DOCSLIB.ORG

Il CONTENUTO Del FUTURO Calendario

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

CONCERTIDUEMILAOTTO il CONTENUTO del FUTURO Calendario NEM @ Festival Economia³ 2008 NEM @ Festival della Creatività 2008 25 settembre 2008 @ Teatro Metastasio / Prato, ore 22.00 25 ottobre 2008 @ Ronda Fortezza da Basso / Firenze ore 22.00 “Low budget orchestra” Marco Parente, Roberto Angelini, Angela Kinczly, voci e chitarre musiche di Frank Zappa, Maderna, Britten, Varèse Robert Kirby, direzione “PINK MOON” OMAGGIO A NICK DRAKE NEM @ Istituto Universitario Europeo 9 ottobre 2008 @ Badia Fiesolana / Firenze, ore 21.00 NEM @ Festival della Creatività 2008 Marco Gaggini, pianoforte 26 ottobre 2008 @ Ronda Fortezza da Basso / Firenze ore 21.00 musiche di Scarlatti, Beethoven, Schubert Quartetto Kronos SUN RINGS - di Terry Riley NEM @ Festival della Creatività 2008 Con la partecipazione del Coro Euridice di Bologna 20 ottobre 2008 @ Galleria degli Uffizi / Firenze, ore 19.00 Pier Paolo Scattolin, direttore Ron Geesin, pianoforte - Caroline Dale, violoncello musiche di Pink Floyd, Geesin, Bach NEM @ Emergenze Creative 2008 18 novembre 2008 @ Auditorium al Duomo / Firenze ore 21.00 NEM @ Festival della Creatività 2008 Lorenza Borrani, violino - Francesco Dillon, violoncello 23 ottobre 2008 @ Polveriera Fortezza da Basso / Firenze, ore 19.00 Matteo Fossi, pianoforte - Maria Radoeva, soprano Quintetto Fiorentino di Fiati - Matteo Fossi, pianoforte PER SLAVA in ricordo di Mstislav Rostropovich musiche di Hindemith, Debussy, Poulenc... musiche di Shostakovich, Portera NEM @ Festival della Creatività 2008 NEM @ Natale a Firenze 2008 24 ottobre 2008 @ Polveriera Fortezza da Basso / Firenze ore 19.00 15 dicembre 2008 @ Kunsthistorisches Institut In Florenz Emanuele Forni, chitarre - Andrea Pfiffner, sound engineer Via Giusti, 44 - ore 18.30 musiche di Takemitsu, Reich, Dufourt... Francesco Dillon, violoncello / Francesco Gesualdi, fisarmonica Emanuele Torquati, pianoforte / Cristiano Rossi, violino e viola “Am Horizont” - WOLFGANG RIHM A FIRENZE 3 Festival Economia³ 2008 Teatro Metastasio, Prato - 25 settembre 2008 ore 22.00 OMAGGIO A FRANK ZAPPA Concerto per “low budget orchestra” Edgar Varèse (1883-1965) La “Low Budget Orchestra” è: Density 21.5 Fabio Bagnoli, oboe per flauto solo Luciano Tristaino, flauto Giulia Nuti, viola Benjamin Britten (1913-1976) Federico Loy, fagotto dalle Metamorfosi di Ovidio Fabrizio De Melis, violino op. 49: n.°1 Pan; n.°4 Bacco; n.°6 Aretusa” Massimo Pinca, contrabbasso per oboe solo Andrea Rinaldi, pianoforte e trombone Alessandro Fabbri, batteria Bruno Maderna (1920-1973) Solo-Dialodia Per oboe, flauto e nastro magnetico La bellezza, senza dubbio, non fa le Frank Zappa (1940-1993) rivoluzioni. Ma viene un giorno in cui le Nuovi Eventi Musicali @ Musicali Nuovi Eventi Little Umbrellas rivoluzioni hanno bisogno della bellezza Blessed Relief Camus Waka Jawaka Dog Breath Duke of Prunes America drinks and goes home Idiot bastard son Ingresso libero 4 CONCERTIDUEMILAOTTO Istituto Universitario Europeo Badia Fiesolana, Firenze - 9 ottobre 2008 ore 21.00 Domenico Scarlatti Marco Gaggini, pianoforte Sonata in La maggiore K 208 Sonata in Si minore K 27 Sonata in Mi maggiore K 531 Ludwig Van Beethoven Potrei vivere ovunque, Sonata in Do maggiore op. 53 “Waldstein” basta che sia sempre fuori dal mondo Allegro con brio Introduzione. Adagio molto Debussy Rondo. Allegretto moderato Franz Schubert Wanderer - Fantasie op.15 Quale mondo giaccia al di là di Allegro con fuoco ma non troppo Nuovi Eventi Musicali @ Musicali Nuovi Eventi Adagio questo mare non so, ma ogni mare Presto ha un’altra riva, e arriverò Allegro Pavese Ingresso libero 5 Festival della Creatività 2008 GALLERIA DEGLI UFFIZI, Firenze - 20 ottobre 2008 ore 19.00 I PINK FLOYD INCONTRANO BACH AGLI UFFIZI Ron Geesin Fanfara, per banjo e voce Ron Geesin Ron Geesin, pianoforte, marimba, voce, banjo Not As Old As I Used To Be, per pianoforte Caroline Dale, violoncello Ron Geesin Con la partecipazione di Federico Maremmi, chitarre Envi - Ron - Mental (= Invidia - Ron - Pazzo) per pianoforte Ron Geesin The Making of Atom Heart Mother Presentazione della nascita di Atom Heart Mother Ron Geesin/Pink Floyd Atom Art Flutter, per violoncello, pianoforte e chitarre J. S. Bach Suite n.° 1 BWV 1007 per violoncello solo Preludio, Allemanda, Corrente, Sarabanda Minuetto I e II, Giga L’europa ha allevato la civiltà, Nuovi Eventi Musicali @ Musicali Nuovi Eventi Caroline & Ron e la difende con la musica Fight Or Flight, per violoncello e banjo Rostropovich Ron Geesin Conversation with banjo Ron Geesin Ka-Donk-A-Bong, per marimba Ron Geesin Ingresso a inviti Close the Piano 6 CONCERTIDUEMILAOTTO Festival della Creatività 2008 Polveriera Fortezza da Basso, Firenze - 23 ottobre 2008 ore 19.00 Francis Poulenc Trio per pianoforte, oboe e fagotto Presto - Andante - Rondo Quintetto Fiorentino Darius Milhaud Mario Caroli, flauto La Cheminee du Roi Rene op. 205 Fabio Bagnoli, oboe per quintetto di fiati Riccardo Crocilla, clarinetto I. Cortege - II. Aubade - III. Jongleurs - IV. La Paolo Carlini, fagotto Malousinglade - V. Joutes sur l’Arc - VI. Chasse a Paolo Faggi, corno Calabre - VII. Madrigal – Nocturne Matteo Fossi, pianoforte Paul Hindemith Kleine Kammermusik op. 24 n. 2 per quintetto di fiati I. Lustig. Massig schnelle Viertel - II. Walzer. Una letteratura disperata è una Durchweg sehr leise - III. Ruhig und einfach. Achtel - Im gleichen - ruhigen Zeitmass (nicht contraddizione in termini scherzando!) - IV. Schnelle Viertel - V. Sehr lebhaft Camus Nuovi Eventi Musicali @ Musicali Nuovi Eventi Claude Debussy Syrinx per flauto solo Igor Stravinsky Tre pezzi per clarinetto solo Robert Schumann Tre Romanze op.94 per oboe e pianoforte Ingresso libero Nicht schnell - Einfach, innig - Nicht schnell 7 Festival della Creatività 2008 Polveriera Fortezza da Basso, Firenze - 24 ottobre 2008 ore 19.00 Ulrich Krieger (1962) Book of Sins - Histoire de l’oeil (1999-2005) For electric guitar in scordatura and delay Emanuele Forni, chitarre Eve Beglarian (1958) In collaboration with Andreas Pfiffner, sound engineer Until it Blazes (2001) For electric guitar and live electronics Video by Cory Arcangel (2001) Mercé Gaia Capdevila (1946) Baobab (1986) For classical guitar, wooden bottle neck and delay George Aperghis (1945) Conversation - Une Parole Libre (2005) Coloro che sognano di giorno sanno For guitarist molte cose che sfuggono a coloro che Toru Takemitsu (1930-1996) sognano soltanto di notte Equinox (1995) Nuovi Eventi Musicali @ Musicali Nuovi Eventi For classical guitar in scordatura Poe Hughues Dufourt (1943) La cité des saules (1997) For electric guitar and sound transformations Steve Reich (1936) Nagoya Guitars (1995) For amplified classical guitar and tape Ingresso libero 8 CONCERTIDUEMILAOTTO Festival della Creatività 2008 Ronda Fortezza da Basso, Firenze - 25 ottobre 2008 ore 22.00 PINK MOON Omaggio a Nick Drake con Robert Kirby direttore Nick Drake Marco Parente, voce e chitarre Introduction Roberto Angelini, voce e chitarre Black eyed dog Angela Kinczly, voce e chitarre Heazy Jane I Gabriele Lazzarotti, basso ‘Cello song Fabio Rondanini, percussioni Day is done Robert Kirby, direttore River man Orchestra da camera “I Nostri Tempi” Sunday Fly Primi violini: Luca Paoloni, Francesca Macchione, Elisa I, The thoughts of Mary Jane Emanuele Pacifici Way to blue Secondi violini: Giovanna Berti, Eleonora Macchione, Fruit tree Eleonora Scami, Tommaso Giovannuzzi Pink moon Viole: Rachel Sweet, Caterina Paoloni, Giulia Nuti Violoncelli: Valeria Brunelli, Anna Del Peugia Nuovi Eventi Musicali @ Musicali Nuovi Eventi Durante il concerto sarà proiettato il film “a skin too few” Contrabbasso: Massimo Pinca con sottotitoli in italiano, dedicato alla vita di Nick Drake Oboe: Fabio Bagnoli Oboe e Corno inglese: Stella Chellini Senza cultura e la relativa libertà che ne deriva, la società, Flauto: Ivan Zappia, Bernardo Donati anche se fosse perfetta, sarebbe una giungla. Ecco perché ogni autentica creazione è in realtà un regalo per il futuro Ingresso 20 Euro Camus 9 Se si è davvero convinti della Sede legale: propria disperazione bisogna Viale dei Mille, 131 - 50131, Firenze - Italy vivere come se si sperasse Camus Sede operativa: Borgo S. Croce, 8 - 50122, Firenze - Italy Tel. / Fax: +39 055 2001875 E-mail: [email protected] - Web site: www.nuovieventimusicali.it Direzione Artistica Ufficio Stampa Mario Setti Sara Chiarello Matteo Fossi Organizzazione e produzione Luigi Attademo Giulia Gianassi Francesco Gesualdi Stage Caris Ienco Francesca Gorgoni 10 Festival della Creatività 2008 Ronda Fortezza da Basso, Firenze - 26 ottobre 2008 ore 21.00 KRONOS QUARTET - SUN RINGS prima italiana con la partecipazione del Kronos Quartet Coro Euridice di Bologna David Harrington, Violin Pier Paolo Scattolin direttore John Sherba, Violin Hank Dutt, Viola Sun Rings Jeffrey Zeigler, Cello Composed by Terry Riley Willie Williams, Visual Design Larry Neff, Lighting Design Sun Rings (2002) Mark Grey, Sound Design for string quartet, chorus and pre-recorded spacescapes 1. Sun Rings Overture 2. Hero Danger 3. Beebopterismo 4. Planet Elf Sindoori 5. Earth Whistlers L’angoscia è la vertigine della libertà Nuovi Eventi Musicali @ Musicali Nuovi Eventi 6. Earth/Jupiter Kiss Kierkegaard 7. The Electron Cyclotron Frequency Parlour 8. Prayer Central 9. Venus Upstream 10. One Earth, One People, One Love Ingresso 30 Euro 12 CONCERTIDUEMILAOTTO Emergenze Creative 2008 Auditorium al Duomo, Via de’ Cerretani 54r - Firenze 18 novembre 2008 ore 21.00 Comune di Firenze Assessorato alla PER SLAVA - In ricordo di Mstislav
Recommended publications
  • Yehudi Wynerbiography and W Orks

    Yehudi Wynerbiography and W Orks

    Biography and Works Wyner Yehudi G. Schirmer and Associated Music Publishers Awarded the 2006 Pulitzer Prize for his Piano 1991. From 1991-2005, he held the Walter W. Naumburg Concerto, “Chiavi in mano,” Yehudi Wyner (b.1929) is Chair of Composition at Brandeis University, where he Biography one of America's most distinguished musicians. His is now Professor Emeritus. compositions include over 80 works for orchestra, Wyner Yehudi chamber ensemble, solo voice and solo instruments, Born in Western Canada, Yehudi Wyner grew up in piano, chorus, and music for the theater, as well as New York City. He came into a musical family and was liturgical services for worship. He has received com- trained early as a pianist and composer. His father, missions from Carnegie Hall, The Boston Symphony, Lazar Weiner, was the preeminent composer of Yiddish The BBC Philharmonic, The Santa Fe Chamber Music Art Song as well as a notable creator of liturgical Festival, The Library of Congress, The Ford Foundation, music for the modern synagogue. After graduating The Koussevitzky Foundation, The National Endowment from the Juilliard School with a Diploma in piano, for the Arts, The Fromm Foundation, and Worldwide Yehudi Wyner went on to study at Yale and Harvard Concurrent Premieres among others. His Naxos Universities with composers Paul Hindemith, Richard recording “The Mirror” won a 2005 Grammy Award, Donovan, and Walter Piston. In 1953, he won the his Piano Concerto,“Chiavi in Mano” on Bridge Rome Prize in Composition enabling him to live for Records was nominated for a 2009 Grammy, and his the next three years at the American Academy in Horntrio (1997) was a Finalist for the Pulitzer Prize.
  • Stoltzmanresolve Digibooklet.Pdf

    Stoltzmanresolve Digibooklet.Pdf

    1 CONCERTO FOR CLARINET AND ORCHESTRA (1947) I. A wizardly weave of contrapuntal themes and rhythmic motives instantly engulfs us. The solo clarinet enters on the intervals that gave historic birth to the instrument: octave, fifth, and twelfth, its harmonic backbone. The theme creates a sweeping arch over seven measures long eloquently encompassing all the clarinet’s registers. The first movement coda ends with a twinkle as the clarinet giggles a bluesy trill; followed by a glockenspiel exclama- tion point and a timpani plop! I am reminded of my interview with Lukas Foss on his student memories of Hindemith at Tanglewood. “After class he took us down to the pond for a swim. I’ll never forget the sound of his plump little body landing in the water with a plop!” II. The ostinato takes a five note pizzicato pattern with a jazz syncopation before the fifth note. The groove slides over to another beat at each entrance making a simple steady 2/2 time excitingly elusive. Riding that groove is a rapid clarinet lick right out of the “King of Swing”’s bag. A rhythm section (timpani, snare drum, triangle, and tambourine) sets a “Krupa-like” complexity, and before you know it the ride ends with the band disappearing clean as a clarinet pianissimo. III. Perhaps the longest, most melancholic, beautiful melody ever written for the clarinet; twenty measures of breath- taking calm and majesty. Balancing this sweeping aria is a recitative (measures 51-71). Hindemith gives the return of the song to solo oboe surrounded by soft, tiny woodwind creatures and muted murmurings for two solo violins.
  • Orchestral Underground: Conversations Xx + Reviews Notations 21 Xx Music P.6 | Book P.12 | Performance P.16 Americans in Rome Xx

    Orchestral Underground: Conversations Xx + Reviews Notations 21 Xx Music P.6 | Book P.12 | Performance P.16 Americans in Rome Xx

    NEW MUSIC CONNOISSEUR IS DEVOTED TO THE CONTEMPORARY MUSIC SCENE ORCHESTRAL UNDERGROUND: CONVERSATIONS XX + REVIEWS NOTATIONS 21 XX MUSIC p.6 | BOOK p.12 | PERFORMANCE p.16 AMERICANS IN ROME XX In Association with Composers Concordance, Inc. Volume 18 More at www.newmusicon.org Issue 1 March 2010 $4.95 U.S. + contributors Vol 18, No. 1 – March 20, 2010 BARRY L. COHEN is, as any reader familiar with these pages knows, a devotee of contemporary New Music Connoisseur is a semi-annual periodical focusing on music in all its many guises. With a distinguished the work of the composers of our time. career in many facets of publishing (Hearst Magazines, Curtis Publishing, Saturday Evening Post, Forbes), Barry founded New Music +++ Connoisseur 17 years ago, and until last year served as its Publisher and Editor-in-chief. PUBLISHER ANNE EISENBERG writes a column on new Center for Contemporary Opera developments in technology for The New York Jim Schaeffer, General Director Times. The column appears bi-weekly in the Durwood E. Littlefield, President Sunday Business section. in conjunction with DANIEL FELSENFELD is a composer who lives in New York City. The American Composers Alliance Gina Genova, Executive Director NANCY GARNIEZ enjoys a musical life that Hubert Howe, President includes performing, teaching, writing, record- ing, coaching, sight-singing, and scholarship. In 1992 she created Tonal Refraction®, a technique +++ that uses color and space to integrate learned concepts with the full range of subjective EDITOR-IN-CHIEF response to tone. Michael Dellaira LEONARD LEHRMAN, is the author of Marc Blitzstein: A Bio-Bibliography and co-author ADVERTISING SALES REPRESENTATIVE of Elie Siegmeister, American Composer.
  • An Annotated Bibliography and Performance Commentary of The

    An Annotated Bibliography and Performance Commentary of The

    The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-1-2016 An Annotated Bibliography and Performance Commentary of the Works for Concert Band and Wind Orchestra by Composers Awarded the Pulitzer Prize in Music 1993-2015, and a List of Their Works for Chamber Wind Ensemble Stephen Andrew Hunter University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Composition Commons, Fine Arts Commons, Music Education Commons, Music Performance Commons, and the Other Music Commons Recommended Citation Hunter, Stephen Andrew, "An Annotated Bibliography and Performance Commentary of the Works for Concert Band and Wind Orchestra by Composers Awarded the Pulitzer Prize in Music 1993-2015, and a List of Their Works for Chamber Wind Ensemble" (2016). Dissertations. 333. https://aquila.usm.edu/dissertations/333 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. AN ANNOTATED BIBLIOGRAPHY AND PERFORMANCE COMMENTARY OF THE WORKS FOR CONCERT BAND AND WIND ORCHESTRA BY COMPOSERS AWARDED THE PULITZER PRIZE IN MUSIC 1993-2015, AND A LIST OF THEIR WORKS FOR CHAMBER WIND ENSEMBLE by Stephen Andrew Hunter A Dissertation Submitted to the Graduate School and the School of Music at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved: ________________________________________________ Dr. Catherine A. Rand, Committee Chair Associate Professor, School of Music ________________________________________________ Dr.
  • PULITZER PRIZE WINNERS in LETTERS © by Larry James

    PULITZER PRIZE WINNERS in LETTERS © by Larry James

    PULITZER PRIZE WINNERS IN LETTERS © by Larry James Gianakos Fiction 1917 no award *1918 Ernest Poole, His Family (Macmillan Co.; 320 pgs.; bound in blue cloth boards, gilt stamped on front cover and spine; full [embracing front panel, spine, and back panel] jacket illustration depicting New York City buildings by E. C.Caswell); published May 16, 1917; $1.50; three copies, two with the stunning dust jacket, now almost exotic in its rarity, with the front flap reading: “Just as THE HARBOR was the story of a constantly changing life out upon the fringe of the city, along its wharves, among its ships, so the story of Roger Gale’s family pictures the growth of a generation out of the embers of the old in the ceaselessly changing heart of New York. How Roger’s three daughters grew into the maturity of their several lives, each one so different, Mr. Poole tells with strong and compelling beauty, touching with deep, whole-hearted conviction some of the most vital problems of our modern way of living!the home, motherhood, children, the school; all of them seen through the realization, which Roger’s dying wife made clear to him, that whatever life may bring, ‘we will live on in our children’s lives.’ The old Gale house down-town is a little fragment of a past generation existing somehow beneath the towering apartments and office-buildings of the altered city. Roger will be remembered when other figures in modern literature have been forgotten, gazing out of his window at the lights of some near-by dwelling lifting high above his home, thinking
  • Pulitzer Prize Winners and Finalists

    Pulitzer Prize Winners and Finalists

    WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70
  • Concerto for Violin and Orchestra and "Nevertheless, She Composed: a Contemporary Survey of Women Composers of the Twenty-First Century"

    Concerto for Violin and Orchestra and "Nevertheless, She Composed: a Contemporary Survey of Women Composers of the Twenty-First Century"

    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2-27-2020 Concerto for Violin and Orchestra and "Nevertheless, She Composed: A Contemporary Survey of Women Composers of the Twenty-First Century" Elizabeth Anne Knox Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Composition Commons Recommended Citation Knox, Elizabeth Anne, "Concerto for Violin and Orchestra and "Nevertheless, She Composed: A Contemporary Survey of Women Composers of the Twenty-First Century"" (2020). LSU Doctoral Dissertations. 5162. https://digitalcommons.lsu.edu/gradschool_dissertations/5162 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. CONCERTO FOR VIOLIN AND ORCHESTRA AND NEVERTHELESS, SHE COMPOSED: A CONTEMPORARY SURVEY OF WOMEN COMPOSERS OF THE TWENTY-FIRST CENTURY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Music by Elizabeth Anne Knox B.M., University of Indianapolis, 2013 M.M., Butler University, 2016 May 2020 PREFACE While composing the violin concerto, I found myself continually thinking about the potential performers and listeners. I would like to think that I have always cared about both parties when I compose, but I believe this consumer-awareness coupled with a strict non- programmatic approach had a profound impact on the outcome of this piece, whether positive or negative.
  • DDD Modern American Duos for Clarinet Or Basset Horn & Piano

    DDD Modern American Duos for Clarinet Or Basset Horn & Piano

    Modern American Duos for Clarinet or Basset Horn Cadenza! & Piano Ray Jackendoff, clarinet & basset horn John McDonald, piano WORKS BY AARON COPLAND | ELLIOTT CARTER | JOHN MCDONALD | ARTHUR BERGER | YEHUDI WYNER WWW.ALBANYRECORDS.COM TROY1598 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2015 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. Cadenza! Modern American Duos for Clarinet or Basset Horn & Piano TROY1598 Modern American Duos for Clarinet or Basset Horn & Piano Cadenza!Ray Jackendoff, clarinet & basset horn John McDonald, piano Aaron Copland (1900-1990) Sonata for Clarinet & Piano (1943/1988) John McDonald 1 Andante semplice—Allegro [8:04] 7 Peace Process, Op. 427 (2006-2007) [6:31] 2 Lento [4:40] Yehudi Wyner (b. 1929) 3 Allegretto giusto [7:30] Cadenza! (1969) Elliott Carter (1908-2012) 8 Cadenze [6:59] 4 Pastorale (1945) [11:47] 9 Canzona [4:13] 10 Dodecadanza [1:45] John McDonald (b. 1959) 11 Decadenza [4:31] 5 Echo Fantasy Upon Mi, La, Op. 404 (2003) [6:02] Arthur Berger (1912-2003) Total Time = 74:14 6 Duo (1957) [12:05] WWW.ALBANYRECORDS.COM TROY1598 ALBANY RECORDS U.S. TROY1598 Modern American Duos for Clarinet or Basset Horn & Piano 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2015 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL.
  • Week 3 2016–17 Season Smetana Bartók Mussorgsky Janácek

    Week 3 2016–17 Season Smetana Bartók Mussorgsky Janácek

    2016–17 season andris nelsons music director week 3 smetana bartók mussorgsky janácek ˇ season sponsors seiji ozawa music director laureate bernard haitink conductor emeritus lead sponsor supporting sponsor thomas adès artistic partner Through January 29, 2017 Frances Stark, Chorus girl folding self in half (detail), 2008. Paper collage, graphite on The exhibition is presented at the MFA with generous support from The Ruth and Carl J. Shapiro Fund for Education, Public Programs paper. Collection Thea Westreich Wagner and Ethan Wagner. Promised gift to the Whitney and Special Projects. Additional support from the Robert and Jane Burke Fund for Exhibitions, the Amy and Jonathan Poorvu Fund for Museum of American Art, New York. Digital image © Whitney Museum of American Art. the Exhibition of Contemporary Art and Sculpture, the Diane Krane Family and Jonathan and Gina Krane Family Fund, the Barbara Jane Anderson Fund, the Bruce and Laura Monrad Fund for Exhibitions, and the Susan G. Kohn and Harry Kohn, Jr. Fund for Contemporary Prints. “UH-OH: Frances Stark 1991–2015” was organized by the Hammer Museum, Los Angeles. The exhibition was originated with support from Brenda Potter, along with generous support from Karyn Kohl and Maurice Marciano. Table of Contents | Week 3 7 bso news 1 7 on display in symphony hall 18 bso music director andris nelsons 2 0 the boston symphony orchestra 2 3 a brief history of the bso 2 9 a message from andris nelsons 31 this week’s program Notes on the Program 32 The Program in Brief… 33 Bedˇrich Smetana 39 Béla Bartók 47 Modest Mussorgsky 55 Leoˇs Janácekˇ 61 To Read and Hear More… Guest Artists 65 Jakub Hru˚ˇsa 67 Frank Peter Zimmermann 70 sponsors and donors 80 future programs 82 symphony hall exit plan 8 3 symphony hall information the friday preview on october 14 is given by bso director of program publications marc mandel.
  • Pulitzer Prize Winners Biography Or Autobiography Year Winner 1917

    Pulitzer Prize Winners Biography Or Autobiography Year Winner 1917

    A Monthly Newsletter of Ibadan Book Club – December Edition www.ibadanbookclub.webs.com, www.ibadanbookclub.wordpress.com E-mail:[email protected], [email protected] Pulitzer Prize Winners Biography or Autobiography Year Winner 1917 Julia Ward Howe, Laura E. Richards and Maude Howe Elliott assisted by Florence Howe Hall 1918 Benjamin Franklin, Self-Revealed, William Cabell Bruce 1919 The Education of Henry Adams, Henry Adams 1920 The Life of John Marshall, Albert J. Beveridge 1921 The Americanization of Edward Bok, Edward Bok 1922 A Daughter of the Middle Border, Hamlin Garland 1923 The Life and Letters of Walter H. Page, Burton J. Hendrick 1924 From Immigrant to Inventor, Michael Idvorsky Pupin 1925 Barrett Wendell and His Letters, M.A. DeWolfe Howe 1926 The Life of Sir William Osler, Harvey Cushing 1927 Whitman, Emory Holloway 1928 The American Orchestra and Theodore Thomas, Charles Edward Russell 1929 The Training of an American: The Earlier Life and Letters of Walter H. Page, Burton J. Hendrick 1930 The Raven, Marquis James 1931 Charles W. Eliot, Henry James 1932 Theodore Roosevelt, Henry F. Pringle 1933 Grover Cleveland, Allan Nevins 1934 John Hay, Tyler Dennett 1935 R.E. Lee, Douglas S. Freeman 1936 The Thought and Character of William James, Ralph Barton Perry 1937 Hamilton Fish, Allan Nevins 1938 Pedlar's Progress, Odell Shepard, Andrew Jackson, Marquis James 1939 Benjamin Franklin, Carl Van Doren 1940 Woodrow Wilson, Life and Letters, Vol. VII and VIII, Ray Stannard Baker 1941 Jonathan Edwards, Ola Elizabeth Winslow 1942 Crusader in Crinoline, Forrest Wilson 1943 Admiral of the Ocean Sea, Samuel Eliot Morison 1944 The American Leonardo: The Life of Samuel F.B.
  • 07/07/2006 Obedient Student By: Susan Van Dongen , TIMEOFF

    07/07/2006 Obedient Student By: Susan Van Dongen , TIMEOFF

    PACKETONLINE News Classifieds Entertainment Business - Princeton and Centr... http://www.pacpub.com/site/printerFriendly.cfm?brd=1091&dept_id=343157&new... 07/07/2006 Obedient Student By: Susan Van Dongen , TIMEOFF Pulitzer Prize-winning pianist Yehudi Wyner, an adherent of the Taubman Approach, will perform at the Golandsky International Piano Festival in Princeton. Composer Yehudi Wyner wasn't sure how he would be received by piano pedagogue Edna Golandsky. At age 60, he was concerned about how aging would impact his performance skills and thought he would try to see how the Taubman Approach — taught by Ms. Golandsky — could strengthen and improve his playing. "I didn't know if Edna could teach an old dog new tricks," Mr. Wyner says. Through friends and a colleague, he'd become intrigued with Dorothy Taubman's method for the piano, enough to attend master classes Ms. Taubman was giving at the 92nd Street Y in New York. Later, he would seek out Ms. Golandsky for private lessons. "I was certainly growing older," Mr. Wyner says, speaking from his home in Cambridge, Mass. "I was also a professional pianist who played a lot of chamber music, but was also involved in composing. Because of this, I found that I couldn't practice every day, and sometimes let the piano go for months. Then I would need a strenuous regimen of exercises and to get back in shape. It occurred to me that as I grew older, this was going to be less and less effective. "Then I heard Dorothy say, 'If you learn the proper way of playing, then you're always ready, you don't have to warm up.
  • Pulitzer Prize Winners and Finalists, 1917-2021

    Pulitzer Prize Winners and Finalists, 1917-2021

    WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................33 Local General or Spot News Reporting ..................................................34 General News Reporting ........................................................................37 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................40 Local Reporting, No Edition Time .......................................................46 Local Investigative or Specialized Reporting .........................................48 Investigative Reporting ..........................................................................51 Explanatory Journalism .........................................................................62 Explanatory Reporting ...........................................................................65 Specialized Reporting .............................................................................72