DOCSLIB.ORG

Library Orders - Music Composition/Electronic Music

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Library Orders - Music Composition/Electronic Music LIBRARY ORDERS - MUSIC COMPOSITION/ELECTRONIC MUSIC COMPOSER PRIORITY TITLE FORMAT LABEL PRICE Babbitt, Milton A Three Compositions for Piano CD Bartok, Bela A Mikrokosmos; progressive piano pieces. CD Berbarian, Cathy A Stripsody : for solo voice CD Berg, Alban A Violin Concerto CD Berio, Luciano A Sequenza V, for trombone CD Berio, Luciano A Sequenza VII; per oboe solo CD Berio, Luciano A Sequenza XII : per bassoon solo CD Berio, Luciano A Sinfonia, for eight voices and orchestra CD Boulez, Pierre A Marteau sans maître : pour voix d'alto et 6 instruments CD Boulez, Pierre A Structures for two pianos : first book CD Boulez, Pierre A Structures for two pianos : second book CD Brown, Earle A December 1952 (1952) CD Cage, John A Music of Changes, vol. 1 CD Cage, John A Variations IV, for any number of players, any sounds or combinations of sounds produced CD by any means, with or without other activities Carter, Elliott A Sonata for flute, oboe, cello, and harpsichord (1952) CD Carter, Elliott A String quartet no. 4 CD Cowell, Henry A Piano music of Henry Cowell #1 CD Cowell, Henry A Piano music of Henry Cowell #2 CD Crumb, George A APPARITION CD Crumb, George A BLACK ANGELS CD Crumb, George A Haunted Landscape CD Crumb, George A NIGHT OF THE FOUR MOONS CD Davies, Peter Maxwell Davies A Eight songs for a mad king CD Davies, Peter Maxwell Davies A Four Instrumental motets CD Davies, Peter Maxwell Davies A Unbroken circle : for chamber ensemble CD Dick, Robert A Flying lessons : six contemporary concert etudes, vol. 1 CD Dick, Robert A Flying lessons : six contemporary concert etudes, vol. 2 CD Feldman, Morton A De Kooning CD Ferneyhough, Brian A Etudes transcendantales : flute, oboe, soprano, harpsichord and violoncello CD Ives, Charles A Hallowe'en : for two violins, viola, cello, piano CD Ives, Charles A Unanswered question : for trumpet, flute quartet, and strings CD Ligeti, Gyorgy A Apparitions : 1958/59, für Orchester CD Ligeti, Gyorgy A ATMOSPHERES-ENGRAVED STUDY SCORE CD Messiaen, Olivier A COULEURS DE LA CITE CELEST-STDY SCO CD Messiaen, Olivier A QUATUOR POUR FIN DU TEMPS-STUDY SC CD Mussorgsky, Modest A Pictures At An Exhibition -- For Orchestra . Orchestrated by Maurice Ravel. London, CD England Full score 1929/1997 Nono, Luigi A Omaggio a György Kurtág : per contralto, flauto, clarinetto in sib, basso tuba e live CD electronics (1983-1986) Penderecki, Krzysztof A THRENODY TO THE VICTIMS HIROSH-ST S CD Ravel, Maurice A Chanson Madecasse CD Reich, Steve A Eight Lines (Octet) . 2fl (picc), 2cl (2bcl), 2pf, 4vn, 2va, 2vc. London, England Full score CD 1980 Reich, Steve A Piano phase : for two pianos or two marimbas CD Riley, Terry A In C CD Page 1 LIBRARY ORDERS - MUSIC COMPOSITION/ELECTRONIC MUSIC Rochberg, George A Eden: out of time and out of space : chamber concerto for guitar and ensemble CD Salzedo, Carlos A MODERN STUDY OF THE HARP CD Satie, Erik A Piano solo . Paris, France 1989 CD Satie, Erik A Twenty short pieces for piano : sports et divertissements CD Scelsi, Giancinto A Pwyll : for solo flute CD Schoenberg, Arnold A SIX LITTLE PIANO PIECES OP 19 CD Schoenberg, Arnold A STRING QUARTET #4 OP 37-STUDY SCORE CD Schoenberg, Arnold A SUITE OP 29-SCORE CD Schoenberg, Arnold A SURVIVOR FROM WARSAW OP 46 CD Schoenberg, Arnold A The Book Of The Hanging Gardens And Other Songs For Voice And Piano. Trans. Stanley CD Appelbaum . Mineola, NY 176p, paper 1995 Schwantner, Joseph A AFTERTONES OF INFINITY-ORCH-STUDY S CD Seeger, Ruth Crawford A Five songs : poems by Carl Sandburg : contralto and piano CD Seeger, Ruth Crawford A String Quartet (1931) CD Stockhausen, Karlheinz A Gruppen : für 3 Orchester ; Carré : für 4 Orchester und 4 Chöre CD Stockhausen, Karlheinz A KONTAKTE-STUDY SCORE CD Stockhausen, Karlheinz A ZYKLUS-PERF SCORE CD Stravinsky, Igor A FIREBIRD 1919-STUDY SCORE CD Stravinsky, Igor A FIREBIRD ORIGINAL VERSION-SCORE CD Stravinsky, Igor A LES NOCES IN FULL SCORE CD Stravinsky, Igor A SOLDIERS TALE-FULL SCORE-P.O.P. CD Takemitsu, Toru A Asterism : orchestra CD Takemitsu, Toru A Rain coming : for chamber orchestra CD Takemitsu, Toru A Rain spell : for flute, clarinet, harp, piano and vibraphone CD Takemitsu, Toru A Rain tree : for 3 percussion players (or 3 keyboard players) CD Takemitsu, Toru A Water ways : pour violon, violoncelle, clarinette in sib, piano, deux harpes et deux CD vibraphones Tower, Joan A Black topaz : for piano and six instruments (flute, clarinet, trumpet, trombone, and 2 CD percussion) Tower, Joan A Petroushskates : for flute, clarinet, violin, cello [and] piano CD Tower, Joan A Très lent : hommage à Messiaen : for cello and piano CD Turnage, Mark-Anthony A Release . Soprano sax, alto sax, bass clar trumpet, percussion, piano. London Study Score, CD 1991 Varese, Edgar A DENSITY 21.5-FLUTE SOLO CD Varese, Edgar A DESERTS-STUDY SCORE CD Varese, Edgar A HYPERPRISM-STUDY SCORE CD Varese, Edgar A IONISATION-PERCUSSION ENSEMBLE-SCOR CD Wagner, Richard A DIE MEISTERSINGER VON NURNBERG CD Wagner, Richard A Parsifal in Full Score . New York, NY Full score 1986 CD Wagner, Richard A TRISTAN UND ISOLDE-STUDY SCORE CD Walton, William A Concerto in G-Dur für Viola und Orchester = Concerto in G major for viola and orchestra CD Webern, Anton A Six Pieces for Orchestra, Op. 6 - Full Score CD Webern, Anton A SYMPHONY OP 21-STUDY SCORE CD Xenakis, Iannis A ATREES-STUDY SCORE-P.O.P. CD Xenakis, Iannis A Dammerschein CD Xenakis, Iannis A Echange CD Xenakis, Iannis A EONTA-FULL SCORE CD Page 2 LIBRARY ORDERS - MUSIC COMPOSITION/ELECTRONIC MUSIC Xenakis, Iannis A Jalons CD Xenakis, Iannis A Kassandra CD Xenakis, Iannis A Kraanerg CD Xenakis, Iannis A ORESTEIA CD Xenakis, Iannis A Phlegra CD Xenakis, Iannis A Tetras CD Xenakis, Iannis A Thallein CD Page 3 LIBRARY ORDERS - MUSIC COMPOSITION/ELECTRONIC MUSIC YES Page 4 LIBRARY ORDERS - MUSIC COMPOSITION/ELECTRONIC MUSIC Page 5 LIBRARY ORDERS - MUSIC COMPOSITION/ELECTRONIC MUSIC Page 6.
Load more

Recommended publications
  • Taking Flight Beginning with a Tribute to Lindbergh, the St
    TAKING FLIGHT BEGINNING WITH A TRIBUTE TO LINDBERGH, THE ST. LOUIS SYMPHONY EXPRESSES THE SPIRIT OF ST. LOUIS. BY EDDIE SILVA DILIP VISHWANAT David Robertson Begin with a new beginning. The St. Louis Symphony’s 2016-17 season, its 137th, starts with the turn of a propeller, a steep rise into uncluttered skies, and a lonely, perilous journey that changed how people lived, thought, and dreamed. Charles Lindbergh’s silvery craft was christened The Spirit of St. Louis, and pilot and aircraft made their historic flight together across the Atlantic 90 years ago. The name “Spirit of St. Louis” also reflects upon the daring and innovation of a few St. Louisans early in the 20th century. It also speaks to St. Louis now, near the beginning of a new century amidst a whirlwind of innovation that turns more swiftly than a propeller. The St. Louis Symphony, Music Director David Robertson has remarked often, embodies that spirit: innovative, daring, risk-taking, enduring, agile, resourceful—give it an engine and a pair of wings and you’ll see Paris by morning. Kurt Weill’s The Flight of Lindbergh opens the 2016-17 season (September 16-17). Described as a “radio cantata,” it is one of the early collaborations between Weill and Bertolt Brecht, who created the classic The Threepenny Opera as well as other distinctive Brecht/Weill productions. KMOX’s Charlie Brennan provides the radio expertise as narrator of The Flight of Lindbergh. This 1929 work, written in the flush of inspiration that followed Lindbergh’s 6 Taking Flight achievement, will feel fresh, new, and innovative in 2016.
    [Show full text]
  • The Influence of Berio Sequenza V on Trombone Repertoire and Technique
    The Influence of Berio Sequenza V on Trombone Repertoire and Technique K J BALDWIN PHD 2020 The Influence of Berio Sequenza V on Trombone Repertoire and Technique KERRY JANE BALDWIN A thesis submitted in partial fulfilment of the requirements of Manchester Metropolitan University for the degree of Doctor of Philosophy Awarded for a Collaborative Programme of Research at the Royal Northern College of Music by Manchester Metropolitan University 2020 CONTENTS Page Acknowledgements i Abstract ii Literature Review iii 1. 1900-1965 Historical Context: Influences on Sequenza V 1 a. Early Twentieth Century Developments 4 b. Glissando Techniques for Trombone 6 i. The False Glissando 6 ii. The Reverse Slide Glissando 10 c. Flutter Tongue 11 d. Theatrical Works 12 e. Berio & Grock 13 2. Performing Sequenza V 15 a. Introduction and Context b. Preparing to Learn Sequenza V 17 i. Instructions 17 ii. Equipment: Instrument 17 iii. Equipment: Mutes 18 iv. Equipment: Costume 19 c. Movement 20 d. Interpreting the Score 21 i. Tempo 21 ii. Notation 22 iii. Dynamics 24 iv. Muting 24 e. Sections A and B 26 f. WHY 27 g. The Third System 29 h. Multiphonics 31 i. Final Bar 33 j. The Sixth System 34 k. Further Vocal Pitches 35 l. Glissandi 36 m. Multiphonic Glissandi 40 n. Enharmonic Changes 44 o. Breathy Sounds 46 p. Flutter Tongue 47 q. Notable Performances of Sequenza V 47 i. Christian Lindberg 48 ii. Benny Sluchin 48 iii. Alan Trudel 49 3. 1966 – 2020 Historical Context: The Impact of Sequenza V 50 a. Techniques Repeated 50 b. Further Developments 57 c.
    [Show full text]
  • 95.3 Fm 95.3 Fm
    October/NovemberMarch/April 2013 2017 VolumeVolume 41, 46, No. No. 3 1 !"#$%&'95.3 FM Brahms: String Sextet No. 2 in G, Op. 36; Marlboro Ensemble Saeverud: Symphony No. 9, Op. 45; Dreier, Royal Philharmonic WHRB Orchestra (Norwegian Composers) Mozart: Clarinet Quintet in A, K. 581; Klöcker, Leopold Quartet 95.3 FM Gombert: Missa Tempore paschali; Brown, Henry’s Eight Nielsen: Serenata in vano for Clarinet,Bassoon,Horn, Cello, and October-November, 2017 Double Bass; Brynildsen, Hannevold, Olsen, Guenther, Eide Pokorny: Concerto for Two Horns, Strings, and Two Flutes in F; Baumann, Kohler, Schröder, Concerto Amsterdam (Acanta) Barrios-Mangoré: Cueca, Aire de Zamba, Aconquija, Maxixa, Sunday, October 1 for Guitar; Williams (Columbia LP) 7:00 am BLUES HANGOVER Liszt: Grande Fantaisie symphonique on Themes from 11:00 am MEMORIAL CHURCH SERVICE Berlioz’s Lélio, for Piano and Orchestra, S. 120; Howard, Preacher: Professor Jonathan L. Walton, Plummer Professor Rickenbacher, Budapest Symphony Orchestra (Hyperion) of Christian Morals and Pusey Minister in The Memorial 6:00 pm MUSIC OF THE SOVIET UNION Church,. Music includes Kodály’s Missa brevis and Mozart’s The Eve of the Revolution. Ave verum corpus, K. 618. Scriabin: Sonata No. 7, Op. 64, “White Mass” and Sonata No. 9, 12:30 pm AS WE KNOW IT Op. 68, “Black Mass”; Hamelin (Hyperion) 1:00 pm CRIMSON SPORTSTALK Glazounov: Piano Concerto No. 2 in B, Op. 100; Ponti, Landau, 2:00 pm SUNDAY SERENADE Westphalian Orchestra of Recklinghausen (Turnabout LP) 6:00 pm HISTORIC PERFORMANCES Rachmaninoff: Vespers, Op. 37; Roudenko, Russian Chamber Prokofiev: Violin Concerto No. 2 in g, Op.
    [Show full text]
  • Form in the Music of John Adams
    Graduate Theses, Dissertations, and Problem Reports 2018 Form in the Music of John Adams Michael Ridderbusch Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Ridderbusch, Michael, "Form in the Music of John Adams" (2018). Graduate Theses, Dissertations, and Problem Reports. 6503. https://researchrepository.wvu.edu/etd/6503 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Form in the Music of John Adams Michael Ridderbusch DMA Research Paper submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music Theory and Composition Andrew Kohn, Ph.D., Chair Travis D. Stimeling, Ph.D. Melissa Bingmann, Ph.D. Cynthia Anderson, MM Matthew Heap, Ph.D. School of Music Morgantown, West Virginia 2017 Keywords: John Adams, Minimalism, Phrygian Gates, Century Rolls, Son of Chamber Symphony, Formalism, Disunity, Moment Form, Block Form Copyright ©2017 by Michael Ridderbusch ABSTRACT Form in the Music of John Adams Michael Ridderbusch The American composer John Adams, born in 1947, has composed a large body of work that has attracted the attention of many performers and legions of listeners.
    [Show full text]
  • EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES from The
    EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES From the 19th Century To the Present A Discography Of CDs And LPs Prepared by Michael Herman Composers K-P MILOSLAV KABELÁČ (1908-1979, CZECH) Born in Prague. He studied composition at the Prague Conservatory under Karel Boleslav Jirák and conducting under Pavel Dedeček and at its Master School he studied the piano under Vilem Kurz. He then worked for Radio Prague as a conductor and one of its first music directors before becoming a professor of the Prague Conservatoy where he served for many years. He produced an extensive catalogue of orchestral, chamber, instrumental, vocal and choral works. Symphony No. 1 in D for Strings and Percussion, Op. 11 (1941–2) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 2 in C for Large Orchestra, Op. 15 (1942–6) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 3 in F major for Organ, Brass and Timpani, Op. 33 (1948-57) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 2, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Libor Pešek/Alena Veselá(organ)/Brass Harmonia ( + Kopelent: Il Canto Deli Augei and Fišer: 2 Piano Concerto) SUPRAPHON 1110 4144 (LP) (1988) Symphony No. 4 in A major, Op. 36 "Chamber" (1954-8) Marko Ivanovic/Czech Chamber Philharmonic Orchestra, Pardubice ( + Martin·: Oboe Concerto and Beethoven: Symphony No. 1) ARCO DIVA UP 0123 - 2 131 (2009) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos.
    [Show full text]
  • 2013-2014 Subscription Series
    2013-2014 Subscription Series Fri. Sun. Thursday 6 8PM 8PM Fri 9 2PM Saturday 6 8PM Sat. 9 8PM 2PM 2013-2014 Subscription Series A B C D A B A B C D A B September Fri. Sun. Beethoven 9 PREMIuM Thursday 6 8PM 8PM Fri 9 2PM Saturday 6 8PM Sat. 9 8PM 2PM Yannick Nézet-Séguin Conductor Beethoven Calm Sea and Sept. Sept. Sept. Sept. Westminster Symphonic Choir Prosperous Voyage A B C D A B A B C D A B Joe Miller Director Muhly “Bright Mass with Canons” 26 27 28 28 Beethoven Symphony September No. 9 (“Choral”) Beethoven 9 PREMIuM Yannick Nézet-Séguin Conductor Beethoven Calm Sea and Sept. Sept. Sept. Sept. OctoberWestminster Symphonic Choir Prosperous Voyage Joe Miller Director Muhly “Bright Mass with Canons” 26 27 28 28 Mahler 4 Beethoven Symphony Oct. Oct. Oct. Oct. Yannick Nézet-Séguin Conductor Britten No. 9 (“Choral”)Variations and Fugue Richard Woodhams Oboe on a Theme of Purcell 4 5 5 6 Christiane Karg Soprano Strauss Oboe Concerto October Mahler Symphony No. 4 Mahler 4 Oct. Oct. Oct. Oct. BronfmanYannick Nézet-Séguin Plays BeethovenConductor Britten Variations and Fugue Richard Woodhams Oboe on a Theme of Purcell Semyon Bychkov Conductor Beethoven Piano Concerto No. 4 Oct. 4 Oct. Oct. 5 5 6 Christiane Karg Soprano Strauss Oboe Concerto Yefim Bronfman Piano Shostakovich Symphony No. 11 Mahler Symphony No. 4 10 11 12 (“The Year 1905”) BronfmanPines of Rome Plays BeethovenPREMIuM Rafael Frühbeck de Burgos Beethoven Overture to Semyon Bychkov Conductor Beethoven Piano Concerto No. 4 Oct. Oct.
    [Show full text]
  • Review of Rethinking Reich, Edited by Sumanth Gopinath and Pwyll Ap Siôn (Oxford University Press, 2019) *
    Review of Rethinking Reich, Edited by Sumanth Gopinath and Pwyll ap Siôn (Oxford University Press, 2019) * Orit Hilewicz NOTE: The examples for the (text-only) PDF version of this item are available online at: hps://www.mtosmt.org/issues/mto.21.27.1/mto.21.27.1.hilewicz.php KEYWORDS: Steve Reich, analysis, politics DOI: 10.30535/mto.27.1.0 Received January 2020 Volume 27, Number 1, March 2021 Copyright © 2021 Society for Music Theory [1] This past September, a scandal erupted on social media when a 2018 book excerpt was posted that showed a few lines from an interview with British photographer and music writer Val Wilmer. Wilmer recounted her meeting with Steve Reich in the early 1970s: I was talking about a person who was playing with him—who happened to be an African-American who was a friend of mine. I can tell you this now because I feel I must . we were talking and I mentioned this man, and [Reich] said, “Oh yes, well of course, he’s one of the only Blacks you can talk to.” So I said, “Oh really?” He said, “Blacks are geing ridiculous in the States now.” And I thought, “This is a man who’s just done this piece called Drumming which everybody cites as a great thing. He’s gone and ripped off stuff he’s heard in Ghana—and he’s telling me that Blacks are ridiculous in the States now.” I rest my case. Wouldn’t you be politicized? (Wilmer 2018, 60) Following recent revelations of racist and misogynist statements by central musical figures and calls for music scholarship to come to terms with its underlying patriarchal and white racial frame, (1) the new edited volume on Reich suggests directions music scholarship could take in order to examine the political, economic, and cultural environments in which musical works are composed, performed, and received.
    [Show full text]
  • A B C a B C D a B C D A
    24 go symphonyorchestra chica symphony centerpresent BALL SYMPHONY anne-sophie mutter muti riccardo orchestra symphony chicago 22 september friday, highlight season tchaikovsky mozart 7:00 6:00 Mozart’s fiery undisputed queen ofviolin-playing” ( and Tchaikovsky’s in beloved masterpieces, including Rossini’s followed by Riccardo Muti leading the Chicago SymphonyOrchestra season. Enjoy afestive opento the preconcert 2017/18 reception, proudly presents aprestigious gala evening ofmusic and celebration The Board Women’s ofthe Chicago Symphony Orchestra Association Gala package guests will enjoy postconcert dinner and dancing. rossini Suite from Suite 5 No. Concerto Violin to Overture C P s oncert reconcert Reception Turkish The Sleeping Beauty Concerto. The SleepingBeauty William Tell conducto The Times . Anne-Sophie Mutter, “the (Turkish) William Tell , London), performs London), , media sponsor: r violin Overture 10 Concerts 10 Concerts A B C A B 5 Concerts 5 Concerts D E F G H I 8 Concerts 5 Concerts E F G H 5 Concerts 6 Conc. 5 Concerts THU FRI FRI SAT SAT SUN TUE 8:00 1:30 8:00 2017/18 8:00 8:00 3:00 7:30 ABCABCD ABCDAAB Riccardo Muti conductor penderecki The Awakening of Jacob 9/23 9/26 Anne-Sophie Mutter violin tchaikovsky Violin Concerto schumann Symphony No. 2 C A 9/28 9/29 Riccardo Muti conductor rossini Overture to William Tell 10/1 ogonek New Work world premiere, cso commission A • F A bruckner Symphony No. 4 (Romantic) A Alain Altinoglu conductor prokoFIEV Suite from The Love for Three Oranges Sandrine Piau soprano poulenc Gloria Michael Schade tenor gounod Saint Cecilia Mass 10/5 10/6 Andrew Foster-Williams 10/7 C • E B bass-baritone B • G Chicago Symphony Chorus Duain Wolfe chorus director 10/26 10/27 James Gaffigan conductor bernstein Symphonic Suite from On the Waterfront James Ehnes violin barber Violin Concerto B • I A rachmaninov Symphonic Dances Sir András Schiff conductor mozart Serenade for Winds in C Minor 11/2 11/3 and piano bartók Divertimento for String Orchestra 11/4 11/5 A • G C bach Keyboard Concerto No.
    [Show full text]
  • Reconsidering the Nineteenth-Century Potpourri: Johann Nepomuk Hummel’S Op
    Reconsidering the Nineteenth-Century Potpourri: Johann Nepomuk Hummel’s Op. 94 for Viola and Orchestra A document submitted to The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in the Performance Studies Division of the College-Conservatory of Music 2018 by Fan Yang B. M., Hong Kong Academy for Performing Arts, 2008 M. M., Hong Kong Academy for Performing Arts, 2010 D. M. A. Candidacy, University of Cincinnati, 2013 Abstract The Potpourri for Viola and Orchestra, Op. 94 by Johann Nepomuk Hummel is available in a heavily abridged edition, entitled Fantasy, which causes confusions and problems. To clarify this misperception and help performers choose between the two versions, this document identifies the timeline and sources that exist for Hummel’s Op. 94 and compares the two versions of this work, focusing on material from the Potpourri missing in the Fantasy, to determine in what ways it contributes to the original work. In addition, by examining historical definitions and composed examples of the genre as well as philosophical ideas about the faithfulness to a work—namely, idea of the early nineteenth-century work concept, Werktreue—as well as counter arguments, this research aims to rationalize the choice to perform the Fantasy or Potpourri according to varied situations and purposes, or even to suggest adopting or adapting the Potpourri into a new version. Consequently, a final goal is to spur a reconsideration of the potpourri genre, and encourage performers and audiences alike to include it in their learning and programming.
    [Show full text]
  • Joan TOWER Violin Concerto Stroke Chamber Dance
    AMERICAN CLASSICS Joan TOWER Violin Concerto Stroke Chamber Dance Cho-Liang Lin, Violin Nashville Symphony Giancarlo Guerrero Joan Tower (b. 1938) Violin Concerto memorializing Oliveira’s love for his sibling. The middle section, with its Ravel-like woodwind murmurings, opens Stroke • Violin Concerto • Chamber Dance The composer first met violinist Elmar Oliveira while she with the opening whole-step idea given particular Like all good composers, Joan Tower brings to her writing capabilities. Her first concerto, Music for Cello and was working as composer-in-residence for the St. Louis poignancy by octave displacement. It reaches great desk life and musical experiences that inform her music in Orchestra, was written for the group’s cellist, and she has Symphony. “The first time he heard my music, he really heights of emotional intensity before segueing effortlessly unique ways. These include her childhood in South since composed concerti for the other four instruments in liked it,” she says. Eventually he told her, “You know, I just into the “finale,” the beginning of which is marked by a America, her formal education and her work as a the ensemble. She has held orchestral residencies with love your music, and I would like you to write a piece for descending whole step from pizzicato strings. professional chamber-music player. A member of the the St. Louis Symphony Orchestra (1985-88), the me.” Tower set out to compose a work that would generation that broke the glass ceiling for female Orchestra of St. Luke’s (1997-2007) and the Pittsburgh highlight traits she greatly admired in Oliveira’s technique.
    [Show full text]
  • A Nonesuch Retrospective
    STEVE REICH PHASES A N O nes U ch R etr O spective D isc One D isc T W O D isc T hree MUSIC FOR 18 MUSICIANS (1976) 67:42 DIFFERENT TRAINS (1988) 26:51 YOU ARE (VARIATIONS) (2004) 27:00 1. Pulses 5:26 1. America—Before the war 8:59 1. You are wherever your thoughts are 13:14 2. Section I 3:58 2. Europe—During the war 7:31 2. Shiviti Hashem L’negdi (I place the Eternal before me) 4:15 3. Section II 5:13 3. After the war 10:21 3. Explanations come to an end somewhere 5:24 4. Section IIIA 3:55 4. Ehmor m’aht, v’ahsay harbay (Say little and do much) 4:04 5. Section IIIB 3:46 Kronos Quartet 6. Section IV 6:37 David Harrington, violin Los Angeles Master Chorale 7. Section V 6:49 John Sherba, violin Grant Gershon, conductor 8. Section VI 4:54 Hank Dutt, viola Phoebe Alexander, Tania Batson, Claire Fedoruk, Rachelle Fox, 9. Section VII 4:19 Joan Jeanrenaud, cello Marie Hodgson, Emily Lin, sopranos 10. Section VIII 3:35 Sarona Farrell, Amy Fogerson, Alice Murray, Nancy Sulahian, 11. Section IX 5:24 TEHILLIM (1981) 30:29 Kim Switzer, Tracy Van Fleet, altos 12. Section X 1:51 4. Part I: Fast 11:45 Pablo Corá, Shawn Kirchner, Joseph Golightly, Sean McDermott, 13. Section XI 5:44 5. Part II: Fast 5:54 Fletcher Sheridan, Kevin St. Clair, tenors 14. Pulses 6:11 6. Part III: Slow 6:19 Geri Ratella, Sara Weisz, flutes 7.
    [Show full text]
  • Chamber Music Concert
    2009-2010 presents UNIVERSITY OF WASHINGTON WIND ENSEMBLE Timothy Salzman, conductor CHAMBER MUSIC CONCERT October 25, 2009 1:30 PM Brechemin Auditorium PROGRAM BRAIN RUBBISH (2006/7) ............................................................................... CHRISTIAN LINDBERG (b. 1958) Gary Brattin, conductor Eric Smedley* / Angela Zumbow* / Joseph Sullivan / Joshua Gailey / Leah Miyamoto, trumpet Kenji Ulmer* / Christopher Sibbers / Alison Farley, horn Masa Ohtake* / Sam Elliot / Man-Kit Iong / Zach Roberts, trombone Danny Helseth, euphonium Curtis Peacock* / Seth Tompkins, tuba *brass quintet soloists EIGHT LINES (1983) .................................................................................................... STEVE REICH (b. 1936) Vu Nguyen, conductor Chung-Lin Lee / Maggie Stapleton, flute & piccolo Jacob Bloom / Kirsten Cummings / Geoffrey Larson, clarinet & bass clarinet Akiko Iguchi / Mayumi Tayake, piano Katy Balatero / Elizabeth Knighton / Kouki Tanaka / Matthew Wu, violin T. J. Pierce / Andrew Schirmer, viola Karen Helseth / Erica Klein, cello SHARPENED STICK (2000) ........................................................................... BRETT WILLIAM DIETZ (b. 1972) Timothy Salzman, conductor Jennifer Wagner / Chris Lennard / Melanie Stambaugh / Lacey Brown / Chia-Hao Hsieh MOGGIN’ ALONG Fr’ forty years next Easter day, An’ then children Him and me in wind and weather Come till we have eight Have been a-gittin’ bent ‘n; gray As han’some babes as ever growed Moggin’ along together. To walk beside a mother’s knee, They helped me bear it all, y’ see. We’re not so very old, of course, It ain’t been nothin’ else But still, we ain’t so awful spry, But scrub an’ rub’ an’ bake, and stew As when we went to singin’-school The hull, hull time over stove or tub Afoot and ‘cross lots, him and I, No time to rest as men folk do.
    [Show full text]