Last Night of the Proms 25 March 2018
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Superstar Soprano Measha Brueggergosman Makes Triumphant Return to the Canadian Opera Stage in Opera Atelier’S Award-Winning Production of Mozart’S –Idomeneo–
FOR IMMEDIATE RELEASE February 26, 2019 Superstar Soprano Measha Brueggergosman Makes Triumphant Return to the Canadian Opera Stage in Opera Atelier’s Award-Winning Production of Mozart’s –Idomeneo– Lauded Company Makes Ed Mirvish Theatre Debut with Sumptuous Sound, Breathtaking Ballet, and Lavish Scenery Toronto, ON – Opera Atelier is delighted to present their award-winning production of Mozart’s Idomeneo from April 4–13, 2019 at the Ed Mirvish Theatre starring Canadian soprano superstar Measha Brueggergosman, who returns to the Toronto opera stage after an absence of 10 years, in her internationally acclaimed performance as Elettra. Brueggergosman is joined by a luminary cast featuring some of North America’s finest singers including tenor Colin Ainsworth in the title role, mezzo-soprano Wallis Giunta (Young Singer of the Year, 2018 International Opera Awards) as Idamante, soprano Meghan Lindsay as Ilia, bass-baritone Douglas Williams as Neptune, baritone Olivier Laquerre as Arbace, and baritone Bradley Christensen as the Priest. Brimming with Mozart’s show-stopping arias, deeply emotional ensembles, and spectacular ballet, Idomeneo tells the story of the Greek hero who is forced to choose between the life of his son and a terrible promise he has made to the god of the sea. “Idomeneo demands a unique juxtaposition of an extremely formal dramatic and musical structure coupled with an emotional intensity that foreshadows the Romantic movement,” says Opera Atelier Founding Co-Artistic Director Marshall Pynkoski, who also directs the opera. “In Opera Atelier’s production, every element - superbly rendered music, fully-integrated ballet, and historically-informed design - combine to tell this timeless story with precision and clarity.” “We have restored the ballet that closes Idomeneo,” adds Opera Atelier Co-Artistic Director and Choreographer Jeannette Lajeunesse Zingg. -
Un Paysage Par Henri Duparc
Un paysage par Henri Duparc (1848 – 1933) Au sein de sa collection d’arts graphiques, le musée Lambinet conserve des pièces fort rares, parfois inédites, sans qu’aucun lien ne puisse être établi entre elles, et désolidarisées de fonds ou de grands ensembles auxquels elles auraient pu appartenir. C’est le cas d’un pastel sur papier chamois, de taille modeste (36 x 43cm), non signé, portant la mention manuscrite suivante : « pastel par Duparc, compositeur de mélodies magnifiques ». Donné à la ville de Versailles le 21 juin 1949 par Mme Gaston Pastre, par l’intermédiaire de Jean Gallotti, ce pastel reste énigmatique. Si l’activité de pastelliste du musicien est connue et citée par tous les littérateurs, surtout au moment où sa carrière de compositeur semble remise en cause par maladie nerveuse qui le frappe, aucune autre œuvre comparable n’a été portée à notre connaissance : aucune ne semble figurer à l’inventaire des collections publiques françaises, aucune n’apparaît même sur le marché de l’art. Pratiquée en amateur, cette activité anonyme est donc à envisager dans le cadre de la vie privée, et comme relevant de l’intime. Si l’on est enclin à croire l’inscription manuscrite de Mme Pastre, c’est aussi puisque M. Gaston Pastre, (1898-1939) écrivain, fut un contemporain et ami du compositeur. Plusieurs témoignages nous permettent en effet de savoir qu’Henri Duparc faisait don de tableaux ou de dessins à ses amis. Nous avons cherché enfin à entrer en contact avec les héritiers de la famille, qui pourront, nous l’espérons, montrer d’autres œuvres de la main de l’artiste. -
2017-18 Season Announcement News Release
N E W S R E L E A S E FOR IMMEDIATE RELEASE DATE: February 23, 2017 Yannick Nézet-Séguin and The Philadelphia Orchestra Announce 2017-2018 Season Yannick Nézet-Séguin’s Sixth Season Spans a Vast Range of Sounds Commissions • Oratorio • Chamber Music • Opera A Crowd-Sourced Celebration of Philadelphia • Broadway and a Wide Swath of Orchestral Repertoire Philadelphia Voices, a new work by Tod Machover Tosca Winter Festival focuses on British Isles Hilary Hahn is Artist-in-Residence American Sounds Leonard Bernstein Centenary Including Full Score Performances of West Side Story in Concert Premieres for Orchestra Principals (Philadelphia , February 23, 2017)—Philadelphia Orchestra Music Director Yannick Nézet-Séguin and President and CEO Allison Vulgamore today released The Philadelphia Orchestra’s 2017-18 season. Nézet-Séguin begins his sixth season in Philadelphia with a commitment to lead the world-renowned ensemble through at least 2025-26, continuing a relationship between music director and musicians that has garnered praise around the globe. “This is possibly the most varied season The Philadelphia Orchestra and I have undertaken together,” said Music – more – Yannick Nézet-Séguin and The Philadelphia Orchestra: 2017-18 Season 2 Director Yannick Nézet-Séguin. “It’s thrilling to be able to make music in every way possible, from playing piano with our wonderful principal strings in chamber music, to conducting new works, including commissions, to an oratorio I adore, to a semi-staged production of Tosca. We have some audience favorites, of course, and naturally we are celebrating the centenary of that amazing musical figure Leonard Bernstein. We hope everyone will join us!” “We truly are celebrating Yannick in every musical way this season, and we’re also celebrating our wonderful city of Philadelphia,” added Philadelphia Orchestra President and CEO Allison Vulgamore. -
Connecting Canada Conference Program
CFMTA / FCAPM VIRTUAL CONFERENCE 20 CONNECTING CANADA 21 Musical diversity from coast to coast to coast CONFERENCE PROGRAM July 8–10, 2021 Dear Friends: I am pleased to extend my warmest greetings to everyone attending Connecting Canada – Musical Diversity from Coast to Coast to Coast, a virtual conference hosted by the Canadian Federation of Music Teachers’ Associations (CFMTA). This event brings together music educators from across the country to share their knowledge, ideas and experiences. I am certain that the wide array of professional development activities planned for this event, focussed on the theme of inclusion and diversity in music education, will stimulate a great deal of thoughtful and meaningful exchange and that attendees will come away inspired to put what they have learned into practice. It continues to be a challenging time for planning and hosting events. That is why I would like to thank the organizers for their hard work and dedication in ensuring this year’s conference could still take place and for putting together an informative program for everyone involved. You can take pride in your commitment to providing leadership in music education. Please accept my best wishes for a rewarding experience. Yours sincerely, The Rt. Hon. Justin P. J. Trudeau, P.C., M.P. Prime Minister of Canada Du 8 au 10 juillet 2021 Chères amies, chers amis, Je suis heureux de présenter mes salutations les plus chaleureuses à celles et ceux qui assistent à Connecter le Canada – La diversité musicale d’un océan à l’autre, un congrès virtuel organisé par la Fédération canadienne des associations de professeurs de musique (FCAPM). -
An Afternoon at the Proms 24 March 2018
AN AFTERNOON AT THE PROMS 24 MARCH 2018 CONCERT PROGRAM MELBOURNE SIR ANDREW DAVIS TASMIN SYMPHONY LITTLE ORCHESTRA Courtesy B Ealovega Established in 1906, the Chief Conductor of the Tasmin Little has performed Melbourne Symphony Orchestra Melbourne Symphony Melbourne Symphony in prestigious venues Sir Andrew Davis conductor Orchestra (MSO) is an Orchestra, Sir Andrew such as Carnegie Hall, the arts leader and Australia’s Davis is also Music Director Concertgebouw, Barbican Tasmin Little violin longest-running professional and Principal Conductor of Centre and Suntory Hall. orchestra. Chief Conductor the Lyric Opera of Chicago. Her career encompasses Sir Andrew Davis has been He is Conductor Laureate performances, masterclasses, Elgar In London Town at the helm of MSO since of both the BBC Symphony workshops and community 2013. Engaging more than Orchestra and the Toronto outreach work. Vaughan Williams The Lark Ascending 3 million people each year, Symphony, where he has Already this year she has the MSO reaches a variety also been named interim Vaughan Williams English Folksong Suite appeared as soloist and of audiences through live Artistic Director until 2020. in recital around the UK. performances, recordings, Britten Young Person’s Guide to the Orchestra In a career spanning more Recordings include Elgar’s TV and radio broadcasts than 40 years he has Violin Concerto with Sir Wood Fantasia on British Sea Songs and live streaming. conducted virtually all the Andrew Davis and the Royal Elgar Pomp and Circumstance March No.1 Sir Andrew Davis gave his world’s major orchestras National Scottish Orchestra inaugural concerts as the and opera companies, and (Critic’s Choice Award in MSO’s Chief Conductor in at the major festivals. -
Download Booklet
559216-18 bk Bolcom US 12/08/2004 12:36pm Page 40 AMERICAN CLASSICS WILLIAM BOLCOM Below: Longtime friends, composer William Bolcom and conductor Leonard Slatkin, acknowledge the Songs of Innocence audience at the close of the performance. and of Experience (William Blake) Soloists • Choirs University of Michigan Above: Close to 450 performers on stage at Hill Auditorium in Ann Arbor, Michigan, under the School of Music baton of Leonard Slatkin in William Bolcom’s Songs of Innocence and of Experience. Symphony Orchestra University Musical Society All photographs on pages 37-40 courtesy of Peter Smith/University Musical Society Leonard Slatkin 8.559216-18 40 559216-18 bk Bolcom US 12/08/2004 12:36pm Page 2 Christine Brewer • Measha Brueggergosman • Ilana Davidson • Linda Hohenfeld • Carmen Pelton, Sopranos Joan Morris, Mezzo-soprano • Marietta Simpson, Contralto Thomas Young, Tenor • Nmon Ford, Baritone • Nathan Lee Graham, Speaker/Vocals Tommy Morgan, Harmonica • Peter “Madcat” Ruth, Harmonica and Vocals • Jeremy Kittel, Fiddle The University Musical Society The University of Michigan School of Music Ann Arbor, Michigan University Symphony Orchestra/Kenneth Kiesler, Music Director Contemporary Directions Ensemble/Jonathan Shames, Music Director University Musical Society Choral Union and University of Michigan Chamber Choir/Jerry Blackstone, Conductor University of Michigan University Choir/Christopher Kiver, Conductor University of Michigan Orpheus Singers/Carole Ott, William Hammer, Jason Harris, Conductors Michigan State University Children’s Choir/Mary Alice Stollak, Music Director Leonard Slatkin Special thanks to Randall and Mary Pittman for their continued and generous support of the University Musical Society, both personally and through Forest Health Services. Grateful thanks to Professor Michael Daugherty for the initiation of this project and his inestimable help in its realization. -
Concert Program for October 22 and 23, 2009
Concert Program for October 22 and 23, 2009 David Robertson, conductor Measha Brueggergosman, soprano Kate Lindsey, mezzo-soprano Paul Groves, tenor Jubilant Sykes, baritone Saint Louis Symphony Chorus Amy Kaiser, director Saint Louis Symphony IN UNISON® Chorus Robert Ray, director IVES The Unanswered Question (c. 1908) (1874-1954) BARBER Adagio for Strings (1936) (1910-1981) ROLLO DILWORTH Freedom’s Plow (2009) World Premiere (b. 1970) Saint Louis Symphony IN UNISON® Chorus Robert Ray, director Intermission TIPPETT A Child of Our Time (1939-41) (1905-1998) Part I Chorus: The world turns on its dark side The Argument: Man has measured the heavens Scena: Is evil then good? Now in each nation Chorus of the Oppressed: When shall the usurers’ city cease I have no money for my bread How can I cherish my man in such days A Spiritual: Steal away Part II Chorus: A star rises in mid-winter And a time came Double Chorus of Persecutors and Persecuted: Away with them! Where they could, they fled Chorus of the Self-righteous: We cannot have them in our Empire And the boy’s mother wrote a letter Scena: O my son! A Spiritual: Nobody knows the trouble I see Scena: The boy becomes desperate in his agony They took a terrible vengeance. The Terror: Burn down their houses! Men were ashamed of what was done A Spiritual of Anger: Go down, Moses The Boy sings in his Prison: My dreams are all shattered What have I done to you, my son? The dark forces rise like a flood A Spiritual: O, by and by Part III Chorus: The cold deepens The soul of man Scena: The words of wisdom are these General Ensemble: I would know my shadow and my light A Spiritual: Deep river Measha Brueggergosman, soprano Kate Lindsey, mezzo-soprano Paul Groves, tenor Jubilant Sykes, baritone Saint Louis Symphony Chorus Amy Kaiser, director Saint Louis Symphony IN UNISON® Chorus Robert Ray, director David Robertson is the Beofor Music Director and Conductor. -
Holst, the Toronto Symphony, Andrew Davis
Holst The Planets mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: The Planets Country: Canada Released: 1986 Style: Modern MP3 version RAR size: 1165 mb FLAC version RAR size: 1455 mb WMA version RAR size: 1248 mb Rating: 4.2 Votes: 915 Other Formats: ADX WAV MP4 TTA MIDI DXD AA Tracklist Hide Credits A1 Mars, The Bringer Of War 7:50 A2 Venus, The Bringer Of Peace 7:12 A3 Mercury, The Winged Messenger 4:04 A4 Jupiter, The Bringer Of Jollity 7:24 B1 Saturn, The Bringer Of Old Age 8:30 B2 Uranus, The Magician 5:45 Neptune, The Mystic B3 8:05 Chorus – Toronto Children's ChorusChorus Master – Jean Ashworth Bartle Companies, etc. Recorded At – Centre In The Square, Kitchener, Ontario, Canada Credits Composed By – Gustav Holst Conductor – Andrew Davis Engineer [Assistant] – Malcolm Harris Engineer, Producer – Anton Kwiatkowski Liner Notes – Frank Granville Barker, Godfrey Ridout Orchestra – The Toronto Symphony* Notes Recorded in The Centre in The Square, Kitchener, Ontario, Canada on january 20, 1986. Other versions Category Artist Title (Format) Label Category Country Year Holst*, The Holst*, The Toronto CDC Toronto Symphony*, Andrew Angel CDC US 1986 547417 Symphony*, Davis - The Planets Records 547417 Andrew Davis (CD, Album) Holst*, The Holst*, The Toronto Toronto Symphony*, Andrew Angel DS 537362 DS 537362 US 1986 Symphony*, Davis - The Planets Records Andrew Davis (LP, Album, Club) His Holst*, The Holst*, The Toronto Master's EL 27 0429 Toronto Symphony*, Andrew Voice, His EL 27 0429 UK 1986 1 Symphony*, Davis - The Planets Master's 1 Andrew Davis (LP) Voice Digital Holst*, The Holst*, The Toronto CDC Toronto Symphony*, Andrew Angel CDC US 1986 547417 Symphony*, Davis - The Planets Records 547417 Andrew Davis (CD, Album, Club) Holst*, The Holst*, The Toronto 4DS Toronto Symphony*, Andrew Angel 4DS US Unknown 537362 Symphony*, Davis - The Planets Records 537362 Andrew Davis (Cass, Club) Related Music albums to The Planets by Holst Gustav Holst, The London Symphony Orchestra, Gustav Holst - The Planets Op. -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec. -
Download the Concert Programme (PDF)
London Symphony Orchestra Living Music Thursday 18 May 2017 7.30pm Barbican Hall Vaughan Williams Five Variants of Dives and Lazarus Brahms Double Concerto INTERVAL Holst The Planets – Suite Sir Mark Elder conductor Roman Simovic violin Tim Hugh cello Ladies of the London Symphony Chorus London’s Symphony Orchestra Simon Halsey chorus director Concert finishes approx 9.45pm Supported by Baker McKenzie 2 Welcome 18 May 2017 Welcome Living Music Kathryn McDowell In Brief Welcome to tonight’s LSO concert at the Barbican. BMW LSO OPEN AIR CLASSICS 2017 This evening we are joined by Sir Mark Elder for the second of two concerts this season, as he conducts The London Symphony Orchestra, in partnership with a programme of Vaughan Williams, Brahms and Holst. BMW and conducted by Valery Gergiev, performs an all-Rachmaninov programme in London’s Trafalgar It is always a great pleasure to see the musicians Square this Sunday 21 May, the sixth concert in of the LSO appear as soloists with the Orchestra. the Orchestra’s annual BMW LSO Open Air Classics Tonight, after Vaughan Williams’ Five Variants of series, free and open to all. Dives and Lazarus, the LSO’s Leader Roman Simovic and Principal Cello Tim Hugh take centre stage for lso.co.uk/openair Brahms’ Double Concerto. We conclude the concert with Holst’s much-loved LSO WIND ENSEMBLE ON LSO LIVE The Planets, for which we welcome the London Symphony Chorus and Choral Director Simon Halsey. The new recording of Mozart’s Serenade No 10 The LSO premiered the complete suite of The Planets for Wind Instruments (‘Gran Partita’) by the LSO Wind in 1920, and we are thrilled that the 2002 recording Ensemble is now available on LSO Live. -
Summer 2019 NEWSLETTER : BULLETIN Été 2018
Société d' Opéra National Capital de la Capitale Nationale Opera Society Summer 2019 NEWSLETTER : BULLETIN Été 2018 A Feast of Ottawa Singers! by Shelagh Williams The Canadian Opera Company(COC)’s final two of- butter wouldn’t melt in his mouth, but when he was ferings of the season, Verdi’s Otello and Puccini’s La alone his voice and manner revealed his true nature, as Bohème were a testament to Ottawa singers, the in his Credo. His eyes had a red, devilish gleam and NCOS, and the Brian Law Opera Competition twice he dropped a lit match to dramatically light a (BLOC)! fire on stage! The staging of the oath of vengeance To begin, we saw the last night of Otello, star- between Iago and Otello at the end of Act II, with the ring the NCOS patron, baritone Gerald Finley, as knife to cut and blood to smear, was very powerful. Iago, originally Verdi’s title character! The produc- At the end, with Desdemona and Otello both dead, tion was created by English National Opera as a Iago just sat there with a big satanic smile on his face, co-production with Royal Swedish Opera and Teatro like the devil incarnate. It was fascinating to watch Real Madrid, and so came with director David Alden. Gerald Finley, without overacting, seem so easily to He gave us a fairly straightforward production, with orchestrate the downfall of first Cassio, then Otello, only a few quirky, head scratching aspects to distract and finally Desdemona, all the while appearing to be one from the opera itself and its marvellous music. -
Measha Brueggergosman & Simon Lepper
Measha Brueggergosman & Simon Lepper Wednesday 8 May 2019 7.30pm, Milton Court Concert Hall Ravel Shéhérazade Debussy Chansons de Bilitis Duparc Chanson triste; L’invitation au voyage; Phidylé; La vie antérieure interval 20 minutes Cage The Wonderful Widow of Eighteen Springs Montsalvatge Cinco canciones negras William Bolcom Cabaret Songs: Surprise; The total stranger in the garden; Lisa MacIntosh Toothbrush time; Song of Black Max; George; Amor Measha Brueggergosman soprano Simon Lepper piano Part of Barbican Presents 2018–19 Programme produced by Harriet Smith; printed by Trade Winds Colour Printers Ltd; advertising by Cabbell (tel 020 3603 7930) Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. Please remember that to use our induction loop you should switch your hearing aid to T setting on entering the hall. If your hearing aid is not correctly set to T it may cause high-pitched feedback which can spoil the enjoyment of your fellow audience members. We appreciate that it’s not always possible to prevent coughing during a performance. But, for the sake of other audience members and the artists, if you feel the need to cough or sneeze, please stifle it The City of London with a handkerchief. Corporation is the founder and If anything limits your enjoyment please let us know principal funder of during your visit. Additional feedback can be given the Barbican Centre online. Welcome A warm welcome to tonight’s recital longing in Debussy’s Chansons de Bilitis given by an artist who delights in defying to the extraordinarily distilled world of expectation.