Steph Guidera- Guest Artist Music Review: Dixie Chicks NOW HIRING

Total Page:16

File Type:pdf, Size:1020Kb

Steph Guidera- Guest Artist Music Review: Dixie Chicks NOW HIRING SEPTEMBER VOLUME 54 | ISSUE 1 , 2016 Steph Guidera- Guest the tank, she explained, chose to struggle and drown Open Spaces, which often credited for bridging expressed remorse to those Artist there were woman stuck under the weight of their captured America’s want for the gap between traditional they offended but stood By Brooke Steigauf underwater with these unfortunate situations down-to-earth, traditional country and pop through their ground on the issues, creatures growing off of or simply find peace and bluegrass mixed with pop- their modern twist on folk as discussed in their songs SP was thrilled to them. She said neither she acceptance of fate at the country’s upbeat, honest music. Wide Open Spaces “Not Ready To Make Nice” welcome guest artist nor the other outsiders bottom of the pool. lyrics and rhythm. This went quadruple platinum and “Taking the Long Way”. C Steph Guidera to knew how the women were combination is what sets during its first year of release the H. Williams Gallery for enclosed in the tank or why. Steph Guidera did a them apart from so many and marked a turning-point This made the Dixie Chicks the month of September. Upon awakening, Guidera beautiful job depicting other artists in these two for country music. admired by some and hated Her collection consisted went straight to the studio mental illness, misfortune, genres, as well as in the by others, however, many of a series of oil paintings and created a collection of and disparity through history of music. Further Not only did the band still see them as an icon that she had been working masterpieces which depict creative, heart-felt artwork. distinguishing themselves, capture the true essence of simply good music and on over the course of the strong emotion, abstractness, She captured the true reality they created songs with of country and bluegrass strong beliefs. last two years. Each of and symbolism. of these heavy emotions heart-wrenching lyrics combined, they also created the pieces in her collection that are relatable to every and others that possessed meaning in their lyrics and depicted a woman’s body, Guidera explained that she viewer, and was able to unparalleled beats and in their roles as musical whether it was in full or interpreted the sea creatures put such strong character, rhythms that made America icons. Using their voices in segmented, floating in an as some kind of unwanted passion, and empathy into laugh and dance with joy more ways than just singing, abyss of deep blue color. growth that each of the each individual piece in the and fun. they spoke about their Somewhere on each body women, and many of us, collection. views on the Iraqi War and was a sea creature of sorts, have obtained throughout The three band members President Bush. Their music with the woman's’ facial our lives, whether it be Music Review: Dixie include Martie and Emily was subsequently protested anxiety, depression, or Erwin, Texas-born sisters and boycotted while the expressions ranging from Chicks disparity to calamity, which any other unwelcome who developed a sound musicians received death was portrayed using accents event or emotion that has Brooke Steigauf and talent for music at a threats. of red and purple in her skin been experienced. The surprisingly young age, he Dixie Chicks have This not only damaged their tone. discoloration of their skin with Martie on the fiddle was to be interpreted as been an inspirational and Emily playing the musical popularity, but it Guidera attributed the the mental or physical T music group to five-string banjo. Lead also tore at the friendship inspiration of the series to bruising and scarring that millions of diverse fans, vocalist Natalie Maines the three women had a dream she had. In this these events, thoughts, or music makers, female joined the pair to create developed. During this dream, she disclosed that feelings can leave with us. musicians, and activists a well-loved folk-country period of perseverance, she was at an aquarium, She illustrated the women’s across the globe. Starting band which developed a the women continued to standing outside the glass of coping mechanisms in in 1989, the Dixie Chicks more contemporary sound write music, expressed a large tank of water with a the facial expressions, quickly rose to fame with as they established their own their emotions on their www.rollingstone.com, few other bystanders. Inside revealing whether they their first album, Wide style. The Dixie Chicks are situation at hand. They Dixi Chicks album cover NOW HIRING DIRECT CARE PROFESSIONALS FLEXIBLE HOURS TO FIT YOUR SCHEDULE INTERNSHIPS TO FIT YOUR MAJOR 14 THE SWORD NEWSPAPER.
Recommended publications
  • Country Update
    Country Update BILLBOARD.COM/NEWSLETTERS MARCH 9, 2020 | PAGE 1 OF 17 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Morris, Brown Top Charts Brandy Clark Makes A Personal >page 4 Statement On The Record Nashville Works Toward Recovery Ten seconds into Brandy Clark’s Your Life Is a Record, a the listener to an expectant conclusion of what turns out to be >page 9 languid grunting tone emerges, unconventionally planting a breakup album, released by Warner on March 6. “The Past a baritone sax into the opening moments of what’s ostensibly Is the Past,” she declares in that glassy finale, with fragile a country album. guitar arpeggios supporting a It’s a tad mysterious. In transitional journey into some Dan + Shay Launch context, it could be a bassoon or unknown future. Putting that Arena Tour a bass clarinet — Clark thought upbeat sentiment at the end >page 10 it was a cello the first time she of the project rather than the heard it — but it reveals to the beginning was one of the few listener that Your Life Is a Record, places where she dug in her heels produced by Jay Joyce (Eric with the label. Current News: Church, Miranda Lambert), “I wanted it that way because Just LeDoux It is not quite like either of the to me, ‘The Past Is the Past’ is >page 10 previous records the award- bittersweet, but it’s hopeful,” winning singer-songwriter has she explains. “It’s like, ‘OK, we’ve launched in the marketplace. gone through all this and I’m still Makin’ Tracks: “I said to Jay when I heard sad about it, but I’m letting you Pardi’s Strait Talk that baritone sax thing, ‘Man, go.’ And I’m driving away — like, >page 14 I know this is crazy ’cause it’s a I literally feel like I’m in the car slow, sad song.
    [Show full text]
  • The Chicks, Minus 'Dixie,'
    12 Established 1961 Sunday, July 19, 2020 Lifestyle Features These pictures show Bridger Walker and his sister. —Image credits nicolenoelwalker aptain America, Iron Man, Thor, Spiderman... Wyoming, put himself between a German Shepherd mix Man in the Avengers series, who promised Bridger Csuperheroes have lined up in recent days to and his little sister on July 9 as the dog was about to “something special” for his next birthday. Chris praise the courage of a six-year-old boy who attack the four-year-old girl. He was bitten badly in the Hemsworth, the actor who played Thor in the superhero was mauled while saving his little sister from a dog cheek and underwent emergency surgery during which films, also praised Bridger as “an absolute inspiration.” attack. “You’re a hero, what you did was so brave, so he had 90 stitches put in his face. “If someone had to “Your courage is beyond belief and we are all so selfless, your sister is so lucky to have you as a big die, I thought it should be me,” the little boy’s parents impressed by you, and we’re thinking of you,” he said. “I brother,” said Chris Evans, the actor who played said he told them afterwards. His story went viral on US know you’re an Avengers fan and so myself and all the Captain America in the Avengers movies, of which the social media and a number of celebrities responded to team, we’d be honoured to have you on the team, and little boy is a big fan.
    [Show full text]
  • The Ngoni, the Banjo and the Atlantic Slave Trade
    Mapping the Beat: A Geography through Music Curriculum ArtsBridge America Center for Learning through the Arts and Technology, UC Irvine Funded by National Geographic Education Foundation This curriculum unit for Mapping the Beat: A Geography through Music Curriculum was developed by Stephanie Feder (2007) at the University of California, Irvine with support from a grant from the National Geographic Education Foundation. The extended unit below was created by Dr. Timothy Keirn and the ArtsBridge America program at the California State University, Long Beach (2009). Other on-line resources, videos and lesson plans complied by the UC Irvine Center for Learning through the Arts and Technology are available at: http://www.clat.uci.edu/. LESSON: COUNTRY: AMERICA’S MUSIC (EARLY INFLUENCES AND INSTRUMENTS) Included in this document are: Part I: Lesson Part II: On-line resources for use with lesson Part III: Supporting Materials Part IV: Classroom Handouts, Worksheets and Visuals PART I: LESSON Mapping the Beat Fifth Grade Lesson: Country: America’s Music (Early Influences and Instruments) CONCEPT Early influences on modern American country music. How the migration of instruments of the Scots- Irish immigrants to Appalachia combined with those of the Atlantic slave trade influenced regional music. OBJECTIVE To visually recognize and describe instruments commonly associated with country music (namely the fiddle, guitar, and banjo), to recognize audio samples of music played by each instrument, and describe from where each instrument originated. STANDARDS ADDRESSED National Geography Standards Standard 4: The physical and human characteristics of places. How: Students identify and compare music and instruments of Scotland, Ireland, and Africa with that of American Appalachia during the 18th and 19th centuries.
    [Show full text]
  • Garth Songs: Ainʼt Going Down Rodeo the Dance Papa Loves Mama the River Thunder Rolls That Summer Much Too Young Baton Rouge
    Garth songs: Ainʼt going down Rodeo The dance Papa loves mama The river Thunder rolls That summer Much too young Baton Rouge Tim McGraw Live like you were dying Meanwhile back at mamas Donʼt take the girl The highway donʼt care Sleep on it Diamond rings and old barstools Red rag top Shot gun rider Green grass grows I like it I love it Something like that Miranda Lambert: Baggage claim Tin man Vice Mamas broken heart Pink sunglasses Gunpowder and lead Kerosene Little red wagon House that built me Famous in a small town Hell on heels Alan Jackson: Chattahootchie Here in the real world 5 oʼclock somewhere Remember when Mercury blues Donʼt rock the jukebox Chasing that neon rainbow Summertime blues Must be love Whoʼs cheating who Vince Gill: Liza Jane Cowgirls do Dont let our love start slipping away I still believe in you Trying to get over you One more last chance Whenever you come around Little Adriana Shania Twain: Still the one Whoʼs bed have your boots been under Any man of mine From this moment on No one needs to know Brooks and Dunn: Neon moon Rock my world My Maria Boot scootin boogie Brand new man Red dirt road Hillbilly delux Long goodbye Believe Getting better all the time George strait All my exes Fireman The chair Check yes or no Amarillo by morning Ocean front property Carrying your love with me Write this down Loves gonna make it Blake Shelton God gave me you Boys round here Home Neon light Some beach Old red Sangria Turning me on Who are you when Iʼm not looking Lonely tonight Toby Keith: Shoulda been a cowboy Red solo cup
    [Show full text]
  • Bikerbar Radio Songs March-01
    BikerBar Radio Songs March-01 Song Name Artist Name Album Name 105 Fred Eaglesmith Lipstick Lies & Gasoline 2002 Bob Schneider Lonelyland 10 Six Days On The Road BR5-49 Coast to Coast Live 11 Cracker Jack BR5-49 Coast to Coast Live 29 Ways Marc Cohn Marc Cohn 300 Pounds Of Joy Howlin' Wolf The Chess Box (Disk 2) 59 Tweedle dee Rosie Flores Dance Hall Dreams A Mh ithr n, A' Leigfe ' Cathie Ryan The Music of What Happens A Night To Remember SHeDAISY The Whole SHeBANG A Road Is Just A Road Dixie Chicks Little Ol' Cowgirl A Thousand Miles from Nowhere Dwight Yoakam This Time Across The Great Divide Kate Wolf Gold In California Disc One Adeus Batucada (Synval Silva) Virginia Rodrigues Sol Negro Against The Wind Bob Seger Harley-Davidson Road Songs (Disc 1) Ain't That Always The Way Sawyer Brown The Dirt Road Airline Agent James McMurtry Walk Between the Raindrops Airplane Fell Down in Dixie Ray Wylie Hubbard Crusades of the Restless Knights Alabama Song Allison Moorer Alabama Song Alcohol & Pills Fred Eaglesmith Lipstick Lies & Gasoline All Of My Life Steve Earle Transcendental Blues All Shook Up Ry Cooder Get Rhythm All THese Old Things Were New Haggard, Merle If I Could Only Fly Alternator Fred Eaglesmith 50-Odd Dollars Am I Wrong Keb Mo Keb' Mo' Amor Verdadero Afro Cuban All Stars A Toda Cuba Le Gusta Angeline James McMurtry Too Long in the Wasteland Angels Singing Reverend Gary Davis Reverend Gary Davis Anna Lee Sonia dada A Day At The Beach Another Colorado Jimmie Dale Gillmore Spinning Around the Sun Another Town Steve Earle Transcendental
    [Show full text]
  • Compare and Contrast: Grades K-2
    Compare and Contrast: Grades K-2 Learning objective: Following the completion of this objective, students will be able to indicate similarities and differences country songs. Common Core English Language Arts Standards (Kindergarten) CCSS.ELA-Literacy.SL.K.2 Confirm understanding of a text read aloud or information presented orally or through other media by asking and answering questions about key details and requesting clarification if something is not understood. Common Core Mathematics Standards (Kindergarten) CCSS.Math.Content.K.MD.A.2 Directly compare two objects with a measurable attribute in common, to see which object has “more of”/“less of” the attribute, and describe the difference. For example, directly compare the heights of two children and describe one child as taller/shorter. CCSS.Math.Content.K.CC.C.6 Identify whether the number of objects in one group is greater than, less than, or equal to the number of objects in another group, e.g., by using matching and counting strategies.1 CCSS.Math.Content.K.CC.A.1 Count to 100 by ones and by tens. MNPS Science Standards GLE 0007.Inq.3. Explain the data from an investigation The songs in this activity are available on the Nashville Public Library (NPL) website through Freegal Music. To access the songs, log into FreegalMusic.com using your library card number and pin. You can then search for the songs by title or artist name. “Davidson County Blues” by DeFord Bailey. “Country Boy” by Ricky Skaggs “Mountain Music” by Alabama “Wide Open Spaces” by the Dixie Chicks About String City Created by Nashville Public Library’s Wishing Chair Productions, in collaboration with the Country Music Hall of Fame and Museum Made possible by a special gift from Judy and Steve Turner to the Nashville Public Library Foundation.
    [Show full text]
  • Country Music
    Travelin Soldier Johnny Horton Hello Mary Lou Wide Open Spaces The Battle Of New Orleans Ricky Van Shelton COUNTRY Dolly Parton Kasey Chambers From A Jack To A King 9 To 5 Cry Like A Baby Roger Miller Coat Of Many Colours Kathy Mattea King Of The Road MUSIC Here You Come Again Eighteen Wheels & A Dozen Roses Sammi Smith Jolene Keith Whitley Help Me Make It Through The Night sold in mixed Don Gibson Dont Close Your Eyes Shania Twain Oh Lonesome Me artist sets Kenny Rogers Any Man Of Mine Donna Fargo Coward Of The County Man I Feel Like A Woman Funny Face Lady That Dont Impress Me Much Capital Chartbuster Eddy Arnold Lucille Whose Bed Have Your Boots Been Under Make The World Go Away Ruby Dont Take Your Love To Town CCB1090/25 The England Dan & John Ford Coley CCB1087/25 Youre Still The One Id Really Love To See You Tonight Ultimate Country The Gambler Shelly West Faith Hill Islands In The Stream (duet with Dolly) Jose Cuervo Collection Breathe Kitty Wells Skeeter Davis If My Heart Had Wings CCBS0005 It Wasnt God Made Honkey Tonk Angels The End Of The World There Youll Be 10 disc set - only $155 Its Your Love (duet with Tim McGraw) Leann Rimes Tammy Wynette Blue Divorce or as a single disc from the CCB1084/25 Cant Fight The Moonlight Stand By Your Man set for $25 each Faron Young Lefty Frizzell Your Good Girls Gonna Go Bad (also available as mp3g) Its Four In The Morning If Youve Got The Money Honey Taylor Swift CCB1081/25 Frank Ifield Linda Ronstadt Fifteen Alan Jackson I Remember You Silver Threads & Golden Needles Love Story White Horse
    [Show full text]
  • ACRONYMX-Round6 HSNCT.Pdf
    ACRONYM X - Round 6 1. A female blues singer declines to provide some "happy news" in the sixth verse of this ​ song. This song's singer describes hearing of a major news story while working his paper route, noting "February made me (*) shiver with every paper I delivered." "Weird Al" ​ Yankovic's song "The Saga Begins" is a parody of this song, whose chorus laments that "the levy was dry." The plane crash that killed Buddy Holly was dubbed "the day the music died" in, for 10 points, what Don McLean song that bids "bye bye" to the title entity? ANSWER: American Pie <Nelson> ​ ​ 2. Description acceptable. "Somewhere in America" is the title of one of these ads, which ​ often bear the tagline, "We Are Their Voice." Odyssey Online published a list of 7 thoughts people have when seeing these ads, such as "Must. Look. Away. From. Sad. (*) Eyes." These ​ ads make prominent use of the song "Angel," whose singer admitted that even she has to change ​ ​ the channel when they air. The greeting "Hi, I'm Sarah McLachlan" frequently appears in, for 10 points, what notoriously heart-wrenching TV ads that display images of in-need animals? ANSWER: ASPCA commercials [accept reasonable answers that mention commercials or ads ​ ​ ​ ​ ​ ​ or PSAs for the American Society for the Prevention of Cruelty to Animals or animal ​ ​ ​ ​ ​ cruelty in general; do not accept answers that mention a "humane society"; prompt on players ​ just "commercial" or similar] <Vopava> 3. In 2016, Schoolboy Q jokingly declared the cover of his Blank Face LP would feature one ​ ​ ​ of these things.
    [Show full text]
  • Year for Wide Open Spaces. Their Song Cowboy Take Me Away Went Hartman Black, When I Said I Do, Reached
    music A Tim McGraw won Male Vocalist of the Year and Album of the Year at the Country Music Association A Faith Hill'sThis Kiss, her first single to go Awards. His album, APlace platinum, won Song of the Year at the CMA in the Sun, went platinum Awards. Since her debut six years ago, she in just five weeks. Since hishas sold more than 11 million records, and 1993 debut he's sold 13 has had eight number one singles. She million albums and had 13 performed at the Super Bowl and became number one singles. Cover Girl Cosmetic's newest face. A The Dixie Chicks won two A Garth Brooks, the Grammys, including Best Country top-selling solo artist Album for Fly. They also won the in the U.S. with over Country Music Award for Vocal 95 million albums Group of the Year, and CMA's Music sold, received Video of the Year and Single of the Favorite Male Artist Year forWide Open Spaces. Their AJoDee Messina w on the CMA's at the American song Cowboy Take Me Away went Horizon Award for career progress. Music Awards. to number one. The Chicks celebrated their success by getting chicken feet tattoos on their feet every time a record hit number one or went gold or platinum._________ A Clint Black's duet with his wife, Lisa A Three sisters from Utah pushed musical boundaries and the resultThe was Hartman Black,When I Said I Do, reached Whole Shebang, their debut CD. SHeDaisy brought a fresh sound to country the top of the country radio chart._______music with their popular songsLittle Good-byes and This Woman Needs..
    [Show full text]
  • Chicks Fly Away on Charts with New Album
    MemaliSh I.ler&d September 8,1999 8 Campus Extras Chicks Fly away on charts with new album LORATILLMAN fly." music lover's collection. pick-up truck, and go out line the wild blue," to display such Staff Writer In fact, one may even note In contrast to their previous dancing. , a passionate love. the numerous references to fly- album, Wide Open Spaces, the The Chicks have not forgot- Whether an upbeat mover or As all Meredith Angels ing in different songs. Chicks have added a little more ten about the two-stepping a country softy, Fly is sure to know, everybody loves chicks. Anyone who loves the Dixie twang to their sound. However, country romantic either. The fill any and all musical desires. Of course by chicks I mean the Chicks or simply country in keeping with their tradition, heart-felt ballads "Cowboy I could give it two thumbs-up, Dixie Chicks. With the much ' music will not want to fly away they have maintained their Take Me Away," "Cold Day in four stars, or an excellent rat- anticipated release of their new from music stores without this solid beat, tight harmony, and July," "Don't Waste Your Heart ing. However, I believe the best album Fly, the harmonizing album in their possession. catchy lyrics. For the upbeat on Me," and "Without You," I can say for Fly is that I country trio has taken the From the already popular hit country swinger, songs such as even feature an orchestra and bought it Tuesday, put it in my nation by storm.
    [Show full text]
  • Johnson, Jay Cee (JC) Collection, 1896-1981
    Jay Cee (J. C.) Johnson Collection (September 14, 1896-February 27, 1981) BIOGRAPHICAL NOTE Jay Cee (J. C.) Johnson, a Jazz and Pop composer, was often referred to as the “composer’s ‘composer.’” Johnson was born in Chicago, Illinois, on September 14, 1896, and died on Friday, February 27, 1981, at St. Luke’s Hospital in Manhattan (New York City), at the age of 84. He received early education in the Chicago Public School System. His mother, Ellen, and his father—who worked as a waiter on the railroad, was away from home most of the time—is unknown. J. C. expressed an interest in music at an early age, but his mother, who sang in the church choir, did not encourage her son to pursue a career in music. Later, while studying the violin, a friend began to give him piano lessons, and because of his attention dedication sounds better in learning to play, his mother decided that this would be his instrument of choice. At the age of 19, following the death of his mother, he moved to New York City, where he began to study piano with a man named Sam Patterson. Around 1920, he began to work as a session pianist, working with singers such as Ethel Waters, who sung in his first recorded hit titled “You Can’t Do What My Last Man Did,” and would go on to record many of his songs. Johnson would go on to compose more songs, including his first version of “Travel’ lin All Alone,” with Billie Holliday as vocalist (one of her first significant hit songs).
    [Show full text]
  • New West Records Signs the Mastersons; Debut Record Birds Fly South to Be Released April 10, 2012
    NEW WEST RECORDS SIGNS THE MASTERSONS; DEBUT RECORD BIRDS FLY SOUTH TO BE RELEASED APRIL 10, 2012 “…the husband-wife pair Chris Masterson (guitars, vocals) and Eleanor Whitmore (fiddle, guitar, vocals) were scintillating.” – The Telegraph (UK) of a recent performance with Steve Earle Los Angeles, CA – January 24, 2012 -- New West Records is excited to announce the signing of The Mastersons, a Brooklyn based band who make “music that fuses indie pop and folk music with big, sweet melodies…” (Houston Chronicle.) Eleanor and Chris, who were married in 2009, spent most of the last year on tour with Steve Earle as an integral part of his band The Dukes and Duchesses. Each night, Earle stepped aside mid set and let the Mastersons play. The young couple took the opportunity to introduce audiences to songs from their debut record Birds Fly South, which will be available from New West Records on April 10th, 2012 as both a CD and limited edition 180-gram vinyl. The Mastersons will continue to play with The Dukes and Duchesses as Earle adds more tour dates, but also will be out on the road promoting Birds Fly South throughout 2012. Chris and Eleanor met in 2005 appropriately at a music festival; Chris was playing with Jack Ingram and Eleanor with Susan Gibson. Their accomplished songwriting talents and inherent musical ability have allowed them to co-write and play with many high-caliber musicians over the years. Chris, who at the age of 13 could be seen playing guitar regularly around his hometown of Houston, collaborated with Jack Ingram on the song “Don’t Want To Hurt” and co-wrote “Virginia Belle” and “Sleeping With The Lights On” with Pat Green for his record Cannonball.
    [Show full text]