Jazz for String Players a Bibliography by Renata Bratt and Paula Zeitlin for the IAJE String Caucus
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Adapting the Language of Charlie Parker to the Cello Through Solo
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2007 Yardbird cello: adapting the language of Charlie Parker to the cello through solo transcription and analysis Kristin Isaacson Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Isaacson, Kristin, "Yardbird cello: adapting the language of Charlie Parker to the cello through solo transcription and analysis" (2007). LSU Doctoral Dissertations. 3038. https://digitalcommons.lsu.edu/gradschool_dissertations/3038 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. YARDBIRD CELLO: ADAPTING THE LANGUAGE OF CHARLIE PARKER TO THE CELLO THROUGH SOLO TRANSCRIPTION AND ANALYSIS A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In Partial fulfillment of the Requirements for the Degree of Doctor of Musical Arts In The School of Music By Kristin Isaacson B.M. Indiana University, 1998 M.M. Louisiana State University, 2000 December 2007 ACKNOWLEDGMENTS This document is dedicated to the memory of my grandmother, Virginia Rylands, a remarkable woman and jazz pianist who came of age in the Kansas City of Charlie Parker’s youth. She inspired my interest in this music. I would like to extend special thanks to my parents, Mary Lou and Phillip, and to my brother and musical colleague, Peter Isaacson for his encouragement along the way. -
National Endowment for the Arts Annual Report 1990
National Endowment For The Arts Annual Report National Endowment For The Arts 1990 Annual Report National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the Fiscal Year ended September 30, 1990. Respectfully, Jc Frohnmayer Chairman The President The White House Washington, D.C. April 1991 CONTENTS Chairman’s Statement ............................................................5 The Agency and its Functions .............................................29 . The National Council on the Arts ........................................30 Programs Dance ........................................................................................ 32 Design Arts .............................................................................. 53 Expansion Arts .....................................................................66 ... Folk Arts .................................................................................. 92 Inter-Arts ..................................................................................103. Literature ..............................................................................121 .... Media Arts: Film/Radio/Television ..................................137 .. Museum ................................................................................155 .... Music ....................................................................................186 .... 236 ~O~eera-Musicalater ................................................................................ -
Boyer College of Music and Dance 2018-2019 Event Calendar
2018-2019 Event Calendar Boyer College of Music and Dance Thursday, August 30 at 4:30-6:30pm Rite of Swing Jazz Café: Scott Edmunds, piano Featuring Tim Warfield, sax/composer Temple Performing Arts Center Lobby Tuesday, September 4 at 5:30pm Dance Studies Colloquium Series: AnusHa KedHar, UC Riverside Breaking Point?: Flexibility, Pain, and tHe Calculus of Risk in Neoliberal Multiculturalism CHAT Lounge, Gladfelter Hall, 10th floor Thursday, September 6 at 4:30-6:30pm Rite of Swing Jazz Café: George Burton, piano Temple Performing Arts Center Lobby Friday, September 7 at 1:00pm Friday, September 7 at 2:15pm World Music Lecture-Performance: Irish Dance Arronson Hall Friday, September 7 at 7:30PM Master's Recital: Andrew DiGiandomenico, guitar Rock Hall Auditorium Thursday, September 13 at 4:30-6:30pm Rite of Swing Jazz Café: Bootsie Barnes & Larry McKenna, sax CD Release Event/Jazz Industry Day Temple Performing Arts Center Lobby Friday, September 14 at 7:30pm Saturday, September 15 at 7:30pm Beneath tHe Surface – Dara J. Meredith Presents An in-depth journey exploring aspects of mental illness through the lens of contemporary, athletic, African diasporic movement. Tickets $20 in advance at Brown Paper Tickets at bpt.me or 1-800-838-3006. Available at tHe door for $25, 30 minutes before each show. Conwell Dance Theater Tuesday, September 18 at 2:00pm World Music Lecture-Performance: Mohamed Abozekry & Karkadé, Egyptian instrumental ensemble Rock Hall Auditorium Tuesday, September 18 at 8:00pm Temple NigHt @ SoutH: Chris Oatts, sax Chris Oatts - sax Silas Irvine - piano Rodney Green - drums Sam Harris - bass South Jazz Kitchen, 600 N. -
Pure Acoustic
A TAYLOR GUITARS QUARTERLY PUBLICATION • VOLUME 47 • WINTER 2006 pure acoustic THE GS SERIES TAKES SHAPE I’m a 30-year-old mother and wife who Jorma Kaukonen, Bert Jansch, Leo Kottke, 1959 Harmony Sovereign to a collector, loves to play guitar. I currently own two Reverend Gary Davis, and others, and my I will buy that Taylor 110, or even a 200 Letters Fenders. But after seeing you recognize listeners tell me I am better than before series model, which are priced right. my kind of player, my next guitar will be the “incident”. That’s a long story about John-Hans Melcher a Taylor (keeping my fingers crossed for a great guitar saving my hand, my music, (former percussionist for Christmas). Thanks for thinking of me. and my job. Thanks for building your Elvis Presley and Ann-Margret) Via e-mail Bonnie Manning product like I build mine — with pride Via e-mail and quality materials. By the way, I saw Artie Traum conduct After many years of searching and try- Aloha, Mahalo Nui a workshop here in Wakefield and it was ing all manner of quality instruments in Loa, A Hui Hou a very good time. Artie is a fine musician order to improve on the sound and feel Aloha from Maui! I met David Hosler, and a real down-to-earth guy — my kind of, would you believe, a 1966 Harmony Rob Magargal, and David Kaye at Bounty of people. Sovereign, I’ve done it! It’s called a Taylor Music on Maui last August, and I hope Bob “Slice” Crawford 710ce-L9. -
Group Sales and Benefits
Group Sales and Benefits 2019–2020 SEASON Mutter by Bartek Barczyk / DG, Tilson Thomas by Spencer Lowell, Ma by Jason Bell, WidmannCover by photo Marco by Jeff Borggreve, Goldberg Wang by / Esto. Kirk Edwards, This page: Uchida Barenboim by Decca by Steve / Justin J. Sherman, Pumfrey, Kidjo Terfel by Sofia by Mitch Jenkins Sanchez / DG, & Mauro Muti Mongiello. by Todd Rosenberg Photography, Kaufmann by Julian Hargreaves / Sony Classical, Fleming by Andrew Eccles, Kanneh-Mason by Lars Borges, Group Benefits Bring 10 or more people to any Carnegie Hall presentation and enjoy exclusive benefits. Daniel Barenboim Tituss Burgess Group benefits include: • Discounted tickets for selected events • Payment flexibility • Waived convenience fees • Advance reservations before the general public Sir Bryn Terfel Riccardo Muti More details are listed on page 22. Calendar listings of all Carnegie Hall presentations throughout the 2019–2020 season are featured Jonas Kaufmann Renée Fleming on the following pages, including many that have discounted tickets available for groups. ALL GROUPS Save 10% when you purchase tickets to concerts identified with the 10% symbol.* Sheku Kanneh-Mason Anne-Sophie Mutter BOOK AND PAY For concerts identified with the 25% symbol, groups that pay at the time of their reservation qualify for a 25% discount.* STUDENT GROUPS Michael Tilson Thomas Yo-Yo Ma Pay only $10 per ticket for concerts identified with the student symbol.* * Discounted seats are subject to availability and are not valid on prior purchases or reservations. Selected seats and limitations apply. Jörg Widmann Yuja Wang [email protected] 212-903-9705 carnegiehall.org/groups Mitsuko Uchida Angélique Kidjo Proud Season Sponsor October Munich Philharmonic The Munich Philharmonic returns to Carnegie Hall for two exciting concerts conducted by Valery Gergiev. -
The “Second Quintet”: Miles Davis, the Jazz Avant-Garde, and Change, 1959-68
THE “SECOND QUINTET”: MILES DAVIS, THE JAZZ AVANT-GARDE, AND CHANGE, 1959-68 A DISSERTATION SUBMITTED TO THE DEPARTMENT OF MUSIC AND THE COMMITTEE ON GRADUATE STUDIES OF STANFORD UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Kwami Taín Coleman August 2014 © 2014 by Kwami T Coleman. All Rights Reserved. Re-distributed by Stanford University under license with the author. This work is licensed under a Creative Commons Attribution- Noncommercial 3.0 United States License. http://creativecommons.org/licenses/by-nc/3.0/us/ This dissertation is online at: http://purl.stanford.edu/vw492fh1838 ii I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Karol Berger, Co-Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. MichaelE Veal, Co-Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Heather Hadlock I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Charles Kronengold Approved for the Stanford University Committee on Graduate Studies. Patricia J. Gumport, Vice Provost for Graduate Education This signature page was generated electronically upon submission of this dissertation in electronic format. -
Press Kit 2017
BIOGRAPHY BIOGRAPHY One of his generation’s extraordinary talents, Scott Tixier has made a name for himself as a violinist-composer of wide- ranging ambition, individuality and drive — “the future of jazz violin” in the words of Downbeat Magazine and “A remarkable improviser and a cunning jazz composer” in those of NPR. The New York City-based Tixier, born in 1986 in Montreuil, France has performed with some of the leading lights in jazz and music legends from Stevie Wonder to NEA jazz master Kenny Barron; as a leader as well. Tixier’s acclaimed Sunnyside album “Cosmic Adventure” saw the violinist performing with a all star band “taking the jazz world by storm” as the All About Jazz Journal put it. The Village Voice called the album “Poignant and Reflective” while The New York Times declared “Mr. Tixier is a violinist whose sonic palette, like his range of interests, runs open and wide; on his new album, “Cosmic Adventure,” he traces a line through chamber music, Afro-Cuban groove and modern jazz.” When JazzTimes said"Tixier has a remarkably vocal tone, and he employs it with considerable suspense. Cosmic Adventure is a fresh, thoroughly enjoyable recording!" Tixier studied classical violin at the conservatory in Paris. Following that, he studied improvisation as a self-educated jazz musician. He has been living in New York for over a decade where he performed and recorded with a wide range of artists, including, Stevie Wonder, Kenny Barron, John Legend, Ed Sheeran, Charnett Moffett, Cassandra Wilson, Chris Potter, Christina Aguilera, Common, Anthony Braxton, Joss Stone, Gladys Knight, Natalie Cole, Ariana Grande, Wayne Brady, Gerald Cleaver,Tigran Hamasyan and many more He played in all the major venues across the United States at Carnegie Hall, the Radio City Music Hall, Madison Square Garden, Barclays Center, Jazz at Lincoln Center, the Blue Note Jazz Club, the Apollo Theater, the Smalls Jazz Club, The Stone, Roulette, Joe's Pub, Prudential Center and the United States Capitol. -
In This Issue
AMERICAN STRING TEACHER May 2008 | Volume 58 | Number 2 May 2008 In this Issue: Big Band Music for Strings? Therapy for Sight-Reading Woes ASTA announces its newest publication, Honey Bee’s Song, American String Teachers Association 2 now available for sale. Please see details on page16. www.astaweb.com AMERICAN STRING TEACHER CONTENTS May 2008 | Volume 58 | Number 2 Features and Forums A Totally New Concept…Big Band Music for Strings? 22 It has been 10 years since the National Standards became a reality and began to inÁ uence music instruction in the United States. by Charles “Bud” Caputo Therapy for Sight-Reading Woes 28 We have long recognized that Suzuki instruction can produce wonderful young performers. by Donald Watts Is That in Tune, Mr. Mozart? 32 As string players, we have all experienced situations where issues of intonation arise, but with no clear answers at hand. by Hasse Borup VIOLIN FORUM 36 Brahms and Joachim – An 1850s Comedy? It is touching to learn of the great mutual respect and affection that artists and potential rivals had for one another. by John A. Thomson Many Viewpoints for Many Sounding Points: 40 Approaching Francklin’s Quartet Considering all of the variables cumulatively responsible for “string sound color,” it is bafÁ ing on one hand, that the bow’s complete oeuvre of “sounding points” upon the string does not appear to be pedagogically formalized. by Jeffrey Levenberg www.astaweb.com | 5 AMERICAN STRING TEACHER CONTENTS May 2008 | Volume 58 | Number 2 Columns Special Inspirations 10 by Donna Sizemore Hale Sections 46 2008 National Conference Member2Member Summary 20 NC-ASTA’s Two-Day String Event 2008 Summer Conferences by Paul Antony-Levine and Megan Morris 54 String Project a la University of Texas at Austin by Judy Bossuat Teaching Tips 60 Patterns for Practice by Jennie Lou Klim Mission Statement The American String Teachers Association My Turn promotes excellence in string and orchestra 79 Music: the Liberating Art teaching and playing. -
The Avant-Garde in Jazz As Representative of Late 20Th Century American Art Music
THE AVANT-GARDE IN JAZZ AS REPRESENTATIVE OF LATE 20TH CENTURY AMERICAN ART MUSIC By LONGINEU PARSONS A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2017 © 2017 Longineu Parsons To all of these great musicians who opened artistic doors for us to walk through, enjoy and spread peace to the planet. ACKNOWLEDGMENTS I would like to thank my professors at the University of Florida for their help and encouragement in this endeavor. An extra special thanks to my mentor through this process, Dr. Paul Richards, whose forward-thinking approach to music made this possible. Dr. James P. Sain introduced me to new ways to think about composition; Scott Wilson showed me other ways of understanding jazz pedagogy. I also thank my colleagues at Florida A&M University for their encouragement and support of this endeavor, especially Dr. Kawachi Clemons and Professor Lindsey Sarjeant. I am fortunate to be able to call you friends. I also acknowledge my friends, relatives and business partners who helped convince me that I wasn’t insane for going back to school at my age. Above all, I thank my wife Joanna for her unwavering support throughout this process. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 LIST OF EXAMPLES ...................................................................................................... 7 ABSTRACT -
Summer Recreation Guide
Registration begins April 29, 2021 | Para ayuda en español: 414.475.8180 Recreation SUMMER Guide Activities for the entire community YOUTH | TEENS | ADULTS | SENIORS mkerec.net Join Milwaukee Recreation for summer fun in the sun! Warmer temperatures have arrived in Milwaukee, which Now is the perfect opportunity to try something new, means it’s time for the Summer 2021 Recreation Guide! We so take some time to browse our guide as there is are excited to offer much needed recreation activities to something for everyone. We look forward to safely the community this season. As always, the safety of our staff engaging with you this summer! and participants remains our top priority, and programs will continue to operate at a limited capacity and adhere Sincerely, to recommended physical distancing and mask-wearing guidelines. Dr. Keith P. Posley This summer, we are thrilled to welcome back many of our Superintendent of Schools most popular programs such as youth sports clinics, aquatics classes, wellness programs, and our summer playgrounds. You can also visit one of our many wading pools or splash pads — they’re a great way to beat the heat! Additionally, we invite you and your family to join us for the first ever Milwaukee Recreation Drive-in Movie Night! This new event will take place on May 15 and allow you to experience a classic summer drive-in at the Milwaukee Public Schools Central Services parking lot (5225 W. Vliet Street). More details regarding registration, movie selection, and start times can be found at mkerec.net/movie. OPENING BEFORE- AND -AFTER SCHOOL SOON CAMP Education and recreation enrichment activities for all grades LEARN MORE TODAY Scan the QR code or visit mkerec.net/camps $5 SWIM IS back! This summer, Milwaukee Recreation is excited to welcome back our $5 swim program! As the American Red Cross celebrates its centennial swim campaign, Milwaukee Recreation has partnered with the Red Cross to offer $5 swim classes at three (3) locations: Milwaukee HS of the Arts, North Division HS, and Vincent HS. -
Yamit Lemoine on Jazz Violin & New Album Ain't Misbehavin'
Yamit Lemoine on Jazz Violin & New Album Ain’t Misbehavin’ By Grant Albert | September 24, 2019 We are in an era of nostalgia: vinyl records are poised to outsell CD’s for the first time since 1986, baggy clothes that resemble 90s fashion are back with aplomb, and appreciation for the jazz masters’ like Miles Davis are hitting a new high. It only makes sense that artist like Yamit Lemoine are spurring nostalgic sentiment. The Israeli born, Toronto raised, Miami resident formed Yamit and The Vinyl Blvd—a classical jazz ensemble that brings funk, groove, and melody into harmonious overtures all over Miami. Yamit plays both the violin and sings the great classics from the 1920’s through the 1960’s. Yamit’s debut album Ain’t Misbehavin’ is a delightful passage through time. The 12-track album brings swaying sounds that combine with Yamit’s delicate, but forceful voice which transports the listener through the great jazz ages from humble beginnings to the inspiring heights of the 1960’s. In a society where new information is thrown onto us in seconds, it never hurts to take a step back and listen to the classics sung by a new voice. You recently released your debut, Ain’t Misbehavin’ can you explain the process and your thoughts about the album? Yamit Lemoine: For me, the process of producing an album is a bit like cooking. When you have great ingredients and know how to put them together – it’s bound to be good. The musicians on the album are incredible, and the tunes are from the Great American Songbook – how can you go wrong? I chose a selection of tunes that we usually played at the gigs – recording them was the natural progression for those tunes because they’ve already taken their organic shape on the stage. -
Birth of the Cool
Mateusz Smoczynski, Violin David Balakrishnan, Violin, Baritone Violin Benjamin von Gutzeit, Viola Mark Summer, Cello Birth of the Cool Reaching for lyricism and gentler textures as a reaction to the fiery sounds of bebop, the renowned musicians who performed on the seminal recording, Birth of the Cool, consider it a tipping point towards the style that became known as “Cool Jazz.” The living embodiment of cool, Miles Davis, and his colleagues, Gil Evans, Gerry Mulligan, Lee Konitz, etc., set the table for a slew of legendary groups that shared their vision. From the Modern Jazz Quartet and Gunther Schuller of third stream music, to the west coast sounds of the Dave Brubeck Quartet with Paul Desmond, to the iconoclastic melodic lines of pianist Lennie Tristano, their particular brand of innovative genius echoed into the myriad jazz fusion blends of the seventies and eighties. Ultimately, this created the perfect conditions for an audacious group of four string players equally grounded in jazz improvisation and classical technique, to split the Eurocentric string quartet atom. In addition to employing their signature groove-based rhythmic techniques to transform classic selections from the recording of Birth of the Cool such as Israel, Venus De Milo, and Jeru into jazz string quartet masterpieces, the two time GRAMMY® winning Turtle Island Quartet will take a wide swath through the many other avenues traversed by these intrepid explorers of cool. Perennial favorites such as Dave Brubeck’s Blue Rondo A La Turk and Gerry Mulligan’s Bernie’s Tune conjoin with Miles Davis’s dreamy Miles Ahead, and the Modern Jazz Quartet’s darker Django.