins, framed. 4 7/8 x 6 5/8 inches; C The Patricia and C The Patricia and C The Patricia and 8 1/4 x 13 1/4 inches; 210 x 337 mm. 124 x 168 mm. Donald Oresman Collection Donald Oresman Collection Donald Oresman Collection Sheet 12 1/2 x 17 1/4 inches; Sheet 11 5/8 x 15 7/8 inches; $300-400 $700-1,000 $700-1,000 318 x 438 mm. 295 x 403 mm. See Illustration See Illustration C The Patricia and C The Patricia and 435 Donald Oresman Collection Donald Oresman Collection Natalia Goncharova (1881-1962) 437 439 $2,000-3,000 $200-300 HERMIT William Gropper (1897-1977) George Grosz See Illustration Lithograph, 1913, on wove paper, TO THE GALLERY A WRITER, IS HE? (D. SII 45) from The Hermits, the full sheet, framed. Lithograph, circa 1930, on wove paper, Lithograph, 1936, on Rives BFK paper, 441 Sheet 7 1/4 x 5 5/8 inches; 184 x 143 mm. signed and titled in pencil, with full margins, signed in pencil, from the edition of 280, Erich Heckel (1905-1913) C The Patricia and framed. from Interregnum, published by BEIM VORLESEN (DUBE 272) Donald Oresman Collection 12 1/4 x 15 3/4 inches; 311 x 400 mm. The Black Sun Press, New York, with Woodcut, 1914, on wove paper, $100-150 Sheet 15 7/8 x 23 inches; 403 x 584 mm. good margins, unframed. signed and dated, also signed by C The Patricia and 11 3/8 x 8 1/8 inches; 289 x 206 mm. the printer, F. Voigt, in pencil, from Donald Oresman Collection Sheet 15 7/8 x 11 3/8 inches; the edition of 100, published by $100-200 403 x 289 mm. Verlag der Dichtung, Potsdam, C The Patricia and with full margins, unframed. Donald Oresman Collection 11 7/8 x 7 7/8 inches; $300-500 302 x 200 mm. Sheet 19 7/8 x 13 7/8 inches; 505 x 352 mm. C The Patricia and Donald Oresman Collection $1,000-1,500 441 See Illustration

66 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 67 450

443

444 449

448 451

443 444 445 446 447 448 449 450 451 Eli Jacobi (1898-1984) Eli Jacobi Eli Jacobi Rockwell Kent Rockwell Kent William Kentridge Yasuo Kuniyoshi Paul Landacre Paul Landacre THE GRAND WINDSOR BLACK OWL LOBBY A NAP (1882-1971) BOOKS MAKE THE HOME (b. 1955) (1889-1953) (1893-1963) SULTRY DAY LOUNGE (ROTHSTEIN 39) Linocut, circa 1940, on laid Linocut, 1940, on laid WALDO PEIRCE Collotype, circa 1940, READING CHAMBER’S CAFÉ (DAVIS L62) BREAKING GROUND Wood engraving, 1937, Linocut, 1936, on laid Japan paper, signed, Japan paper, with (BURNE-JONES 30) on wove paper, signed in ENCYCLOPEDIA Lithograph, 1934, Wood engraving, 1933-1934, on wove paper, from the Japan paper, with the artist’s titled and inscribed the artist’s stamped Lithograph, 1928 on pencil, with full margins, (KRUT SEE P. 117) on Chine collé paper, signed, on cream laid paper, titled edition of less than 200, stamped monogram, 1st state (5 proofs) in monogram, from the wove paper, signed in unframed. Chine collé on found paper, dated and inscribed 30 P. verso and dedicated published by the American from the edition of 25, pencil, from the edition edition of 25, with full pencil, from the edition 13 5/8 x 11 3/8 inches; signed and numbered in pencil, with full margins, in pencil, from the edition Artists Group, with full with full margins, unframed. of 25, with full margins, margins, unframed. of 200, with full margins, 346 x 289 mm. 47/50 in pencil, with full framed. of 8, with full margins, margins, framed. 8 x 10 inches; 203 x 254 mm. unframed. 8 7/8 x 8 inches; unframed. Sheet 17 1/8 x 15 inches; margins, unframed. 9 7/8 x 7 7/8 inches; unframed. 8 x 6 inches; Sheet 12 x 14 1/4 inches; 10 x 8 inches; 254 x 203 mm. 225 x 203 mm. 9 3/4 x 7 3/8 inches; 435 x 381 mm. 10 1/2 x 14 5/8 inches; 251 x 200 mm. 10 3/8 x 7 5/8 inches; 203 x 152 mm. 305 x 362 mm. Sheet 15 1/4 x Sheet 15 1/8 x 248 x 187 mm. C The Patricia and 267 x 371 mm. Sheet 14 5/8 x 11 3/8 inches; 264 x 194 mm. Sheet 18 x 13 inches; C The Patricia and 12 1/4 inches; 387 x 311 mm. 12 1/4 inches; Sheet 16 x 11 1/2 inches; Donald Oresman Sheet 15 x 18 3/8 inches; 371 x 289 mm. Sheet 16 3/4 x 10 1/2 inches; 457 x 330 mm. Donald Oresman C The Patricia and 384 x 311 mm. 406 x 292 mm. Collection 381 x 467 mm. C The Patricia and 425 x 267 mm. C The Patricia and Collection Donald Oresman C The Patricia and C The Patricia and $100-200 C The Patricia and Donald Oresman C The Patricia and Donald Oresman $700-1,000 Collection Donald Oresman Donald Oresman Donald Oresman Collection Donald Oresman Collection See Illustration $700-1,000 Collection Collection Collection $2,000-3,000 Collection $1,500-2,000 See Illustration $500-700 $600-800 $1,000-1,500 See Illustration $600-800 See Illustration See Illustration See Illustration Previous Page

68 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 69 452

454 453 455

452 453 454 455 456 Armin Landeck (1905-1984) Norman Lewis (1909-1979) Samella Lewis (b. 1924) Roy Lichtenstein (1923-1997) Louis Lozowick (1892-1973) CAT’S PAW (KRAEFT 44) COMRADES SHOUT NUDE READING (CORLETT 288) NOVEL OF ADVENTURE (FLINT 194) Aquatint and drypoint, 1934, on wove paper, Lithograph, 1943, on wove paper, Lithograph, 2004, on wove paper, signed, Color relief print, 1994, signed, dated and Lithograph, 1942, on wove paper, signed, signed, dated and inscribed Ed 100 in pencil, signed, dated, titled and dated, titled and numbered 55/60 in pencil, inscribed AP 7/12 in pencil (aside from the dated and numbered 7/20 in pencil, printed from the edition of 50 (the intended edition numbered 5/35 in pencil, published by JK Fine Art Editions Co., edition of 60), published by Tyler Graphics, Inc., by George C. Miller, with full margins, unframed. was 100), with good margins, framed. with good margins, unframed. New York and with their blindstamp, Mount Kisco, New York and with their 12 7/8 x 8 3/4 inches; 327 x 222 mm. 8 3/8 x 7 inches; 213 x 178 mm. 10 1/2 x 4 5/8 inches; 267 x 117 mm. with full margins, unframed. blindstamp, with full margins, unframed. Sheet 16 3/8 x 11 3/4 inches; 416 x 298 mm. Sheet 12 1/4 x 10 3/4 inches; Sheet 12 7/8 x 6 5/8 inches; Sheet 15 3/8 x 23 1/2 inches; 23 7/8 x 30 3/8 inches; 606 x 772 mm. C The Patricia and Donald Oresman Collection 311 x 273 mm. 327 x 168 mm. 391 x 597 mm. Sheet 30 5/8 x 36 3/8 inches; 778 x 924 mm. $500-700 C The Patricia and Donald Oresman Collection C The Patricia and Donald Oresman Collection C The Patricia and Donald Oresman Collection C The Patricia and Donald Oresman Collection $1,000-1,500 $3,000-5,000 $600-800 $60,000-90,000 See Illustration See Illustration See Illustration See Illustration

70 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 71 457 459 463

464 466 460 461 463 465 466 Reginald Marsh Henri Matisse (1869-1954) Henry Moore Henry Moore THE ENCYCLOPEDIA BRITANNICA LA LETTRE (DUTHUIT 126) GIRL DOING HOMEWORK VI GIRL READING AT WINDOW (C. 469) Transfer lithograph, circa 1950, Etching, 1929, on Chine collé, (C. 331) Color lithograph, 1977-1978, on on laid blue paper, unframed. signed and numbered 5/25 in Etching and aquatint, 1974, TH Saunders paper, signed and Sheet 11 7/8 x 8 5/8 inches; pencil, with full margins, framed. on wove paper, initialed and numbered XV/XV in pencil, 458 302 x 219 mm. 6 x 10 inches; 152 x 254 mm. inscribed Bon a tirer in published by Raymond Spencer C The Patricia and Donald Sheet 11 1/8 x 14 7/8 inches; pencil (aside from the Company for the Henry Moore Oresman Collection 283 x 378 mm. numbered edition of 50), Foundation, with full margins, framed. $75-100 C The Patricia and Donald with full margins, unframed. 7 1/4 x 13 1/8 inches; 184 x 333 mm. Oresman Collection 8 x 9 7/8 inches; 203 x 251 mm. Sheet 17 1/4 x 24 1/4 inches; 457 458 459 460 462 $7,000-10,000 Sheet 14 3/8 x 18 1/4 inches; 438 x 616 mm. See Illustration 365 x 464 mm. C The Patricia and Donald Kyra Markham (1891-1967) Kyra Markham Kyra Markham Reginald Marsh (1898-1954) Frans Masereel (1889-1972) LOCKOUT STAGE DOOR JOHNNIE WELL MET IN THE SUBWAY DISCUSSION (SASOWSKY 152) UNTITLED (MAN READING) C The Patricia and Donald Oresman Collection Lithograph, 1937, on wove Lithograph, 1937, on wove Lithograph, 1937, on Rives Etching, 1934, on wove paper, Woodcut, 1968, on wove paper, 464 Oresman Collection $700-1,000 paper, signed, dated, titled paper, signed, dated and BFK paper, signed, dated, signed in pencil, with good signed in pencil, with full margins, Henry Moore (1898-1986) $600-800 See Illustration and numbered 23/50 in pencil, titled in pencil, published by titled and inscribed Proof in margins, unframed. unframed. GIRL SEATED AT DESK with full margins, framed. the Federal Art Project, WPA, pencil, from the edition of 6 x 9 inches; 152 x 229 mm. Sheet 12 1/8 x 8 7/8 inches; (CRAMER 340) 467 10 x 12 1/8 inches; 254 x 308 mm. New York and with their inkstamp, approximately 12, with good Sheet 7 1/8 x 10 1/8 inches; 308 x 225 mm. Color lithograph, 1974, on wove paper, Jackson Lee Nesbitt (1913-2008) Sheet 11 1/2 x 16 1/8 inches; with full margins, unframed. margins, unframed. 181 x 257 mm. C The Patricia and Donald signed and numbered 34/50 in BLOOMING MILL - SHEFFIELD 292 x 410 mm. 12 1/4 x 9 1/4 inches; 9 1/4 x 10 inches; 235 x 254 mm. C The Patricia and Oresman Collection pencil, with full margins, unframed. STEEL CORPORATION C The Patricia and 311 x 235 mm. Sheet 11 1/4 x 15 inches; Donald Oresman Collection $75-100 4 7/8 x 5 inches; 124 x 127 mm. Etching, 1945, on wove paper, signed, Donald Oresman Collection Sheet 15 3/8 x 11 3/8 inches; 286 x 381 mm. $1,000-1,500 Sheet 20 1/2 x 13 7/8 inches; dated and titled in pencil, from the $1,000-1,500 391 x 289 mm. C The Patricia and See Illustration 521 x 352 mm. edition of 70, with full margins, unframed. See Illustration C The Patricia and Donald Oresman Collection C The Patricia and Donald 10 x 13 5/8 inches; 254 x 346 mm. Donald Oresman Collection $1,000-1,500 Oresman Collection Sheet 12 1/8 x 16 inches; $800-1,200 See Illustration $800-1,200 308 x 406 mm. See Illustration See Illustration C The Patricia and Donald Oresman Collection $400-600 72 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 73 468 471 475 477

469 472 475 478 Emil Nolde (1867-1956) Anton Refregier Robert Riggs (1896-1970) Allen Ruppersberg (b. 1944) EX LIBRIS HANS FEHR (SCHIEFLER E42) WOMAN READING CLOWN ALLEY (BASSHAM 39) A PRIVATE READING Etching, 1906, on wove paper, Color screenprint, circa 1960, on wove Lithograph, circa 1934, on BFK Rives Suite of three color lithographs, with full margins, framed. paper, signed and numbered 73/100 in paper, signed, titled and numbered 44 1978, on Rives offset paper, the third 2 7/8 x 2 inches; 73 x 51 mm. pencil, with full margins, unframed. in pencil, from the edition of approximately signed, dated, numbered 18/43 and Sheet 4 3/8 x 3 3/8 inches; 12 x 15 1/4 inches; 305 x 387 mm. 50, with full margins, unframed. inscribed C, the first and second 111 x 86 mm. Sheet 17 3/8 x 21 1/8 inches; 14 3/8 x 19 inches; 365 x 483 mm. inscribed A and B, respectively, in C The Patricia and 441 x 537 mm. Sheet 18 3/4 x 22 3/4 inches; pencil, the full sheets, unframed. Donald Oresman Collection C The Patricia and 476 x 578 mm. Sheets 21 1/4 x 29 3/8 inches; 540 x 746 mm. $700-1,000 Donald Oresman Collection C The Patricia and C The Patricia and See Illustration $150-200 Donald Oresman Collection Donald Oresman Collection $700-1,000 $700-1,000 470 473 See Illustration Odilon Redon (1840-1916) Paula Rego (b. 1935) 479 LE LIVRE OU SAINTE THÉRÈSE GIRL READING 476 Ben Shahn (1898-1969) (MELLERIO 24) Lithograph, 2001, signed, numbered James Rosenquist (1933-2017) SILENT NIGHT (PRESCOTT 10) Etching and drypoint, 1892, on wove 7/35 in pencil, with full margins, unframed. HEADLINES (GLENN 97) Color screenprint, 1949, on wove paper, from the second state, from the Sheet 27 1/2 x 21 inches; Color etching and pochoir, 1976, paper, signed and numbered 98/200 edition of 20, with margins, framed. 699 x 533 mm. on paper, signed, dated, titled and in pencil, with full margins, unframed. 5 1/8 x 3 5/8 inches; 130 x 92 mm. C The Patricia and numbered 34/39 in pencil, with full Sheet 26 1/4 x 20 inches; 667 x 508 mm. Sheet 9 1/2 x 7 1/4 inches; Donald Oresman Collection margins, unframed C The Patricia and 243 x 186 mm. $400-600 6 x 12 inches; 152 x 305 mm. Donald Oresman Collection C The Patricia and Sheet 12 1/8 x 18 inches; 308 x 457 mm. $300-500 Donald Oresman Collection 474 C The Patricia and $300-500 Dan Rico (1910-1985) Donald Oresman Collection 480 469 FAUST $400-600 Ben Shahn 471 Wood engraving, circa 1940, on wove CREDO (P. 67) 468 Anton Refregier (1905-1979) paper, signed and titled in pencil, from 477 Color screenprint, 1966, on wove Christopher Richard W. Nevinson (1889-1946) RIOT SCENE, CIVIL WAR DAYS the edition of 25, published by Georges Rouault (1871-1958) paper, signed in pencil and with SUCCESS Color screenprint, 1939, on wove paper, the Federal Art Project, WPA, New York, PROFESSOR PIEU, MEMBRE DE the artist’s chop, from the edition of Drypoint, circa 1930, on wove paper, signed and signed in pencil, with good margins, with full margins, unframed. L’INSTITUT approximately 48, with full margins, 480 titled in pencil, from the edition of 75, with full unframed. 8 1/8 x 10 1/8 inches; 206 x 257 mm. Color aquatint, 1935, on cream laid unframed. margins, unframed. 10 3/4 x 10 7/8 inches; 273 x 276 mm. Sheet 11 1/4 x 16 1/2 inches; paper, with full margins, unframed. Sheet 26 1/2 x 20 3/4 inches; 8 x 6 inches; 203 x 152 mm. Sheet 13 7/8 x 16 1/2; 352 x 419 mm. 286 x 419 mm. 12 1/2 x 8 1/4 inches; 318 x 210 mm. 673 x 527 mm. Sheet 12 5/8 x 8 5/8 inches; 321 x 219 mm. C The Patricia and C The Patricia and Donald Sheet 17 1/2 x 13 1/4 inches; C The Patricia and C The Patricia and Donald Oresman Collection Donald Oresman Collection Oresman Collection 445 x 337 mm. Donald Oresman Collection $2,000-3,000 $800-1,200 $600-800 C The Patricia and $800-1,200 See Illustration See Illustration Donald Oresman Collection See Illustration $1,200-1,800 See Illustration 74 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 75 481 Millard Sheets (1907-1989) FAMILY FLATS Lithograph, circa 1935, on laid paper, signed, titled and numbered 27/100 in pencil, with full margins, unframed. 15 5/8 x 21 7/8 inches; 397 x 556 mm. Sheet 18 1/8 x 24 5/8 inches; 460 x 625 mm. C The Patricia and Donald Oresman Collection $2,000-3,000 See Illustration

482 Clyde J. Singer (1908-1999) WOMAN READING Lithograph, circa 1945, signed in pencil, with full margins, unframed. Sheet 16 7/8 x 11 inches; 429 x 279 mm. C The Patricia and Donald Oresman Collection $75-100

483 John Sloan (1871-1951) THE WOMAN’S PAGE (MORSE 132) 481 Etching, 1905, on laid paper, signed, titled and inscribed 100 proofs, also signed and inscribed imp [old paper] by the printer, Ernest Roth, in pencil, with full margins, framed. 4 5/8 x 6 3/4 inches; 117 x 171 mm. Sheet 8 3/8 x 11 1/4 inches; 213 x 286 mm. C The Patricia and Donald Oresman Collection $700-1,000 See Illustration

484 John Sloan SHINE, WASHINGTON SQUARE (M. 210) Lithograph, 1923, on wove paper, signed, titled and inscribed 25 proofs, also signed and inscribed imp by the printer, Bolton Brown, in pencil, with full margins, unframed. 7 3/8 x 9 1/8 inches; 187 x 232 mm. Sheet 9 1/2 x 15 1/4 inches; 241 x 387 mm. C The Patricia and Donald Oresman Collection $1,000-1,500 See Illustration

483 485 John Sloan INDIAN DETOUR (M. 231) Etching, 1927, on wove paper, signed, titled and inscribed 100 proofs in pencil, from the edition of 489 70 (the intended edition was 100), with full margins, unframed. 6 x 7 1/8 inches; 152 x 181 mm. Sheet 10 1/4 x 11 5/8 inches; 260 x 295 mm. C The Patricia and Donald Oresman Collection 487 488 489 $700-1,000 G. Ralph Smith Lawrence Beall Smith (1909-1995) Ethel Spowers (1890-1947) ELECTION NIGHT BETWEEN TRAINS; NEWS ITEM SPECIAL EDITION 486 Lithograph, 1937, on wove paper, signed, Lithographs, 1937 and 1992, Color linocut, 1936, on tissue-thin Japan paper, G. Ralph Smith (1907-2007) dated, titled and numbered 1/10 in pencil, respectively, on wove paper, signed, signed, dated, titled and numbered 6/50 ELECTION NIGHT with full margins, unframed. dated, titled, the first inscribed 20 Prints, in pencil, the full sheet, framed. Lithograph, 1936, on wove paper, signed, dated, 10 3/4 x 14 3/4 inches; 273 x 375 mm. the second numbered 6/30, in pencil, Sheet 12 x 10 inches; 305 x 254 mm. titled and numbered 1/5 in pencil, with full margins, Sheet 13 1/4 x 18 1/2 inches; 337 x 470 mm. with full margins, unframed. (2) C The Patricia and Donald Oresman Collection unframed. C The Patricia and Donald Oresman Collection Larger 13 7/8 x 9 1/8 inches; $20,000-30,000 10 3/4 x 14 1/2 inches; 273 x 368 mm. $400-600 352 x 232 mm. See Illustration and Front Cover Sheet 13 3/4 x 18 3/4 inches; 349 x 476 mm. Sheet 17 1/2 x 12 7/8 inches; C The Patricia and Donald Oresman Collection 445 x 327 mm. $400-600 C The Patricia and Donald Oresman Collection $300-400

484

76 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 77 490 Benton Murdoch Spruance (1904-1967) SUBWAY SHIFT (THE SECOND FRONT) (FINE/LOONEY 223) Lithograph, 1943, on wove paper, inscribed with the artist’s name, dated and titled by the artist’s son and with the red estate stamp, from the edition of 30, with full margins, unframed. 10 1/4 x 16 1/4 inches; 260 x 413 mm. Sheet 15 1/2 x 23 1/8 inches; 394 x 587 mm. C The Patricia and Donald Oresman Collection $700-1,000 See Illustration

491 Joseph Stella (1877-1946) PORTRAIT OF AN OLD WOMAN READING Etching, circa 1900, printed in 1960, on wove paper, signed and numbered 16/30 in pencil, published by Rabin & Krueger Gallery, Newark, New Jersey and with their inkstamp, with full margins, unframed. 496 490 5 1/2 x 5 1/8 inches; 140 x 130 mm. Sheet 13 x 9 3/4 inches; 330 x 248 mm. C The Patricia and Donald Oresman Collection $75-100 490

492 Joseph Stella (1877-1946) UNTITLED (READER) Color monotype, circa 1912, on Japan paper, with the artist’s estate stamp verso, the full(?) sheet, framed. Sheet 8 5/8 x 11 inches; 219 x 279 mm. C The Patricia and Donald Oresman Collection $500-700

493 Harry Sternberg (1904-2002) BROADWAY #2 (MOORE 61) Etching, 1930, on wove paper, signed, titled, numbered 20 and inscribed 50 proofs in pencil, with good margins, unframed. 11 7/8 x 15 3/4 inches; 302 x 400 mm. 493 Sheet 13 7/8 x 17 5/8 inches; 352 x 448 mm. 499 C The Patricia and Donald Oresman Collection $800-1,200 See Illustration 493 500 494 Albert Sterner (1863-1946) 496 498 500 WOMAN READING Max Weber (1881-1961) Julian Alden Weir (1852-1919) Anders Zorn (1860-1920) Lithograph, circa 1920, on laid Japan paper, RABBI READING (RUBENSTEIN 15) MOTHER AND CHILD #2 TRAVELING COMPANION signed in pencil, with full margins, unframed. Woodcut, circa 1919-20, on laid (ZIMMERMAN 7) (MR. CHARLES DEERING) 16 3/8 x 13 inches; 416 x 330 mm. Japan paper, signed in pencil, Etching and drypoint, circa 1890, Etching, 1904, on wove paper, signed in Sheet 23 x 16 3/4 inches; 584 x 425 mm. with full margins, unframed. from the first state of two, with margins, framed. pencil, with full margins, unframed C The Patricia and Donald Oresman Collection 4 1/4 x 2 inches; 108 x 51 mm. 6 x 4 1/4 inches; 152 x 108 mm. 7 7/8 x 6 inches; 200 x 152 mm. $100-150 Sheet 10 x 6 1/2 inches; 254 x 165 mm. Sheet 6 1/4 x 4 1/2 inches; 159 x 114 mm. Sheet 12 7/8 x 9 7/8 inches; 327 x 251 mm. C The Patricia and C The Patricia and C The Patricia and Donald Oresman Collection Donald Oresman Collection Donald Oresman Collection 495 $700-1,000 $200-300 $800-1,200

Donald Vogel (1917-2004) See Illustration See Illustration BEDLAM CORNERS Drypoint, circa 1940, on wove paper, signed, 499 titled and numbered 2-25 in pencil, with full 497 Marguerite Zorach (1887-1968) margins, unframed. Max Weber FIRST LESSON 9 x 12 inches; 229 x 305 mm. STUDY (R. 28) Hand-colored screenprint, 1928, 10 1/8 x 14 1/4 inches; 257 x 362 mm. Woodcut, 1919-20, on wove paper, signed and dated in pencil, C The Patricia and Donald Oresman Collection signed in pencil, with good margins, framed. with good margins, unframed. $700-1,000 3 1/4 x 1 1/4 inches; 83 x 32 mm. Sheet 16 x 11 3/8 inches; 406 x 289 mm. See Illustration Sheet 7 x 3 1/4 inches; 178 x 83 mm. C The Patricia and C The Patricia and Donald Oresman Collection Donald Oresman Collection $3,000-4,000 495 $400-600 See Illustration

78 DOYLE • NOVEMBER 20, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 79 501 503 505 508

Photographs

501 503 504 506 508 510 512 514 ABBOTT, BERENICE (1898-1991) BARTLETT, MORTON BERMAN, ZEKE (b. 1951) BOURKE-WHITE, MARGARET BRANDT, BILL (1904-1983) BUSH, ANDREW (b. 1956) CHERKASHIN, VALERA AND CLARITY, ED (20th century) Newsstand, 32nd Street and (1909-1992) Interior, 1982. Gelatin silver print, (1902-1971) Spanische Portiersfrau, 1928. Commander Napping, 1982. NATASHA (b. 1948 and 1958) [Man Reading Newspaper], Third Avenue, Nov. 19, 1935. [Doll Reading “Readers Digest,” 19 3/8 x 15 1/4 inches Board Room, New York Vintage gelatin silver print, Chromogenic print, printed [Student Reading Tarzan at 1960. Vintage gelatin silver print, Gelatin silver print on Agfa paper, Portrait from “Family Found”], (492 x 387 mm), verso signed, Stock Market, 1936. 9 1/4 x 6 1/4 inches 1995, 23 x 19 1/8 inches Moscow University], 1998. 10 1/2 x 13 3/8 inches printing date unknown but this 1935-1965. Gelatin silver print, titled and numbered 14/25 Vintage gelatin silver print, (234 X 160 mm), typed sticker (585 x 485 mm), verso signed, Unique gelatin silver print on (265 x 338 mm), dry-mounted, likely printed late 1950s, 4 5/8 x 3 1/2 inches (118 x 88 mm), in pencil. Minor crease 8 3/8 x 6 inches (212 x 153 mm), bearing the artists name and titled, dated (“1995”) and matte paper, bleach, newspaper New York Daily News clippings 7 7/8 x 9 7/8 inches (200 x 251 mm), dry-mounted to card, the rear noted in upper left corner in artist’s name, title and N.E.A title on the verso. numbered 2/25 in ink. transfers, air brush, watercolors, featuring the same photograph verso with the artist’s stamp mount with the “Family Found” raking light. Unframed. copyright typewritten on verso Some retouching noted in Minor retouching noted, crumpled by the artists, and the date mounted on (“Berenice Abbott/Photograph”) original collection label. C The Patricia and with two N.E.A. reference raking light. Unframed. no defects in raking light. 23 1/4 x 19 1/4 inches verso. Image in generally and titled (“Newsstand”) in pencil. A few trifling surface defects Donald Oresman Collection department stamps. Unframed. C The Patricia and Unframed. (590 x 490 mm), the image excellent condition. Unframed. Minor marginal creases, not breaking the surface of $300-500 C The Patricia and Donald Donald Oresman Collection C The Patricia and Donald signed and dated by the C The Patricia and one just affecting the image on the emulsion. Oresman Collection $600-900 Oresman Collection artists (l.r.). Unframed. Trace of Donald Oresman Collection the lower right. Unframed. Bartlett, a freelance photographer 505 $300-500 See Illustration $200-300 mounting on verso. $150-250 C The Patricia and and graphic designer, was an BING, ILSE (1899-1998) The work of the Cherkashins is Donald Oresman Collection outsider artist who spend much Vendeuse de journaux, place 507 509 511 playful and ingeniously executed. 515 $1,000-1,500 of his time between 1936 and de la Concorde, Paris, 1947. BOURKE-WHITE, MARGARET BUSH, ANDREW (b. 1956) CHERKASHIN, VALERA AND C The Patricia and COLOMB, DENISE (1902-2004) See Illustration 1963 creating and photographing Vintage gelatin silver print, (1902-1971) Commander’s Bookcase, NATASHA (b. 1948 and Donald Oresman Collection Antonin Artaud, circa 1945. a series of plaster dolls. 13 3/8 X 10 3/8 inches Curb Exchange, Wall St, 1982. Chromogenic print, 1958). [Statue at Moscow $250-500 Gelatin silver print, 502 These became widely known (340 x 263 mm.), signed and New York Stock Market, 1936. printed 1995, 19 x 23 inches University], 1998. Unique gelatin 10 7/8 x 7 3/8 inches ARNOLD, EVE (1913-2012) after his death in 1992 when dated in ink on the recto, Vintage gelatin silver print, (484 x 585 mm), verso signed, silver print on matte paper, 513 (277 X 187 mm), recto signed Salvation Army, Prayer, the dealer Marion Harris signed, titled and dated in 9 1/2 x 7 1/2 inches titled, dated (“1995”) and bleach, newspaper transfers, CHILDERS, MICHAEL below image in ink. Unframed. Manchester, England, published and exhibited the pencil on the verso. A few pencil (240 x 188 mm), artist’s name, numbered 6/25 in ink. air brush, watercolors, crumpled (20th/21st century) C The Patricia and from In Britain 1962. collection of about 200 staged marks on the print margin, title and N.E.A. copyright No defects noted in by the artists, 23 1/4 x 19 1/4 inches [Hockney Reading], Donald Oresman Collection Gelatin silver print, 14 x 9 3/8 inches photographs that Bartlett had the print fine. Unframed. typewritten on verso with an raking light. Unframed. (590 x 490 mm), the image circa 1980. Gelatin silver print, $200-300 (355 x 236 mm), verso signed, left upon his death. C The Patricia and N.E.A. reference department C The Patricia and signed and dated by the printed 2007, 9 x 13 1/2 inches titled and dated in pencil. C The Patricia and Donald Oresman Collection stamp. Corners a bit creased Donald Oresman Collection artists (l.r.). Unframed. Trace of (240 x 343 mm), signed in ink Donald Oresman Collection 516 No defects noted in $800-1,200 and worn. Unframed. $200-300 mounting on verso. below image on recto, artist’s CONNOR, LINDA (b. 1944) raking light. Unframed. $500-800 See Illustration Next Page A handwritten note on the C The Patricia and stamp on verso. No defects See Illustration Sacred Text, Ethiopian C The Patricia and modern mount indicates that Donald Oresman Collection noted in raking light. Church, Jerusalem, 1995. Donald Oresman Collection this print originated with the $250-500 Unframed. Albumen print, $100-150 estate of Arthur Gray, a friend C The Patricia and 8 5/8 x 10 5/8 inches of the photographer. Donald Oresman Collection (220 x 270 mm), verso signed, C The Patricia and $80-120 titled and dated in pencil. Donald Oresman Collection Unframed. $300-500 C The Patricia and Donald Oresman Collection $150-250

80 DOYLE • NOVEMBER 20 2018, • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 81 523 524 531

517 519 521 523 525 527 529 531 DOW, JIM (b. 1942) FELLIG, ARTHUR (WEEGEE) FREED, LEONARD (1929 - 2006) GENTHE, ARNOLD (1869-1942) GINSBERG, ALLEN (1926-1997) GORGONI, GIANFRANCO GRUNZWEIG, BEDRICH GUTMANN, JOHN (1905-1998) Library Detail, The Metropolitan (1899-1968) 1981, Paris, France, 1981. David Belasco, ca. 1925. Bill Burroughs amused by the (b. 1941) (1910-2009) Yes, Columbus Did Discover Club, New York, NY, 1999. [Man on Garment Strike, Resting], Gelatin silver print, printed later, Gelatin silver print, latest volume of St. John Perse, [Andy Warhol on his bed], Coney Island, New York, America, San Francisco, 1934. Chromogenic print on Fujicolor circa 1950. 9 1/2 x 6 3/8 inches (240 x 162 mm), 8 3/8 x 7 5/8 inches 1953. Gelatin silver print, 1971. Cibachrome print, 1951. Gelatin silver print, Gelatin silver print, printed Crystal Archive paper, Gelatin silver print (likely vintage), verso with artist’s stamp, signed, (213 x 191 mm), unsigned. 6 1/2 x 10 1/8 inches 19 3/8 x 14 1/2 inches 10 1/2 x 10 1/2 inches 1980, 10 1/4 x 12 7/8 inches 9 3/4 x 7 3/4 inches (247 x 196 mm), 13 1/2 x 10 3/4 inches titled, dated and annotated Slight silvering approx. 3/8 inch (168 x 257 mm), recto signed (491 x 367 mm), verso signed (267 x 267 mm), in pencil signed, (260 x 328 mm), verso signed, recto signed, titled and dated in (342 x 272 mm), Weegee and (“later print”) in pencil. wide visible along edges, framed. and annotated “Bill Burroughs in pen and with the artist’s stamp. titled, dated and with the titled, dated and annotated pen, verso signed, titled, dated Arthur Fellig artist’s stamps on No defects noted in raking light. amused by the latest volume of No defects noted in raking light. artist’s stamp on the verso. (“D.O.S.” and “DEPR.”) in pencil. Literature: Beaton and Buckland, and annotated (“With warmest the verso. Some handling Unframed. St. John Perse, Vents. Unframed. Image in fine condition viewed No defects noted in raking light. thanks! [illeg.] Donald Crisman”) creases noted. Unframed. C The Patricia and The Magic Image, p. 139. 206 East 7th Street N.Y.” at C The Patricia and in raking light. Unframed. Unframed. in pen. Marginal crease and C The Patricia and Donald Oresman Collection C The Patricia and bottom in pen. Framed. Donald Oresman Collection C The Patricia and C The Patricia and small soft crease in image at Donald Oresman Collection $300-500 Donald Oresman Collection C The Patricia and $150-250 Donald Oresman Collection Donald Oresman Collection upper right. Unframed. $400-600 $200-300 Donald Oresman Collection $400-600 $1,000-1,500 See Illustration C The Patricia and 522 $300-500 528 See Illustration Donald Oresman Collection 520 530 GARCIA COBO, HECTOR 524 UNKNOWN, poss. CYRIL $150-250 FONTCUBERTA, JOAN (b. 1955) (1923-2012) 526 BAKER (20th century) GUTMANN, JOHN (1905-1998) 532 The Miracle of Invisibility II, 2002. Carlos Monsiváis, Mexican GERLOVIN, VALERIY (b. 1945) GINSBERG, ALLEN (1926-1997) [Allen Ginsberg reading to an News from Italy Posted at HANSON, DUANE (1925-1996) 518 Chromogenic print, 1968. Vintage gelatin and GERLOVINA, RIMMA (b. 1951) n.d. Gelatin silver Writer, 2001. W.S. Burroughs, afternoon audience], “La Voce Del Populo,” [Study for Businessman Reading], EAGLE, ARNOLD (1909-1992) 19 5/8 x 19 1/2 inches silver print, 12 3/8 x 10 3/8 inches Translucent Book, newspaper, 1953. print, 13 1/2 x 10 inches San Francisco, 1934. 1983. Unique Kodak Instant print, (500 x 498 mm), from Miracles & Co., (313 x 265 mm), verso signed, Ekatcolor C-print, Gelatin silver print, 8 x 12 1/4 inches (340 x 254 mm), unsigned. Gelatin silver print, printed 3 1/8 X 2 3/4 inches (92 x 68 mm), [New York, 42nd Street, Third 22 7/8 x 18 inches (581 x 456 mm), Avenue El], 1936. Gelatin silver verso signed, titled, dated and titled and dated in pencil. (203 x 311 mm), recto signed Unframed. later, 8 1/8 x 7 1/2 inches artist’s estate sticker on verso. print, printed later, numbered 1/5 in ink. Framed. Small creases to lower signed by both artists, titled, and annotated “W.S. Burroughs, C The Patricia and (206 x 190 mm), verso signed, Unframed. 11 1/4 x 10 7/8 inches C The Patricia and right corner. Unframed. dated and numbered 7/10 in Afternoon Newspaper Donald Oresman Collection titled and dated in pencil. An image by Hanson of his (285 x 276 mm), verso signed Donald Oresman Collection C The Patricia and pen on recto. No defects noted 206 E 7th St My Apartment $40-60 No defects noted in raking light. sculpture “Businessman reading.” and dated in pencil. No defects $300-500 Donald Oresman Collection in raking light. Unframed. living room 1953 New York” Unframed. C The Patricia and noted in raking light. Unframed. $150-250 C The Patricia and at bottom in pen. Framed. C The Patricia and Donald Oresman Collection C The Patricia and Donald Oresman Collection C The Patricia and Donald Oresman Collection $100-200 Donald Oresman Collection $800-1,200 Donald Oresman Collection $200-300 $150-250 See Illustration $300-500

82 DOYLE • NOVEMBER 20 2018, • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 83 544

545

537 540 546

533 535 537 539 541 543 545 547 HARBUTT, CHARLES (1935-2015) HINE, LEWIS (1874-1940) ANDRÉ KERTÉSZ (1894-1985) KLEBANOW, IVAN (1928-2016) LEVITT, HELEN (1913-2009) MAGRITTE, RENE (1898-1967) MORELL, ABELARDO (b. 1948) MUYBRIDGE, EADWEARD Three Men Waiting, [The teacher and the lone pupil [20 Street West, New York, An Afternoon in Central Park, Mexico City (Woman Reading), L’eminence Grise, 1938. Book: Portrait of Inghirami by (1830-1904) Emergency Room, St. Vincent’s, present in School #9, Dist. 3, Frontispiece to On Reading], n.d. 1941. Gelatin silver print, Raphael, 1993. Gelatin silver Nude rising to her feet NYC, 1961. Vintage gelatin Ft. Morgan out of a possible 1943. Gelatin silver print, Digitized color photograph, Gelatin silver print, likely vintage, 3 7/8 x 2 5/8 inches (99 X 67 mm), print, 22 1/2 x 18 inches (Plate 270), 1887. Photogravure, silver print, 8 x 12 inches 20 pupils, five weeks after 7 3/4 x 7 3/4 inches (197 x 197 mm), 8 x 10 1/2 inches (203 x 267 mm), 7 3/4 X 6 3/8 inches (197 x 162 mm), recto initialed and numbered (570 x 455 mm), from the edition 9 5/8 x 11 5/8 inches (201 x 304 mm), titled and dated school began. They try to have signed, dated and annotated signed and dated in pencil verso signed in pencil. 2/100 and XIII below the image of 30, verso signed, titled and (245 x 297 mm), verso with the in pencil. No defects noted in 9 mos. of school.], #4052, “New York” in pencil on the verso. below the image. Framed. Minor handling marks, unframed. in pencil. Framed. dated in pencil. No defects W. R. Miles Muybridge raking light. Unframed. Ft. Morgan, Colorado, No defects noted in raking light, C The Patricia and Image does not fluoresce C The Patricia and noted in raking light. Unframed. Collection stamp. Unframed. C The Patricia and October, 1915. Vintage gelatin verso with a discoloration at the Donald Oresman Collection under ultra-violet. Donald Oresman Collection C The Patricia and C The Patricia and Donald Oresman Collection silver print, 4 3/8 x 6 3/8 inches head from old tape. Unframed. $30-50 C The Patricia and $300-500 Donald Oresman Collection Donald Oresman Collection $100-150 (111 x 161 mm), unsigned. C The Patricia and Donald Oresman Collection $1,000-1,500 $150-250 Losses to corners of print, edges Donald Oresman Collection 540 $500-800 544 See Illustration 534 worn, emulsion defects visible in $1,000-1,500 LEITER, SAUL (1954-1992) METZKER, RAY KRUEGER 548 HEATH, DAVE (1931-2016) raking light. The reverse bears See Illustration [Woman Reading in 542 (1931-2014) 546 RENÉ-JACQUES (1908-2003) [NYC], circa 1957. Near-vintage notes in pencil pertaining to Deux Magots, Paris], 1969. LIBERMAN, ALEXANDER The Loop, Chicago, MORELL, ABELARDO (b. 1948) Paris, Angle de la Rue De gelatin silver print, printed in reproduction. Unframed. 538 Digital chromogenic print, (1912-1999) 57 D4-2MG 1 1/2 1957. Two Books, 1993. Gelatin silver Varenne et du Boulevard 1962, 12 x 8 inches (304 x 203 mm), C The Patricia and LEIPZIG, ARTHUR (1918-2014) 21 7/8 x 14 1/2 inches [Alberto and Anette Giacometti in Gelatin silver print, 7 X 7 inches print, 17 7/8 x 22 1/2 inches Des Invalides, circa 1950. recto signed in pen in right margin, Donald Oresman Collection [Brooklyn Eagle], 1952. (557 x 369 mm), signed and his Paris Studio], 1954. (177 X 179 mm), verso signed (455 x 573 mm), from the edition Vintage silver gelatin print, verso annotated (“ADWS negative: $80-120 Vintage gelatin silver print, numbered 3/20 in pencil in Gelatin silver print, and numbered 1/15 in pencil, of 30, verso signed, titled and 8 1/4 x 11 inches (208 x 278 mm), NYC c. 1957” and “master print: 8 1/4 x 12 3/8 inches lower margin recto. Framed. 11 1/2 x 10 1/2 inches with Metzker’s usual notations. dated in pencil. Two minor recto with the artist’s stamp, 1962”) in pencil. Margins of print 536 (212 x 313 mm), verso with C The Patricia and (293 x 266 mm), verso with No defects noted in raking light. handling creases noted in signed and titled in pencil. a bit cockled. Unframed. ANDRÉ KERTÉSZ (1894-1985) artist’s stamp, signed in pencil. Donald Oresman Collection artist’s stamp, signed and Unframed. raking light. Unframed. Minor wear to extreme edges C The Patricia and Carnival, Paris (Woman Reading A few minor handling marks. $2,000-3,000 numbered 3/5 in pencil. C The Patricia and C The Patricia and of print. Unframed.. Donald Oresman Collection Behind Stage), 1926. Unframed. See Illustration and No defects noted in raking light. Donald Oresman Collection Donald Oresman Collection C The Patricia and $600-900 Gelatin silver print, C The Patricia and Inside Front Cover Unframed. $1,000-1,500 $800-1,200 Donald Oresman Collection 10 3/4 x 13 3/4 inches Donald Oresman Collection C The Patricia and See Illustration See Illustration $200-300 (274 x 348 mm), estate stamp $150-250 Donald Oresman Collection and print number in ink on verso. $400-600 No defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $300-500

84 DOYLE • NOVEMBER 20 2018, • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 85 554 558 559

549 553

549 550 552 554 RODCHENKO, ALEXANDER RODCHENKO, ALEXANDER RUSSEL, RAE (1925-2008) SCHNABEL, JOHN (b. 1957) (1891-1956) and STEPANOVA, (1891-1956) Candle Lite Choir, Untitled (Passenger #8-438), VARVARA (1894-1958) [The Artist’s Mother Reading], Manhattanville College, 1994-95. Gelatin silver print, [Photomontage from circa 1930. Gelatin silver print, Westchester County, NY, 1954. 23 1/8 x 19 1/8 inches “First Cavalry”] 1936-37. printed early 1980s, Vintage gelatin silver print, (586 x 483 mm), from Passengers, Vintage gelatin silver print, 11 1/2 x 15 3/8 inches 8 1/2 x 12 5/8 inches signed, titled, dated and numbered 7 3/4 x 6 3/8 inches (195 x 162 mm), (293 x 390 mm), stamped with (215 x 320 mm), verso with 3/10 in black ink in the lower 556 verso dated and annotated the Rdchenko fmily stamps and artist’s stamps, signed, titled and margin. No defects noted in 556 558 559 560 (“Photomontage for the album annotated on the verso in pencil. dated in pencil. A few minor raking light. Unframed. SHAHN, BEN (1898-1969) SMITH, EUGENE W. (1918 -1978) SMITH, EUGENE W. (1918-1978) SMITH, W. EUGENE (1918-1978) “The First Cavalry” 1936-1937 Abrasions to edge of print. handling creases noted in C The Patricia and [Rikers Island Prison-Prisoners Girl Reading in Library, 1955. [Untitled], from W. Eugene Smith’s [Wanda Landowska reading and “A. Rodchenko and Unframed. raking light. Unframed. Donald Oresman Collection Reading News], 1932. Vintage Vintage gelatin silver print, Pittsburgh Project, 1955-56. music], circa 1950. Stepanova” and “Semen C The Patricia and C The Patricia and $1,500-3,000 gelatin silver print, flush-mounted, dry-mounted on board, Vintage silver print, dry-mounted Vintage gelatin silver print, [i.e. Semyon] Budenny at the Donald Oresman Collection Donald Oresman Collection See Illustration Next Page 6 x 8 7/8 inches (152 x 226 mm), 13 1/4 x 8 3/8 inches on card, 13 1/2 x 9 inches 17 5/8 x 12 inches (447 x 303 mm), tribune of the hyppodrome” $800-1,200 $80-120 verso signed, dated, numbered (334 x 213 mm), unsigned, (341 x 227 mm), pencil annotations estate stamp on verso. [sic]) in pencil. A few minor 555 21 and annotated (“I Prisoners”) stamped verso including the and stamp (“Set One”) on the Handling creases noted in creases noted in raking light; 551 553 SEYMOUR, DAVID (“CHIM”) in pencil by the artist’s wife. artist’s personal stamp, verso. Retouchings, some minor raking light. Unframed. does not fluoresce in UV. RODCHENKO, ALEXANDER SANDER, AUGUST (1876-1964) (1911-1956) A few minor defects noted in “Personal Exhibition Print” wear to image noted in C The Patricia and Unframed. (1891-1956) Blind Children, 1930. Gelatin Battle Against Illiteracy, raking light. Unframed. stamp, an estate stamp and raking light. Unframed. Donald Oresman Collection The image was published in [Breakfast with freshly printed silver print, printed 1990 Rogiano Gravenia, Italy, C The Patricia and others. Some toning to mount, An image from Smith’s vast $400-600 Pervaya Konnaya (“First Cavalry newspaper], 1929. Gelatin silver (posthumous print) by Gerd Sander, circa 1950. Vintage gelatin silver Donald Oresman Collection a few minor marks noted to print Pittsburgh corpus, apparently Army”), the Constructivist print, 11 x 16 1/2 inches 10 1/4 x 7 3/8 inches print, 9 3/4 x 7 3/4 inches $1,500-2,500 surface. Unframed. from his achive, taken after he agit-prop album about the (280 x 420 mm), family stamps (259 x 187 mm), with the (247 x 197 mm), the verso with the See Illustration GJ $1,000 had parted ways with Red Army, designed by the and annotations in pencil on verso. blindstamp at lower left, artist’s stamp, titled and C The Patricia and Life magazine. husband and wife team of Some edge defects, August Sander Archive stamp annotated (“Italy E-5”) in pencil. 557 Donald Oresman Collection C The Patricia and handling creases. Unframed. on verso, noting this is as 1 of Several fingerprints, small marks Rodchenko and Stepanova. SIMMONS, LAURIE (b. 1949) $800-1,000 Donald Oresman Collection C The Patricia and 12 from the 1990 edition. and scratches viewed in Cf. The Photobook, vol. I, Jimmy Gone Fishin’, 1990. See Illustration $1,000-1,500 pp. 170-71. Donald Oresman Collection Tiny defects to extreme edge of raking light. Unframed. Iris print, 21 x 14 1/4 inches See Illustration C The Patricia and $1,000-1,500 print at lower right and left from C The Patricia and (534 x 361 mm), verso signed, Donald Oresman Collection an old mount. Tipped to mount. Donald Oresman Collection titled and dated in pencil. $1,500-2,500 Unframed. $600-900 No defects noted in raking light. See Illustration C The Patricia and Unframed. Donald Oresman Collection C The Patricia and $800-1,200 Donald Oresman Collection See Illustration $200-300 86 DOYLE • NOVEMBER 20 2018, • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 87 561 565

563 567

562 566

561 563 565 567 STETTNER, LOUIS (1922-2016) STETTNER, LOUIS (1922-2016) WINOGRAND, GARRY (1928-1984) WOJNAROWICZ, DAVID (1954-1992) Elbowing an Out of Town Newsstand, 1954. Gelatin silver print, Penn Station, circa1956. Gelatin silver print, 8 3/8 x 14 inches Untitled (from Women are Beautiful), circa 1970. Gelatin silver print, Arthur Rimbaud in New York, 1978-79. Gelatin silver print, printed 9 x 13 1/2 inches (227 x 315 mm), the artist’s embossed stamp (215 x 357 mm), the artist’s embossed stamp below image on the 8 3/4 X 13 1/8 inches (223 x 334 mm), signed and numbered 33/80 2004, 12 7/8 x 9 5/8 inches (328 x 246 mm), posthumous print below image on the recto, signed, titled, dated and annotated recto, signed, dated, titled and numbered 2/5 in pencil on the verso. in pencil on the verso. No defects noted in raking light. Unframed. numbered 4 from the edition of 6, with the “Estate of David Wojnarowicz” (“New York”) in pencil on the verso. No defects noted in raking light. No defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection stamp, initialled TWR. A fine example, no defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection $500-800 Framed, with the back mat with the P.P.O.W. Gallery label. C The Patricia and Donald Oresman Collection $700-1,000 See Illustration $800-1,200 See Illustration The series of several hundred photographs entitled Arthur Rimbaud See Illustration in New York, to which this image belongs, was Wojnarowicz’s first 566 serious excursion into the medium of photography. In this, he was 564 WINOGRAND, GARRY (1928-1984) influenced by his mentor, friend and lover Peter Hujar, who had died 562 STETTNER, LOUIS (1922-2016) New York City, 1968. Gelatin silver print, 8 7/8 x 13 1/4 inches in 1987. On his deathbed, Hujar had photographed Wojnarowicz, STETTNER, LOUIS (1922-2016) The Reading Wall, Paris, circa 1950. Gelatin silver print, (225 x 337 mm), verso signed in pencil. No defects noted in and Wojnarowicz Hujar. Wojnarowicz wrote of these images that Penn Station, 1956. Gelatin silver print, 14 x 8 1/2 inches (356 x 213 mm), 11 5/8 x 10 1/8 inches (293 x 255 mm), the artist’s embossed stamp raking light. Unframed. he was playing with ideas of compression of ‘historical time and the artist’s embossed stamp below image on the recto, signed, below image on the recto, signed, titled and dated in pencil C The Patricia and Donald Oresman Collection activity’ and fusing the French poet’s identity with modern New York dated, titled and numbered 2/5 in pencil on the verso. on the verso. No defects noted in raking light. Unframed. $600-900 urban activities, mostly illegal in nature.” The anonymous masked No defects noted in raking light. Unframed. C The Patricia and Donald Oresman Collection See Illustration figures highlight the powerful resonance between Rimbaud and C The Patricia and Donald Oresman Collection $400-600 Wojnarowicz, who both fled broken homes, fled to the anonymity of $700-1,000 big-city life, were gay and alienated, and died in their mid-thirties. See Illustration His first publicly exhibited artwork, the series was partially published in the Soho Weekly News in June 1980. C The Patricia and Donald Oresman Collection $6,000-8,000 See Illustration

End of Sale

88 DOYLE • NOVEMBER 20 2018, • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 89 ICONIC CITY VIEWS GLOSSARY

The following examples define some of the terms SIGNED NICOLAES MAES EDITION used in this catalogue. The reader is reminded In our best judgment, the signature, monogram, Information regarding the size of the edition is given that all of the terms and descriptions used in this initials or other similar indicia of authorship is a when possible. catalogue as to authorship, period, culture, source recognized signature of the artist and appears in or origin for any property are made and used as one of the six areas of the painting designated SIGNATURE qualified statements and opinions only, and are as follows: Only manuscript signatures of the artists are indicated. subject to the Conditions of Sale and the Terms (u.l.) Upper left Signatures “in the plate” are not mentioned since of Guarantee. (l.l.) Lower left they are considered part of the image. (u.r.) Upper right In connection with the attribution of authorship, (l.r.) Lower right QUALITY AND CONDITION as described in paragraph 2 of the Terms of (u.c.) Upper center An attempt has been made to give relevant Guarantee, the following terms are used in this (l.c.) Lower center information concerning the quality of the impression, catalogue, and are defined as follows: the size of the margins and the condition of the BEARS SIGNATURE, NICOLAES MAES prints when possible. These descriptions are qualified In our best judgment, the signature, monogram, statements or opinions only, and are made subject initials or other similar indicia of authorship is not to the Conditions of Sale and Terms of Guarantee. FURNITURE AND DECORATIONS that of the artist and may have been added at a later date. The print sleeves are the property of Doyle New York REGENCY ROSEWOOD SOFA TABLE and are not included in the sale. First quarter of the 19th century. This heading with DATED the date included means that the piece is, in our In our best judgment, the date indicated on the work MEASUREMENTS best judgment, of the period indicated with no is the date the work was executed. As with any description in this catalogue, major alterations or restorations. measurements are qualified statements or opinions DATED (FOR BRONZES) and are subject to the Conditions of Sale and REGENCY ROSEWOOD SOFA TABLE In our best judgment, the date indicated when the Terms of Guarantee. Doyle New York shall not be This heading without inclusion of a date indicates original model was executed. Since the exact date liable for any mistakes in measurements. that in our best judgment, the piece, while basically of the casting of a bronze sculpture is often unknown Measurements have been made to the best of our of the period, has been substantially altered or and illustrations in reference books may not specify ability, and are given in inches to the nearest restored and in some cases it may also indicate which particular cast is discussed or illustrated, 1/4 inch and millimeters, height before width. that the piece has been constructed from old parts. it should be pointed out that dates of execution Unless otherwise indicated, etchings and engravings and entries listed under Literature in the individual are measured by the dimensions of the plate REGENCY STYLE SOFA TABLE catalogue entries do not necessarily refer to the marks.Woodcuts, lithographs and silkscreens are The inclusion of the word “style” in the heading castings included in the sale. measured by the dimensions of the images. indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work All pictures are framed unless otherwise noted in or style of works. this catalogue. PRINTS

NAME OF THE ARTIST PAINTINGS Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except NICOLAES MAES where stated as being “after” or “attributed to” In our best judgment the work is by the named an artist, each lot is by the artist appearing at the artist. This is our highest category of authenticity head of the lot, except in the case of lots containing in the present catalogue. works by more than one artist.

ATTRIBUTED TO NICOLAES MAES TITLE In our best judgment, while the work is of the If there is a generally accepted title for the print, period of the named artist, and on the basis of that title is given in upper case at the beginning style can be ascribed to him, we cannot state of the lot description. If the work has no title or with certainty that it is by him. the title is unknown to us, a descriptive title is 411 East 53rd Street, 7K | $1,245,000 | Condominium given in brackets. SCHOOL OF NICOLAES MAES 2 Bedrooms | 1.5 Bathrooms In our best judgment, the work is of the period of REFERENCES the named artist, by a pupil or close follower of Information from the standard catalogues of the the artist, but is not by the artist. artists’ works is cited when possible following the title. This two bedroom, one and a half bath apartment features an open ﬂ oorplan CIRCLE OF NICOLAES MAES MEDIUM perfectly suited for entertaining and dining. A gourmet chef’s kitchen In our best judgment, the work is of the period of The mediums are described as fully as possible, and oversized windows facing West and South complete the home. New York Properties the named artist and closely related to his style. although secondary techniques may not be listed. MANNER OF NICOLAES MAES OR AFTER DATE Susan Rubell | Associate Real Estate Broker NICOLAES MAES OR FOLLOWER OF The date given is that of the original plate, block, [email protected] | 646.677.1071 NICOLAES MAES stone or screen. It is not necessarily the date at In our best judgment, although the work is in the which the impression offered for sale was printed. style of or a copy of a work by the named artist, it is of a later period.

212.710.1900 • bhhsnyp.com • 590 Madison Avenue, New York, New York

© 2018 BHH A liates, LLC. An independently operated subsidiary of HomeServices of America, Inc., a Berkshire Hathaway a liae, and a franchisee of BHH A liates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity. Information not veriﬁ ed or guaranteed. If your home is currently listed with a Broker, this is not intended as a solicitation. I CONDITIONS OF SALE

1. BINDING TERMS The copyright in all images, illustrations and written 6. BIDDING The lots listed in this catalogue will be offered by material produced by or for Doyle New York relating Doyle New York reserves the right, at our complete Doyle New York as owner or as agent for consignor to a lot, including the contents of this catalogue, is, discretion, to refuse admission to the premises or subject to the following terms and conditions. and shall remain at all times, the property of participation in any auction and to reject any bid, Where Doyle is agent, the contract is between Doyle New York and shall not be used by the buyer, as well as the right to refuse to acknowledge any seller and buyer. The following Conditions of Sale nor by anyone else, without our prior written consent. bidder. The highest bidder acknowledged by the and Terms of Guarantee constitute the entire auctioneer will be the purchaser. The auctioneer agreement with the purchaser relative to the 3. WITHDRAWAL has the right at his absolute and sole discretion property listed in this catalogue. By bidding at Doyle New York reserves the right to withdraw to advance the bidding in such a manner as he may auction you agree to be bound by these terms: any lot at any time prior to the commencement decide, to withdraw or divide any lot, and to of bidding for such lot and shall have no liability combine any two or more lots. In the event of 2. AS IS whatsoever for such withdrawal. error or dispute between bidders, or in the event All lots are sold “AS IS” and without recourse and of doubt on our part as to the validity of any bid, neither Doyle New York nor its consignor makes 4. RESERVES whether during or after the sale, the auctioneer any warranties or representations, express or If the auctioneer decides that any opening bid is has final discretion to determine the successful implied, with respect to such lots, except for the below the value of the lot offered, the auctioneer bidder, to continue the bidding, to cancel the sale, limited warranties expressly stated in the Terms may reject that bid and withdraw the lot from sale; or to reoffer and resell the lot in dispute. If any of Guarantee section of this catalogue. Prospective and if, having acknowledged an opening bid, he dispute arises after the sale, the Doyle New York buyers are strongly advised to examine personally decides that any advance thereafter is insufficient, sale record shall be conclusive. any property in which they are interested, before he may reject that advance. the auction takes place, to determine its condition, 7. PURCHASER’S RESPONSIBILITY size, and whether or not it has been repaired Unless otherwise indicated, all lots are offered subject Title passes upon the fall of the auctioneer’s hammer or restored. to a reserve, which is the confidential minimum to the highest acknowledged bidder, subject to price below which such lot will not be sold. the conditions of sale set forth herein. Such bidder Except as otherwise expressly and specifically No reserve will exceed the low estimate of the lot. there upon assumes full risk and responsibility provided in the Terms of Guarantee, neither Reserves are agreed upon with the consignor or, there for (including, without limitation, liability Doyle New York nor its consignor makes any in the absence thereof, in the absolute discretion for or damage to frames and glass covering prints, express or implied warranty or representation of of Doyle New York. paintings or other works). Although in our discretion any kind or nature with respect to merchantability, we will execute orders or absentee bids or accept fitness for purpose, correctness of the catalogue Unless otherwise announced by the auctioneer, telephone bids as a convenience to clients who are or other description of the physical condition, all bids are per lot as numbered in the catalogue. not present at auctions, we are not responsible size, quality, rarity, importance, medium, material, for any errors or omissions in connection therewith. genuineness, attribution, provenance, period, Lots marked C preceding the estimate are consigned culture, source, origin, exhibitions, literature or and reserved. Those marked • are reserved property When making a bid, a bidder is accepting personal historical significance of any lot sold. The absence in which Doyle New York has an interest. liability to pay the purchase price as follows, unless of any reference to the condition of a lot does not it has been explicitly agreed in writing with Doyle imply that the lot is in perfect condition or completely Doyle New York on occasion makes loans or New York before the commencement of the sale free from wear and tear, imperfections or the advances funds to consignors. that the bidder is acting as agent on behalf of an effects of aging; nor does a reference to particular identified third party acceptable to Doyle New defects imply the absence of others. References The auctioneer may implement the reserve by York, and that Doyle New York will look only to the in the catalogue entry or the condition report to opening bidding on any lot by placing a bid on principal for payment: damage or restoration are for guidance only and behalf of the seller. The auctioneer will not specifically should be evaluated by personal inspection by identify bids placed on behalf of the seller. The total purchase price to be paid by purchaser is the bidder or a knowledgeable representative. The auctioneer may further bid on behalf of the the amount of the successful bid price plus a seller, up to the amount of the reserve, by placing premium of 25% on the first $300,000 of The Terms of Guarantee are controlling, and no successive or consecutive bids for a lot or by placing the hammer price of each lot, 20% on the portion statement, whether written or oral, and whether bids in response to other bidders. Unless otherwise of the hammer price from $300,001 through made in this catalogue, an advertisement, a bill noted in the catalogue or by an announcement $3,000,000, and 12.5% on that portion of the of sale, a salesroom posting or announcement, at the auction, Doyle New York acts as agent on hammer price exceeding $3,000,000. Payment of the remarks of an auctioneer, or otherwise, shall behalf of the seller and does not permit the seller each lot shall be made as follows: be deemed to create any warranty, representation to bid on his or her Antique Barn & Home Eastford, CT • 134 & 136 Union Road • $650,000 or assumption of liability. All statements by Doyle own property. A cash deposit of not less than 25% of the purchase New York in the catalogue entry for the property price (unless the whole purchase price is required The most stunning property in Northeast CT! This unique 25 acre property has both a magnificent 3,820 sq ft an- or in the condition report, or made orally or in 5. ESTIMATES at the sole discretion of Doyle New York) will be writing elsewhere, are statements of opinion and Each lot in the catalogue is given a low and high paid on the day of the auction. Deposits shall tique home and a renovated barn that was run as an award winning restaurant for years! The possibilities here are are not to be relied on as statements of fact. estimate representing that range which, in the apply to all purchases made at this sale and not endless because the town of Eastford has no zoning! The barn includes a full commercial kitchen, 3 baths, a fur- Except as stated in the Terms of Guarantee, neither opinion of Doyle New York, represents a fair and to any one particular lot. Doyle New York nor the seller is responsible in any probable auction value. When possible, the estimate nished dining room and bar area but the show stopper is really the view from the large windows that adorn the wall way for errors or omissions in the catalogue or any is based on previous auction records of comparable of the restaurant! Included on the property is the Jonathan Hayward House, a 4 bedroom masterpiece that can be supplemental material. Buyers are responsible for property, condition, rarity, quality and provenances. satisfying themselves concerning the condition of The estimates are often determined several months used as a residence (which it was) or incorporated into part of the business! the property and the matters referred to in the before a sale and are therefore subject to change catalogue entry. upon further research of the property, or to reflect market conditions or currency fluctuations. BROOKE GELHAUS Doyle New York and its consignor make no warranty Estimates are subject to revision. Actual prices realized for items can fall below or above this range. An (860) 336-9408 or representation, express or implied, that the purchaser will acquire any copyright or reproduction estimate of the selling price should not be relied [email protected] rights to any lot sold. Doyle New York expressly on as a statement that this is the price at which the item will sell or its value for any other purpose. www.134unionroad.com reserves the right to reproduce any image of the lots sold in this catalogue. Estimates do not include the buyer’s premium. Where “Estimate on Request” appears, please contact the Specialist Department for further information. A member of the franchise system of BHH Affiliates, LLC II CONDITIONS OF SALE CONTINUED

Prior to the sale, the buyer must provide us with his If any applicable conditions herein are not complied or her name and permanent address and, if so with by the purchaser, in addition to other remedies 9. LIMITED LIABILITY requested, details of the bank from which payment available to us and the consignor by law, including If for any cause a purchased lot cannot be delivered will be made. without limitation the right to hold the purchaser in as good condition as at the time of sale, or should

liable for the total purchase price, including all fees, any purchased lot be stolen or mis-delivered or The balance of the purchase price, if any, will be charges and expenses more fully set forth herein, lost prior to delivery, Doyle New York shall not be paid not later than 5 pm one (1) day following we shall be entitled in our absolute discretion liable for any amount in excess of that paid by the the day of the auction. Such payment shall be to exercise one or more of the following rights purchaser. We are not responsible for the acts or made in U.S. dollars by certified or cashier check or remedies: omissions of carriers or packers of purchased lots, drawn on a U.S. bank unless other arrangements whether or not recommended by us. Packing and are made with Doyle New York. The buyer will not a) To charge interest at such rate as we shall handling of purchased lots by us is at the entire risk acquire title to the lot until we have received all reasonably select; of the purchaser and Doyle New York will have no amounts due to us from the buyer in good cleared liability for any loss or damage to such items. funds even in circumstances where we have released b) To hold the defaulting buyer liable for the total

the lot to the buyer. Doyle New York reserves the amount due and to commence legal proceedings

right to hold merchandise purchased by personal for its recovery together with interest, legal fees check until the check has cleared the bank. and costs to the fullest extent permitted under 10. DOYLE NEW YORK EMPLOYEES applicable law; Employees of Doyle New York are not prohibited The purchaser agrees to pay Doyle New York a from bidding on property. In the course of their handling charge of $35 for any check dishonored c) Cancel the sale of that, or any other lot or lots employment it is possible that they may have by the drawee. sold to the defaulting purchaser at the same or access to information not available to the public. any other auction, retaining as liquidated damages At some auctions there may be a video or digital all payments made by the purchaser; screen. Errors may occur in its operation and in the quality of the image, and Doyle New York d) Resell the property whether at private sale or 11. WAIVER OF CONDITIONS Any and all of these conditions may be waived or does not accept liability for such errors. public auction without reserve, and the purchaser modified in the sole discretion of Doyle New York. will be liable for any deficiency, cost, including The Conditions of Sale, Terms of Guarantee, the Any objects offered at this auction which contain handling charges, the expenses of both sales, our glossary, if any, and all other contents of this materials from a species that is endangered or commission on both sales at our regular rate, all catalogue are subject to amendment by us by protected, including, but not limited to, ivory, other charges due hereunder and incidental damages; coral and tortoiseshell, may require a license or oral announcements made during the sale. certificate prior to exportation from the United States e) To set off the outstanding amount remaining or an individual state and additional certificates unpaid by the buyer against any amounts which Salesroom notices amend the catalogue description or licenses for importation into another state we may owe the buyer in any other transactions; of a lot after our catalogue has gone to press. or country. Some materials may not be exported, They are posted in the viewing galleries and imported into other states or countries or resold. f) Where several amounts are owed by the buyer salesroom or are announced by the auctioneer. It is the purchaser’s responsibility to be aware of to us, in respect of different transactions, to apply Please take note of them. applicable laws and regulations and to obtain any any amount paid to discharge any amount owed required export or import licenses or certificates in respect of any particular transaction, whether 12. All measurements and weight are approximate. and any other required documentation. or not the buyer so directs; Doyle New York is not responsible for damage of glass covering paintings, drawings, other works g) To reject at any future auction any bids made Further, the purchaser shall be responsible for or frames and lamp shades regardless of cause. on-time payment of the full purchase price of the by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids; lot, even if the obtaining of any such license is 13. If any part of these Conditions of Sale is found denied or delayed. h) To take such other actions as we deem necessary by any court to be invalid, illegal or unenforceable, Doyle assumes no liability for failing to identify or appropriate; or the balance of the conditions shall continue to be valid to the fullest extent permitted by law. materials from endangered or protected species i) To effect any combination thereof. or for incorrectly identifying such materials. 14. The rights and obligations of the parties with $3,899,000 In addition, a defaulting purchaser will be deemed AN AMERICAN CLASSIC IN PRESTIGIOUS SHORT HILLS respect to these Conditions of Sale and Terms to have granted and assigned to us a continuing of Guarantee, as well as the purchaser’s and our 8. REMEDIES AVAILABLE TO security interest of first priority in, and we may retain This custom-built home is abundant with quality, detail, and technology. The professionally landscaped grounds provide a respective rights and obligations hereunder, the as collateral security for such purchaser’s obligations DOYLE NEW YORK conduct of the auction and any matters connected welcoming entrance and lush scenery. The grand foyer is a warm and inviting space boasting antique bamboo hardwood In addition to the other remedies available to us to us, any property or money of or owing to such with any of the foregoing, shall be governed by law, we reserve the right to impose a late charge purchaser in our possession. We shall have all of floors, vaulted and beamed ceilings, and two chandeliers that lead to many points of the seven bedroom and seven and-two- and interpreted by the laws of the State of New York. of 1 1/2% per month of the total purchase price the rights accorded a secured party under the By bidding at auction, whether present in person half bath home. if payment is not made in accordance with the New York Uniform Commercial Code with respect or by agent, by written bid, telephone or other conditions set forth herein. All property must be to such property and we may apply against such means, the buyer shall be deemed to have submitted, removed from our premises by the purchaser at obligations all monies held or received by us for for the benefit of Doyle New York, to the exclusive The large chef’s kitchen provides professional appliances and large center island. The master suite is a relaxing retreat with their expense not later than (2) business days the account of, or due from us, to such purchaser. jurisdiction of the federal or state courts located following its sale and, if it is not removed, Doyle At our option, payment will not be deemed to have abundant natural light and a circular staircase to a private loft space. The guest cottage is separate from the main house and in the state and county of New York and waives New York reserves the right to charge a minimum been made in full until we have collected funds any objection to the jurisdiction and venue of any features 2-inch Vermont Flagstone, a full bath, and separate utilities. storage fee of $5 per lot per day or to deliver the represented by checks, or in the case of bank or such court. www.79MinnisinkRd.com property to a public warehouse for storage at the cashier’s checks, we have confirmed their authenticity. purchaser’s expense, to be released only after In the event the purchaser fails to pay any or all of DANIEL CANNIZZO payment in full of all removal, storage, handling, the total purchaser price for any lot and Doyle Broker-Associate insurance and any other costs incurred, together New York nonetheless elects to pay the consignor with payment of all other amounts due to us. any portion of the sale proceeds, the purchaser Cell: 973-865-4144 acknowledges that Doyle New York shall have all [email protected] Doyle New York shall have no liability for any of the rights of the consignor to pursue the purchaser damage to property left on its premises for more BHHSNJ.com/Daniel.Cannizzo for any amounts paid to the consignor, whether at than (2) days following the sale. law, in equity, or under these Conditions of Sale. Summit Office | 908-273-0400 | 392 Springfield Ave., Summit, NJ

©2018 BHH Affiliates, LLC. An independently owned and operated franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of III America, Inc.® Equal Housing Opportunity. TERMS OF GUARANTEE LUXURY COLLECTION Doyle New York warrants the authenticity of 4. SOLE REMEDY authorship of each lot contained in this catalogue The purchaser agrees that in the case of a breach solely and expressly subject to the terms and of warranty under these Terms of Guarantee, he shall conditions set forth below. have no remedy other than rescission of the sale and the refund of the original purchase price paid. The original purchase price paid is defined as the 1. DEFINITION OF AUTHORSHIP amount of the successful bid price, plus the buyer’s “Authorship” is defined as the artist, artisan, premium. No rescission and refund will be made workshop, designer, school, period, culture, unless the item is returned to Doyle New York or source of origin, as applicable and indicated at 175 East 87th Street, New York, NY 10128, in the in the description of the lot. The warranted same condition as at the time of sale. The remedy information appears in bold print immediately of rescission and refund is exclusive and the following the individual lot number; no other purchaser waives any other remedy which may be language in the catalogue is warranted, including otherwise available in law or equity. Doyle New any supplemental material which appears below York shall not be liable for any special, consequential the bold print headings. Doyle New York is not or incidental damages incurred or claimed including, responsible for any errors or omissions in any without limitation, loss of profits or for interest. material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to 5. EXCLUSIONS the catalogue, or by notices or announcements This warranty does not apply to: at the time and place of the auction sale. i. authorship of any paintings, drawings or sculpture This catalogue may contain one or more glossaries created prior to 1870, unless the lot is determined explaining the terminology used in the catalogue. to be a counterfeit which has a value at the date All terminology used in this catalogue, including of the claim for rescission which is materially the contents of the glossaries, are merely qualified less than the purchase price paid for the lot; or statements or opinions and are not intended or made as warranted statements or representations ii. any catalogue description where it was specifically under these Terms of Guarantee. Doyle New York mentioned that there is a conflict of specialist makes no warranties whatsoever, express or implied, opinion on the authorship of a lot; or with respect to any material in the catalogue, except as set forth in bold print headings following iii. authorship which on the date of sale was in individual lot numbers in this catalogue and subject accordance with the then generally accepted to the exclusions set forth below. opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist 2. COVERAGE UNDER or craftsman, his students, school, workshop or THE GUARANTEE followers; or Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants iv. the identification of periods or dates of execution the authorship (as that term is defined above) which may be proven inaccurate by means of of each lot in this catalogue for a period of five scientific processes not generally accepted for use years from the date of the sale of the lot. until after publication of the catalogue, or which were unreasonably expensive or impractical to use The guarantee is made only to the original purchaser at the time of publication of the catalogue. of record at the auction, and only the registered bidder for the lot at the auction will be considered The term counterfeit is defined as a modern fake as the original purchaser. The buyer must give or forgery, made less than fifty years ago, and made written notice of claim within five years from the with the intent to deceive. The authenticity of ENCINO date of the auction. Doyle New York may require, signatures, monograms, initials or other similar Offered at $8,495,000 at its option, to have the purchaser obtain at the indications of authorship is expressly excluded purchaser’s expense the opinion of two recognized as a controlling factor in determining whether a experts (approved by Doyle New York) in the field work is a counterfeit under the meaning of this relating to the item in question, before Doyle New Terms of Warranty. York determines whether to rescind a sale under Marlene Geibelson • Lic # 01078441 • 818.606.8820 the above warranty. Upon request, Doyle New York will provide the purchaser with the names of 6. LIMITED WARRANTY Maurice Kozak • Lic # 00855948 • 818.612.0204 acceptable experts. As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties 3. NON-ASSIGNABILITY whatsoever concerning any property in the The benefits of this warranty are not assignable and catalogue, including without limitation, any warranty shall be applicable only to the original purchaser of merchantability or fitness for a particular purpose, of record (i.e., the registered bidder) and not to except as specifically and expressly provided in any subsequent owners (including, without limitation, these Terms of Guarantee. donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must bhhscalifornia.com have remained the owner of the lot without disposing of any interest in it to any third party.

©2018 Berkshire Hathaway HomeServices California Properties (BHHSCP) is a member of the franchise system of BHH Affiliates LLC. BHH Affiliates LLC and BHHSCP do not guarantee accuracy of all data including measurements, IV conditions, and features of property. Information is obtained from various sources and will not be verified by broker or MLS. ® zachys INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION Private Sales & Estate Planning

To better assist our clients, we have prepared the WHERE DOYLE NEW YORK IS NOT CERTAIN EXEMPTIONS For Your Wine Collection following information on Sales and Use Tax related REQUIRED TO COLLECT SALES TAX to property purchased at auction. Most states that impose sales taxes allow for Doyle New York is not required to collect sales specified exemptions to the tax. For example, a Zachys is committed to bringing the greatest collections to market in various ways. Auction is one of the most effective ways to tax on property delivered to states other than registered re-seller such as a registered art dealer maximize the value of your collection, and Zachys did nearly $80m in auction sales last year. WHY DOYLE NEW YORK those listed above. If the property is delivered to may purchase without incurring a tax liability, and COLLECTS SALES TAX a state where Doyle New York is not required to Doyle New York is not required to collect sales tax collect sales tax, it is the responsibility of the from such re-seller. The art dealer, when re-selling Zachys is also a market leader in Private Sales. Zachys is uniquely suited to buy and sell collections that are better suited to private Virtually all State Sales Tax Laws require a purchaser to self-assess any sales or use tax and the property, may be required to charge sales tax to its client, or the client may be required to sales instead of auction because of our combined retail and auction divisions, and our Specialists throughout Asia, Europe and the corporation to register with the State’s Tax remit it to taxing authorities in that state. Authorities and collect and remit sales tax if the self-assess sales or use tax upon acquiring the property. United States. corporation maintains a presence within the Doyle New York is not required to collect sales state, such as offices. In the states that impose tax for property delivered to the purchaser outside If a not-for-profit or charitable organization is selling sales tax, Tax Laws require an auction house, of the United States. property through Doyle New York, it may be sold In 2017, Zachys did millions in private sales to collectors all over the world. with a presence in the state, to register as a sales as a tax exempted purchase. The not-for-profit tax collector, and remit sales taxcollected to the seller must be registered with the New York state. New York sales tax is charged on the hammer Department of Taxation and Finance as an exempt Is Private Sale right for you? It may be. One of Zachys strengths is the ability to tailor a financial deal to the needs of you, the price, buyer’s premium and any other applicable RESTORATION AND organization and the property must be picked up collector. Zachys is number one in auctions, for a reason: auction remains one of the best ways to sell rare wine. Consignors can charges on any property picked up or delivered OTHER SERVICES or delivered in New York. However, a compensating in New York, regardless of the state or country in use tax is due from the buyer if any such lot is shipped take advantage of an upwards-rising market. That said, there are also reasons to consider an outright purchase or private sale. The which the purchaser resides or does business. Regardless of where the property is subsequently to any of the states where Doyle New York maintains best thing to do is speak to a Zachys Specialist, discuss your goals and outline a plan of action together. transported, if any framing or restoration services offices. It is the buyer’s responsibility to ascertain are performed in New York, it is considered to and pay all taxes due. Buyers claiming exemption be a delivery of the property to the purchaser in from sales tax must have the appropriate Estate Planning WHERE DOYLE NEW YORK New York, and Doyle New York will be required to documentation on file with Doyle New York prior The best way to deal with the liquidation of a wine collection at some point in the future, is to plan now. In estate planning, too COLLECTS SALES TAX collect the 8.875% New York sales tax. to the release of the property.

often the wine collection is forgotten, and this can be a huge mistake. From logistics to finances and sale strategy, Zachys can help Doyle New York is currently registered to collect plan the liquidation of a cellar far in advance. Start a conversation today with a Zachys specialist. You might be surprised to learn sales tax in the following states: New York and LOCAL TAX ADVISORS the District of Columbia. of all of the ways we can help. As sales tax laws vary from state to state, Doyle For any property collected or received by the New York recommends that clients with questions regarding the application of sales or use taxes to Zachys Wine Specialists are ready to assist you with all of your wine needs, whether consignment or sale. purchaser in New York City, such property is subject to sales tax at the existing New York State property purchased at auction seek tax advice and City rate of 8.875%. form their local tax advisors.

If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered.

Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside Jeff Zacharia Jamie Pollack Fritz Hatton Charles Antin Terrence Tang Christy Erickson of New York is not subject to New York Sales Tax. President Global Managing Director Senior Advisor Senior International Head of Asia, Head of Europe, Paris If it is delivered by the common carrier to any of [email protected] [email protected] [email protected] Specialist, New York Hong Kong [email protected] [email protected] [email protected] the states where Doyle New York is required to collect sales tax, applicable tax will be added to the purchase price.

Stuart Jakub Shoshana Filene Kim Busch Austin Zhang Ching Wong Dora Kam Senior Specialist, New York Senior Specialist, New York Specialist, New York Sales Director, China Specialist, Hong Kong Specialist, Hong Kong [email protected] [email protected] [email protected] [email protected] [email protected] [email protected]

® New York • Hong Kong • San Francisco • [email protected] • zachys.com/auctions zachys tel +1.914.448.3026 • tel +852.2530.1971 • fax +1.914.313.2350 • fax +852.3014.3838 V BUYING AT DOYLE BUYING AT DOYLE CONTINUED

Since 1963, Doyle New York has built a worldwide BIDDING AT AUCTION ABSENTEE BIDDING SUCCESSFUL BIDS To pay for a purchase by check, please see our STORAGE FEES reputation for expertise, integrity and service. In our For buyers unable to participate live in the salesroom cashier and fill out a Check Acceptance Account Pursuant to section 8 of our Conditions of Sale, New York salesrooms, we hold approximately forty Auctions are open to the public without any admission or on the telephone, Doyle offers the option of Successful absentee bidders will be notified form. Until approved, you will not be permitted we request that successful buyers collect their auctions annually featuring fine art, jewelry, furniture, fee or obligation to bid. Pre-auction viewings are Absentee Bids. Absentee Bids work exactly as if after the sale. Absentee bidders will receive to remove purchases before the check has property within two business days following the decorative arts, books, prints, couture and a variety open to the public free of charge. Doyle New York’s the bidder were in the salesroom bidding up to a a list of sale results if they enclose a stamped cleared. To avoid delivery delays, prospective sale. Should the property (except jewelry, coins, of other categories. Our global audience of buyers specialists are available to give advice and condition predetermined price limit, except that the price self-addressed envelope with their Absentee Bid buyers are encouraged to supply bank or other stamps or as announced by the auctioneer) and sellers know the quality of our sales and reports at viewings or by appointment. The auctioneer limit is given confidentially to Doyle ahead of time. Form. Printed lists of auction prices are available suitable references before the auction. Check remain on our premises for more than 31 days appreciate our standard of service. If you are new introduces the objects for sale - known as “lots” - Absentee Bid Forms are available on our Web site, immediately after the sale on our Web site and at acceptance privileges are reviewed from time to following a sale it will be transferred to an to the auction process, please take a moment to in numerical order as listed in the catalogue. in our printed catalogues, and through our Client our galleries. While invoices are sent out by mail time by Doyle New York and may be granted or independent warehouse on the buyer’s behalf review the following information. The auctioneer accepts bids from those present Services Department. Return the completed Absentee after the auction, we do not accept responsibility withdrawn at our sole discretion. Checks should at the purchaser’s risk and subject to storage in the salesroom, from telephone bidders, from Bid Form to Doyle New York either by mail or by for notifying you of the result of your bids. Buyers be made payable to Doyle New York. Note that charges at the purchaser’s expense. As The following will help in understanding the auction Internet bidders or by absentee written bids left fax. When the lot that you are interested in comes are requested to contact us by telephone or in checks drawn on foreign banks may be accepted transferred property will no longer be in buying process. All bidders should read the with Doyle New York in advance of the auction. up for sale, a Doyle New York representative will person as soon as possible after the sale to with the approval of the Credit Department, may Doyle New York’s custody or care, Doyle New Conditions of Sale and Terms of Guarantee in execute the bid on your behalf, making every effort obtain details of the outcome of their bids to not be accepted for values under $500, and that York will not be able to assist you with pick-up this catalogue, as well as the Glossary or any other LIVE BIDDING to purchase the item for as little as possible and avoid incurring unnecessary storage charges. there is a $100 minimum collection charge on or shipping arrangements. To avoid storage notices. By bidding at auction, bidders are bound The most exciting way to participate at auction is the never exceeding your limit. The auctioneer may checks drawn on foreign banks located outside charges, please arrange for the removal of your by the Conditions of Sale and Terms of Guarantee, traditional method of bidding live in the salesroom execute absentee bids directly from the rostrum, the U.S. Certified checks, banker’s drafts and purchases as soon as possible. as amended by oral announcements or posted with an auction paddle. Buyers who would like to bid identifying these as “absentee bids,” “book bids,” AFTER THE AUCTION cashier’s checks are accepted at Doyle New notices, which together form the sale contract may register for a paddle on the day of the sale upon or “order bids.” This service is free and confidential. York’s discretion provided they are issued by a between the successful bidder (purchaser), entering the salesroom at least 30 minutes before For detailed instructions and information, please If your bid is successful, you can go directly to reputable financial institution governed by Please Note: Transfer to a Storage facility of Doyle New York and the seller (consignor) of the lot. the sale. The paddle is numbered so as to identify see the Doyle New York Absentee Bid Form at the Purchaser Accounting to make payment anti-money laundering laws. Instruments not uncollected purchases past the 31-day grace you to the auctioneer. To register, you will need a form back of this catalogue or on our Web site. In the arrangements. Otherwise, your invoice will be meeting these requirements will be treatedas period will constitute delivery of the property to of identification such as a driver’s license or credit event that identical bids are submitted, the earliest mailed to you. The final price is determined by “cash equivalents” and subject to theconstraints the buyer in New York State. As a result, buyer BEFORE YOU BID card. If you are a first-time bidder, you will also be will take precedence. adding the buyer’s premium to the hammer price noted above. will be liable to pay New York State Sales Tax if asked for your address, phone number and signature on a per-lot basis. Sales tax, where applicable, not tax-exempt. Doyle New York produces both printed and Internet and a bank reference in order to create your account. INTERNET ABSENTEE BIDS will be charged on the entire amount. Payment is Please direct inquiries regarding wire transfer auction catalogues that contain descriptions of To avoid any delay in the release of purchases, Buyers may also conveniently leave bids on our due in full immediately after the sale. However, or ACH credit to Steven L. Kuzio, 212.427.4141 The charges are payable to an outside Storage the property being offered and the presale please pre-arrange check or credit approval through Web site through our Internet catalogues. These bids under certain circumstances, and generally with ext. 202, [email protected] Company and therefore cannot be waived by estimates and are available prior to the sale date. Doyle New York’s Credit Department at 212-427-4141 are executed at the auction in the same fashion the seller’s agreement, Doyle New York may offer Doyle New York. We encourage all buyers to Our free Internet catalogues, available at Doyle.com, ext. 205. If you are bidding for someone else, you will as an Absentee Bid. buyers it deems creditworthy the option of an BUYER’S PREMIUM collect purchased property within two business also provide illustrations, direct communication need to provide a letter from that person authorizing extended payment plan. Credit terms should be The invoice will include the successful hammer days following the sale. with our specialists, and the ability to leave online you to bid on that person’s behalf. Issuance of a LIVE ONLINE BIDDING arranged prior to the sale. Please contact the price of the item and the buyer’s premium. absentee bids and track lots. The catalogues will bid paddle is in Doyle New York’s sole discretion. BidLive! with a click of your mouse. Bidders from Credit Department for information on credit Doyle New York charges a premium to the buyer In order to collect property from Yorkville Van and help familiarize you with property being offered around the world now can experience the excitement arrangements for a particular lot. on the final bid price of each lot sold at the Storage, buyers must present a copy of a paid at the designated auction. Once the first bid has been placed, the auctioneer of bidding live at Doyle on their computers. following rates: 25% on the first $300,000 of invoice bearing a Yorkville warehouse release asks for higher bids, in increments determined by METHODS OF PAYMENT the hammer price of each lot, 20% on the portion stamp. This warehouse release stamp can only In addition, Doyle.com offers a free Internet the auctioneer. To place your bid, simply raise your MAC USERS: Please use Firefox browser (download). Accepted forms of payment include bank wire of the hammer price from $300,001 through be obtained from the cashier at Doyle New York’s Personal Shopper that allows collectors to enter paddle until the auctioneer acknowledges you. BidLive!, powered by Invaluable, does not support transfers, cash (in US currency up to $5,000), $3,000,000, and 12.5% on that portion of the main reception desk located at 175 East 87th St keywords of objects they are seeking. As each iPhone or iPad at this time. traveler’s check (in US currency up to $5,000), hammer price exceeding $3,000,000. Applicable in Manhattan. Internet auction catalogue is posted online, the As a courtesy to bidders, a currency board may be money orders (in US currency up to $5,000), sales tax will also be added to the final total. collector is notified by email of any matches. operated. It displays the lot number and current bid Doyle New York does not guarantee that live Internet or personal check made payable in US dollars New York Sales tax is charged on the hammer SHIPPING in both U.S. dollars and foreign currency. Exchange bidding will be uninterrupted or without error, or drawn on a US bank, unless other arrangements price, buyer’s premium and any other applicable Shipping is the responsibility of the buyer. A prospective buyer must complete and sign a rates are approximations based on recent exchange that Internet bids will be received. are made with Purchaser Accounts. It is Doyle charges on any property picked up or delivered Upon request, our Client Services Department registration form and provide identification before rate information and should not be relied upon as New York’s policy to request any new clients or in New York State, regardless of the state or will provide a list of shippers who deliver to bidding. We may require the production of bank a precise invoice amount. Doyle New York assumes purchasers preferring to make a cash payment country in which the purchaser resides or does destinations within the United States and or other financial references. no responsibility for any error or omission in foreign to provide: verification of identity (by providing business. Please refer to “Information on Sales overseas. Kindly disregard the sales tax if an or United States currency amounts shown. some form of government issued identification and Use Tax Related to Purchases at Auction” in I.C.C. licensed shipper will ship your purchases PROVENANCE containing a photograph, such as a passport, the back of the catalogue. All sales are final and anywhere outside the state of New York or the In certain circumstances, Doyle New York may TELEPHONE BIDDING identity card, or driver’s license), confirmation subject to the Conditions of Sale. District of Columbia. print in the catalogue the history of ownership Clients unable to attend the sale may still participate of permanent address and identification of the of a work of art if such information contributes live by bidding on the telephone with a trained staff source of the funds. Invoices greater than $5,000 PICK-UPS ENDANGERED SPECIES to scholarship or is otherwise well known and member on the auction floor. The Telephone Bid Forms require payment by certified check, bank check Once your payment has been cleared, property Certain property sold at auction, for example, assists in distinguishing the work of art. However, are available on our Web site, in our printed catalogue, or wire transfer. Credit cards are not accepted for may be released. Unless otherwise agreed by items made of or incorporating plant or animal the identity of the seller or previous owners may and through our Client Services Department. Please payment of auction purchases. Doyle New York, auction purchases should be materials such as coral, crocodile, ivory, whalebone, not be disclosed for a variety of reasons. For example, contact the Bid Department prior to the sale to make paid for and picked up at Doyle New York within tortoise shell, mother-of-pearl, etc., irrespective such information may be excluded to accommodate arrangements or to answer any questions you may 48 hours of the auction. Items left beyond the of age or value, may require a license or certificate a seller’s request for confidentiality or because the have. Telephone bids are accepted only at Doyle 48 hours may be subject to a storage fee (see prior to exportation and additional licenses or identity of prior owners is unknown given the age New York’s discretion and at the caller’s risk. Calls below). Please note that the hours for removal certificates upon importation to another country. of the work of art. may also be recorded at Doyle New York’s discretion. of property are Monday through Friday from Doyle New York suggests that buyers check on By bidding on the telephone, prospective buyers 8:15am until 4:45pm, except on auction days their government wildlife import requirements SPECIALIST’S ADVICE consent thereto. Telephone bids cannot be accepted during which only purchases made that day may prior to placing a bid. Although licenses can be Prospective bidders may be interested in for lot estimated below $1,000. Arrangements must be picked up. As a courtesy to purchasers who obtained to export some types of endangered specific information not included in the catalogue be confirmed with the Bid Department at least come to Doyle New York to pick up property, species, other types may not be exported at all, and description of a lot. For additional information 24 hours prior to the auction at 212-427-4141 ext. 242. Doyle New York will assist in the packing of lots, other types may not be resold in the United States. please contact either a Doyle New York specialist Arrangements to bid in languages other than although Doyle New York may, in the case of or Doyle New York’s Client Services Department. English must be made well in advance of the sale fragile articles, choose not to pack or otherwise You may also request a condition report from the date. Doyle New York offers all absentee and handle a purchase. Doyle New York will not specialist in charge. telephone bidding services as a convenience to be responsible or liable for damage to glass our clients but will not be responsible for errors covering paintings, drawings or other works, or or failures to execute bids. damage to frames, regardless of cause.

VI VII SELLING AT DOYLE AUCTION SCHEDULE

At Doyle New York, we commit our expertise, REGIONAL APPRAISAL DAYS ESTATE AND APPRAISAL SERVICES NOVEMBER DECEMBER experience, market knowledge and global Doyle New York’s Regional Representatives host outreach to every sale. The numerous auction free appraisal days on a regular basis throughout ® For forty years, Doyle New York’s Appraisal and RARE BOOKS, AUTOGRAPHS & MAPS DOYLE AT HOME /HOLIDAY GIFTS / records set in our salesrooms are testimony to the Connecticut, the metropolitan Washington, DC Auction Services Department has worked with Auction: Tuesday, November 13 at 10am JEWELRY advantages of selling property at Doyle. To make area, as well as in other areas throughout the museums, corporate collections, banks and law Exhibition: November 10 – 12 Auction: Wednesday, December 5 at 10am the auction process as easy and convenient as United States. These popular events provide ease firms, trust and estate professionals, heirs, and possible, our team of dedicated professionals and convenience for collectors outside of New York private clients across the nation providing our Exhibition: December 1 – 3 will guide you through the entire appraisal and who wish to sell their property at Doyle. At these comprehensive appraisal and auction services. JEWELRY, WATCHES, SILVER & COINS auction procedure. As part of our commitment events, we accept property for upcoming auctions Our thorough, well-researched fair market appraisals BY ORDER OF THE PROVIDENT IMPORTANT JEWELRY to providing comprehensive auction services to in our New York salesrooms through both have earned Doyle a solid reputation for LOAN SOCIETY Auction: Wednesday, December 12 at 10am collectors, institutions and estates, Doyle New consignment and outright purchase. professionalism, integrity and service throughout Auction: Wednesday, November 14 at 10am Exhibition: December 8 – 11 York offers several options to those seeking to the United States. Exhibition: November 10 – 12 sell their property: consignment of the objects to PHOTOGRAPHS auction at Doyle, outright sale of the objects to SELLING YOUR PROPERTY Doyle New York offers a full range of expert CALIFORNIA JEWELRY Auction: Thursday, December 13 at 10am Doyle, a combination of both, or referrals to appraisal services, specializing in providing timely NYC Auction: Monday, November 19 at 10am Exhibition: December 8 – 11 other organizations. CONSIGNING TO AUCTION formal appraisals for estate tax and probate In consigning property to auction, the seller retains purposes. Our expert team of specialists and our NYC Exhibition: November 16 – 18 ownership until the successful sale of the item at professional staff bring years of experience to each OBTAINING AN APPRAISAL auction. When property is consigned to Doyle for appraisal. Full color digital photographs may be THE ORESMAN COLLECTION auction, we devote the expertise of our specialists included in the appraisal in order to make each Auction: Tuesday, November 20 at 10am The first step in selling property at auction is to and professional staff to achieving outstanding object easily identifiable. Depending on the Exhibition: November 16 – 18 obtain a free informal appraisal of the item. The prices at auction. location, we are happy to provide, at no charge, appraisal includes an estimated value, which is a preliminary walk-through examination to the specialist’s best judgement as to what the THE CONSIGNMENT CONTRACT determine approximate costs and special needs. object will sell for at auction. The figure is based When you consign property to Doyle New York Appraisal fees are based on the scope of the upon the specialist’s expertise and knowledge you will receive two copies of our Consignment property with travel expenses additional. of what similar items are fetching in the current Agreement, the legal document delineating the auction market. terms of sale. One copy should be initialed, signed Doyle New York will prepare a customized proposal and returned; the other kept for your records. tailored to the specific property under consideration There are various ways to obtain appraisals. Once the property is received in our gallery, you for auction, including a commission and fee Information and appointments to view property will be sent a Contract Schedule listing the property, structure developed to maximize returns to consignors. in your home or in the gallery can be arranged the planned sale dates, the estimated price ranges, We may also make an outright purchase offer on through our Scheduling Department, an appropriate and the reserves will be listed, along with the individual items or entire estates. As part of our Specialist Department, or a Doyle New York agreed upon seller’s commission and other focus on comprehensive estate liquidation, we Regional Representative. Once your property has related fees. offer our unique “Broomclean Service” – our own been evaluated, Doyle New York representatives trucks and crew will transport the fine property to can then help you determine how to proceed with RESERVE PRICE Doyle, remove remaining items, and leave the the auction process. They will provide information Before an item is offered at auction, the consignor premises “broomclean.” regarding sellers’ commission rates and other and Doyle New York may agree on a reserve price, charges, auction timetable, shipping and any other a confidential minimum selling price. Unless a further services you may require. specific reserve is arranged, a discretionary reserve INFORMATION is fixed at fifty percent of the low estimate. If the SUBMITTING PHOTOGRAPHS consignor designates a reserve on a lot, and it For more information please call 212-427-4141, We welcome photographs of property to evaluate remains unsold, there will be a buy-in fee charged ext 260, or email [email protected]. For estate and for possible auction if the property is not portable, on the reserve price. appraisal services, please contact our Appraisal or if you are not able to visit our galleries. If you and Auction Services Department at 212-427-4141, have a large collection, a representative selection OUTRIGHT SALE TO DOYLE ext. 227. of photographs is acceptable. Please bring in the Outright purchase of property by Doyle allows the photographs or email photos of your objects to seller the advantage and convenience of immediate HAYLOFT AUCTIONS the Scheduling Department. You may also mail payment. Many sellers prefer this method of sale photographs to the Scheduling Department, or rather than consigning their property to auction A division of Doyle, Hayloft Auctions opened call them at 212-427-4141, ext. 260, to discuss and awaiting payment after the successful sale of in 2016 in the Port Morris neighborhood of the your property and perhaps arrange an appointment the items. For further information please contact Bronx, New York, and expanded in 2018 to with a specialist. Please be sure to include the our Scheduling Department. include a new location in Kensington, Maryland. dimensions, artist’s signature or maker’s mark, Hayloft Auctions purchases estates and medium, physical condition, and any other relevant collections large and small throughout the information. Our specialists will provide a free AFTER THE AUCTION North East and Mid-Atlantic areas, which are sold preliminary auction estimate subject to a final in timed online-only auctions hosted on CATALOGUES EXHIBITION HOURS SELLING AT AUCTION estimate upon first hand inspection. RESULTS OF SALE HayloftAuctions.com. This service provides

You may track realized prices of your consigned opportunities for those seeking to liquidate property in real time and view all sales results personal property of more moderate value than View the catalogues and leave bids online 212-427-4141, option 5 We invite you to contact us for a online at Doyle.com. A preliminary settlement would be sold during a live auction event. at Doyle.com, or for printed or visit Doyle.com complimentary auction evaluation of your statement itemizing the hammer prices, commissions We invite you to contact us for a complimentary catalogues please call 212-427-2730 x203 collection. Please call 212-427-2730 or and fees is mailed to the consignor after the proposal. or email [email protected] email [email protected] auction. You may also call us at 212-427-2730 for prices realized. NEW YORK METRO AREA: 929-303-3266 or [email protected] PAYMENT TO CONSIGNORS Payment to consignors is mailed five weeks after WASHINGTON, DC METRO AREA: the date of the sale, together with a final settlement 301-348-5282 or [email protected] statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees. VIII DOYLE 175 EAST 87TH STREET NEW YORK, NY 10128 212-427-2730 DOYLE.COM IX YOU MAY REACH US DIRECTLY BY DIALING 212-427-4141 REGIONAL REPRESENTATIVES DIRECTORY PLUS THE EXTENSION.

Laura Doyle, Director of Regions CONNECTICUT PENNSYLVANIA 212-427-4141, ext. 219 Kathy Brackenridge Jill Bowers OFFICERS [email protected] 212-427-4141, ext. 211 212-427-4141, ext. 225, [email protected] [email protected] Kathleen M. Doyle, Chairman/CEO David A. Gallager Louis LeB. Webre, Alison Robinson, Vice President ext 215, [email protected] Senior Vice President Senior Vice President ext 229, [email protected] BOSTON / NEW ENGLAND ext 271, [email protected] ext 232, [email protected] Kathryn Craig FLORIDA WASHINGTON, DC/MID-ATLANTIC Rodney Lang, Todd Sell, Vice President 617-999-8254, Collin Albertsson Reid Dunavant, Director Senior Executive Vice President Peter Lang Samira Farmer, Vice President ext 269, [email protected] [email protected] 561-322-6795, 202-342-6100, ext 243, [email protected] Senior Vice President 202-342-6100 [email protected] [email protected] ext 274, [email protected] [email protected] Charlotte A. Taylor, Vice President CALIFORNIA Joanne Porrino Mournet ext 233, [email protected] Nan Summerfield, G.G., Director Samira Farmer Executive Vice President Ann Limer Lange Cynthia Klein, Vice President NEW JERSEY ext 227, [email protected] Senior Vice President ext 246, [email protected] Shani Toledano, Vice President 310-276-6616, Jill Bowers 202-342-6100, ext 221, [email protected] ext 236, [email protected] [email protected] 212-427-4141, ext. 225, [email protected] Kenneth McKenna Malcolm Mac Neil, Vice President [email protected] Executive Vice President/CFO Angelo Madrigale, Senior Vice President ext 218, [email protected] Janice Youngren, Vice President Emily Marchick, G.G. BEIJING ext 254, [email protected] ext 237, [email protected] ext 207, [email protected] 310-276-6616, NORTH CAROLINA Winnie Hu Mark J. Moehrke, Vice President [email protected] Hilary Pitts, G.G. [email protected] Laura Doyle, Vice Chairman Elaine Banks Stainton ext 272, [email protected] 704-582-2258, Executive Vice President Senior Vice President ext 219, [email protected] ext 238, [email protected] Harold E. Porcher, Vice President [email protected] HONG KONG ext 235, [email protected] Jasmin Blunck Peter Costanzo Nan Summerfield [email protected] Senior Vice President Senior Vice President Edward Ripley-Duggan, Vice President ext 248, [email protected] 310-276-6616 ext 234 [email protected] [email protected] Reid Dunavant, Senior Vice President Gillian M. Ryan 202-342-6100 Senior Vice President [email protected] ext 245, [email protected] SPECIALIST DEPARTMENTS

FURNITURE AND DECORATIVE ARTS BOOKS, AUTOGRAPHS & PHOTOGRAPHS RUGS, CARPETS & TAPESTRIES David A. Gallager Peter Costanzo, Executive Director Mark M. Topalian

ADMINISTRATION Executive Director ext 248, [email protected] ext 602, [email protected] ext 271, [email protected] BID DEPARTMENT ESTATE & APPRAISAL SERVICES MEDIA & COMMUNICATIONS Edward Ripley-Duggan, Director JEWELRY Joanne Porrino Mournet, Executive Director DEPARTMENT ext 234, [email protected] ABSENTEE & TELEPHONE BIDS Ann Limer Lange, G.G., Executive Director ext 227, [email protected] Louis LeB. Webre, Director 19TH AND 20TH CENTURY ext 221, [email protected] Alanna Sutherland DECORATIVE ARTS Bid Fax: 212-427-7526 ext 232, [email protected] Peter Costanzo Malcolm Mac Neil, Director PAINTINGS & DRAWINGS NEW YORK JEWELRY ext 242, [email protected] ext 248, [email protected] ext 218, [email protected] Angelo Madrigale Charlotte A. Taylor, Art Director Kevin Zavian, Senior Specialist ext 233, [email protected] SVP, Director of Paintings BIDLIVE! INTERNET BIDDING Gillian M. Ryan, On-site Estates Coordinator Director of Contemporary Art ext 262, [email protected] Tyler Kusler ext 245, [email protected] AMERICAN FURNITURE & DECORATIVE ARTS ext 237, [email protected] Kosala Kumara, Advertising Martha Garcia, F.G.A., Appraiser, Cataloguer ext 203, [email protected] ext 258, [email protected] David A. Gallager, Director Carl Raymond, Estate and ext 271, [email protected] Elaine Banks Stainton ext 262, [email protected]

ACCOUNTING Appraisal Services Coordinator Senior Specialist, Paintings & Drawings

Ryan Won ext 216, [email protected] CATALOGUE PRODUCTION ext 238, [email protected] CALIFORNIA JEWELRY ext 205, [email protected] Stephanie Cuenca, Senior Graphic Designer ENGLISH & CONTINENTAL Alexis Gyateng, Senior Appraisal Coordinator ext 250, [email protected] FURNITURE & DECORATIVE ARTS Harold E. Porcher Nan Summerfield, G.G., Emma I. Ebue ext 228, [email protected] Peter Lang, Director Director, Modern & Post-War Art Director of California Operations ext 214, [email protected] ext 274, [email protected] ext 235, [email protected] 310-276-6616 Nancy Ramos, Graphic Designer Hannah Iversen, Appraisal Coordinator [email protected] Chelsea Wynne ext 276, [email protected] ext 251, [email protected] Shani Toledano ext 223, [email protected] FURNITURE & DECORATIVE ARTS Associate Director Emily Marchick, G.G., Daniel Sarver, Appraisal Coordinator PHOTOGRAPHY Rodney Lang ext 236, [email protected] Associate Director of California Operations CATALOGUE SUBSCRIPTIONS ext. 240, 212-427-4141 Hisao Oka, Director ext 243, [email protected] 310-276-6616 Gianine Crowell ext. 255 [email protected] Anne Cohen DePietro [email protected] ext 200, [email protected] Arielle Goldstein, Appraisal Coordinator Peter Lang Senior Specialist, American Art ext. 259, 212-427-4141 Ray Adams, Photographer ext 274, [email protected] ext 281, [email protected] Ilana Pickard, G.G. CLIENT SERVICES ext 278, [email protected] Office Administrator Janice Youngren, Director CONSIGNMENT SERVICES Malcolm Mac Neil Hermine Chivian-Cobb 310-276-6616 ext 207, [email protected] Alison Robinson, Director/Consignments Hann Browning, Photographer ext 218, [email protected] Senior Specialist, Fine Art [email protected] ext 247, [email protected] Alanna Sutherland ext 229, [email protected] ext 252, [email protected] Mark J. Moehrke ext 242, [email protected] NORTH CAROLINA JEWELRY Erin Mandley Hanna Siesel, Traffic Coordinator ext 272, [email protected] Bill Fiddler Hilary Pitts, G.G. ext 231, [email protected] ext 277, [email protected] Cataloguer Steven L. Kuzio 704-582-2258 Todd Sell ext 249, [email protected] ext 202, [email protected] [email protected] Doris M. Fugazy AUCTIONEERS ext 269, [email protected]

ext 261, [email protected] Rodney Lang Milan Tessler Tyler Kusler ext 203, [email protected] Joanne Porrino Mournet Leigh Kendrick, Client Relationships Manager Registrar Gail Jaffe Janice Youngren ext 243, [email protected] ext 266, [email protected] HAYLOFT AUCTIONS Brian Corcoran, Director ext 239, [email protected] Cynthia Klein Gianine Crowell 914-575-7263 Peter Costanzo ext 200, [email protected] [email protected] RUSSIAN WORKS OF ART ASIAN WORKS OF ART MUSEUM SERVICES Mark J. Moehrke, Director Marley Rabstenek, Consultant Blythe Knapp, Business Manager Peter Costanzo ext 272, [email protected] ext 299, [email protected] [email protected] Books, Photographs & Manuscripts 929-303-3266 ext 248, [email protected] COINS, STAMPS & COLLECTIBLES Norman Scrivener, Consultant Angelo Madrigale ext 273, [email protected] Paintings & Drawings ext 237, [email protected] PRINTS & MULTIPLES David A. Gallager Cynthia Klein, Director Furniture & Decorative Arts ext 246, [email protected] X ext 271, [email protected] XI

1 7 5 E A S T 8 7 T H S T R E E T FOR OFFICE USE ONLY N E W Y O R K , N Y 1 0 1 2 8 2 1 2 - 4 2 7 - 2 7 3 0

D O Y L E . C O M

A B S E N T E E & T E L E P H O N E B I D F O R M 1.16 CLIENT SERVICES CLIENT ACCOUNTS NEW YORK 175 East 87th Street * Name and address must agree with resale Janice Youngren, Director Steven Kuzio Please indicate the type of bid you are submitting. Please check one: certificate, if applicable. Invoices cannot be New York, NY 10128 212-427-4141, ext 207 212-427-4141, ext 202 212-427-2730 A B S E N T E E B I D changed once registered. [email protected] [email protected] [email protected] T E L E P H O N E B I D ** If you are using a cell phone for bidding, a safety bid is required in case of lost connection. Please indicate in what capacity you are bidding. Please check one: • Telephone bids will only be accepted on lots CALIFORNIA B I D D I N G A S A P R I VAT E B U Y E R with a low estimate of $2,000 and above. 9595 Wilshire Boulevard You must be prepared to bid at least to the BIDDING SERVICES Penthouse 1012 B I D D I N G O N B E H A L F O F A C O M PA N Y low estimate. 18OR01 • THE PATRICIA AND Beverly Hills, CA 90212 • Absentee bidding is a service provided with DONALD ORESMAN COLLECTION NOVEMBER 20, 2018 310-276-6616 SALE TITLE SALE DATE the understanding that Doyle New York shall Absentee & Telephone Bids BidLive! Internet Bidding [email protected] not be responsible for errors and/or omissions. Alanna Sutherland Tyler Kusler Changes to bids on the day of sale must be NAME* submitted in writing by fax or email. 212-427-4141, ext 242 212-427-4141, ext 203 BOSTON / NEW ENGLAND • Absentee bids are executed in competition Bid Fax: 212-427-7526 [email protected] COMPANY (If applicable) 129 Newbury Street with the audience, on an alternate basis. Due [email protected] Suite 400 to the uncertainties of bidding patterns, a lot ADDRESS * may sell to the audience for the same amount Boston, MA 02116 Change of Address or slightly less than your bid. To avoid this 617-999-8254 possibility, you may authorize us to increase [email protected] CITY STATE ZIP CODE y o u r b i d b y o ne increment by placing a plus sign (+) beside the maximum bid. EMAIL • In the event that identical bids are submitted, CONNECTICUT the earliest will take precedence. 136 East Putnam Avenue Greenwich, CT 06830 PHONE FAX • A Buyer’s Premium, as stated in the Conditions of Sale, will be added to the hammer price. 212-427-4141, ext 211 PHONE (DAY OF SALE)** • Buyers unknown to Doyle New York are [email protected] advised to arrange payment or supply credit SPECIALISTS CLIENT NUMBER references in advance of the sale date. NEW JERSEY Otherwise, purchases cannot leave our (NEW CLIENTS: Please provide Passport number, US Driver’s License, or Visa or MasterCard with expiration date) 212-427-4141, ext 225 premises until checks have cleared. [email protected] • A 25% deposit may be required on certain

LOT TOP LIMIT OF BID / LOT TOP LIMIT OF BID / LOT TOP LIMIT OF BID / absentee bids. SAFETY BID SAFETY BID SAFETY BID NUMBER NUMBER NUMBER • Lot descriptions do not include damage, PENNSYLVANIA Excluding Buyer’s Premium Excluding Buyer’s Premium Excluding Buyer’s Premium repairs or restoration to items. The absence 212-427-4141, ext 225 from the description of any such notes [email protected] must not be taken to imply that the lot is in perfect condition. Condition reports are provided upon request. WASHINGTON, DC / MID-ATLANTIC • Successful bidders should make arrangements to have their purchases removed 3256 Prospect Street, NW from the premises no later than 4:30pm on Washington, DC 20007 Angelo Madrigale Cynthia Klein Edward Ripley-Duggan the day following the sale. 202-342-6100 SVP, Director of Paintings, VP, Director, VP, Director, Rare Books, ° Terms and Conditions of Sale may be viewed Director of Contemporary Art Prints and Multiples [email protected] in the catalogue, on our Web site and in our Autographs & Photographs salesroom. 212-427-4141 ext 237 212-427-4141 ext 246 212-427-4141 ext 234 Angelo.Madrigale@ Cindy.Klein@ Edward.Ripley-Duggan@ NORTH CAROLINA BIDDING INCREMENTS (The auctioneer Doyle.com Doyle.com Doyle.com 704-582-2258 may vary the increments at his/her discretion.) [email protected] $0 – $100 ...... $10 $100 – $500 ...... $25 $500 – $1,000 ...... $50 FLORIDA $1,000 – $2,000 ...... $100 561-322-6795 $2,000 – $5,000 ...... $250 [email protected] $5,000 – $10,000 ...... $500 $10,000 – $20,000 ...... $1,000 $20,000 – $50,000 ...... $2,500 I understand and agree to the $50,000 – $100,000 ...... $5,000 Terms and Conditions of Sale° $100,000+ ...... $10,000 Front Cover 489 SIGNATURE Consumer Affairs No. 0777006 Back Cover 19 Inside Front Cover 540 Submit bids by FAX: 212-427-7526 or email: [email protected] by 5pm (Eastern) the evening before the auction. XII # Bids will be confirmed by email. You may contact the Bid Department for confirmation at 212-427-4141, ext 242 or 207 # THE PATRICIA AND DONALD ORESMAN COLLECTION NOVEMBER 20, 2018 DOYLE 175 EAST 87TH STREET NEW YORK, NY 10128 212-427-2730NY DOYLE 175 EAST 87THYORK, STREET NEW DOYLE.COM