Productions, 1992-1995
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All Things Country with Rowena Playlist for September 5, 2020
All Things Country Playlist September 5, 2020 Mel Street Walk Softly On The Bridges Greatest Hits GRT Connie Moore Just Love Me Twice As Hard Tomorrow 45rpm single Spur Don Williams She Never Knew Me Harmony Dot LP The Wilders Honky Tonk Habit Throw Down Rural Grit George Morgan I'll Furnish The Shoulder You Cry On Candy Kisses Bear Family Gretchen Wilson Red Neck Woman Here For The Party Epic Tanya Tucker The Day My Heart Goes Still While I'm Livin' Fantasy Chris Scruggs Sober Up And Think Honky Tonkin' Lifestyle self Eddie Rabbitt Drivin' My Life Away Horizon Elektra Mary Battiata & Little Pink Things You Say And Don't Say The Heart, Regardless self Merle Haggard Man From Another Time Chill Factor Epic Buddy Jewell Dyess Arkansas Times Like These Sony Carol Johnson According To Law Meet The Pearls: Juke Box Pearls Bear Family Curtis Wright I Can't Stand To Watch My Old Flame Burn Curtis Wright Liberty Patty Loveless Daniel Prayed Mountain Soul Epic George Jones Old Brush Arbors Walk Through This World With Me: Bear Family Complete Musicor Recordings, Vol. 1 Hoppers Yes I Am Power Spring Hill Music Rani Arbo & Daisy Mayhem Joy Comes Back Big Old Life Signature Sounds Aussie Bush Band Aussie Bbq Bush Songs From The Australian Outback Collectables Shavonne Make Me One Promise single self Ricky Van Shelton Living Proof Loving Proof Columbia Waylon Jennings & Willie Nelson Just To Satisfy You Waylon & Company RCA Victor LP Amber Digby A Man I Hardly Know Music From The Honky Tonks Heart Of Texas Jerry Reed She Got The Gold Mine (I Got The Shaft) The Essential Jerry Reed Sony Legacy Tim Wilson I Married A Woman Who Talks Like Jerry Reed Tuned Up Southern Tracks Dale Watson A Couple Of Beers Ago The Essential Dale Watson Cjub Entertainment Dale Watson No Fussin', No Cussin', Mama's Hungry Preachin' To The Choir: Live At The Continental Song City Eyes, Another Day Another Dollar, Call It Borderline A Night John England & The Western Swingers Deep Water Swinging Broadway self Asleep At The Wheel, feat. -
Jesse Dayton – Mixtape Volume 1
Jesse Dayton – Mixtape Volume 1 “If you open your arms to the world, it’s amazing what will come back atcha,” drawls East Texas native, singer/songwriter/filmmaker/author Jesse Dayton, who has a bunch more homespun wisdoms where that came from. A veteran of more than 30 years as a musician, Dayton was discovered as a young teenager playing “a toilet dive” in his hometown of Beaumont by legendary club owner Clifford Antone, who booked him into his famed Austin venue, then immediately shifted him over to the honky-tonk Broken Spoke, where the likes of Willie Nelson, George Strait and Ernest Tubb have had residencies. “When I first got to Austin, everybody else sounded like Stevie Ray Vaughan, but I sounded more like Jerry Reed. I didn’t think I was cool, either, because this was before every punk sported that image of Johnny Cash flipping the rod.” Equally steeped in Texas/Louisiana blues, old-school country and punk-rock, Dayton is the music world’s best-kept secret, hiding in plain sight as a guitarist for Waylon Jennings, Johnny Cash, Ryan Bingham and L.A. punk pioneers X, as well as touring alongside Social Distortion, the Supersuckers and John Doe. After releasing 11 studio albums and an EP as a solo artist, Dayton’s new album, Mixtape Volume 1, is a series of 10 cover songs he thoroughly makes his own, reinterpreting and revisiting them in a brand-new way. On the first track and single, Jackson Browne’s “Redneck Friend”, Dayton takes the song to a place where it would be eQually at home on the first two Eagles albums or as a Rolling Stones collaboration with Gram Parsons. -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
Boots Randolph
2004 Induction Class Boots Randolph In 1927, Homer Louis Randolph was born in Paducah, Kentucky, and grew up in the rural area of Cadiz. Surrounded by a musical family, Homer, (or “Boots” as his brother called him), had many opportunities to explore his musical and creative talents. Boots played an array of instruments, but by the age of 16, he decided to focus his attention on the saxophone. While in the service he joined the Army Band, and later began working in a band with his brother. His unique style of sax playing caught the attention of friend and famed guitar player, Chet Atkins, who in 1958 helped Boots find work on Nashville recording sessions. It was his trademark tune, “Yakety Sax” that launched his career and enabled Boots to move to Nashville, becoming one of the most sought after studio musicians in the business. He was the first to play sax on Elvis’s recordings and the only one to ever play solo with him. Boots played sax on eight of Elvis’s movie soundtracks, in addition to playing with other top artists such as Chet Atkins, Floyd Crammer, Johnny Cash, Richie Cole, Pete Fountain, and Tommy Newsom, just to name a few. Boots Randolph played sax on Roy Orbison’s “Oh, Pretty Woman”, Al Hirt’s “Java”, REO Speedwagon’s “Little Queenie” and Brenda Lee’s “Rockin’ ‘Round The Christmas Tree.” Boots had a major impact on the use of the sax in pop and country albums making his own style a major part of the overall Nashville Sound. -
John Fremgen - 1
John Fremgen - 1 -- JOHN M. FREMGEN Office Address MRH 4.164 1 University Station Austin, TX 78712 (512)232-2082 [email protected] EDUCATION Institution Degree Year University of Southern M.M., Jazz Studies 1993 California Millikin University B.M, Commercial Music 1991 Private student of Chicago Symphony Principal bassist Harold Seigel (1985-87) PROFESSIONAL EXPERIENCE Teaching University of Texas at Austin, Associate Professor, Division of Jazz and Music Industry 2009-present University of Texas at Austin, Assistant Professor, Division of Jazz and Music Industry 2003-2009 University of Texas at Austin, Lecturer, Division of Jazz, Theory and Composition 1995-2002 Millikin University, Adjunct Instructor 1994-95 University of Southern California, Adjunct Instructor 1994 University of Southern California, Teaching Assistant 1991-93 Millikin University String Project, Private Double Bass Instructor, Decatur, Illinois1988-91 COURSES TAUGHT University of Texas at Austin • Individual Instruction • Jazz Theory I & II • Jazz Improvisation • Intermediate Jazz Improvisation • History of Jazz John Fremgen - 2 -- • Jazz Appreciation • Jazz Piano Techniques • AIME and Jazz Ensemble Millikin University • Beginning Jazz Improvisation • Intermediate Jazz improvisation • Jazz Appreciation • Applied Jazz/Classical Bass • Jazz Combos University of Southern California (as an adjunct) • Private Jazz Bass • Jazz Combos University of Southern California (as a TA) • Jazz Ragtime and Blues • Jazz Guitar Trio Class RECORDINGS-AS A LEADER/PRIMARY BANDMEMBER Finished production on upcoming solo release for Viewpoint Records (scheduled for release in fall, 2008) American Scream, PJ Olsson (CBS Records), 2008 Beautifully Insane, PJ Olsson (Columbia Records), 2007 The Ironwood Sessions PJ Olsson (CBS Records/Download only), 2007 Step Inside Love: A Jazzy Tribute To The Beatles Featured artist on this ESC Records (Germany) release. -
Austin's Progressive Country Music Scene and the Negotiation
Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978 Travis David Stimeling A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the Doctor of Philosophy in the Department of Music. Chapel Hill 2007 Approved by: Jocelyn R. Neal, Chair Jon W. Finson David García Mark Katz Philip Vandermeer © 2007 Travis David Stimeling ALL RIGHTS RESERVED ii ABSTRACT TRAVIS DAVID STIMELING: “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978” (Under the direction of Jocelyn R. Neal) The progressive country music movement developed in Austin, Texas, during the early 1970s as a community of liberal young musicians and concertgoers with strong interests in Texan country music traditions and contemporary rock music converged on the city. Children of the Cold War and the post-World War II migration to the suburbs, these “cosmic cowboys” sought to get back in touch with their rural roots and to leave behind the socially conservative world their parents had created for them. As a hybrid of country music and rock, progressive country music both encapsulated the contradictions of the cosmic cowboys in song and helped to create a musical sanctuary in which these youths could articulate their difference from mainstream Texan culture. Examining the work of the movement’s singer-songwriters (Michael Murphey, Guy Clark, Gary P. Nunn), western swing revivalists (Asleep at the Wheel, Alvin Crow and the Pleasant Valley Boys), and commercial country singers (Willie Nelson, Waylon Jennings), this dissertation explores the proliferation of stock imagery, landscape painting, and Texan stereotypes in progressive country music and their role in the construction of Austin’s difference. -
Backforty Bunkhouse Newsletter
Backforty Bunkhouse Newsletter Cowtown Society of Western Music ‗2009 Publication of the Year‘ Distributed by BACKFORTY BUNKHOUSE PRODUCTIONS 106 Roswell St., Ruidoso, NM 88345 (575) 808-4111 Home of Backforty Roundup and CD Chorale Backforty Bunkhouse Publishing BMI Venue / Show Productions Western Music Radio Marketing www.Backforty Bunkhouse.com [email protected] www.MySpace.com/BackfortyBunkhouse Twitter.com/backfortyBH Joe Baker Publisher The Backforty Bunkhouse Newsletter is sent to over 1,050 email subscribers periodically and is growing every day. There are DJs, artists and fans whose interest are Western Swing, Cowboy Poetry, Cowboy Heritage and Texas Honky Tonk music gen- res. We solicit your comments, suggestions and ways we may better serve you. If you do not want to receive this newsletter and want to be removed from our mailing list, reply to this email by entering ―UNSUBSCRIBE‖ in the subject box of the email. Joe Baker's Top 20 – October, 2010 13. Patty Parker, Southwest Serenade 14. Horse Crazy, Daughters Of The West Est. January, 2007 15. Jim Jones, Feels Like Home To Me Howard Higgins, Western Swing Co-Founder & Advisor 16. Backforty Roundup Vol. #46 1. Asleep At The Wheel & Leon Rausch, It‘s A 17. Almeda Terry, Voices From The Range Joe Baker, Co-Founder & Publisher Good Day 18. Troy Bateson, Midnight Moon 2. Tony Harrison & Hot Texas, Swingin‘ Big 19. Chuck Cusimano, Wind Blow My Blues Away Totsie Slover, Editor 3. Rebecca Linda Smith, True Love 20. Allan Chapman, West Of The 98th Meridian 4. Gayla Earlene, Traditional Sugar 5. Tom Houston, Tuxedo Country, Vol.#2 6. -
Mid-Year Music & Label Share Update CMA Offers Industry Insite
May 26, 2009 Issue 142 Mid-Year Music & Label Share Update affected by release schedules over that period.) This week marks the mid-way point for the year’s It should come as no surprise to learn that top tunes and the Label of the Year sweepstakes. Taylor Swift is the No. 1 point-getter and spin It’s neck and neck for the No. 1 song of leader among Country artists. She leads second- 2009, with Toby Keith’s “God Love Her” place Keith Urban by a very narrow margin. edging out Keith Urban’s “Sweet Thing” by Completing the top 10, ranked by points, are a mere 155 points – that’s only a .06 percent Rascal Flatts, Dierks Bentley, Kenny Chesney, Taylor Swift Sugarland, Toby Keith, Zac Brown Band, difference! In third place, just another relative Toby Keith handful of points back, is Darius Rucker’s Montgomery Gentry and Darius Rucker. The first seven artists “It Won’t Be Like This For Long.” Rounding out the Top 10 listed above are the only acts to have amassed more than 100,000 tunes of the year thus far are George Strait’s “River Of Love,” spins in the first six months of the 2009 chart year. (Spins measured Dierks Bentley’s “Feel That Fire,” Brooks & Dunn’s “Cowgirls here are only from songs that have spent at least one week on the Don’t Cry,” Kenny Chesney’s hit with Mac McAnally “Down chart in this chart year that began the last week of November.) The Road,” Rodney Atkins’ “It’s America,” Jake Owen’s A quick glance at the other format charts for the first six months “Don’t Think I Can’t Love You” and Blake Shelton’s “She proves that Taylor Swift is indeed as ubiquitous as she seems. -
Summer 2015 the WESTERN WAY CONTENTS FEATURES Cowboys in Chicago 26 19 8 Don Cusic Johnny Western 16 B
The Official Publication of the Western Music Association Pure Cowboy – COWBOYS In the Studio and IN CHICAGO Out on the Range BY DON CUSIC PAGE 8 PAGE 26 Johnny Western Receives Noted Honor PAGE 16 Founder Bill Wiley Officers From The President... Steve Taylor, President Rick Huff, Executive V.P. Robert Fee, Howdy all: V.P. General Counsel Diane Tribitt, Treasurer Belinda Gail, Secretary I have an addition to add to my letter in the last issue. Executive Director “AMBASSADORS!”You can request additional compli- Marsha Short mentary copies of the Western Way from Marsha Short , Board of Directors John Bergstrom WMA Executive Director. Do you go places that have a Joe Brown Richard Dollarhide waiting room and find outdated reading material? With Robert Fee Juni Fisher permission, place some copies of the WW in places Belinda Gail Jerry Hall Steve Taylor where people sit, wait and look for something new Rick Huff WMA President Robert Lorbeer and refreshing to read. It is a very subtle way to boost Marvin O’Dell Theresa O’Dell membership and get the word out about the WMA. Michael Roehm We are all about the membership and the networking that goes into it to support David Rychener Steve Taylor the music and poetry of the American West. The office has been busy sending out Diane Tribitt additional issues of the WW and we have seen new members added to our ranks Board of Advisors Rex Allen, Jr., Chairman from all of us being “ AMBASSADORS.” Keep up the good work. Hal Spencer, Co-Chairman Cheryl Rogers Barnett Do not forget our Web site www.westernmusic.org. -
Bob Wills: the King of Western Swing Contributors Gary Hartman Rush Evans Rush Evans
et al.: Contents Letter from the Director The beginning of the Fall Wylie Hubbard, have been very successful. Our third CD, which 2002 semester marks the will feature Jerry Jeff Walker, Rosie Flores, The Flatlanders, and third year since the Center others, will be available soon. Proceeds from the CDs have been for Texas Music History vital in helping fund our ongoing educational projects. We are very (formerly the Institute for grateful to the musicians and everyone else who contributed. the History of Texas Music) We are very pleased to be working closely with the Bob Bul- was officially established in lock Texas State History Museum, the Country Music Hall of the History Department at Fame and Museum, and others to help present the “Country Southwest Texas State Music from the Lone Star State” exhibit, which will run through University. During those January 2003. This issue of the Journal of Texas Music History three years, the CTMH has features an in-depth article about the exhibit. I strongly en- compiled an impressive list courage all our readers to visit the Bullock Museum to experi- of accomplishments. ence this wonderful presentation on Texas music history. With the help and I am very grateful to the following people for their hard work support of many good people and businesses throughout the and generous support: Kathryn Ledbetter, Gregg Andrews, Vikki Southwest, we have built a unique and important program Bynum, Jenni Finlay, Dawn Shepler, Ann Marie Ellis, Gene focusing on the preservation and study of the region’s complex Bourgeois, the entire SWT History Department, the CTMH and diverse musical heritage. -
EVERLYPEDIA (Formerly the Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie Van Varik
EVERLYPEDIA (formerly The Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie van Varik EVERLYPEDIA PART 2 E to J Contact us re any omissions, corrections, amendments and/or additional information at: [email protected] E______________________________________________ EARL MAY SEED COMPANY - see: MAY SEED COMPANY, EARL and also KMA EASTWOOD, CLINT – Born 31st May 1930. There is a huge quantity of information about Clint Eastwood his life and career on numerous websites, books etc. We focus mainly on his connection to The Everly Brothers and in particular to Phil Everly plus brief overview of his career. American film actor, director, producer, composer and politician. Eastwood first came to prominence as a supporting cast member in the TV series Rawhide (1959–1965). He rose to fame for playing the Man with No Name in Sergio Leone’s Dollars trilogy of spaghetti westerns (A Fistful of Dollars, For a Few Dollars More, and The Good, the Bad and the Ugly) during the 1960s, and as San Francisco Police Department Inspector Harry Callahan in the Dirty Harry films (Dirty Harry, Magnum Force, The Enforcer, Sudden Impact and The Dead Pool) during the 1970s and 1980s. These roles, along with several others in which he plays tough-talking no-nonsense police officers, have made him an enduring cultural icon of masculinity. Eastwood won Academy Awards for Best Director and Producer of the Best Picture, as well as receiving nominations for Best Actor, for his work in the films Unforgiven (1992) and Million Dollar Baby (2004). These films in particular, as well as others including Play Misty for Me (1971), The Outlaw Josey Wales (1976), Pale Rider (1985), In the Line of Fire (1993), The Bridges of Madison County (1995) and Gran Torino (2008), have all received commercial success and critical acclaim. -
Backforty Bunkhouse Newsletter
Backforty Bunkhouse Newsletter Cowtown Society of Western Music ‗2009 Publication of the Year‘ Distributed by BACKFORTY BUNKHOUSE PRODUCTIONS 106 Roswell St., Ruidoso, NM 88345 (575) 808-4111 Home of Backforty Roundup and CD Chorale Backforty Bunkhouse Publishing BMI Venue / Show Productions Western Music Radio Marketing www.Backforty Bunkhouse.com [email protected] www.MySpace.com/BackfortyBunkhouse Twitter.com/backfortyBH Joe Baker Publisher The Backforty Bunkhouse Newsletter is sent to over 1,050 email subscribers periodically and is growing every day. There are DJs, artists and fans whose interest are Western Swing, Cowboy Poetry, Cowboy Heritage and Texas Honky Tonk music gen- res. We solicit your comments, suggestions and ways we may better serve you. If you do not want to receive this newsletter and want to be removed from our mailing list, reply to this email by entering ―UNSUBSCRIBE‖ in the subject box of the email. Joe Baker's Top 20 – November, 2010 15. Backforty Roundup Vol. #46 16. Almeda Terry, Voices From The Range Est. January, 2007 17. Troy Bateson, Midnight Moon Howard Higgins, Western Swing Co-Founder & Advisor 18. Chuck Cusimano, Wind Blow My Blues Away 1. Brady Bowen, In My Spare Time – Vol. 6 19. Allan Chapman, West Of The 98th Meridian Joe Baker, Co-Founder & Publisher 2. Asleep At The Wheel & Leon Rausch, It‘s A Good 20. Bryan Ragsdale, Cowboy Christmas Tree Day Totsie Slover, Editor 3. Tony Harrison & Hot Texas, Swingin‘ Big 4. Gayla Earlene, Traditional Sugar "Swingin' West"- Mike Gross 5. Tom Houston, Tuxedo Country, Vol.#2 KSEY - Seymore, TX 6. Lonnie Spiker, Coming To A Honky Tonk Near Sundays 3-4 pm CST You November 1, 2010 7.