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The Twentieth Century Reform of the Liturgy: Outcomes and Prospects John F
Valparaiso University ValpoScholar Institute of Liturgical Studies Occasional Papers Institute of Liturgical Studies 2017 The weT ntieth Century Reform of the Liturgy: Outcomes and Prospects John F. Baldovin S.J. Boston College School of Theology & Ministry, [email protected] Follow this and additional works at: http://scholar.valpo.edu/ils_papers Part of the Catholic Studies Commons, and the Liturgy and Worship Commons Recommended Citation Baldovin, John F. S.J., "The wT entieth Century Reform of the Liturgy: Outcomes and Prospects" (2017). Institute of Liturgical Studies Occasional Papers. 126. http://scholar.valpo.edu/ils_papers/126 This Conference Proceeding is brought to you for free and open access by the Institute of Liturgical Studies at ValpoScholar. It has been accepted for inclusion in Institute of Liturgical Studies Occasional Papers by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. The Twentieth Century Reform of the Liturgy: Outcomes and Prospects John F. Baldovin, S.J. Boston College School of Theology & Ministry Introduction Metanoiete. From the very first word of Jesus recorded in the Gospel of Mark reform and renewal have been an essential feature of Christian life and thought – just as they were critical to the message of the prophets of ancient Israel. The preaching of the Gospel presumes at least some openness to change, to acting differently and to thinking about things differently. This process has been repeated over and over again over the centuries. This insight forms the backbone of Gerhard Ladner’s classic work The Idea of Reform, where renovatio and reformatio are constants throughout Christian history.1 All of the great reform movements in the past twenty centuries have been in response to both changing cultural and societal circumstances (like the adaptation of Christianity north of the Alps) and the failure of Christians individually and communally to live up to the demands of the Gospel. -
The Catholic Mass[1]
The Catholic Mass God wants you to encounter Him In the Church's liturgy the divine blessing is fully revealed and communicated. The Father is acknowledged and adored as the source and the end of all the blessings of creation and salvation. In his Word who became incarnate, died, and rose for us, he fills us with his blessings. Through his Word, he pours into our hearts the Gift that contains all gifts, the Holy Spirit. Catechism of the Catholic Church 1082 "Seated at the right hand of the Father" and pouring out the Holy Spirit on his Body which is the Church, Christ now acts through the sacraments he instituted to communicate his grace. The sacraments are perceptible signs (words and actions) accessible to our human nature. By the action of Christ and the power of the Holy Spirit they make present efficaciously the grace that they signify. Catechism of the Catholic Church 1084 In the liturgy of the New Covenant every liturgical action, especially the celebration of the Eucharist and the sacraments, is an encounter between Christ and the Church. The liturgical assembly derives its unity from the "communion of the Holy Spirit" who gathers the children of God into the one Body of Christ. This assembly transcends racial, cultural, social - indeed, all human affinities. Catechism of the Catholic Church 1097 Jesus is the Word of God made flesh. It is Him that is being proclaimed at Mass. He is present whether or not the lector knows how to pronounce the words, or is speaking clearly or is dynamic. -
September 2015 Issue Of
Eastern Catholic Life Official Publication of the Byzantine Catholic Eparchy of Passaic VOL. LI, NO. 9 SEPTEMBER 2015 In Line With Vatican II: New Rules on Eastern Married Clergy by Archbishop Cyril Vasil’, SJ, with Bishop George Gallaro INTRODUCTION The November 2013 Plenary Session of the Congregation for the Eastern Churches, among other things, adequately dealt with this issue and reached ntil recently, it seemed that the presence and ministry of Eastern the wide-ranging consent of the members present. As a consequence, the UCatholic married clergy in the so-called diaspora (places outside of Prefect of the Eastern Congregation submitted to the Holy Father, Pope the traditional territories) was a closed question. In fact, not much could Francis, the request to grant, under certain conditions, to the respective ec- have been added to its historical or canonical viewpoint that had not al- clesiastical authorities the faculty to allow Eastern Catholic married clergy ready been studiously examined. The issue is summarized by the 1990Code to minister even outside of their traditional territories. of Canons of the Eastern Churches: “The particular law of each Church sui iuris or special norms established by the Holy See are to be followed in ad- The Holy Father, at the audience granted to the Prefect of the Congrega- mitting married men to sacred orders” (Canon 758, paragraph 3). tion for the Eastern Churches, Cardinal Leonardo Sandri, on December 23, 2013, favorably received this request, notwithstanding the least things to Following ancient discipline, all Eastern Catholic Churches – with the the contrary (contrariis quibuslibet minime obstantibus) and the text of the exception of the Syro-Malabar and Syro-Malankara Churches [of India - new norms was published on June 14, 2014. -
Russian Christian Orthodox Icons of the Mother of God George Contis M.D
University of Dayton eCommons Marian Library Art Exhibit Guides Spirituality through Art 2015 Russian Christian Orthodox Icons of the Mother of God George Contis M.D. Follow this and additional works at: https://ecommons.udayton.edu/ml_exhibitguides Recommended Citation Contis, George M.D., "Russian Christian Orthodox Icons of the Mother of God" (2015). Marian Library Art Exhibit Guides. 5. https://ecommons.udayton.edu/ml_exhibitguides/5 This Exhibit Guide is brought to you for free and open access by the Spirituality through Art at eCommons. It has been accepted for inclusion in Marian Library Art Exhibit Guides by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Russian Christian Orthodox Icons of the Mother of God by George Contis, M.D., M.P.H . Russian Christian Orthodox Icons of the Mother of God by George Contis, M.D., M.P.H. Booklet created for the exhibit: Icons from the George Contis Collection Revelation Cast in Bronze SEPTEMBER 15 – NOVEMBER 13, 2015 Marian Library Gallery University of Dayton 300 College Park Dayton, Ohio 45469-1390 937-229-4214 All artifacts displayed in this booklet are included in the exhibit. The Nativity of Christ Triptych. 1650 AD. The Mother of God is depicted lying on her side on the middle left of this icon. Behind her is the swaddled Christ infant over whom are the heads of two cows. Above the Mother of God are two angels and a radiant star. The side panels have six pairs of busts of saints and angels. Christianity came to Russia in 988 when the ruler of Kiev, Prince Vladimir, converted. -
Medieval Music for St. John the Baptist from the Royal
Medieval Music for St. John the Baptist from the Royal Convents of Sigena (Hospitallers) and Las Huelgas (Cistercians) CANTRIX —— Medieval Music for —— Mittelalterliche Musik für —— Musique médiévale pour St. John the Baptist from Johannes den Täufer aus den St-Jean-Baptiste dans the Royal Convents of königlichen Frauen klöstern von les couvents royaux de Sigena Sigena (Hospitallers) and Sigena (Hospitaliterinnen) und (Hospitalières) et Las Huelgas Las Huelgas (Cistercians) Las Huelgas (Zisterzienserinnen) (Cisterciennes) Agnieszka Budzińska-Bennett (AB) — voice, harp, direction / Gesang, Harfe, Leitung / voix, harpe, direction Kelly Landerkin (KL) — voice / Gesang / voix Lorenza Donadini (LD) — voice / Gesang / voix Hanna Järveläinen (HJ) — voice / Gesang / voix Eve Kopli (EK) — voice / Gesang / voix Agnieszka M. Tutton (AT) — voice / Gesang / voix Baptiste Romain (BR) — vielle, bells / Vielle, Glocken / vielle, cloches Mathias Spoerry (MS) — voice / Gesang / voix Instrumente / Instruments Vielle (13th c.) — Roland Suits, Tartu (EE), 2006 Vielle (14th c.) — Judith Kra , Paris (F), 2007 Romanesque harp — Claus Henry Hüttel, Düren (D), 2001 Medieval bells — Michael Metzler, Berlin (D), 2012 Medieval Music for St. John the Baptist from the Royal Convents CANTRIX of Sigena (Hospitallers) and Las Huelgas (Cistercians) 1. Mulierium hodie/INTER NATOS 9. Benedicamus/Hic est enim precursor motet, Germany, 14th c. Benedicamus trope, Huelgas, 13th–14th c. AT, LD, EK (motetus), AB, HJ, KL (tenor), AB & HJ (trope), LD, EK, AT 01:44 BR (bells) 02:00 10. Peire Vidal – S’ieu fos en cort 2. Inter natos V. Hic venit/Preparator veritatis troubadour song, Aquitaine, 12th c. responsorium with prosula, Sigena, 14th–15th c. MS, BR (vielle) 07:04 HJ (verse), AB & LD (prosula), KL, EK, AT 04:04 11. -
Course Outline
Course Outline VTBS002 Exploring the New Testament Course Administrator: Mel Perkins Lay Leadership Development Coordinator eLM – Equipping Leadership for Mission Jesus Christ Pantocrator By Dianelos Georgoudis - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=33098123 Online Format Exploring the New Testament 2 Uniting Church in Australia, Synod of Victoria and Tasmania Greetings, and thank you for registering to be part of the Exploring the New Testament Course. In this Course Outline you will find details about the course, the outcomes and course content, a suggested 15 week study program, the assessment and other helpful information. This course has been developed to be a time of discipleship-forming and faith-expanding learning. This course is an indispensable resource for individuals and church study groups who want to learn more about their faith within a Uniting Church context. The course is also foundational for Lay Preachers, Worship Leaders, Mission Workers, and people engaged in other forms of Christian Leadership. The course integrates the study of theology with the study of scripture. We encourage you to approach your studies with a positive attitude and a willingness to be open to learning. Remember don’t be daunted by what lies ahead, as there will be help along the way. Thanks again for committing this time to your journey of understanding. We pray it will be a time of learning, with some challenge, and a time of deepening faith in God. MODES OF LEARNING Your Presbytery may offer different modes of learning: • Individual • Face-to-face groups • Online groups • A mixture of all or some of the above Talk with the person who looks after education in your Presbytery and find out how what learning modes are available. -
Provisions for the Syro-Malabar Church
N. 171010d Tuesday 10.10.2017 Provisions for the Syro-Malabar Church The Holy Father Francis has adopted the following provisions for the Syro-Malabar Church: - Erection of the eparchy of Shamshabad, India, and appointment of the first bishop; - Erection of the eparchy of Hosur, India, and appointment of the first bishop; - Extension of the boundaries of the eparchies of Ramanathapuram and Thuckalay. Erection of the eparchy of Shamshabad, India, and appointment of the first bishop; The Pope has erected the eparchy of Shamshabad, India, and appointed as first bishop H.E. Msgr. Raphael Thattil, currently auxiliary of Trichur, transferring him from the titular see of Buruni. H.E. Msgr. Raphael Thattil H.E. Msgr. Raphael Thattil was born on 21 April 1956 in Trichur. After his seminary formation in Vadavathoor, he received a doctorate in Oriental canon law from the Pontifical Oriental Institute in Rome. He is fluent in Malayalam and English, and knows Italian and German. He received priestly ordination on 21 December 1980, and has held the following positions: assistant vicar in Aranattukara (1981), prefect of the minor seminary (1982), vice Chancellor of the eparchial Curia (1988), vice rector of the minor seminary (1991 ), director of the Diocesan Biblical Catechetical Liturgical Centre (1992-1995), chancellor and eparchial judge (1995-2000), first rector of the “Mary Matha” seminary (1998-2007), where he made an important contribution to the growth of the major seminary , and protosyncellus of the archieparchy of Trichur (2007-2010). 2 He was appointed by Pope Benedict XVI as titular bishop of Buruni and auxiliary of Trichur, and received episcopal ordination on 10 April 2010. -
Glocal Religion and Feeling at Home: Ethnography of Artistry in Finnish Orthodox Liturgy
religions Article Glocal Religion and Feeling at Home: Ethnography of Artistry in Finnish Orthodox Liturgy Tatiana Tiaynen-Qadir Faculty of Social Sciences, University of Turku, Turku 20014, Finland; tatiana.tiaynen@ttaq.fi Academic Editors: Victor Roudometof and Peter Iver Kaufman Received: 19 December 2016; Accepted: 9 February 2017; Published: 13 February 2017 Abstract: This paper adapts a glocalization framework in a transnational, anthropological exploration of liturgy in the Orthodox Church of Finland (OCF). It draws on long-term ethnographic fieldwork and interviews with participants of liturgy from Finnish, Russian, and Greek cultural and linguistic backgrounds. The main argument of the paper is that generic processes of nationalization and transnationalization are not mutually exclusive in practitioners’ experiences of liturgy in OCF, but rather generate a glocal space that incorporates Finnish, Russian, Karelian, and Byzantine elements. Individuals artistically engage with glocal liturgy on sensorial, cognitive, social, and semantic levels. What is important for the participants is a therapeutic sense that comes from a feeling of ‘being at home’, metaphorically, spiritually, and literally. People’s ongoing, creative work constitutes Orthodoxy as their national and transnational home. Keywords: glocal religion; Orthodox Christianity; glocalization; transnational anthropology; artistry; liturgy; home; therapeutic 1. Introduction Most contemporary Orthodox churches across the world are divided into national or diasporic churches; the latter of which is often organized alongside ethno-national and linguistic lines. National churches include, for example, those of Greece and Cyprus, where histories of entanglement between Orthodoxy and nationalization date back to the 19th century. In Russia, Orthodox Christianity emerged as a signifier of individual and collective national identity after the Soviet collapse [1]. -
The Liturgical Movement and Reformed Worship 13
The Liturgical Movement and Reformed Worship 13 The Liturgical Movement and Reformed Worship COMING across a certain liturgical monstrosity, a Scottish Churchman asked : " What Irishman perpetrated this ? " Greatly daring therefore, the writer, though Irish, because the Irishman turned out to be an American, confines his remarks in this paper to the Scottish Eucharistic Rite, as limitations of space prevent discussion of other Reformed movements on the Continent, in England, Ireland, America, and elsewhere. The aim of the Reformers concerning the Eucharistic Rite was threefold : (i) Reform of the rite. The earliest Reformed rites were based on the Hagenau Missal, and their lineage through Schwarz, Bucer, Calvin, and Knox is traced by Hubert, Smend, Albertz, and W. D. Maxwell. (ii) That the worshippers should be active participants in the rite. This was achieved principally by the use of the vernacular and the introduction of congregational singing. (iii) Weekly communion. This ideal failed because of medieval legacy and the interference of civil authority, so that quarterly communion became the general practice. Public worship, however, when there was no celebration, was based on the eucharistic norm. The second half of the seventeenth century, and the eighteenth century, proved to be a period of decline and poverty in worship, and liturgical renewal in Scotland only began in the nineteenth century. This falls into four periods. (a) Prior to 1865, when it was principally the work of individuals. (b) After 1865, when the Church Service Society was founded and the principal leaders were G. W. Sprott and Thomas Leishman, both of whom knew their history. -
July 2016 Issue Of
Eastern Catholic Life Official Publication of the Byzantine Catholic Eparchy of Passaic VOL. LII, NO. 7 JULY 2016 WoodlandPresbyteral Park, NJ Days 2016 he priests of the Eparchy of top: Mr. Jens Bargmann, Fathers Thomas Petro, Edward Semko, Jody Baran, Phillip Scott, Joseph Bertha, Peter Tomas, Richard Rohrer, John Passaic once again locked Cigan, Robert Wisniefski, James Caroll OFM, Edward Higgins, Michael Kerestes, Harry Untereiner, Mykhaylo Prodanets, James Badeaux, Mr. up their churches and rec- James Fraser, Father Edward Cimbala, second row: Fathers Peter Donish, Gregory Hosler, Salvatore Pignato, Michael Yurista, Ronald Barusefski, Vincent Brady, Conan Timoney, John Basarab, Leonard Martin SJ, Peter Hosak, Francis Rella, third row: Fathers Robert Evancho, Frank Hanin- Ttories and headed to the annual Ep- cik, Alex Shuter, Nicholas DeProspero, Msgr. Robert Senetsky, Fathers Vasyl Chepelskyy, Robert Hopodar, Vitaliy Pukhayev, G. Scott Boghossian, archial Presbyteral Days from April Martin Vavrak, James Spera, Charles Yastishock, fourth row: Gary Mensinger, Marcel Szabo, Michael Salnicky, Michael Popson, John Custer, 25th to April 28th, 2016, whose Mykahaylo Kravchuk, Iaroslav Korostil, Bishop Kurt, Fathers Tyler Strand, Lewis Rabayda, Ihor Vorontsov, Msgr. John Sekellick, Fathers Steven theme was “Ministry to the Elderly.” Galuschik, James Demko, Jerome Wolbert OFM, Gregory Noga, and Archpriest James Hayer. Instead of making their way to the Poconos where the annual meeting had taken place for many years, or to Maryland, where it had been held for the past two years, they went to DeaconThree Edward Quinn Deacons in Pottstown, PA, and Deacons Ordained Michael Tisma and James Smith in Roswell, GA Woodland Park, NJ, to the parish hall of Saint Michael Cathedral Chapel, he parish family of Epiph- Michael Tisma and James Smith, where Father Jack Custer is rector, any of Our Lord Byzantine were elevated to the Holy Order of located on the grounds of the Epar- ChurchT in Roswell, GA, had much Deacon by Bishop Kurt. -
Principles for Worship
Principles for Worship Evangelical Lutheran Church in America Published by Augsburg Fortress RENEWING WORSHIP 2 Principles for Worship This resource has been prepared by the Evangelical Lutheran Church in America for provisional use. Copyright © 2002 Evangelical Lutheran Church in America. Published by Augsburg Fortress, Publishers. All rights reserved. Except for brief quotations in critical articles or reviews and for uses described in the following paragraph, no part of this book may be reproduced in any manner without prior written permission from the publisher. Contact: Permissions, Augs- burg Fortress, Box 1209, Minneapolis MN 55440-1209, (800) 421-0239. Permission is granted to reproduce the material on pages i- 154 for study and response, provided that no part of the re- production is for sale, copies are for onetime local use, and the following copyright notice appears: From Principles for Worship, copyright © 2002, administered by Augsburg Fortress. May be reproduced by permission for use only be- tween June 1, 2002 and December 31, 2005. Scripture quotations, unless otherwise noted, are from the New Revised Standard Version Bible © 1989 Division of Christ- ian Education of the National Council of Churches of Christ in the United States of America. Used by permission. Prayers and liturgical texts acknowledged as LBW are copyright © 1978 Lutheran Book of Worship and those acknowledged as With One Voice are copyright © 1995 Augsburg Fortress. The Use of the Means of Grace: A Statement on the Practice of Word and Sacrament, included as the appendix in this volume, was adopted for guidance and practice by the Fifth Biennial Churchwide Assembly of the Evangelical Lutheran Church in America, August 19, 1997. -
The Art of the Icon: a Theology of Beauty, Illustrated
THE ART OF THE ICON A Theology of Beauty by Paul Evdokimov translated by Fr. Steven Bigham Oakwood Publications Pasadena, California Table of Contents SECTION I: BEAUTY I. The Biblical Vision of Beauty II. The Theology of Beauty in the Fathers III. From Æsthetic to Religious Experience IV. The Word and the Image V. The Ambiguity of Beauty VI. Culture, Art, and Their Charisms VII. Modern Art in the Light of the Icon SECTION II: THE SACRED I. The Biblical and Patristic Cosmology II. The Sacred III. Sacred Time IV. Sacred Space V. The Church Building SECTION III: THE THEOLOGY OF THE ICON I. Historical Preliminaries II. The Passage from Signs to Symbols III. The Icon and the Liturgy IV. The Theology of Presence V. The Theology of the Glory-Light VI. The Biblical Foundation of the Icon VII. Iconoclasm VIII. The Dogmatic Foundation of the Icon IX. The Canons and Creative Liberty X. The Divine Art XI. Apophaticism SECTION IV: A THEOLOGY OF VISION I. Andrei Rublev’s Icon of the Holy Trinity II. The Icon of Our Lady of Vladimir III. The Icon of the Nativity of Christ IV. The Icon of the Lord’s Baptism V. The Icon of the Lord’s Transfiguration VI. The Crucifixion Icon VII. The Icons of Christ’s Resurrection VIII. The Ascension Icon IX. The Pentecost Icon X. The Icon of Divine Wisdom Section I Beauty CHAPTER ONE The Biblical Vision of Beauty “Beauty is the splendor of truth.” So said Plato in an affirmation that the genius of the Greek language completed by coining a single term, kalokagathia.