Pioneering a Peoples Theatre
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THE UNIV ERSITY OF NORTH CAROLINA SESQUICENTENNIAL PUB LI CAT IONS L s Wilson Direc tor oui R. , CHRONICLES OF T H E SESQ UICENTENNIAL 1 8 - THE UNIVERSITY OF NORTH CAROLINA, 7 9 1 8 3 5 A Documentary History THE CAM PUS OF THE FIRST STATE UNIVERSITY THE GRADUATE SCHOOL : RESEARCH AND PUBLICATIONS THE GRADUATE SCHOOL : DISSERTATIONS AND T HESES STUDIES IN SCIENCE STUDIES IN LANGUAGE AND LITERATURE A HUNDRED YEARS OF LEGAL EDUCATION A STATE UNIVERSITY SURVEYS THE HUMANITIES SECONDARY EDUCATION IN THE SOUTH IN SEARCH OF THE REGIONAL BALANCE OF AMERICA STUDIES IN HISTORY AND POLITICAL SCIENCE LIBRARY RESOURCES OF THE UNIVERSITY OF NORTH CAROLINA RESEARCH AND REGIONAL W ELFARE ’ PIONEERING A PEOPLE S THEATRE UNIVERSITY EXTENSION IN ACTION BOOKS FROM CHAPEL HILL PION E E R IN G A PE OPL E ’S TH E AT R E Edited with a Foreword bf QAR CH IBA L D H EN D E R SON K E N A N P R O F E S S O R OF M AT H E M A T I C S CHAPEL HILL THE UNIV ERSITY OF NORTH CAROLINA PRESS 1 945 F o r e w o r d By' ARCHIBALD HENDERSON V ER than of a period of somewhat more a quarter a century, an organization for the furtherance of the arts Of the drama and the The C theatre, known as arolina Playmakers, has flourished here its under the leadership of founder, the late Frederick Henry 1 9 1 9 - 1 945 of Koch . During this period, , upwards four thousand students have joined the organization and participated in its activities ; and hundreds of thousands Of people have attended the indoor and outdoor productions i , , i and listened in on the rad o broadcasts Of plays original and classic, l ght ' - and serious, farce, comedy, tragedy, tragi comedy, pageants, and historical The of dramas . stimulating influence this preoccupation with the drama and C the theatre, which rapidly pervaded North arolina and the Southeastern area, eventually spread throughout the entire country and into Canada, and focused attention upon Chapel Hill as a radiating center of inspiration and as a beacon light to the younger generation . ’ ee Peo le T eatre X N 1 T e Pion rin a s h has V ol . V I I O. h g p appeared as , , Of Pl - Boo is Carolina ay le. It singularly appropriate that a volume which m serves both as a memorial to Koch and as a survey, sum ary, and appraisal of The C a Of the labors and accomplishments arolina Playmakers, should p pear during the culminating year Of the Sesquicentennial Celebration of the ’ University of North Carolina and be included in the Sesquicentennial Pub i a ion Of l c t s Of the University. It follows soon upon the passing that vivid and perennially youthful spirit—reminiscent Of Milton’s friend drowned in 1 63 7 : For is Lycidas dead, dead ere his prime, c not . Young Ly idas, and hath left his peer T or his volume, without pretension to be either formal history complete The C record, presents a cross section Of the life and growth Of arolina Play makers . Here are highlights, actors, interpreters, scenery, background i the essent als of a true drama in the educational history Of the Nation . Koch of Of presents the ideology folk playmaking ; Selden, the able new leader, 1 9 3 8 5 U PIONEERING A PEOPLE’S THEATRE fers a thoughtful appraisal and lucid estimate, both of Koch the personality, of of a of player, and sower dreams, and the pl ce dramatic arts in the Univer i s ty curriculum . In vivid strokes are portrayed the original and authentically American contributions Of Koch to the American drama and theatre : the “ ” meaning and inspiration of the folkplay and the democratic technic Of critically moulding the creative product . In his inimitable individual way, ' Green . the la wri ht to Paul , most notable p y g emerge from this aura, describes ' birth an s o R COflman of the p g of dramatic creation , and Ge rge aleigh , head E the nglish Department, sanely reviews the past and constructively outlines i 1 3 Hei a prom sing course for the future . In ample detail described by Kai berg-Jurgensen the remarkable spread of popular interest in the drama fos tered through extension activities ; and practical plans for a d ramatic art E building are clearly drawn by Selden . special gratitude for highly compe tent cooperation is tendered the members Of the editorial staff : Samuel c Selden, for comprehensive contributions and wise riticism ; Marion Fitz r t i i Simons, for a se ies of vivid vignettes of the s afi ; Virg n a Spencer, for painstaking help in making the records available . C/ m el H l N i l . c p , ; C O N T E N T S FOREW ORD H KO — TH E M AN H IS W FREDERICK . CH AND ORK Associate Pro essor o Dramatic Art Samuel Selden, f f TW ENTY-Si x YEARS OF TH E CAROLINA PLAYMAKERS Samuel Selden DRAMA IN T H E SOUTH H Ke P o e o o D matic A t . nan r ss r ra r Frederick Koch , f f SCHOLIUM SC RIBENDI H Kenan Pro essor o M athematics Archibald enderson, f f FIRST STAGE AND FIRST THEATRE H Frederick . Koch FROM SCRI PT T O STAGE E Journalist dward Muschamp, DRAMATIC ART IN A UNIVERSITY PROGRAM Samuel Selden TH E LYRIC LA! Y SOUTH Pro essor o Dramatic Art Paul Green, f f DRAMA IN EXTENSION - V isitin Lecturer i Dramatic Art Kai Heiberg Jurgensen, g n PRESENCE BY T H E RIVER Paul Green A DRAMATIC ART BUILDING Samuel Selden M IRACLE AT MANTEO ’ F - F or e I structor n En lish Woman s Marion itz Simons, m r n i g , College of the University of North Carolina RETROSPECT AND PROSPECT R Coifman Ke e . nan Prof ssor o En lish George , f g TH E STAFF OF TH E CAROLINA PLAYMAKERS Mari on Fi tz-Simons P P BY TH E L P 1 1 8 - 4 LAYS RODUCED CARO INA LAYMAKERS, 9 4 Vi i i Assistant in Dramatic Art rg n a Page Spencer, CAROLINA FOLK PLAYS PUBLISHED IN BOOKS Vi rgi ni a Page Spencer m ag V“ F rederic k Hen ry K oc h Ke a o e o o Dramatic Art oun der o The Caro P n n Pr f ss r , f lina la makers f f y , ather o folk drama in America teacher o Paul Green Tom Wol e f f , f f , o atha Daniels H oward Richardson Geor e Denn a d othe c eat ve J n n , , g y n r r i mi ds Ins irer o la s ex ressin the lives o tenant armers indu trial n . p f p y p g f f , s workers Ne roes eo le o the mountain coves the Piedmont the ine , g , p p f , , p ba e s a d he t de wa er — la s o all the eo l e H e was the cham io rr n n t i t s p y f p p . p n o the democratic s irit and o the ree and oble ima ination H e inst lled f p f f n g . i in all the eternal uest o the human s irit or a reer and better world The q f p f f . ma becam de the dea beca e a moveme t a d he o e e t be n e an i a, i m n , n t m v m n came a national in titutio — the olk drama o America s n f f . We shall miss him his i e his do and his au nt ste down the villa e , p p , g j y p g streets his c onstant enthusiasm as resh as the rst mornin o his reat , f fi g f g h o es n ow and orever a art o the li e service and traditions o the Uni p , f p f f , f versit o North Carolina We bow our heads in sorrow and a reciation y f . pp or th e reat l oss which has c ome o his wi e and so s and to the Universit f g t f n , y an the Natio We li t our hearts n exceedin o or the noble li e—work d n . f i g j y f f of Frederick H enry Koch immortal in the plays of the people to be carried o oved n in his name at the University of the people in the village he l . To the reverent care of all who love him we n ow entrust hi s blessed c om memo ation n the hall al o e o H ll H e lives on in r i s w ks and r sts Cha el i . , f f p the creative s irit o outh walkin their wa s writin their la s and p f y , g y , g p y kee in li hted his ire ro e e t o o e on p g g f s f m g n ra i n unt g nerati . m P Graha .