November 2017
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BBC Music Booklet Celebrating 80 Years of Music.Pdf
Celebrating Years of Music A Serenade to Music “We are the music-makers And we are the dreamers of dreams…” (Arthur William Edgar O’Shaughnessy, Ode) The story of BBC Northern Ireland’s involvement in nurturing and broadcasting local musical talent is still in the making. This exhibition provides a revealing glimpse of work in progress at the BBC’s Community Archive in documenting the programmes and personalities who have brought music in all its different forms to life, and looks at how today’s broadcasters are responding to the musical styles and opportunities of a new century. It celebrates BBC NI’s role in supporting musical diversity and creative excellence and reflects changes in fashion, technology and society across 80 years of local broadcasting. “ Let us celebrate the way we were and the way we live now. Much has been achieved since 2BE’s first faltering (and scarcely heard) musical broadcast in 1924. Innovation has Let us celebrate the ways we will be... been a defining feature of every decade from early radio concerts in regional towns and country halls to the pioneering work of Sean O’Boyle in recording traditional music and Sam Hanna Bell’s 1950s programmes of Belfast’s Let us count the ways to celebrate. street songs.The broadcasts of the BBC Wireless Orchestra and its successors find their contemporary echo in the world-class performances of the Ulster Orchestra and BBC NI’s radio and television schedules continue to Let us celebrate.” reverberate to the diverse sounds of local jazz, traditional and country music, religious services, brass bands, choirs, (Roger McGough - Poems of Celebration) contemporary rock, pop and dance music. -
5 to 9 Years of Giving Marion Abrams ’77 Janet E
Donors who have given consistently to UMass Amherst are recognized as members of the Loyalty Circle. This Circle gratefully acknowledges those have made gifts for at least five years. Their generosity has provided invaluable support to all aspects of academic and student life. Following are Loyalty Circle members listed by years of giving: 5-9; 10-24; and 25+. * Deceased James & Aiche Abraham % % Parent Leonard & Kathleen Abraham > Current faculty, staff, or emeritus faculty Neal B. Abraham & Donna L. Wiley HA Honorary alumnus or alumna Allen & Pamela Abrahamson % HON Honorary degree recipient Fred and Donna Abrahamson % S Stockbridge alumnus or alumna Alan Abrams % & Laura Abrams % Arnold B. Abrams ’66 Kristin B. (Kanter) Abrams ’07 Linda J. Abrams ’76MEd 5 to 9 Years of Giving Marion Abrams ’77 Janet E. Aalfs ’79 Howard D. Abramson ’83, ’88MS % & Lisa I. Abramson % John & Sara Aalto % Rebecca A. (Crapser) Abramson ’96 Peter H. Aalto % & Margaret A. Aalto % Robert & Claudia Abramson % Ray Aaronian ’87 Jessica L. (Sciortino) Abreu ’02 Winifred R. Aaronian ’85 Paul M. Abreu ’90 Robert Abair & Mary M. Abair Matthew R. Abt ’02 Charles & Rosemary Abati % Victor H. Abularach ’79MS Janice M. Abatiello % Hayat N. Abuza Maureen (Duffy) Abber ’83 Mauro & Janet Accomazzo % Brandon R. Abbott ’93, ’09MS M. Ellen (Wilson) Accorsi ’62 Bruce J. Abbott % & Patricia Abbott % Bernardo E. Acebal ’85 & Zahira M. Acevedo-Crespo ’87 % Curtis T. Abbott % & Irene M. Fordon-Abbott % Diane C. Acerra ’89 Gordon Abbott, Jr. Dharma R. Acharya ’85MS Jessica L. Abbott ’03 Pamela Acheson Robert G. Abbott % & Sheila F. Abbott % Robert and Frances Acheson % Stephanie J. -
Mountain Road D
Mountain Road (D maj) traditional Irish Reel. transcribed and arranged by Frank Weber, learned from banjo and fiddle player Uli Schmidt in 2000 Recordings: Julia, John & Billy Clifford: Star of Munster Trio - Music from Sliabh Luachra, Vol. 2 (1977); Paddy Keenan & Paddy Glackin: Doublin (1978); Noel Hill & Tony Linnane (1979); Craobh Rua: Not a Word About It (1990); Sharon Shannon: Sharon Shannon (1991); Four Men and a Dog: Shifting Gravel (1993); Ceolbeg: An Unfair Dance (1993); Oige: Live (1994); Skellig: 5th St. Patrick's Day Celebration Festival (1994); Frankie Gavin, Arty McGlynn & Aidan Coffey: Irlande (1994); Andy McGann & Paddy Reynolds with Paul Brady (1994); Joe Ryan: An Buachaill Dreoite (1995); Denis Murphy: Music from Sliabh Luachra (1995); Laurence Nugent: Trad. Irish Music on Flute and Tin-Whistle (1996); John Doherty: The Floating Bow (1996); Liam O'Connor & Lisa Aherne: The Awakening (1996); Kevin Burke: In Concert (1998); Hanz Araki & Finn MacGinty: Traditional Irish Music (1999); Pat O'Connor: The Green Mountain (2000); Rattlin' Strings: No Stoppin' (2000); Abbey Céilí Band: Bruach an tSulain (2000); Pat O'Connor: The Green Mountain (2000); Lámh ar Lámh - Many Hands (2000); Brendan Lynch: Tunes from the Hearth (2000); Paddy Keenan & Tommy O'Sullivan: The Long Grazing Acre (2001); Michael Gorman: The Sligo Champion (2001); Public House Céilí Band: Go Figure (2001); Michael Sexton Céilí Band: Mad the Dance, Vol. 1 (2002); Con Moynihan with Denis O'Connor: Sunday after Mass (2003); Con Durham: Champions of Ireland - Uilleann -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center, our multimedia, folk-related archive). All recordings received are included in Publication Noted (which follows Off the Beaten Track). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention Off The Beaten Track. Sincere thanks to this issues panel of musical experts: Roger Dietz, Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Andy Nagy, Angela Page, Mike Regenstreif, Peter Spencer, Michael Tearson, Rich Warren, Matt Watroba, Elijah Wald, and Rob Weir. liant interpretation but only someone with not your typical backwoods folk musician, Jodys skill and knowledge could pull it off. as he studied at both Oberlin and the Cin- The CD continues in this fashion, go- cinnati College Conservatory of Music. He ing in and out of dream with versions of was smitten with the hammered dulcimer songs like Rhinordine, Lord Leitrim, in the early 70s and his virtuosity has in- and perhaps the most well known of all spired many players since his early days ballads, Barbary Ellen. performing with Grey Larsen. Those won- To use this recording as background derful June Appal recordings are treasured JODY STECHER music would be a mistake. I suggest you by many of us who were hearing the ham- Oh The Wind And Rain sit down in a quiet place, put on the head- mered dulcimer for the first time. -
Donegal Heritage Collection
Irish Life and Lore Series Donegal Heritage Collection IRISH LIFE AND LORE SERIES DONEGAL HERITAGE COLLECTION _____________ CATALOGUE OF 64 RECORDINGS www.irishlifeandlore.com Page: 1 / 34 © 2010 Maurice O'Keeffe Irish Life and Lore Series Donegal Heritage Collection Irish Life and Lore Series Maurice and Jane O’Keeffe, Ballyroe, Tralee, County Kerry E-mail: [email protected] Website: www.irishlifeandlore.com Telephone: + 353 (66) 7121991/ + 353 87 2998167 Recordings compiled by : Maurice O’Keeffe Catalogue Editor : Jane O’Keeffe Secretarial work by : NB Secretarial Services, Tralee Recordings mastered by : Media Duplication Privately published by : Maurice and Jane O’Keeffe, Tralee The Donegal Heritage ‘Life & Lore’ Collection was commissioned by the County Donegal Heritage Office, Donegal County Council, the County Donegal Heritage Forum and The Heritage Council under the County Donegal Heritage Plan (2007- 2011). An Action of the County Donegal Heritage Plan (2007-2011) Page: 2 / 34 © 2010 Maurice O'Keeffe Irish Life and Lore Series Donegal Heritage Collection NAME: MATTHEW GRAHAM, BORN 1939, ST. JOHNSTON, ARDAGH (Part 1) Title: Irish Life and Lore Donegal Heritage Collection CD 1 Subject: Changing landscapes Recorded by: Maurice O’Keeffe Date: 2010 Time: 56:08 Description: Matthew Graham’s grandfather originally arrived in St. Johnston in 1888 and he farmed fifty acres there. Matthew’s father also farmed there and Matthew discusses the arrival of the first tractor at the farm in 1957, butter-making and the arrival of electricity, the growing of flax for thatching and also wheat straw, rye straw and rushes. He recalls the McGlincheys of the Green who were flax millers, and some of the other milling families. -
BRT Past Schedule 2011
Join Our Mailing List! 2011 Past Schedule current schedule 2015 past schedule 2014 past schedule 2013 past schedule 2012 past schedule 2010 past schedule 2009 past schedule 2008 past schedule JANUARY THANK YOU! Despite the still-challenging economy, Blackstone River Theatre saw more than 6,100 audience members attend nearly 100 concerts, dances, classes and private functions in 2010! September marked the 10-year anniversary of the reopening of Blackstone River Theatre after more than four years of volunteer renovation efforts from July, 1996, to September, 2000. Since reopening, BRT has now presented more than 1,050 events in front of more than 67,000 audience members! Look for details about another six-week round of fiddle classes for beginner, continuing beginner/intermediate, advanced intermediate and advanced students with Cathy Clasper-Torch beginning Jan. 25 and Jan. 26. Look for details about six-week classes in beginner mountain dulcimer and clogging with Aubrey Atwater starting Jan. 13. Look for details about six-week classes in beginner mandolin and also playing tunes on mandolin with Ben Pearce starting Jan. 24. There will be an exhibit called "Through the Lens: An Exploration in Digital Photography" by Kristin Elliott-Stebenne and Denise Gregoire in BRT's Art Gallery January 14 through Feb. 19. There will be an exhibit opening Saturday, Jan. 15 from 6-7:30 p.m. NOTE: If a show at BRT has an advance price & a day-of-show price it means: If you pre-pay OR call in your reservation any time before the show date, you get the advance price. -
The Rose Magazine Issue 5
THE ROSE MAGAZINE #5 1 The Rose Magazine Issue #5 • October 2018 Contents: Writing / Artwork Front Cover. Horse by David Conway / Page 3. Sex Education On Bishop Street by Berni Dwan / 4. Snaggletooth by Paul Whyte / 10. The Greatest Play In History by Jack Haworth / 15. Falling by Julie De Abreu / 16. Changeling by Sarah Healy / 19. Pearse's Cottage by Clarise E. Reichley / 20. Ancestor.com by Jane Burn / 22. Arise by Louise Gambrill / 23. Gone to the Dogs by Elaine Lennon / 30. Leander by Ross Thompson / 32. A Light For All Seasons by Gillian Dalton / 33. Sea Sister by Cathal Kehoe / 45. In A Very Small Room by Aisling Le Gros / 46. My Da Had Two Faces by Matthew Doyle / 54. Night Jungle by Myrto Papadaki / 55. Rising Star by Lisa Verdekal / 59. The Slincin by R.H. Hildige / 72. Featured In This Issue 2 Sex education on Bishop Street Berni Dwan The girls on the ganger are garrulous; munificent multitaskers, lifting rows of biscuits while sharing bawdy banter. Others inspect new-baked produce, rejecting imperfections. The garrulous girls swap tales of gynaecology & obstetrics; I listen, horrified. Accounts from the maternity ward fused with sickly scents of warm confectionary, dull the appetite; I am shaken & stirred. Domestic potboilers, confessional yarns, starry-eyed mythologies, all mischievously dealt for scrutiny. I am schooled in shibboleths from Drimnagh & Donnycarney; anecdotes from Crumlin & Coolock; fables from Finglas & Fairview. My education is complete. Henceforth, all my romances will be Platonic. That summer at Jacob's biscuit factory forces me to consider the single life. -
Popular Music Stuart Bailie a Troubles Archive Essay
popular music A Troubles Archive Essay Stuart Bailie Cover Image: Victor Sloan - Market Street, Derry From the collection of the Arts Council of Northern Ireland About the Author Stuart Bailie was on the staff of the NME (New Musical Express) from 1988 to 1996, rising to Assistant Editor in his last three years there. Since then, he has worked as a freelance journalist for Mojo, Uncut, Q, The Times, The Sunday Times and Hot Press. He has written sleevenotes for U2 and wrote the authorised story of Thin Lizzy, The Ballad Of The Thin Man in 1997. He has been presenting a BBC Radio Ulster show each Friday evening since 1999. He has been Associate Producer of several BBC TV music programmes, including the story of Ulster rock and pop: ‘So Hard To Beat’ in 2007. He has also been the scriptwriter / researcher for a series of BBC Radio 2 documentaries on U2, Thin Lizzy and Elvis Costello. Stuart is now CEO of Oh Yeah, a dedicated music centre in Belfast. Popular Music In September 1968 Van Morrison was in NewYork, recording a series of songs about life back in Belfast. This was his Astral Weeks album, one of his most important works. It was also a vivid snapshot of Northern Ireland just before the climate changed dramatically with the outbreak of the Troubles. In Morrison’s sentimental picture, there were youthful voices, parties and high-spirits; flamboyant figures such as Madame George cruised the streets of Belfast as the post-war generation challenged social conventions. The hippy ideals were already receding in America, but Belfast had experienced a belated Summer of Love and a blossoming social life. -
Daithi Sproule Knows How to Make a Guitar Sing: His New CD Features
Daithi Sproule Knows How to Skara Brae originally formed during 1969- Make a Guitar Sing: His New CD 70 and released their self-titled debut on Features 13 of His Own Tunes the Gael-Linn label in 1971. (Shanachie reissued it stateside on LP in 1983.) The performance that the reunited quartet CEOL gave in 1997 in Donegal provided, at long last, the impetus for a 1998 CD reissue on By Earle Hitchner Gael-Linn of "Skara Brae," buttressed by two songs not on the original LP. [Published on July 9, 2008, in the IRISH ECHO newspaper, New York But in many critical discussions of City. Copyright (c) Earle Hitchner. All such groups as Skara Brae, Bowhand (with fiddler James Kelly and Offaly rights reserved. Reprinted by accordionist Paddy O'Brien), Trian (with permission of author.] fiddler Liz Carroll and accordionist Billy McComiskey), and Altan, the contributions of member Daithi Sproule tend to get short All longtime Irish traditional music shrift. Even Sproule's fine solo debut in fans have a wish list for reunions, and 1995, "A Heart Made of Glass," seemed to mine once included Planxty, the Bothy draw scant attention. Band, and Skara Brae. Also consider Trian's debut album In 2004 the original Planxty lineup in 1992. The praise heaped on its of Christy Moore, Liam O'Flynn, Andy impressive instrumental playing was Irvine, and Donal Lunny got together deserved, but suffering from a bit of critical again for a dozen concerts. neglect were Sproule's exceptional singing and guitar setting of "Captain Thompson." At Dublin's Vicar Street on May And on "Trian II" in 1995, Sproule tenderly 24, 2007, the Bothy Band reunited, except covered "The Death of Queen Jane," a for one member, singer-guitarist Micheal song he wrote the melody for and earlier O Domhnaill. -
Globalising Irish Music.Pdf
Bill Whelan, Globalising Irish Music UCDscholarcast Series 1: (Spring 2008) ________________________________ The Art of Popular Culture: From ‘The Meeting of the Waters’ to Riverdance Series Editor: P.J. Mathews © UCDscholarcast UCDscholarcast 1 Bill Whelan, Globalising Irish Music Bill Whelan Globalising Irish Music One of the duties an author, performer or composer undertakes when travelling around the world in advance or in the wake of a production is to face the media. Such has been my experience with Riverdance. Sitting in stuffed rooms in Sydney or Seattle or stretched on soft settees in say, Stockholm, I have been asked an amazing array of questions. Over the thirteen years of the life of this show I have been rendered mute by questions such as (in London): ‘how many pairs of tights does Riverdance go through in an evening?’. That one gave me some pause for thought, but not as much as the question I was asked in Tokyo when we first went there. Through an interpreter a Japanese journalist probingly inquired if I felt that the album Ó Ríada sa Gaiety was an important influence in changing the course of Irish traditional music. These kinds of questions have demonstrated to me over the years the variety of responses that people have to what was actually the same musical or theatrical experience. To progress a bit further on the theme of artistic intent versus audience response—in France I recall a press conference where a few journalists were pushing me to interpret Riverdance as an Irish Nationalistic cultural response to years of British domination. -
PAUL BRADY Paul Brady, Singer, Songwriter and Multi-Instrumentalist Is One of Ireland’S Most Enduringly Popular Artists
PAUL BRADY Paul Brady, singer, songwriter and multi-instrumentalist is one of Ireland’s most enduringly popular artists. Born and raised in Strabane, Northern Ireland, on the border with the Irish Republic, he was into a wide variety of music from an early age. A Fifties child, his first sounds the Swing, Jazz, Show tunes of his parents generation. Then 50′s Rock ‘n Roll, 60′s pop and Motown, Blues, R’nB and Country and Western. Through all this ran the potent flavour of Irish traditional music and song. Learning to play the piano pretty much by ear, trial and error, his early heroes were Jerry Lee Lewis, Winifred Atwell and Fats Domino. By the age of eleven he had begun to play guitar, spending hours of his school holidays learning every tune the Shadows and The Ventures recorded, every lick Chuck Berry played. Mid-teens saw him take summer jobs playing piano and guitar in Bundoran, a seaside resort in nearby County Donegal. But it was around 1965 in Dublin, at college, that he began to develop as a singer and performer joining a succession of R’n B / Soul bands including The Inmates, The Kult and Rootzgroop , covering the songs of Ray Charles, James Brown, Junior Walker and blues legends like Muddy Waters, Howlin’ Wolf and Chuck Berry. The 60′s in Dublin saw the renewal of interest in Irish traditional music and gave birth to the first wave of Irish ballad groups like The Clancy Brothers, The Dubliners, Sweeney’s Men and The Johnstons. Soon Paul became swept up in this current and joined the latter band with whom he recorded seven albums. -
The Album and the Musical Work in Irish Folk and Traditional Music, Ca
The Album and the Musical Work in Irish Folk and Traditional Music, ca. 1955–70 Adrian Scahill Éire-Ireland, Volume 54, Numbers 1 & 2, Spring/Summer 2019, pp. 17-45 (Article) Published by Irish-American Cultural Institute DOI: https://doi.org/10.1353/eir.2019.0005 For additional information about this article https://muse.jhu.edu/article/725523 [ Access provided at 3 Nov 2020 16:25 GMT from Maynooth University ] Adrian Scahill The Album and the Musical Work in Irish Folk and Traditional Music, ca. 1955–70 In this article I explore the interrelationship between the introduc- tion of the long-playing record (or LP) into Ireland, the impact of the traditional and folk revival, and the emergence of the concept of a musical work within traditional music. The invention of long- playing records in the 1950s affected how record labels, musicians, and consumers conceptualized different musical styles, and it shaped the structure of recorded music (Montgomery 3; Keightley, “Long Play” 380). The LP came to be associated with serious music of ar- tistic worth that was aimed at an adult market. In the same decade the first long-playing records of Irish traditional or folk music were issued during the first phase of the revival. Irish revivalist musicians and activists of the 1950s and 1960s had a number of broad aims that included, but were not limited to, ensuring that this music was appre- ciated as serious and artistic by a wider audience in Ireland, making high-quality recordings of the music, and presenting the music in a professional and more artistic manner.