It`S Christmas Carol Program (434.7Kb)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
“Kiss Today Goodbye, and Point Me Toward Tomorrow”
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape. -
In Christ in Christ, All Things Hold Together –Colossians 1:17 All Are One in Christ Jesus –Galatians 3:28
A HOUSE FOR ALL GOD’S PEOPLE April 11, 2021 10:00 a.m. Community…in Christ In Christ, all things hold together –Colossians 1:17 All are one in Christ Jesus –Galatians 3:28 SECOND EASTER Blockbuster Sunday – A Journey Through Music of the Movies MEETING GOD IN MUSIC Concerning Hobbits Howard Shore --from Lord of the Rings: The Fellowship of the Ring The Sound of Music Rodgers and Hammerstein --from The Sound of Music Ryan Huebner and Tricia Melzer-Swaydrak, vocalists My day in the hills has come to end I know A star has come out to tell me it’s time to go But deep in the dark green forest Are voices that urge me to stay So I pause and I wait and I listen For one more sound for one more lovely thing That the hills might say The hills are alive With the sound of music With songs they have sung For a thousand years The hills fill my heart With the sound of music My heart wants to sing ev’ry song it hears My heart wants to beat like the wings of the birds That rise from the lake to the trees My heart wants to sigh like a chime that flies From a church on a breeze To laugh like a brook when it trips and falls Over stones on it’s way To sing through the night Like a lark who is learning to prey I go to the hills When my heart is lonely I know I will hear What I’ve heard before My heart will be blessed With the sound of music And I’ll sing once more WORDS OF WELCOME Welcome to in-person worship at Glenview Community Church! As we work to keep one another safe during the pandemic, please maintain a distance of six feet from people not in your household, sit only with people in your household or Covid bubble, wear a mask covering your nose and mouth at all times (except when receiving the elements of Communion), speak and sing in a whisper with your mask on, don’t touch anything unnecessarily, and wait for an usher to dismiss you at the end of the service. -
Marvin Hamlisch
tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST -
A Newsletter of OPICA
SUMMER / FALL 2014 a newsletter o f OPICA ALZHEIMER’S IMPACTS THE ENTIRE FAMILY n hectic days when there just isn’t enough time in the day to get everything O done, do you dream of retirement? Retirement is freedom. Freedom from the dreaded shrill of the alarm clock. Freedom from the daily commute. Freedom to spend more time with our loved ones. Pure, wonderful freedom from responsibility. A diagnosis of Alzheimer’s for a loved one is devastating on so many levels, and if you’re the one in the position to become the primary caregiver, it is life changing. You grieve for the pain your loved one CELEBRATING will endure with no cure in sight and you grieve 35 YEARS the future you should OF SERVICE have had together, the freedom you imagined. Caring for a family member with dementia is an intense 24/7 If you’re struggling endeavor that is psychologically and to care for a loved emotionally stressful. one with Alzheimer’s Experiencing the effects Mike McGurk (a member of OPICA since 2012) or other challenges of a loved one’s memory and his wife Cathy loss, growing difficulty in communicating effectively, episodes of frustration and with dementia, anger, coupled with the increasingly close supervision and personal care that OPICA can help. those with Alzheimer’s disease require, and the stress it creates can result in depression, grief, fatigue, feelings of entrapment, and physical health problems. OPICA’s longstanding view is that both the individual with dementia and their family caregivers are clients. Recognizing the challenges that family -
View Program
Tom Artwick Robert Jospe saxophone and flute drums Bob Hallahan Paul Langosch John D'earth piano bass trumpet ~~ 01~ £~6:1-<Tf)m,,~~'7~ r/n~ 2 20.!3 %?-nv. r}v'~(]~ LENFEST C E.'\T ER fo rrM ART S ""9t '•V CT(r.<" ·()~O:l , N U 'IIO PROGRAM Jazz Scenes: Interpretations of Film Music by Tom Artwick & Friends When selecting the pieces for this concert, I quickly realized how much wonderful music the world of cinema has given us. How would I choose from such a large body of great works? Since these were to be jazz interpretations of movie themes, I wanted them to be conducive to perhaps the most noteworthy aspect of jazz - improvisation. While this narrowed the choice, there was still a very large number of pieces that fit the bill. Of the remaining songs, many were very familiar. Some were too familiar, perhaps, as they had been performed myriad times by jazz artists. I felt like they didn 't need another rendering . Some of the songs we will play for you tonight may be familiar to you, and others may not. I hope we can introduce you to a few gems you may not have heard before. My selection reflects a personal bias toward older film music , especially of the 1960s and '70s. These songs speak to me, both as a musician and as a person. I hope they speak to you, as well. ~ Tom Artwick Pure Imagination from Willy Wonka & the Chocolate Factory (1971) Music & Lyrics by Leslie Bricusse & Anthony Newley Sung in film by Gene Wilder Alfie from Alfie (1966) Music by Burt Bacharach Lyrics by Hal David Originally recorded by Ci/la Black prior to the movie release, it was sung by Cher over the closing credits. -
November 13 – the Best of Broadway
November 13 – The Best of Broadway SOLOISTS: Bill Brassea Karen Babcock Brassea Rebecca Copley Maggie Spicer Perry Sook PROGRAM Broadway Tonight………………………………………………………………………………………………Arr. Bruce Chase People Will Say We’re in Love from Oklahoma……….…..Rodgers & Hammerstein/Robert Bennett Try to Remember from The Fantasticks…………………………………………………..Jack Elliot/Jack Schmidt Can’t Help Lovin’ Dat Man from Show Boat……………………………Oscar Hammerstein/Jerome Kern/ Robert Russell Bennett Gus: The Theatre Cat from Cats……………………………………….……..…Andrew Lloyd Webber/T.S. Eliot Selections from A Chorus Line…………………………………….……..Marvin Hamlisch/Arr. Robert Lowden Glitter and Be Gay from Candide…………………….………………………………………………Leonard Bernstein Let’s Call the Whole Thing Off from Shall We Dance…….…….……………………George & Ira Gershwin Impossible Dream from Man of La Mancha………………………………………….…Mitch Leigh/Joe Darion Mambo from Westside Story……………………………………………..…………………….…….Leonard Bernstein Somewhere from Westside Story……………………………………….…………………….…….Leonard Bernstein Intermission Seventy-Six Trombones from The Music Man………………………….……………………….Meredith Willson Before the Parade Passes By from Hello, Dolly!……………………………John Herman/Michael Stewart Vanilla Ice Cream from She Loves Me…………..…………....…………………….Sheldon Harnick/Jerry Bock Be a Clown from The Pirate..…………………………………..………………………………………………….Cole Porter Summer Time from Porgy & Bess………………………………………………………….………….George Gershwin Move On from Sunday in the Park with George………….……..Stephen Sondheim/Michael Starobin The Grass is Always Greener from Woman of the Year………….John Kander/Fred Ebb/Peter Stone Phantom of the Opera Overture……………………………………………………………….Andrew Lloyd Webber Music of the Night from Phantom of the Opera…….………………………………….Andrew Lloyd Webber Love Never Dies from Love Never Dies………………..…..……………………………….Andrew Lloyd Webber Over the Rainbow from The Wizard of Oz….……………………………………….Harold Arlen/E.Y. Harburg Arr. Mark Hayes REHEARSALS: Mon., Oct. 17 7 p.m. -
Mousical Trivia
Level I: Name the classic Broadway musicals represented in these illustrations from THE GREAT AMERICAN MOUSICAL. Level II: Identify the song and the character(s) performing each one. Level III: Name the show's creators, the year the show originally opened, the theatre it opened in, and the original stars. a.) b.) e.) d.) c.) BONUS QUESTION: Can you name the choreographer Pippin the intern is paying tribute to on the cover of the book? ANSWERS Level I: Name the classic Broadway musicals represented in these illustrations from THE GREAT AMERICAN MOUSICAL. Level II: Identify the song and the character(s) performing each one. Level III: Name the show's creators, the year the show originally opened, the theatre it opened in, and the original stars. a.) d.) Level I: The King and I Level I: Fiddler on the Roof Level II: "Getting to Know You", Anna Leonowens, Royal Wives Level II: “If I Were a Rich Man”, Tevye and Royal Children Level III: Book by Joseph Stein; Based on stories by Sholom Aleichem; Level III: Music by Richard Rodgers; Lyrics by Oscar Hammerstein Music by Jerry Bock; Lyrics by Sheldon Harnick. 1964, Imperial Theatre. II; Book by Oscar Hammerstein II; Based on the novel "Anna and Zero Mostel & Beatrice Arthur the King of Siam" by Margaret Landon. 1951, St. James Theatre. Yul Brynner & Gertrude Lawrence b.) e.) Level I: My Fair Lady Level I: Hello, Dolly! Level II: “Wouldn't It Be Loverly?”, Eliza Doolittle and the Cockneys Level II: “Hello, Dolly!”, Mrs. Dolly Gallagher Levi, Rudolph, Waiters and Level III: Book by Alan Jay Lerner; Lyrics by Alan Jay Lerner; Music by Cooks Frederick Loewe; Adapted from "Pygmalion" by George Bernard Shaw. -
S051516 Evelyn Mahon
Williams College Department of Music Evelyn Mahon '18, alto Stephen Sondheim '50 “Love, I Hear”, from A Funny Thing Happened on the Way to the Forum Jerry Bock/ Sheldon Harnick “Dear Friend”, from She Loves Me Tom Lehrer “Poisoning Pigeons in the Park” by Tom Lehrer Stephen Sondheim “On the Steps of the Palace”, from Into the Woods Leonard Bernstein “Some other Time”, from On the Town Stephen Sondheim “Moments in the Woods”, from Into the Woods Andrew Lloyd Weber “Don't Cry for Me, Argentina”, from Evita Stephen Sondheim “Children and Art”, from Sunday in the Park with George Stephen Sondheim “Loving You”, from Passion Manuel Miranda “Burn”, from Hamilton Stephen Sondheim “The Miller's Son”, from A Little Night Music Jerry Bock/ Sheldon Harnick “A trip to the Library”, from She Loves Me Joe Darion/ Mitch Leigh “What Does he Want of Me”, from Man of LaMancha Joe Darion/MItch Leigh “Aldonza”, from Man of LaMancha Jerry Bock/Sheldon Harnick “Tonight at 8”, from She Loves Me Stephen Sondheim “Could I leave you?”, from Follies Stephen Sondheim “Send in the clowns”, from A little Night Music Jason Robert Brown “Still hurting”, from The Last Five Years Marcy Heisler/ Zina Goldrich Taylor the Latte Boy Kurt Weill “Pirate Jenny”, from The Threepenny Opera Joseph Kosma/ Jacques Prevert Autumn leaves LinManuel Miranda Breathe Larry Grossman/Hal Hackady “Mama, a Rainbow”, from Minnie’s Boys Sunday, May 15, 2016 2:00 p.m. Brooks-Rogers Recital Hall Williamstown, Massachusetts Please turn off cell phones. No photography or recording is permitted. Evelyn Mahon '18 is a Theatre/Statistics double major from Williamstown, MA. -
100% Print Rights Administered by ALFRED 633 SQUADRON MARCH
100% Print Rights administered by ALFRED 633 SQUADRON MARCH (Excluding Europe) Words and Music by RON GOODWIN *A BRIDGE TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS A CHANGE IS GONNA COME (from “ Malcolm X”) Words and Music by SAM COOKE A CHI (HURT) (Excluding Europe) Words and Music by JIMMIE CRANE and AL JACOBS A CHICKEN AIN’T NOTHING BUT A BIRD Words and Music by EMMETT ‘BABE’ WALLACE A DARK KNIGHT (from “ The Dark Knight ”) Words and Music by HANS ZIMMER and JAMES HOWARD A HARD TEACHER (from “ The Last Samurai ”) Words and Music by HANS ZIMMER A JOURNEY IN THE DARK (from “ The Lord of the Rings: The Fellowship of the Ring”) Music by HOWARD SHORE Lyrics by PHILIPPA BOYENS A MOTHER’S PRAYER (from “ Quest for Camelot ”) Words and Music by CAROLE BAYER SAGER and DAVID FOSTER *A WINDOW TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS ACCORDION JOE Music by CORNELL SMELSER Lyrics by PETER DALE WIMBROW ACES HIGH MARCH (Excluding Europe) Words and Music by RON GOODWIN AIN'T GOT NO (Excluding Europe) Music by GALT MACDERMOT Lyrics by JAMES RADO and GEROME RAGNI AIN’T MISBEHAVIN’ (from “ Ain’t Misbehavin’ ) (100% in Scandinavia, including Finland) Music by THOMAS “FATS” WALLER and HARRY BROOKS Lyrics by ANDY RAZAF ALL I DO IS DREAM OF YOU (from “ Singin’ in the Rain ”) (Excluding Europe) Music by NACIO HERB BROWN Lyrics by ARTHUR FREED ALL TIME HIGH (from “ Octopussy ”) (Excluding Europe) Music by JOHN BARRY Lyrics by TIM RICE ALMIGHTY GOD (from “ Sacred Concert No. -
Scholarly Program Notes on the Graduate Voice Recital of Emily Davis Emily Davis Southern Illinois University Carbondale, [email protected]
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School 4-17-2015 Scholarly Program Notes on the Graduate Voice Recital of Emily Davis Emily Davis Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp Recommended Citation Davis, Emily. "Scholarly Program Notes on the Graduate Voice Recital of Emily Davis." (Apr 2015). This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. SCHOLARLY PROGRAM NOTES ON THE GRADUATE VOICE RECITAL OF EMILY DAVIS by Emily Davis B.A. Music, Luther College, 2013 B.A. History, Luther College, 2013 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Master of Music. Department of Music in the Graduate School Southern Illinois University Carbondale May 2015 RESEARCH PAPER APPROVAL SCHOLARLY PROGRAM NOTES ON THE GRADUATE VOICE RECITAL OF EMILY DAVIS By Emily Davis A Research Paper Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music in the field of Vocal Performance Approved by: Dr. David Dillard, Chair Dr. Diane Coloton Tim Fink Graduate School Southern Illinois University Carbondale April 17, 2015 AN ABSTRACT OF THE RESEARCH PAPER OF EMILY DAVIS, for the Master of Music degree in VOCAL PERFORMANCE, presented on March 22, 2015, at Southern Illinois University Carbondale. TITLE: SCHOLARLY PROGRAM NOTES ON THE GRADUATE VOICE RECITAL OF EMILY DAVIS MAJOR PROFESSOR: Dr. -
Chasing Mem'ries Extension
Media Contact: Ashley Bodul, Geffen Playhouse [email protected] 310.966.2405 FOR IMMEDIATE RELEASE WORLD PREMIERE OF “CHASING MEM’RIES: A DIFFERENT KIND OF MUSICAL” AT THE GEFFEN PLAYHOUSE EXTENDS THROUGH DECEMBER 17, 2017 TYNE DALY, ROBERT FORSTER AND SCOTT KRADOLFER STAR IN NEW PLAY WITH SONGS BY ALAN & MARILYN BERGMAN; WRITTEN AND DIRECTED BY JOSH RAVETCH LOS ANGELES (November 1, 2017) – The World Premiere of Chasing Mem’ries: A Different Kind of Musical, starring Tony and Emmy Award winner Tyne Daly and featuring new and original songs by award winning lyricists Alan & Marilyn Bergman, will extend for one week in the Gil Cates Theater at the Geffen Playhouse and run through Sunday, December 17, 2017. Written and directed by Josh Ravetch (Carrie Fisher’s Wishful Drinking), Chasing Mem’ries stars Daly as Victoria, a woman not quite ready to let go of the life she has loved and the love of her life, Academy Award-nominee Robert Forster (Jackie Brown) as her husband Franklin, and Scott Kradolfer as their son Mason. “A violinist once said she only got to play a Stradivarius a few times in her life and she knew she would never be quite as good without it. With Tyne, Robert and Scott, and the songs of Alan and Marilyn Bergman, in this play I get to play a Stradivarius,” said Ravetch. “It is a joy to be able to keep the music playing at the Geffen Playhouse a little bit longer.” The play features 12 songs – five of them new – by legendary Grammy, Emmy and Academy Award-winning lyricists Alan & Marilyn Bergman (“The Way We Were,” “The Windmills of Your Mind,” “Papa, Can You Hear Me?”), with music by Bill Cantos & Mari Falcone, Dave Grusin, Marvin Hamlisch, Michel Legrand and Johnny Mandel. -
2017-2018 Philharmonia at Boca West: Great Hits of The'60s
LYNN UNIVERSITY PRESENTS Great Hits of the 60’s Boca West Country Club Wednesday, April 11, 2018 Jon Robertson, conductor LYNN PHILHARMONIA About Lynn University Lynn University is an independent college based in Boca Raton, Florida. U.S. News & World Report recognizes the university as one of the nation’s most innovative colleges and consistently ranks it among the top five most international schools, given its approximately 3,000 students from almost 100 countries. Lynn’s Dialogues curriculum and award-winning iPad program help its graduates gain the intellectual flexibility and global experiences to fulfill their potential in an ever-changing world. The school’s NCAA Division II Fighting Knights have won 23 national titles, its Conservatory of Music features a world-renowned faculty, and its nationally recognized Institute for Achievement and Learning empowers students with learning differences to become independent learners. For more information, visit lynn.edu. The Lynn University Conservatory of Music Lynn Conservatory of Music has established a high standard of musical training with a world-class artist faculty, highly talented and motivated students, and critically acclaimed performances. In 2014, the conservatory relocated to its new home on Lynn’s campus: the Harold and Patricia Toppel Studios in the Count and Countess de Hoernle International Center. This three-story facility provides spacious quarters for instruction and practice and proximity to both the Amarnick-Goldstein Concert Hall and the Keith C. and Elaine Johnson Wold Performing Arts Center. About Our Philharmonia Orchestra The Conservatory’s Philharmonia Orchestra sets the standard for conservatory-level symphonic training. Now in its 25th season as a full symphony, the Philharmonia is an integral part of the education of the conservatory's graduate and undergraduate music students.