Raster Images in R Graphics by Paul Murrell
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Understanding Image Formats and When to Use Them
Understanding Image Formats And When to Use Them Are you familiar with the extensions after your images? There are so many image formats that it’s so easy to get confused! File extensions like .jpeg, .bmp, .gif, and more can be seen after an image’s file name. Most of us disregard it, thinking there is no significance regarding these image formats. These are all different and not cross‐ compatible. These image formats have their own pros and cons. They were created for specific, yet different purposes. What’s the difference, and when is each format appropriate to use? Every graphic you see online is an image file. Most everything you see printed on paper, plastic or a t‐shirt came from an image file. These files come in a variety of formats, and each is optimized for a specific use. Using the right type for the right job means your design will come out picture perfect and just how you intended. The wrong format could mean a bad print or a poor web image, a giant download or a missing graphic in an email Most image files fit into one of two general categories—raster files and vector files—and each category has its own specific uses. This breakdown isn’t perfect. For example, certain formats can actually contain elements of both types. But this is a good place to start when thinking about which format to use for your projects. Raster Images Raster images are made up of a set grid of dots called pixels where each pixel is assigned a color. -
Graphic File Preparation for Letterpress Printing ©2016
GRAPHIC FILE PREPARATION FOR LETTERPRESS PRINTING ©2016, Smart Set, Inc. COMMON GRAPHIC FILE FORMATS Vector Formats .ai (Adobe Illustrator) Native Illustrator file format. Best format for importing into Adobe InDesign. Illustrators’s native code is pdf, so saving files in .ai contains the portability of pdf files, but retaining all the editing capabilities of Illustrator. (AI files must be opened in the version of Illustrator that they were created in (or higher). .pdf (Adobe Portable Document Format) A vector format which embeds font and raster graphics within a self-con- tained document that can be viewed and printed (but not edited) in Adobe’s Reader freeware. All pre-press systems are in the process of transitioning from PostScript workflows to PDF workflows. Because of the ability to em- bed all associated fonts and graphics, pdf documents can be generated from most graphics software packages and can be utilized cross-platform and without having all versions of different software packages. Many large printers will now only accept pdf files for output. .eps (Encapsulated PostScript) Before Adobe created the pdf format, PostScript allowed files to be created in a device-independent format, eps files printed on a 300 dpi laser printer came out 300 dpi, the same file printed to an imagesetter would come out at 2540 dpi. PostScript files are straight code files, an Encapsulated PostScript includes a 72 dpi raster preview so that you can see what you’re working with in a layout program such as Quark XPress or InDesign. COMMON GRAPHIC FILE FORMATS Raster Formats .tiff (Tagged Image File Format) Tiffs are binary images best for raster graphics. -
Image Formats
Image Formats Ioannis Rekleitis Many different file formats • JPEG/JFIF • Exif • JPEG 2000 • BMP • GIF • WebP • PNG • HDR raster formats • TIFF • HEIF • PPM, PGM, PBM, • BAT and PNM • BPG CSCE 590: Introduction to Image Processing https://en.wikipedia.org/wiki/Image_file_formats 2 Many different file formats • JPEG/JFIF (Joint Photographic Experts Group) is a lossy compression method; JPEG- compressed images are usually stored in the JFIF (JPEG File Interchange Format) >ile format. The JPEG/JFIF >ilename extension is JPG or JPEG. Nearly every digital camera can save images in the JPEG/JFIF format, which supports eight-bit grayscale images and 24-bit color images (eight bits each for red, green, and blue). JPEG applies lossy compression to images, which can result in a signi>icant reduction of the >ile size. Applications can determine the degree of compression to apply, and the amount of compression affects the visual quality of the result. When not too great, the compression does not noticeably affect or detract from the image's quality, but JPEG iles suffer generational degradation when repeatedly edited and saved. (JPEG also provides lossless image storage, but the lossless version is not widely supported.) • JPEG 2000 is a compression standard enabling both lossless and lossy storage. The compression methods used are different from the ones in standard JFIF/JPEG; they improve quality and compression ratios, but also require more computational power to process. JPEG 2000 also adds features that are missing in JPEG. It is not nearly as common as JPEG, but it is used currently in professional movie editing and distribution (some digital cinemas, for example, use JPEG 2000 for individual movie frames). -
About Graphics/Digital Images
About Graphics/Digital Images Digital images are found in lots of file formats (types) that are used for various reasons. I liken the file formats to flavors of ice-cream, which you might or might not choose to consume on any given day. One day chocolate is more important than mint; another day you might use vanilla, and on another day you might decide to combine more than one flavor in the same bowl. Likewise, you might choose one type of graphic file for a particular project, but it might be completely inappropriate for another project. What works well for display purposes (keeping it on the computer, or for publication to the internet) might not print well. Something that prints well might be too big a file to post to the internet, or may make your program run too slowly. Also, some authoring programs (like Boardmaker or Classroom Suite) might be written to only understand certain types of image files. Some file types are more common than others, and are more likely to be recognized by the “parent” program (the one you use to display, edit or print your image). Whatever type you pick ultimately depends on how you plan to use the image. The more technical definitions provided below are taken from the glossary found at http://www.photoshopelementsuser.com/glossary.php?letter=B The additional comments I have added, and hopefully let you know why you would care about any of this, anyway. The two biggest types of images I describe here fall loosely into two categories: vector images and bitmap images. -
LO1: Investigating Digital Graphics
Name: Freya Ellis Candidate Number: 5068 Centre Number: 29335 Series: June 2019 R082 – Creating a Digital Graphic LO1: Investigating Digital Graphics Purpose of digital graphic: A digital graphic is an electronic image that can be used for a variety of different things, however the image does not always have to be used on electronic devices as it can be printed and used. Some examples of a digital graphic are magazines, posters, logos etc.. My poster will include images and pictures of popular films to create an eye catching poster that will gather the audience the client wants. The images wont be of just any movies but a wide range as this is an all inclusive film festival for people of all ages. The poster will be very high quality print using 600ppi. It will also have a .tiff image format because it is a high quality print, a big file size and has a lossless compression. With our digital graphic we must make it appealing to everybody because it is a family movie festival, so thus we need to combine the demographics of adults, teenagers and small children. This make it difficult as all of these demographics are very different and so we have to make it eye catching for younger audience but also very informative for an older audience, as well as not looking too childish as to attract teenagers. The graphic I’m going to create will be not only eye catching but also informative and show the true atmosphere that the festival will have, this means it will be simplistic yet interesting easy to read yet informative as I feel this will feel my client needs the best. -
Vector Graphics Is the Use of Geometrical Primitives Such As Points, Lines, Curves, and Polygons to Represent Images in Computer Graphics
Preparing Images for the Web Anne Nolan EWD Workshop Thursday January 19, 2006 Vector & Raster What is the difference? Which is best for Web graphics? How can you tell the difference? Vector or Bitmap Vector graphics is the use of geometrical primitives such as points, lines, curves, and polygons to represent images in computer graphics Bitmap or raster graphics is the representation of images as a collection of pixels or dots Vector Graphics Vector Graphics Creation and Editing Software Illustrator .ai Corel Draw .cdr Freehand .fh# CAD Files .dwg EPS Encapsulated Postscript .eps PDF .pdf Raster Graphics Raster Creation and Editing Software Photoshop .psd Fireworks .png ImageReady .psd Corel PhotoPaint Paintshop Pro .psp Common Raster Image File Extensions .gif, .jpg, .png, .bmp, .tif Characteristics Scaling: Raster graphics cannot be scaled to a higher resolution without loss of apparent quality Vector graphics easily scale to the quality of the device on which they are rendered without distortion Characteristics Visual Usage: Raster graphics are more practical than vector graphics for photographs and photo- realistic images Vector graphics are often more practical for typesetting or graphic design Characteristics Web Usage: Vector file formats (most) are NOT viewable in a browser without a plug-in. Example: the SVG file format created in Flash needs the Flash Player Raster graphics are easily used on the Web due to the pixel based display of computer monitors. Vector or Raster? Vector or Raster? Raster it is! -
Raster Graphics: a Tutorial and Implementation Guide
(Supersedes NISTIR 4567) Raster Graphics: A Tutorial and Implementation Guide Frankie E. Spielman Louis H. Sharpe, II U.S. DEPARTMENT OF COMMERCE Technology Administration National Institute of Standards and Technology Computer Systems Laboratory Gaithersburg, MD 20899 QC 100 NIST • U56 #5108 1993 (Supersedes NISTIR 4567) Raster Graphics: A Tutorial and Implementation Guide Frankie E. Spielman Louis H. Sharpe, II U.S. DEPARTMENT OF COMMERCE Technology Administration National Institute of Standards and Technology Computer Systems Laboratory Gaithersburg, MD 20899 January 1993 U.S. DEPARTMENT OF COMMERCE Barbara Hackman Franklin, Secretary TECHNOLOGY ADMINISTRATION Robert M. White, Under Secretary for Technology NATIONAL INSTITUTE OF STANDARDS AND TECHNOLOGY John W. Lyons, Director . - ' .. :% ,; ^^''^;S' 'j! v'- v' '“"*' •''../ .ig;'-^^,- ' " -, /7'' A^vi' ' ‘''=' • ;•.. -1 \-'''-- : J \7A^rif^y“''f7£y ' - I .. 1 '.VI i . Preface This report examines the technical issues facing an implementor of the raster data interchange format defined in the Open Document Architecture (ODA) Raster Document Application Profile (DAP) . The ODA Raster DAP is also included as an appendix to military specification MIL-R-28002B . Information previously scattered throughout several standards is incorporated into this report for ease of reference. The ODA Raster DAP is analyzed with regard to both notation and intent. The motivation behind the development of the raster graphics file formats for large documents which are detailed in the ODA Raster DAP originated in a meeting between the Department of Defense (DoD) and industry experts in 1987. The Computer-aided Acquisition and Logistic Support (CALS) Office of DoD asked the large document raster industry to provide suggestions for a standard interchange file format and raster encoding scheme. -
Forcepoint DLP Supported File Formats and Size Limits
Forcepoint DLP Supported File Formats and Size Limits Supported File Formats and Size Limits | Forcepoint DLP | v8.8.1 This article provides a list of the file formats that can be analyzed by Forcepoint DLP, file formats from which content and meta data can be extracted, and the file size limits for network, endpoint, and discovery functions. See: ● Supported File Formats ● File Size Limits © 2021 Forcepoint LLC Supported File Formats Supported File Formats and Size Limits | Forcepoint DLP | v8.8.1 The following tables lists the file formats supported by Forcepoint DLP. File formats are in alphabetical order by format group. ● Archive For mats, page 3 ● Backup Formats, page 7 ● Business Intelligence (BI) and Analysis Formats, page 8 ● Computer-Aided Design Formats, page 9 ● Cryptography Formats, page 12 ● Database Formats, page 14 ● Desktop publishing formats, page 16 ● eBook/Audio book formats, page 17 ● Executable formats, page 18 ● Font formats, page 20 ● Graphics formats - general, page 21 ● Graphics formats - vector graphics, page 26 ● Library formats, page 29 ● Log formats, page 30 ● Mail formats, page 31 ● Multimedia formats, page 32 ● Object formats, page 37 ● Presentation formats, page 38 ● Project management formats, page 40 ● Spreadsheet formats, page 41 ● Text and markup formats, page 43 ● Word processing formats, page 45 ● Miscellaneous formats, page 53 Supported file formats are added and updated frequently. Key to support tables Symbol Description Y The format is supported N The format is not supported P Partial metadata -
Digital Preservation Guidance Note: Graphics File Formats
Digital Preservation Guidance Note: 4 Graphics File Formats Digital Preservation Guidance Note 4: Graphics file formats Document Control Author: Adrian Brown, Head of Digital Preservation Research Document Reference: DPGN-04 Issue: 2 Issue Date: August 2008 ©THE NATIONAL ARCHIVES 2008 Page 2 of 15 Digital Preservation Guidance Note 4: Graphics file formats Contents 1 INTRODUCTION .....................................................................................................................4 2 TYPES OF GRAPHICS FORMAT........................................................................................4 2.1 Raster Graphics ...............................................................................................................4 2.1.1 Colour Depth ............................................................................................................5 2.1.2 Colour Spaces and Palettes ..................................................................................5 2.1.3 Transparency............................................................................................................6 2.1.4 Interlacing..................................................................................................................6 2.1.5 Compression ............................................................................................................7 2.2 Vector Graphics ...............................................................................................................7 2.3 Metafiles............................................................................................................................7 -
Webp - Faster Web with Smaller Images
WebP - Faster Web with smaller images Pascal Massimino Google Confidential and Proprietary WebP New image format - Why? ● Average page size: 350KB ● Images: ~65% of Internet traffic Current image formats ● JPEG: 80% of image bytes ● PNG: mainly for alpha, lossless not always wanted ● GIF: used for animations (avatars, smileys) WebP: more efficient unified solution + extra goodies Targets Web images, not at replacing photo formats. Google Confidential and Proprietary WebP ● Unified format ○ Supports both lossy and lossless compression, with transparency ○ all-in-one replacement for JPEG, PNG and GIF ● Target: ~30% smaller images ● low-overhead container (RIFF + chunks) Google Confidential and Proprietary WebP-lossy with alpha Appealing replacement for unneeded lossless use of PNG: sprites for games, logos, page decorations ● YUV: VP8 intra-frame ● Alpha channel: WebP lossless format ● Optional pre-filtering (~10% extra compression) ● Optional quantization --> near-lossless alpha ● Compression gain: 3x compared to lossless Google Confidential and Proprietary WebP - Lossless Techniques ■ More advanced spatial predictors ■ Local palette look up ■ Cross-color de-correlation ■ Separate entropy models for R, G, B, A channels ■ Image data and metadata both are Huffman-coded Still is a very simple format, fast to decode. Google Confidential and Proprietary WebP vs PNG source: published study on developers.google.com/speed/webp Average: 25% smaller size (corpus: 1000 PNG images crawled from the web, optimized with pngcrush) Google Confidential and Proprietary Speed number (takeaway) Encoding ● Lossy (VP8): 5x slower than JPEG ● Lossless: from 2x faster to 10x slower than libpng Decoding ● Lossy (VP8): 2x-3x slower than JPEG ● Lossless: ~1.5x faster than libpng Decoder's goodies: ● Incremental ● Per-row output (very low memory footprint) ● on-the-fly rescaling and cropping (e.g. -
Web Graphics and File Formats
Web Graphics and File Formats Chapter 8 Types of Graphics • Raster – Made up of pixels • Pixels are tiny squares of color arranged on a rectangular grid like tiles in a mosaic • Human eye reads pixels as a seamless image • Vector – Composed of simple lines defined by math equations – Logos, text banners, and 3D Web buttons are often vector graphics Graphic File Formats • GIF – Graphic Interchange Format • JPEG – Joint Photographic Experts Group • BMP – Bitmap • PNG – Portable Network Graphics GIF • File Extension: gif • Advantages: – Small file size downloads quickly – Good for line drawings and simple graphics – Only image that can be transparent or animated • Disadvantages – Only supports a maximum of 256 colors – Limited number of colors makes it not appropriate for photographs JPEG • File Extension: jpg or jpeg • Advantages: – Supports millions of colors – Color support makes it good for photos • Disadvantages – Files have a higher quality therefore they are larger in size and take longer to download BMP • File Extension: bmp • Advantages: – Supports millions of colors • Disadvantages – Very large files download slowly – Generally not used for web pages PNG • File Extension: png • Advantages: – Supports more colors than GIF but downloads quickly – Features better support of transparency than GIF • Disadvantages – Not supported by many browsers Interesting Format Info • GIF is pronounced with a hard “g” as in the word graphic • JPEG is pronounced “jay-peg” • Both formats are based on pixels • Most images on web are raster graphics (jpeg -
Zajy\CZKOWSKI Grzegorz, JAROSZ Bartosz
OVERVIEW OF IMAGE FORMATS SUITABLE FOR PRESENTATION OF ART ON THE WWW ZAJy\CZKOWSKI Grzegorz, JAROSZ Bartosz, WOJCIECHOWSKI Konrad, SMOtKA Bogdan, Silesian Technical University of Gliwice Department of Computer Science Akademicka 16, 44-101 Gliwice Email: bsmolka(a).peach.ia.oolsl. qliwice.pl NAtECKAAnna, MAtECKA Agnieszka SYNOWIEC Pawet, KROL Bogdan School of Arts Katowice An important aspect of image processing is the enormous amount of data which has to be handled when transmitting digital images. The efficient transmission of images is extremally important as the image data transfer takes up over 90 percent of the volume on the Internet. In this aspect computer data compression is a powerfull technology which is playing a vital role in the Information Age. The compression of information can be devided into lossles and lossy techniques. In some cases such as text or financial data transfer only the losless algoritms can be applied. However when transmitting or storing digital images or music data, the application of losssy techniques is aimost invisible to the user, but enables a drastic reduction of the data volume. In this article we present some of the compression techniques which can be used when transmitting or storing digital images. All the formats we were able to gather are accompanied by a short description and an Internet link, which can be used when detailed information is needed. Our intention is to find the optimal compression format for presenting artistic images over the Internet. The first step of our project is the cataloging of the existing formats and evaluating their efficiency when transmitting data containing artistic features.