The Chicks, Minus 'Dixie,'
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Martin Cloonan Introduction an Attack on the Idea of America
MUSICAL RESPONSES TO SEPTEMBER 11TH: FROM CONSERVATIVE PATRIOTISM TO RADICALISM Martin Cloonan Introduction I want to propose something very simple in this paper: that the attacks which took place on 11 September 2001 were attacks on the very idea of America. This is not a new idea. It was cited by the New York Times soon after the attack and subsequently by the cultural critic Greil Marcus (2002). But what I want to add is that as time went on it became clear that the mu- sical responses which were made were defences of America. However, there were not uniform responses, but diverse ones and that is partly be- cause the idea of America is not settled, but is open to contestation. So what I want to do in the rest of this paper is to first examine notion that the attacks on 11 September were an attack on the idea of America, look briefly at the importance of identity within popular music, chart initial musical reactions to the events and then look at longer term reactions. An attack on the idea of America The attacks on 11 September were strategically chosen to hit the symbols of America as well as the reality of it. The Twin Towers symbolised American economic power, the Pentagon its military might. This was an attack on the psyche of America as well as its buildings and people. Both the targets were attacked for propaganda purposes as much as military ones. What more devastating way could have been found to show rejection of America and all it stands for? But the point I want to note here is that America itself is a contested notion. -
The Twenty Greatest Music Concerts I've Ever Seen
THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
Discover What Inspires You
Discover what inspires you MIDDLE & UPPER SCHOOLS GREENHILL STUDENTS are studious and high-achieving. THEY LEARN A LOT HERE, AND THEY LEARN IT WELL. But that’s not all that makes them special. Drawn to the unknown and motivated from within, they’re INQUISITIVE, PURPOSEFUL, AND BOLD in their quests for knowledge. With EQUAL PARTS GRIT AND JOY, they ask questions that lead to more questions, analyze critically, and unearth the why. FEARLESS AND OPEN-MINDED, they’re not afraid to make mistakes, explore spaces without boundaries, and be themselves. KIND AND COMPASSIONATE, they sharpen their minds and soften their hearts, learning not only for their own good, but for the good of others. TENACIOUS AND RESILIENT, they constantly give their all, developing personal strengths for lifetimes of success. Success they define themselves. They are inspired. They are inspiring. And it all begins right here, at Greenhill. Are you… naturally curious? energized by challenges? motivated? willing to try new things? open to making new friends? interested in solving problems? collaborative? caring and compassionate? happy to be yourself? passionate about life and learning? a fan of roaming peacocks? Yes? Then you belong at Greenhill. We seek excellence in everything we do. We’re that rare school that fully commits its resources and talents to a balanced program in academics, arts, and athletics. An inclusive community since its founding, Greenhill celebrates diversity in all its forms and welcomes the curious, inquisitive learner. SCOTT GRIGGS, HEAD OF SCHOOL 2 Unearth the Why Learning isn’t about memorizing facts and acing tests. That’s why Greenhill students achieve so much more than high grades and scores. -
Chuck Klosterman on Pop
Chuck Klosterman on Pop A Collection of Previously Published Essays Scribner New York London Toronto Sydney SCRIBNER A Division of Simon & Schuster, Inc. 1230 Avenue of the Americas New York, NY 10020 www.SimonandSchuster.com Essays in this work were previously published in Fargo Rock City copyright © 2001 by Chuck Klosterman, Sex, Drugs, and Cocoa Puffs copyright © 2003, 2004 by Chuck Klosterman, Chuck Klosterman IV copyright © 2006, 2007 by Chuck Klosterman, and Eating the Dinosaur copyright © 2009 by Chuck Klosterman. All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Scribner Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020. First Scribner ebook edition September 2010 SCRIBNER and design are registered trademarks of The Gale Group, Inc., used under license by Simon & Schuster, Inc., the publisher of this work. For information about special discounts for bulk purchases, please contact Simon & Schuster Special Sales at 1- 866-506-1949 or [email protected]. The Simon & Schuster Speakers Bureau can bring authors to your live event. For more information or to book an event contact the Simon & Schuster Speakers Bureau at 1-866-248-3049 or visit our website at www.simonspeakers.com. Manufactured in the United States of America ISBN 978-1-4516-2477-9 Portions of this work originally appeared in The New York Times Magazine, SPIN magazine, and Esquire. Contents From Sex, Drugs, and Cocoa Puffs and Chuck Klosterman IV The -
George Strait Team Roping Classic Coming up in July Strait and Beach
George Strait Team Roping Classic Coming Up In July The 17th Annual George Strait Team The event, sponsored by Chevy Trucks lic June 4th at Ticketmaster outlets in the Roping Classic is just around the corner. and Bud Light, will feature two rounds of Corpus Christi area. he event, scheduled for July 9th & 10th roping on July 9th with the top qualifying The entry fee for Team Ropers is $400 in Kingsville, Texas, will pit many of the teams moving on to the Classic finals on per team and ropers who would like to world’s greatest Team Ropers against each Saturday morning, July 10th. George Strait compete may register between 5 p.m. and other for cash and prizes expected to and his “Ace In The Hole Band” will be 10 p.m. on June 28th & 29th by calling xceed $125,000. More than 200 teams joined by “Asleep At The Wheel” for a (512) 668-1513. The Classic staff will be are expected to register by the time the concert on Saturday night. The remaining available both nights to assist in the r egis- vent gets underway on Friday morning, tickets for the concert that were not pur - tration. uly 9th. chased by mail will go on sale to the pub - Strait and Beach Have New Instructional Video For Team Ropers George Strait and his good friend, three would like to order by mail send a chec k time National Rodeo Finals qualifier Bret or money order for $37.95 plus $3.95 for Beach, have teamed up to offer an instruc- shipping to: tional video for anyone wanting to learn George Strait & Bret Beach how to be a Header in Team Roping. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Women's Connection
WOMEN’S CONNECTION Issue #12 July 2013 LETTER FROM THE WOMEN’S COMMITTEE CHAIRS This edition of the Women’s Connection profiles four Simpson Thacher alumnae who now work in-house at Sony Music Entertainment: Alison Dow, Natalie Margulies, Susan A. Meisel and Julie Rappaport. We are delighted to report that Simpson Thacher has once again received the Women in Law Empowerment Forum’s Gold Standard Certification, which recognizes law firms Maripat Alpuche Lori E. Lesser that are committed to advancing women into leadership positions. This marks the third Women’s Committee Chairs consecutive year that the Firm has been awarded this honor. Have a wonderful summer! —Maripat Alpuche and Lori E. Lesser ALUMNAE PROFILE SIMPSON “ROCK STARS” AT SONY MUSIC: A CONVERSATION WITH ALISON DOW, NATALIE MARGULIES, SUSAN MEISEL AND JULIE RAPPAPORT Sony Music Entertainment represents some of the biggest names in the music industry, from contemporary artists such as Adele, Daft Punk, Justin Timberlake, PitBull, Alicia Keys, Carrie Underwood, and Ke$ha to old-school favorites like Bruce Springsteen, Bob Dylan, Michael Jackson, Paul Simon, Aretha Franklin and Whitney Houston. It is home to a range of L-R: Natalie Margulies, Julie Rappaport, Susan premier record labels, including Columbia, A. Meisel and Alison Dow RCA and Epic, and for years, an in-house 1 Sony Music also currently employs Michael J. legal roster of Simpson Thacher alumni. Roberson (STB ’88-’93), Vice President of Business Sony Music currently employs four & Legal Affairs and L. Jeff Walker (STB ’88- Simpson Thacher alumnae: Alison Dow ’91), Executive Vice President & Head, Business (STB ’99-’04), Director, Business & Legal & Legal Affairs of the Global Digital Business group. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS MARCH 9, 2020 | PAGE 1 OF 17 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Morris, Brown Top Charts Brandy Clark Makes A Personal >page 4 Statement On The Record Nashville Works Toward Recovery Ten seconds into Brandy Clark’s Your Life Is a Record, a the listener to an expectant conclusion of what turns out to be >page 9 languid grunting tone emerges, unconventionally planting a breakup album, released by Warner on March 6. “The Past a baritone sax into the opening moments of what’s ostensibly Is the Past,” she declares in that glassy finale, with fragile a country album. guitar arpeggios supporting a It’s a tad mysterious. In transitional journey into some Dan + Shay Launch context, it could be a bassoon or unknown future. Putting that Arena Tour a bass clarinet — Clark thought upbeat sentiment at the end >page 10 it was a cello the first time she of the project rather than the heard it — but it reveals to the beginning was one of the few listener that Your Life Is a Record, places where she dug in her heels produced by Jay Joyce (Eric with the label. Current News: Church, Miranda Lambert), “I wanted it that way because Just LeDoux It is not quite like either of the to me, ‘The Past Is the Past’ is >page 10 previous records the award- bittersweet, but it’s hopeful,” winning singer-songwriter has she explains. “It’s like, ‘OK, we’ve launched in the marketplace. gone through all this and I’m still Makin’ Tracks: “I said to Jay when I heard sad about it, but I’m letting you Pardi’s Strait Talk that baritone sax thing, ‘Man, go.’ And I’m driving away — like, >page 14 I know this is crazy ’cause it’s a I literally feel like I’m in the car slow, sad song. -
The Mothers and Daughters of Hillbilly Feminism
Journal of Feminist Scholarship Volume 18 Issue 18 Spring 2021 Article 3 Spring 2021 “Ain’t My Mama’s Broken Heart”: The Mothers and Daughters of Hillbilly Feminism Alyssa Dewees University of Florida, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/jfs Part of the American Popular Culture Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Film and Media Studies Commons, and the Women's Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Dewees, Alyssa. "“Ain’t My Mama’s Broken Heart”: The Mothers and Daughters of Hillbilly Feminism." Journal of Feminist Scholarship 18 (Spring): 43-60. 10.23860/jfs.2021.18.03. This Article is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Journal of Feminist Scholarship by an authorized editor of DigitalCommons@URI. For more information, please contact [email protected]. Dewees: “Ain’t My Mama’s Broken Heart”: The Mothers and Daughters of Hill “Ain’t My Mama’s Broken Heart”: The Mothers and Daughters of Hillbilly Feminism Alyssa Dewees, University of Florida Abstract: The women of country music have long defied the genre's patriarchal associations and used their music as a platform for subversive social messages about gender inequality, and in the past several decades, the country music establishment has grown more willing to alter its image and accommodate these feminist themes. Because country music is marketed and understood by many of its fans as a representation of a lifestyle, this shift in expectations for women’s social roles and possibilities in the genre has an impact on the women who identify themselves with the particular rural, down-home image country music aims to define. -
Friday, June 26, 2020 Home-Delivered $1.90, Retail $2.20
TE NUPEPA O TE TAIRAWHITI FRIDAY, JUNE 26, 2020 HOME-DELIVERED $1.90, RETAIL $2.20 FIRST AID RISING COURSE VIOLENCE WHAT A PROVES A SCORE! IN THE NZ/AUSSIES TO HOST LIFE-SAVER WOMEN’S WORLD CUP CLASSROOM BACK PAGE PAGE 3 PAGE 8 100 years of Wilencote THANKS FOR COMING: Peter and Susie Humphreys and their Wilencote Polled Herefords stud at Ngatapa had plenty to smile about yesterday when they celebrated 100 years as a stud with clients and friends. Wilencote is one of only four studs in New Zealand to reach that milestone. The sale produced a total clearance and a healthy average across the 30 young bulls sold. STORIES ON PAGES 3 AND 5 Picture by Paul Rickard by Murray Robertson could give him a ride to a Kaiti address. “The visitor has very little A FRENCH tourist was stabbed and comprehension of the English language punched in his car on Monday night by a but he eventually agreed to give the man man he had given a lift to. a ride.” The ensuing struggle resulted in Det Sgt Beattie said once in the car the tourist’s car leaving the road and the tourist was given instructions on TOURIST crashing into a house in Ranfurly Street. which way to go. The circumstances of the crash came “They ended up driving to Midway out as part of a police investigation into Beach and eventually finished up driving the incident. to numerous locations in the Kaiti area. The grey Nissan X-Trail caused “The tourist was instructed to stop at significant damage to part of the house. -
Spring / Summer 2018 from the PRESIDENT COASTAL CAROLINA UNIVERSITY BOARD of TRUSTEES Gov
Spring / Summer 2018 From the PRESIDENT COASTAL CAROLINA UNIVERSITY BOARD OF TRUSTEES Gov. Henry McMaster, 2018 is the year to come back for a visit! Ex Officio member William S. Biggs, Chairman Carlos C. Johnson, Vice Chairman If you haven’t seen Coastal Carolina University lately, I’d like to Charles E. Lewis, Sec./Treas. use this column as a personal invitation to encourage you to make John H. Bartell Jr. plans for a visit. You have read in recent CCU magazines and other Samuel H. Frink Natasha M. Hanna ’94 University communications about the magnificent growth of the D. Wyatt Henderson ’98 institution, but you can’t really appreciate the progress that has William L. Lyles Jr. Daniel W. R. Moore Sr. taken place unless you experience it for yourself. George E. Mullen In addition to the many exciting new buildings—a state-of- Oran P. Smith Patrick S. Sparks ’95 the-art academic building, a major new residence hall complex, Eugene C. Spivey ’91 expanded athletics facilities—I think that you will also be H. Delan Stevens ’79 Samuel J. Swad ’87 favorably impressed by how the University Master Plan is coming to life so effectively. William E. Turner III ’97 It’s evident everywhere you look that the University has lived up to the plan’s promise of PRESIDENT maintaining the campus’ signature beauty, with a strong emphasis on creating a pedestrian- David A. DeCenzo friendly environment while growing the facilities necessary to serve the needs of our PROVOST and EXECUTIVE VICE PRESIDENT students and new academic programs.