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Narrative Epic and New Media: the Totalizing Spaces of Postmodernity in the Wire, Batman, and the Legend of Zelda
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-17-2015 12:00 AM Narrative Epic and New Media: The Totalizing Spaces of Postmodernity in The Wire, Batman, and The Legend of Zelda Luke Arnott The University of Western Ontario Supervisor Nick Dyer-Witheford The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Luke Arnott 2015 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Film and Media Studies Commons Recommended Citation Arnott, Luke, "Narrative Epic and New Media: The Totalizing Spaces of Postmodernity in The Wire, Batman, and The Legend of Zelda" (2015). Electronic Thesis and Dissertation Repository. 3000. https://ir.lib.uwo.ca/etd/3000 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. NARRATIVE EPIC AND NEW MEDIA: THE TOTALIZING SPACES OF POSTMODERNITY IN THE WIRE, BATMAN, AND THE LEGEND OF ZELDA (Thesis format: Monograph) by Luke Arnott Graduate Program in Media Studies A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Luke Arnott 2015 Abstract Narrative Epic and New Media investigates why epic narratives have a renewed significance in contemporary culture, showing that new media epics model the postmodern world in the same way that ancient epics once modelled theirs. -
Cultural Representations of the Moors Murderers and Yorkshire Ripper Cases
CULTURAL REPRESENTATIONS OF THE MOORS MURDERERS AND YORKSHIRE RIPPER CASES by HENRIETTA PHILLIPA ANNE MALION PHILLIPS A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Modern Languages School of Languages, Cultures, Art History, and Music College of Arts and Law The University of Birmingham October 2016 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis examines written, audio-visual and musical representations of real-life British serial killers Myra Hindley and Ian Brady (the ‘Moors Murderers’) and Peter Sutcliffe (the ‘Yorkshire Ripper’), from the time of their crimes to the present day, and their proliferation beyond the cases’ immediate historical-legal context. Through the theoretical construct ‘Northientalism’ I interrogate such representations’ replication and engagement of stereotypes and anxieties accruing to the figure of the white working- class ‘Northern’ subject in these cases, within a broader context of pre-existing historical trajectories and generic conventions of Northern and true crime representation. Interrogating changing perceptions of the cultural functions and meanings of murderers in late-capitalist socio-cultural history, I argue that the underlying structure of true crime is the counterbalance between the exceptional and the everyday, in service of which its second crucial structuring technique – the depiction of physical detail – operates. -
CITIZEN #162 Catalogue.Indd
Bien le bonjour à toutes et à tous ! Je ne sais plus vraiment qui a eu la géniale idée d’inventer les vacances et autres congés, mais, sur ce coup-là, il m’a vraiment mis dans la panade.., ce n’est plus de édito retard c’est carrément pire que tout bref, je vais la faire courte ce mois afi n de transmettre le plus rapidement possible l’opus 162 du Citizen à mon imprimeur préféré : j’ai nommé François C. de chez Print Forum à Wasquehal ! Ne me reste qu’à faire un coucou à Sébastien B. de Clamart ! il se reconnaîtra... je tiens avant tout à le remercier de sa fi délité. oups c’est fait et c’est tout pour aujourd’hui! à plus et merci pour votre fi délité !!! L’équipe d’Astro (Damien, Fred & Jérôme) PS : je ne résiste pas à vous faire mon habituel petit rappel pour les titres VF ou encore VO : si vous êtes tenté par l’une ou l’autre des séries récentes mais n’osez vous lancer de peur de ne jamais récupérer les numéros et volumes précédents, n’ayez crainte et … demandez ! La plupart du temps il nous est encore possible, voire faisable, de réassortir un numéro ou plusieurs alors, lancez-vous ! news de JUIN 2015 news la cover du mois : JUSTICE LEAGUE OF AMERICA #1 par Bryan Hitch Le logo astrocity et la super-heroïne Un peu de lexique... “astrogirl” ont été créés par Blackface. Corp et sont la propriété exclusive de Damien GN pour Graphic novel : La traduction littérale de ce terme est «roman graphique» Rameaux & Frédéric Dufl ot au titre de la OS pour One shot : Histoire en un épisode, publié le plus souvent à part de la continuité régulière. -
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Released 1St July 2015 DARK HORSE COMICS MAY150038 AGE of REPTILES ANCIENT EGYPTIANS #2 MAY150091 ANGEL and FAITH SEASON 10
Released 1st July 2015 DARK HORSE COMICS MAY150038 AGE OF REPTILES ANCIENT EGYPTIANS #2 MAY150091 ANGEL AND FAITH SEASON 10 #16 MAIN CVR MAR150096 ARCHIE ARCHIVES HC VOL 11 MAY150086 BALTIMORE CULT OF THE RED KING #3 MAY150010 BARB WIRE #1 NOV140118 GAME OF THRONES FIGURE HODOR & BRAN MAR150098 LONE WOLF & CUB OMNIBUS TP VOL 09 MAY150025 NEVERBOY #5 FEB150046 USAGI YOJIMBO LTD HC VOL 29 TWO HUNDRED JIZO MAY150065 WITCHER FOX CHILDREN #4 DC COMICS DEC140420 ABSOLUTE Y THE LAST MAN HC VOL 01 (MR) MAY150183 ACTION COMICS #42 FEB150277 AMERICAN VAMPIRE SECOND CYCLE #8 (MR) MAR150264 AQUAMAN HC VOL 06 MAELSTROM (N52) APR150283 AQUAMAN TP VOL 05 SEA OF STORMS MAY150196 BAT MITE #2 MAY150205 BATMAN ARKHAM KNIGHT #6 APR150288 BATMAN ARKHAM ORIGINS TP MAY150197 BATMAN BEYOND #2 MAY150185 BIZARRO #2 MAY150201 DETECTIVE COMICS #42 MAR150305 DMZ DELUXE EDITION HC BOOK 04 (MR) MAY150264 FBP FEDERAL BUREAU OF PHYSICS #22 (MR) MAY150150 FLASH SEASON ZERO #10 MAY150151 GREEN ARROW #42 MAY150221 GREEN LANTERN #42 APR150278 HE MAN THE ETERNITY WAR #7 MAY150158 LOBO #8 MAY150162 MIDNIGHTER #2 MAY150227 MORTAL KOMBAT X #8 (MR) MAY150168 OMEGA MEN #2 MAY150229 SCOOBY DOO TEAM UP #11 MAY150273 VERTIGO QUARTERLY SFX #2 (MR) IDW PUBLISHING FEB150413 CORTO MALTESE GN BEYOND THE WINDY ISLES APR150474 HAUNTED HORROR #17 MAY150457 MIAMI VICE REMIX #5 APR150424 MICKEY MOUSE #1 APR150416 MIKE ZECK CLASSIC MARVEL STORIES ARTIST ED HC APR150483 MONSTER MOTORS TP MAY150370 MY LITTLE PONY FRIENDS FOREVER #18 MAY150308 ONYX #1 REG RODRIGUEZ MAY150310 ONYX #1 REG WILSON -
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INDEX “abnormality,” 8–12 race and, 187 Abrams, M. H., 45–46 Arendt, Hannah, 39–40 Action Comics #1, 108 Ariel. See Pryde, Kitty (Kate, adamantium, 105, 165 Shadowcat) African Americans, 64 Aristotle, 71, 74–78, 109 African characters, 2 Asian characters, 2 Age of Apocalypse, 167 Astonishing X-Men #25, 186 Ahab, 89 Atlas Shrugged (Rand), 79–80 “Allegory of the Cave” (Plato), autonomy, 33, 103, 104–105 109–110 Avengers, 68, 90, 91 “alterity,” 210 Avengers Annual #10, 94 Amazing Adventures of Kavalier and Avengers Disassembled, 91 Clay, The (Chabon), 41–42 America, Captain, 22, 42 Bacon, Sir Francis, 70–74, 78, 79 Angel, 1 “bad faith,” 41, 93 cure and, 175–178 Banshee, 187 existentialism and, 44 Batman (character), 108 normality and, 8, 11 Batman (Kane, Finger), 41 phenomenology and, 202 Baudrillard, Jean, 91 Animalibus, De (Aristotle), 74 Beak Animal Man (Morrison), 120 personal identity and, 20 Anti-Semite and Jew (Sartre), 39 telepathy and, 155–156 anti-Semitism, 39–44 Beast (Hank McCoy), 1, 54, 71 Apocalypse COPYRIGHTEDcure MATERIAL and, 44, 178–179 cure and, 44 disability and, 181 genetics and, 53, 58, 60, 65 existentialism and, 96 personal identity and, 22 normality theme and, 8, 11, 13 phenomenology and, 204, 206 personal identity and, 20 race and, 187 race and, 186, 189 telepathy and, 161 telepathy and, 149, 168 Arclight Becker, Ernest, 205 cure and, 180 benefi cience, 177–178 241 bbindex.inddindex.indd 224141 11/31/09/31/09 44:25:24:25:24 PPMM 242 INDEX Bentham, Jeremy, 129, 144 Celestials, 186, 187 Big Bertha, 115–116 Cerebro, -
'Problem of Evil' in the Context of The
The ‘Problem of Evil’ in the Context of the French Enlightenment: Bayle, Leibniz, Voltaire, de Sade “The very masterpiece of philosophy would be to develop the means Providence employs to arrive at the ends she designs for man, and from this construction to deduce some rules of conduct acquainting this wretched two‐footed individual with the manner wherein he must proceed along life’s thorny way, forewarned of the strange caprices of that fatality they denominate by twenty different titles, and all unavailingly, for it has not yet been scanned nor defined.” ‐Marquis de Sade, Justine, or Good Conduct Well Chastised (1791) “The fact that the world contains neither justice nor meaning threatens our ability both to act in the world and to understand it. The demand that the world be intelligible is a demand of practical and of theoretical reason, the ground of thought that philosophy is called to provide. The question of whether [the problem of evil] is an ethical or metaphysical problem is as unimportant as it is undecidable, for in some moments it’s hard to view as a philosophical problem at all. Stated with the right degree of generality, it is but unhappy description: this is our world. If that isn’t even a question, no wonder philosophy has been unable to give it an answer. Yet for most of its history, philosophy has been moved to try, and its repeated attempts to formulate the problem of evil are as important as its attempts to respond to it.” ‐Susan Neiman, Evil in Modern Thought – An Alternative History of Philosophy (2002) Claudine Lhost (Bachelor of Arts in Philosophy with Honours) This thesis is presented for the degree of Doctor of Philosophy of Murdoch University, Perth, Western Australia in 2012 1 I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. -
2010 Joint Conference of the National Popular Culture and American Culture Associations
2010 Joint Conference of the National Popular Culture and American Culture Associations March 31 – April 3, 2010 Rennaisance Grand Hotel St. Louis Delores F. Rauscher, Editor & PCA/ACA Conference Coordinator Jennifer DeFore, Editor & Assistant Coordinator Michigan State University Elna Lim, Wiley-Blackwell Editor Additional information about the PCA/ACA available at www.pcaaca.org 2 Table of Contents The 2009 National Conference Popular Culture Association & American Culture Association Area Chairs ___________________ 5 PCA/ACA Board Members _______________________________ 13 Officers _______________________________________________ 13 Executive Officers ______________________________________ 13 Past & Future Conferences _______________________________ 14 Conference Papers for Sale; Benefits Endowment _____________ 15 Exhibit Hours __________________________________________ 15 Business & Board Meetings _______________________________ 16 Film Screenings ________________________________________ 18 Dinners, Get-Togethers, Receptions, & Tours ________________ 23 Roundtables ___________________________________________ 25 Special Sessions ______________________________________________ 29 Schedule Overview ______________________________________ 33 Saturday ____________________________________________________ 54 Daily Schedule _________________________________________ 77 Wednesday, 12:30 P.M. – 2:00 P.M. ____________________________ 77 Wednesday, 2:30 P.M. – 4:00 P.M. ____________________________ 83 Wednesday, 4:30 P.M. – 6:00 P.M. ____________________________ -
Las Adaptaciones Cinematográficas De Cómics En Estados Unidos (1978-2014)
UNIVERSITAT DE VALÈNCIA Facultat de Filologia, Traducció i Comunicació Departament de Teoria dels Llenguatges i Ciències de la Comunicació Programa de Doctorado en Comunicación Las adaptaciones cinematográficas de cómics en Estados Unidos (1978-2014) TESIS DOCTORAL Presentada por: Celestino Jorge López Catalán Dirigida por: Dr. Jenaro Talens i Dra. Susana Díaz València, 2016 Por Eva. 0. Índice. 1. Introducción ............................................................................................. 1 1.1. Planteamiento y justificación del tema de estudio ....................... 1 1.2. Selección del periodo de análisis ................................................. 9 1.3. Sinergias industriales entre el cine y el cómic ........................... 10 1.4. Los cómics que adaptan películas como género ........................ 17 2. 2. Comparación entre los modos narrativos del cine y el cómic .......... 39 2.1. El guion, el primer paso de la construcción de la historia ....... 41 2.2. La viñeta frente al plano: los componentes básicos esenciales del lenguaje ........................................................................................... 49 2.3. The gutter ................................................................................. 59 2.4. El tiempo .................................................................................. 68 2.5. El sonido ................................................................................... 72 3. Las películas que adaptan cómics entre 1978 y 2014 ........................... 75 -
–Extra Level 3 This Level Is Suitable for Students Who Have Been Learning English for at Least Three Years and up to Four Years
SCHOLASTIC READERS A FREE RESOURCE FOR TEACHERS! –extra Level 3 This level is suitable for students who have been learning English for at least three years and up to four years. It corresponds with the Common European Framework level B1. Suitable for users of TEAM magazine. SYNOPSIS THE BACK STORY Warren Worthington Senior is dismayed to learn that his own son X-Men: The Last Stand (2006) is the third film in the series is a mutant. He is a very wealthy man and spends many years based on the popular X-Men Marvel comic. It was directed by in the search for a cure for the mutant ‘problem’. He builds a Brett Ratner and was preceded by X-Men and X-2 which were special laboratory on Alcatraz Island and eventually his scientists directed by Bryan Singer. discover a cure after studying a young mutant (Leech) who is Once again, X-Men: The Last Stand presents a world in which able to remove the special powers of other mutants. a significant minority of people have special powers. The rest of Magneto (a powerful mutant leader and enemy of the X-Men) the world treats these people with suspicion, and so the films believes that the government will use this cure to wipe out all can be viewed as an allegory of discrimination against others mutants. He gathers an army of mutants around him and simply because they are different. prepares for war. He enlists Jean Grey, who did not die at Alkali As the final film in the series, X-Men: The Last Stand resolves Lake as the X-Men had feared. -
Uncanny Xmen Box
Official Advanced Game Adventure CAMPAIGN BOOK TABLE OF CONTENTS What Are Mutants? ....... .................... ...2 Creating Mutant Groups . ..... ................ ..46 Why Are Mutants? .............................2 The Crime-Fighting Group . ... ............. .. .46 Where Are Mutants? . ........ ........ .........3 The Tr aining Group . ..........................47 Mutant Histories . ................... ... ... ..... .4 The Government Group ............. ....... .48 The X-Men ..... ... ... ............ .... ... 4 Evil Mutants ........................... ......50 X-Factor . .......... ........ .............. 8 The Legendary Group ... ........... ..... ... 50 The New Mutants ..... ........... ... .........10 The Protective Group .......... ................51 Fallen Angels ................ ......... ... ..12 Non-Mutant Groups ... ... ... ............. ..51 X-Terminators . ... .... ............ .........12 Undercover Groups . .... ............... .......51 Excalibur ...... ..............................12 The False Oppressors ........... .......... 51 Morlocks ............... ...... ......... .....12 The Competition . ............... .............51 Original Brotherhood of Evil Mutants ..... .........13 Freedom Fighters & Te rrorists . ......... .......52 The Savage Land Mutates ........ ............ ..13 The Mutant Campaign ... ........ .... ... .........53 Mutant Force & The Resistants ... ......... ......14 The Mutant Index ...... .... ....... .... 53 The Second Brotherhood of Evil Mutants & Freedom Bring on the Bad Guys ... ....... -
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