The Voice of Congrega on Beth Shalom April 2018 GREENBAUM CONCERT SET for SUNDAY, MAY 6

Total Page:16

File Type:pdf, Size:1020Kb

The Voice of Congrega on Beth Shalom April 2018 GREENBAUM CONCERT SET for SUNDAY, MAY 6 The Voice of Congregaon Beth Shalom April 2018 Gretchen Weiner GREENBAUM CONCERT President [email protected] SET FOR SUNDAY, MAY 6 Robert V. Gamer Klezmer, fiddlin’ and food! Rabbi [email protected] Come hungry for good food and good music at the 13th Annual Cantor Sam and Mona Greenbaum Concert at Beth Shalom on Sunday, May 6, at David A. Nelson, D.D. Rabbi Emeritus 4:00 p.m. Enjoy the sounds of klezmer music by Klezundheit, a local [email protected] ensemble that includes Beth Shalom member David Rodgers, and old-time fiddle and banjo music by Aaron Jonah Lewis, who grew up at Beth Shalom. Samuel L. Greenbaum Cantor Emeritus [email protected] Sheldon L. Freilich Executive Director [email protected] Abi Taylor-Abt Yachad Religious School Director yachadrelschool @congbethshalom.org Julie Grodin Circle of Friends [email protected] Arnie Weiner Klezundheit, a 12-member Aaron Jonah Lewis lives in HaKol Editor ensemble, was organized in 2014 Southwest Detroit when he isn’t [email protected] to play traditional and modern traveling with his own band, the Klezmer, gypsy, Balkan, and jazz Corn Potato String Band, or Congregation Beth Shalom 14601 West Lincoln Road music. The band was the another ensemble. “Technically Oak Park, Michigan 48237 brainchild of both Ken Posner of he’s a brilliant fiddler, able to Phone: 248.547.7970 West Bloomfield and his son, blend genres at will, and he’s got Fax: 248.547.0421 Alan, of Ferndale. the kind of high-wire aggression Office Hours: that makes for compelling Monday-Thursday listening,” said Sing Out! 8:30 a.m. - 5 p.m. Friday 8:30 a.m. - 1 p.m. Dinner will follow the musical program. Reservations are $12 for adults and $6 for children 4 – 12. Children 3 and under are free. email: [email protected] Let the Beth Shalom office know if you plan to attend: call (248) 547-7970 or email www.congbethshalom.org [email protected]. THE BETH SHALOM HAKOL IS PUBLISHED TWELVE TIMES A YEAR Find us on: See Pesach Schedule on Page 2 APRIL 2018 FAMILY HAPPENINGS HAPPY BIRTHDAY! WELCOME NEW MEMBERS: 2 Elaine Erdos Eric & Adena Barenholtz and son, Joel 2 Neil Zemmol 21 Aleza Lichterman 3 Lisa Yufit 21 Elizabeth Schubiner MAZAL TOV TO: 5 Steven Abrams 22 Yefim Milter Sharon and Paul Levine on the birth of their 5 Linda Lublin 22 Shari Zemmol granddaughter, Hayden Avery Abromovich, 6 Rimma Polevoy 23 David Rodgers daughter of Shoshana and Scott Abromovich. 10 Gabriel Sugarman 24 Anthony Mosko Lou and Joy Landau on the birth of their great 11 Steven Meyers 24 Louis White granddaughter, Hayden Avery Abromovich. 11 Peter Rodgers 25 Lauren Marcus Johnson 12 Inna Mushkin 26 Rachael Efros SPEEDY RECOVERY TO: 13 Henri Bernard 26 Jonathan Falk Dr. Bernie Goldstein 15 Danielle Chimovitz 26 Neil Weiner Jean Goldstein 16 Charles Mudryk 27 Richard Polk Myron Jackler 18 Ella Mendelson 28 Leslie Nodler CONDOLENCES TO: 18 Rabbi David Nelson 28 Denise Rodgers 19 Eileen Polk 28 Brandon Urikh The family of Esfir Zisser, beloved wife of the late Sheftl Zisser. Esfir was the devoted mother of Boris 20 Adena Barenholtz 29 Sherri Gelb (Marina) Zisser and Bela Khershberg and the loving 20 Shelia Levine 29 Willa Matthies grandmother of Artyom Zisser, Naum Khershberg, HAPPY BIRTHDAY! CANDLE LIGHTING TIMES Enhance your birthday celebraon by joining us at the April 2018 daily Minyan (morning and evening) the day of your Thursday, April 5 (Pesach)….…….………….……7:43 p.m. birthday. Enjoy camaraderie, friendship and prayer. Friday, April 6 (Pesach)..……………………….…..7:45 p.m. We need your parcipaon and presence to help those Friday, April 13………....……….…………….….......7:52 p.m. who have yahrzeit or wish to say Kaddish. Thank you Friday, April 20……….….……….……………….…...8:00 p.m. for parcipang in this very important Mitzvah. Friday, April 27…………………………………………..8:08 p.m. SCHEDULE FOR THE OBSERVANCE OF PASSOVER Friday, March 30 First Seder in evening Saturday, March 31 Passover – First Day Services begin at 9:30 a.m.. Second seder in the evening Sunday, April 1 Passover – Second Day Services begin at 9:30 a.m. Friday, April 6 Passover – Seventh Day Services begin at 9:30 a.m. Saturday, April 7 Passover – Eighth Day Services begin at 9:30 a.m. Yizkor will be observed 2 Message from Rabbi Gamer Israel’s National Anthem RABBI GAMER’S Yom Ha’atzmaut, Israel’s Independence Day, ADULT EDUCATION CLASSES falls on April 19th. This year we mark 70 TUESDAYS, APRIL 10 & 24 years since the birth of the State of Israel in 7:00-8:00 P.M. 1948. As we celebrate this anniversary, I have been thinking about two words – hope EVERYONE IS WELCOME and dreams. These two words have played an important role in the centrality of the Jewish faith for 2000 years as we have hoped for and dreamed of the restoration of our ancient RABBI’S LUNCH & LEARN homeland. The centrality of these two words can be seen in the will resume on wording of the two poems/songs that were under consideration by the World Zionist Congress for the Israeli national anthem – Tuesday, May 1 Psalm 126 and Hatikvah. Noon to 1:30 p.m. Psalm 126 reads in English translation: “A song of ascents. When the LORD restores the fortunes of Zion - we will be like $12 per person dreamers - our mouths shall be filled with laughter, our tongues, RSVP to the office with songs of joy. Then shall they say among the nations, ‘The LORD has done great things for them!’ The LORD will do great things for us and we shall rejoice. Restore our fortunes, O LORD, like watercourses in the Negev. They who sow in tears ISRAEL AT 70 – A SNAPSHOT shall reap with songs of joy. Though he goes along weeping, carrying the seed-bag, he shall come back with songs of joy, Israel is rapidly approaching the tipping point where the carrying his sheaves.” majority of the world’s Jews Hativkah reads in English translation: “So long as still within our will be living in the Jewish breasts, The Jewish heart beats true; So long as still towards the state. Last year the Central East; To Zion, looks the Jew; So long our hopes are not yet Bureau of Statistics lost. Two thousand years we cherished them. To live in freedom announced that Israel has in the land; Of Zion and Jerusalem.” Hatikva, has been attributed 8.68 million citizens, 10 to Naftali Herz Imber, written in 1878 and published in 1886. The times more Jews than at its poem was first published under the title of “Tikvatenu (Our founding. Hope)” in Imber's journal Barkai and had nine stanzas. The inspiration of the poem is said to have been the founding of the According to the report, the Jewish population represents 6.484 million residents city of Petach Tikvah (Gateway of Hope) in Israel. – 74.7% of the total population – and the Arab In 1901, one of the sessions of the Fifth Zionist Congress in population stands at 1.808 million people, 20.8% of Basel, Switzerland, ended with the singing of Hatikva (still the country’s inhabitants. The remaining 5.5%, called Tikvatenu). It wasn't until 1905 that the entire Hatikva was approximately 388,000 people, represent non-Arab sung by all the delegates present at the Seventh Zionist Christians and people of other religions, as well as Congress, making Hatikva the (unofficial) Zionist anthem. When those with no religious affiliation, the vast majority of Hatikva the State of Israel was established in 1948, was again them from the former Soviet Union. unofficially proclaimed the national anthem. Psalm 126 was also considered as a possible anthem, set to the music of Cantor The report cited that at the founding of the state in Yossele Rosenblatt. Interestingly, Hatikva did not officially 1948, there were 11.5 million Jews in the world, of become the national anthem until November 2004, when an whom 6% were living in Israel. In contrast, in 2015 abbreviated and edited version was sanctioned by the Knesset. there were 14.411 million Jews in the world, 43% of The official version of the anthem is only the first stanza of the whom were living in Israel. Since 2016 the country’s original poem. population grew by some 159,000 people, marking a 1.9% increase. The data also revealed that by 2048 Each of these beautiful pieces sum up the hopes and dreams of th the Jewish people – to be reestablished in our ancestral – Israel’s 100 birthday – the Jewish state’s homeland. As we celebrate 70 years of the modern State of population is expected to hit over 15 million people. Israel, I hope we will continue to hope and dream of a peaceful future in the land of Israel. 3 Message from the President... Gretchen Weiner April is a month to celebrate! During National Library Week, April 8-14, be sure to visit your local library or give them a shout-out on FaceBook, Volunteer Shabbat Twitter, SnapChat or your favorite Saturday, April 21 social media platform! The following week, April 15- followed by kiddush & light lunch 22, is National Volunteer Week, and we will honor our Let us know you are coming! Beth Shalom volunteers at our Shabbat service on RSVP March 21. by Wednesday, April 18 [email protected] Volunteers are special people! When I think of 248-547-7970 volunteers at Beth Shalom, myriad scenarios come to mind: someone answering the phones at CBS on a day all staff are off; a group of people planning programs such as ChanuCon or Women’s Seder; welcoming guests at an event; individuals leading weekday minyan and Shabbat services and those attending those services to ensure there is a minyan for anyone saying kaddish.
Recommended publications
  • In Christ in Christ, All Things Hold Together –Colossians 1:17 All Are One in Christ Jesus –Galatians 3:28
    A HOUSE FOR ALL GOD’S PEOPLE April 11, 2021 10:00 a.m. Community…in Christ In Christ, all things hold together –Colossians 1:17 All are one in Christ Jesus –Galatians 3:28 SECOND EASTER Blockbuster Sunday – A Journey Through Music of the Movies MEETING GOD IN MUSIC Concerning Hobbits Howard Shore --from Lord of the Rings: The Fellowship of the Ring The Sound of Music Rodgers and Hammerstein --from The Sound of Music Ryan Huebner and Tricia Melzer-Swaydrak, vocalists My day in the hills has come to end I know A star has come out to tell me it’s time to go But deep in the dark green forest Are voices that urge me to stay So I pause and I wait and I listen For one more sound for one more lovely thing That the hills might say The hills are alive With the sound of music With songs they have sung For a thousand years The hills fill my heart With the sound of music My heart wants to sing ev’ry song it hears My heart wants to beat like the wings of the birds That rise from the lake to the trees My heart wants to sigh like a chime that flies From a church on a breeze To laugh like a brook when it trips and falls Over stones on it’s way To sing through the night Like a lark who is learning to prey I go to the hills When my heart is lonely I know I will hear What I’ve heard before My heart will be blessed With the sound of music And I’ll sing once more WORDS OF WELCOME Welcome to in-person worship at Glenview Community Church! As we work to keep one another safe during the pandemic, please maintain a distance of six feet from people not in your household, sit only with people in your household or Covid bubble, wear a mask covering your nose and mouth at all times (except when receiving the elements of Communion), speak and sing in a whisper with your mask on, don’t touch anything unnecessarily, and wait for an usher to dismiss you at the end of the service.
    [Show full text]
  • Marvin Hamlisch
    tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST
    [Show full text]
  • Table of Contents
    Table of Contents From the Editors 3 From the President 3 From the Executive Director 5 The Sound Issue “Overtures” Music, the “Jew” of Jewish Studies: Updated Readers’ Digest 6 Edwin Seroussi To Hear the World through Jewish Ears 9 Judah M. Cohen “The Sound of Music” The Birth and Demise of Vocal Communities 12 Ruth HaCohen Brass Bands, Jewish Youth, and the Sonorities of a Global Perspective 14 Maureen Jackson How to Get out of Here: Sounding Silence in the Jewish Cabaretesque 20 Philip V. Bohlman Listening Contrapuntally; or What Happened When I Went Bach to the Archives 22 Amy Lynn Wlodarski The Trouble with Jewish Musical Genres: The Orquesta Kef in the Americas 26 Lillian M. Wohl Singing a New Song 28 Joshua Jacobson “Sounds of a Nation” When Josef (Tal) Laughed; Notes on Musical (Mis)representations 34 Assaf Shelleg From “Ha-tikvah” to KISS; or, The Sounds of a Jewish Nation 36 Miryam Segal An Issue in Hebrew Poetic Rhythm: A Cognitive-Structuralist Approach 38 Reuven Tsur Words, Melodies, Hands, and Feet: Musical Sounds of a Kerala Jewish Women’s Dance 42 Barbara C. Johnson Sound and Imagined Border Transgressions in Israel-Palestine 44 Michael Figueroa The Siren’s Song: Sound, Conflict, and the Politics of Public Space in Tel Aviv 46 Abigail Wood “Surround Sound” Sensory History, Deep Listening, and Field Recording 50 Kim Haines-Eitzen Remembering Sound 52 Alanna E. Cooper Some Things I Heard at the Yeshiva 54 Jonathan Boyarin The Questionnaire What are ways that you find most useful to incorporate sound, images, or other nontextual media into your Jewish Studies classrooms? 56 Read AJS Perspectives Online at perspectives.ajsnet.org AJS Perspectives: The Magazine of President Please direct correspondence to: the Association for Jewish Studies Pamela Nadell Association for Jewish Studies From the Editors perspectives.ajsnet.org American University Center for Jewish History 15 West 16th Street Dear Colleagues, Vice President / Program New York, NY 10011 Editors Sounds surround us.
    [Show full text]
  • A Newsletter of OPICA
    SUMMER / FALL 2014 a newsletter o f OPICA ALZHEIMER’S IMPACTS THE ENTIRE FAMILY n hectic days when there just isn’t enough time in the day to get everything O done, do you dream of retirement? Retirement is freedom. Freedom from the dreaded shrill of the alarm clock. Freedom from the daily commute. Freedom to spend more time with our loved ones. Pure, wonderful freedom from responsibility. A diagnosis of Alzheimer’s for a loved one is devastating on so many levels, and if you’re the one in the position to become the primary caregiver, it is life changing. You grieve for the pain your loved one CELEBRATING will endure with no cure in sight and you grieve 35 YEARS the future you should OF SERVICE have had together, the freedom you imagined. Caring for a family member with dementia is an intense 24/7 If you’re struggling endeavor that is psychologically and to care for a loved emotionally stressful. one with Alzheimer’s Experiencing the effects Mike McGurk (a member of OPICA since 2012) or other challenges of a loved one’s memory and his wife Cathy loss, growing difficulty in communicating effectively, episodes of frustration and with dementia, anger, coupled with the increasingly close supervision and personal care that OPICA can help. those with Alzheimer’s disease require, and the stress it creates can result in depression, grief, fatigue, feelings of entrapment, and physical health problems. OPICA’s longstanding view is that both the individual with dementia and their family caregivers are clients. Recognizing the challenges that family
    [Show full text]
  • View Program
    Tom Artwick Robert Jospe saxophone and flute drums Bob Hallahan Paul Langosch John D'earth piano bass trumpet ~~ 01~ £~6:1-<Tf)m,,~~'7~ r/n~ 2 20.!3 %?-nv. r}v'~(]~ LENFEST C E.'\T ER fo rrM ART S ""9t '•V CT(r.<" ·()~O:l , N U 'IIO PROGRAM Jazz Scenes: Interpretations of Film Music by Tom Artwick & Friends When selecting the pieces for this concert, I quickly realized how much wonderful music the world of cinema has given us. How would I choose from such a large body of great works? Since these were to be jazz interpretations of movie themes, I wanted them to be conducive to perhaps the most noteworthy aspect of jazz - improvisation. While this narrowed the choice, there was still a very large number of pieces that fit the bill. Of the remaining songs, many were very familiar. Some were too familiar, perhaps, as they had been performed myriad times by jazz artists. I felt like they didn 't need another rendering . Some of the songs we will play for you tonight may be familiar to you, and others may not. I hope we can introduce you to a few gems you may not have heard before. My selection reflects a personal bias toward older film music , especially of the 1960s and '70s. These songs speak to me, both as a musician and as a person. I hope they speak to you, as well. ~ Tom Artwick Pure Imagination from Willy Wonka & the Chocolate Factory (1971) Music & Lyrics by Leslie Bricusse & Anthony Newley Sung in film by Gene Wilder Alfie from Alfie (1966) Music by Burt Bacharach Lyrics by Hal David Originally recorded by Ci/la Black prior to the movie release, it was sung by Cher over the closing credits.
    [Show full text]
  • 100% Print Rights Administered by ALFRED 633 SQUADRON MARCH
    100% Print Rights administered by ALFRED 633 SQUADRON MARCH (Excluding Europe) Words and Music by RON GOODWIN *A BRIDGE TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS A CHANGE IS GONNA COME (from “ Malcolm X”) Words and Music by SAM COOKE A CHI (HURT) (Excluding Europe) Words and Music by JIMMIE CRANE and AL JACOBS A CHICKEN AIN’T NOTHING BUT A BIRD Words and Music by EMMETT ‘BABE’ WALLACE A DARK KNIGHT (from “ The Dark Knight ”) Words and Music by HANS ZIMMER and JAMES HOWARD A HARD TEACHER (from “ The Last Samurai ”) Words and Music by HANS ZIMMER A JOURNEY IN THE DARK (from “ The Lord of the Rings: The Fellowship of the Ring”) Music by HOWARD SHORE Lyrics by PHILIPPA BOYENS A MOTHER’S PRAYER (from “ Quest for Camelot ”) Words and Music by CAROLE BAYER SAGER and DAVID FOSTER *A WINDOW TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS ACCORDION JOE Music by CORNELL SMELSER Lyrics by PETER DALE WIMBROW ACES HIGH MARCH (Excluding Europe) Words and Music by RON GOODWIN AIN'T GOT NO (Excluding Europe) Music by GALT MACDERMOT Lyrics by JAMES RADO and GEROME RAGNI AIN’T MISBEHAVIN’ (from “ Ain’t Misbehavin’ ) (100% in Scandinavia, including Finland) Music by THOMAS “FATS” WALLER and HARRY BROOKS Lyrics by ANDY RAZAF ALL I DO IS DREAM OF YOU (from “ Singin’ in the Rain ”) (Excluding Europe) Music by NACIO HERB BROWN Lyrics by ARTHUR FREED ALL TIME HIGH (from “ Octopussy ”) (Excluding Europe) Music by JOHN BARRY Lyrics by TIM RICE ALMIGHTY GOD (from “ Sacred Concert No.
    [Show full text]
  • Chasing Mem'ries Extension
    Media Contact: Ashley Bodul, Geffen Playhouse [email protected] 310.966.2405 FOR IMMEDIATE RELEASE WORLD PREMIERE OF “CHASING MEM’RIES: A DIFFERENT KIND OF MUSICAL” AT THE GEFFEN PLAYHOUSE EXTENDS THROUGH DECEMBER 17, 2017 TYNE DALY, ROBERT FORSTER AND SCOTT KRADOLFER STAR IN NEW PLAY WITH SONGS BY ALAN & MARILYN BERGMAN; WRITTEN AND DIRECTED BY JOSH RAVETCH LOS ANGELES (November 1, 2017) – The World Premiere of Chasing Mem’ries: A Different Kind of Musical, starring Tony and Emmy Award winner Tyne Daly and featuring new and original songs by award winning lyricists Alan & Marilyn Bergman, will extend for one week in the Gil Cates Theater at the Geffen Playhouse and run through Sunday, December 17, 2017. Written and directed by Josh Ravetch (Carrie Fisher’s Wishful Drinking), Chasing Mem’ries stars Daly as Victoria, a woman not quite ready to let go of the life she has loved and the love of her life, Academy Award-nominee Robert Forster (Jackie Brown) as her husband Franklin, and Scott Kradolfer as their son Mason. “A violinist once said she only got to play a Stradivarius a few times in her life and she knew she would never be quite as good without it. With Tyne, Robert and Scott, and the songs of Alan and Marilyn Bergman, in this play I get to play a Stradivarius,” said Ravetch. “It is a joy to be able to keep the music playing at the Geffen Playhouse a little bit longer.” The play features 12 songs – five of them new – by legendary Grammy, Emmy and Academy Award-winning lyricists Alan & Marilyn Bergman (“The Way We Were,” “The Windmills of Your Mind,” “Papa, Can You Hear Me?”), with music by Bill Cantos & Mari Falcone, Dave Grusin, Marvin Hamlisch, Michel Legrand and Johnny Mandel.
    [Show full text]
  • Hatikva By: Rabbi Jeremy Rosen
    Hatikva by: Rabbi Jeremy Rosen For as long as deep in the innermost heart A Jewish soul stirs It is towards the East and to Zion that the eye longingly looks. We have not yet lost our hope The hope of two thousand years To be a free nation in our land In the Land of Zion and Jerusalem. These are the English words of the Hatikvah (blame me for the translation). Originally a poem by Naftali Herz Imber published in 1886 and set to music by one Samuel Cohen (a bowdlerized version of Smetana’s Moldau), it became the official song of the Zionist movement in 1897 and, after several modifications, the National Anthem of the State of Israel. At this time of the year it is sung with added gusto as Israel celebrates its 59th birthday, another milestone in its fraught, insecure, yet miraculous, history. The Hatikvah is now de rigueur at most Jewish events, communal or personal. In England we have toasts at banquets at which some pompous toastmaster dressed in red hunting jacket with a gilded chain of counterfeit honor around his neck, bangs with his gavel and proclaims, “My Lords, Ladies and Gentlemen.” Or a press-ganged relative of the bride or bar mitzvah asks us to be “upstanding” (Upstanding? Upended? Uptight? Where do they get these mock ceremonial archaisms from, I wonder–perhaps the Masons or even the Knights of the Round Table?) to drink the “Loyal Toast” to the health of the Queen (and some rheumy eyed veterans add, “God Bless Her”). We raise our glasses and either drink or wait for the band to finish its perfunctory rendition of the English National Anthem.
    [Show full text]
  • 2017-2018 Philharmonia at Boca West: Great Hits of The'60s
    LYNN UNIVERSITY PRESENTS Great Hits of the 60’s Boca West Country Club Wednesday, April 11, 2018 Jon Robertson, conductor LYNN PHILHARMONIA About Lynn University Lynn University is an independent college based in Boca Raton, Florida. U.S. News & World Report recognizes the university as one of the nation’s most innovative colleges and consistently ranks it among the top five most international schools, given its approximately 3,000 students from almost 100 countries. Lynn’s Dialogues curriculum and award-winning iPad program help its graduates gain the intellectual flexibility and global experiences to fulfill their potential in an ever-changing world. The school’s NCAA Division II Fighting Knights have won 23 national titles, its Conservatory of Music features a world-renowned faculty, and its nationally recognized Institute for Achievement and Learning empowers students with learning differences to become independent learners. For more information, visit lynn.edu. The Lynn University Conservatory of Music Lynn Conservatory of Music has established a high standard of musical training with a world-class artist faculty, highly talented and motivated students, and critically acclaimed performances. In 2014, the conservatory relocated to its new home on Lynn’s campus: the Harold and Patricia Toppel Studios in the Count and Countess de Hoernle International Center. This three-story facility provides spacious quarters for instruction and practice and proximity to both the Amarnick-Goldstein Concert Hall and the Keith C. and Elaine Johnson Wold Performing Arts Center. About Our Philharmonia Orchestra The Conservatory’s Philharmonia Orchestra sets the standard for conservatory-level symphonic training. Now in its 25th season as a full symphony, the Philharmonia is an integral part of the education of the conservatory's graduate and undergraduate music students.
    [Show full text]
  • “Hatikvah:” One of the Greatest Anthems Ever Written
    “Hatikvah:” One of the Greatest Anthems Ever Written As we approach Israel at 70, it is appropriate to consider the country’s national anthem, “Hatikvah,” a famous piece of music that was not officially adopted as the country’s anthem until 2004. There are other surprises connected to this piece. Most notably, the music is not original, and the words were penned, more than 130 years before they became the anthem, by a troubled poet who died in utter poverty in New York City in 1909. The melody of “Hatikvah” comes from no one source. Samuel Cohen (1870-1940), a Zionist who emigrated to Palestine in 1888, had read Naftali Herz Imber’s poem, “Tikvatenu,” and was inspired to set the words to music. He did not compose an original melody, however, noting, as translated by the music scholar Edwin Seroussi, “In my home country [in northwest Rumania today], we used to sing in the choir the Rumanian song ‘Hâis, cea!’ (‘Right, Left!’ which was the refrain of a song entitled ‘Carul cu Boi’).” Indeed, the melody of “Hatikvah” was inspired by Eastern European folk music. Its pattern is familiar to singers and scholars, and finds its way into many European songs and instrumental music. In sum, it is an old melody that originated somewhere in Europe and made its way to Palestine. That is the dynamic and destiny of many melodies: they travel. The music for America’s anthem, “The Star-Spangled Banner,” for example, has its origins in a British drinking song. Although we can’t source the melody, we certainly know who wrote the words.
    [Show full text]
  • Stevetyrell Bio 1-30-12
    Steve Tyrell A Biography… Grammy Award-winning vocalist Steve Tyrell is truly a renaissance man. In over four decades in the music business, he has achieved great success as an artist, producer, songwriter, music supervisor, and performer. With his breakthrough performances in “Father of the Bride” and “Father of the Bride II,” Steve Tyrell reinvented and re-popularized classic pop standards for a modern-day audience. With the grit and soul of a lifetime of experiences, producing hits for Grammy-winning Artists ranging from Linda Ronstadt and Aaron Neville, to Rod Stewart and Diana Ross, Steve himself has sold hundreds of thousands of albums and gained a passionate following all over the world. His hits “The Way You Look Tonight,” “The Simple Life,” “Crush On You” and “The Sunny Side of The Street,” have launched thousands of weddings and millions of romances. He’s held top positions at Standards, Swing, and Big Band outlets with a devoted following at key Adult Contemporary Radio. With sold out shows across America and raves from around the world, his following increases day by day. Although Steve tours mainly with his band, he also enjoys playing with some of the most renown orchestras in the land, and has had multiple performances with The Boston Pops, The New York Pops, The Nashville Symphony, Kansas City Cymphony, and The Houston Symphony. Most recently, he has appeared with the New West Symphony performing Joseph Sohms photo symphony “Visions of America” narrated by Clint Eastwood, singing the songs of Roger Kellaway and Alan and Marylin Bergman. At the request of the Sinatra family and Quincy Jones, Steve was the featured performer with the Hollywood Bowl Orchestra at their season opening concert in which Frank Sinatra was inducted into the Hollywood Bowl Hall of Fame.
    [Show full text]
  • AMERICAN JEWS and the FLAG of ISRAEL Jonathan D
    AMERICAN JEWS AND THE FLAG OF ISRAEL Jonathan D. Sarna University Professor Joseph H. and Belle R. Braun Professor of American Jewish History Chair, Hornstein Jewish Professional Leadership Program Brandeis University AMERICAN JEWS AND THE FLAG OF ISRAEL Jonathan D. Sarna University Professor Joseph H. and Belle R. Braun Professor of American Jewish History Chair, Hornstein Jewish Professional Leadership Program Brandeis University Boston in the 1890s A community of about 35,000 Jews 170 Hanover Street Address of Zion Hall in Boston’s North End Governor Charlie Baker’s trade mission to Israel, in which Brandeis University President Ron Liebowitz and so many other business and civic leaders are participating, is devoted to strengthening the ties between Massachusetts and the State of Israel. My goal here is to demonstrate that these ties stretch back much farther than generally known. Indeed, they actually precede the first Zionist Congress of 1897, and they embrace not only eco- nomic and ideological ties but even the flag of the State of Israel, which, as we shall see, has significant — if not widely known — connections to Boston and the United States. The Boston Jewish community was small in 1890, but already it was robustly Zionist. A total of about 35,000 Jews lived in the city, the majority of whom were recent immi- grants from Lithuania, where, in Jewish circles, love of Zion was commonplace. In Boston, Zionism faced fewer obstacles than in many other American cities. Boston’s large Irish population loved Ireland, so there was understanding and sympathy for Jews who loved Zion.
    [Show full text]