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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
産業能率大学生へのコンテンツ利用調査2019(2019.4月~5月末
産業能率大学生へのコンテンツ利用調査2019(2019.4~6) 今最も好きなコンテンツ(自由記述) 2019年は以下の9つのジャンルについて「今最も好きなもの」を自由記述で回答を集めた。 1. 音楽アーティスト 2. 映画 3. ゲーム 4. コミック 5. アニメ 6. キャラクター 7. 俳優・女優 8. お笑い芸人 9. YouTuber(ユーチューバー)、あるいはバーチャルYouTuber(VTuber) 記入数と記入率は以下の通り ジャンル 記入数 記入率 音楽アーティスト 2,112 61.6% 映画 1,410 41.2% ゲーム 1,285 37.5% コミック 1,197 34.9% アニメ 1,149 33.5% キャラクター 1,158 33.8% 俳優・女優 1,463 42.7% お笑い芸人 1,256 36.7% YouTuber・VTuber 1,238 36.1% 例年通り記入コンテンツは非常に多様で、最も票を集めたコンテンツは、「お笑い芸人」1位の 「千鳥」197票、次が「YouTuber」1位の「東海オンエア」185票。多くは1票、2票のコンテンツ が並ぶ。 次ページから各ジャンルにおける回答データと男女別の上位20位までを示す。男女別ランキング 表中、太字は男女ともにランクインしているデータである。 1 産業能率大学生へのコンテンツ利用調査2019(2019.4~6) 「今」最も好きな「音楽アーティスト」 嵐 87 あいみょん 85 乃木坂46 60 back number 60 ONE OK ROCK 56 TWICE 54 BTS 49 AAA 48 Sumika 34 RADWIMPS 34 米津玄師 33 三代目 J SOUL BROTHERS from EXILE TRIBE 30 Mr.Children 28 Nissy 25 欅坂46 24 king gnu 23 Mrs.GREEN APPLE 22 EXILE 20 UVERworld GENERATIONS from EXILE TRIBE SEVENTEEN 関ジャニ∞ 18 SEKAI NO OWARI 17 WANIMA NEWS 16 清水翔太 My Hair is Bad Aimer IZ*ONE King & Prince 15 ジャニーズ WEST BUMP OF CHICKEN Hey! Say! JUMP 14 日向坂46 SixTONES 13 THE RAMPAGE from EXILE TRIBE 12 Official髭男dism Sexy Zone 11 サカナクション 椎名林檎 BLACKPINK LiSA 10 星野源 E-girls 9 椎名林檎 Kis-My-Ft2 [ALEXANDROS] GReeeeN BAD HOP miwa B‘z 8 ポルノグラフィ ティ 平井大 西野カナ 超特急 ヨルシカ モーニング娘。 ヤバイTシャツ屋さん DISH// AK-69 amazarashi 7 ケツメイシ みやかわくん 湘南乃風 宇多田ヒカル スピッツ EXO Little Glee Monster Da-iCE KAT-TUN chelmico Justin Bieber 6 美波 Suchmos ベリーグッドマン コブクロ ずっと真夜中で いいのに。 The Chainsmokers UNISON SQUARE GARDEN Ed Sheeran NCT127 iKON 5 水瀬いのり 福山雅治 三浦大知 マカロニえんぴつ 女王蜂 tofubeats 大原櫻子 サザンオールスターズ SUPER BEAVER =LOVE CREAM One Direction EGOIST SHINee Ariana Grande SKY-HI QUEEN ASIAN KUNG-FU GENERATION BIGBANG Fear, and Loathing in Las Vegas MY FIRST STORY BiSH 4 Superfly Wanna One 安室奈美恵 平井堅 倉木麻衣 THE ORAL CIGARETTES クリープハイプ フェアリーズ 菅田将暉 マキシマム ザ ホルモン X JAPAN ナオト・インティライミ THE BLUE HEARTS 私立恵比寿中 学 いきものがかり ももいろクローバーZ ジャニーズJr. -
Popmusik Musikgruppe & Musisk Kunstner Listen
Popmusik Musikgruppe & Musisk kunstner Listen Stacy https://da.listvote.com/lists/music/artists/stacy-3503566/albums The Idan Raichel Project https://da.listvote.com/lists/music/artists/the-idan-raichel-project-12406906/albums Mig 21 https://da.listvote.com/lists/music/artists/mig-21-3062747/albums Donna Weiss https://da.listvote.com/lists/music/artists/donna-weiss-17385849/albums Ben Perowsky https://da.listvote.com/lists/music/artists/ben-perowsky-4886285/albums Ainbusk https://da.listvote.com/lists/music/artists/ainbusk-4356543/albums Ratata https://da.listvote.com/lists/music/artists/ratata-3930459/albums Labvēlīgais Tips https://da.listvote.com/lists/music/artists/labv%C4%93l%C4%ABgais-tips-16360974/albums Deane Waretini https://da.listvote.com/lists/music/artists/deane-waretini-5246719/albums Johnny Ruffo https://da.listvote.com/lists/music/artists/johnny-ruffo-23942/albums Tony Scherr https://da.listvote.com/lists/music/artists/tony-scherr-7823360/albums Camille Camille https://da.listvote.com/lists/music/artists/camille-camille-509887/albums Idolerna https://da.listvote.com/lists/music/artists/idolerna-3358323/albums Place on Earth https://da.listvote.com/lists/music/artists/place-on-earth-51568818/albums In-Joy https://da.listvote.com/lists/music/artists/in-joy-6008580/albums Gary Chester https://da.listvote.com/lists/music/artists/gary-chester-5524837/albums Hilde Marie Kjersem https://da.listvote.com/lists/music/artists/hilde-marie-kjersem-15882072/albums Hilde Marie Kjersem https://da.listvote.com/lists/music/artists/hilde-marie-kjersem-15882072/albums -
“PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan. -
Kana Uemura: J-Pop & American Pop Songs Performance Night
PRESS RELEASE FROM THE JAPAN INFORMATION & CULTURE CENTER, EMBASSY OF JAPAN Kana Uemura: J-Pop & American Pop Songs Performance Night Presented at the Kennedy Center Millennium Stage Part of the 2018 National Cherry Blossom Festival Media Contact: Publicity Coordinator, Japan Information & Culture Center, Embassy of Japan Phone: 202-238-6947 Email: [email protected] WASHINGTON DC, (March 1, 2018) – The Japan Information & Culture Center (JICC), Embassy of Japan, DC, is excited to present Kana Uemura for a night of J-pop and American pop songs at the Kennedy Center‘s Millennium Stage as part of the 2018 National Cherry Blossom Festival. NYC-based Japanese singer, songwriter, and guitarist Kana Uemura is known for her J-pop hits, including the 2010 song “Goddess of the Bathroom” that reached number one on the Billboard Japan Hot 100 and Oricon Charts. She will perform a mix of J-Pop (Japanese pop music) and American Pop music including her original songs in both Japanese and English. Listeners of all ages from Japanese and American audiences alike have enjoyed her music. Her special appearance and performance is part of the Embassy of Japan’s cultural offerings during the National Cherry Blossom Festival. Kana Uemura: “J-Pop & American Pop Songs” Performance Night April 18, 2018 || Wednesday at 6PM || Millennium Stage Admission: FREE, walk-ins welcome, first come first served Kana Uemura started her career with street performances as a teenager and made her major debut in Japan in 2005. She became a national star with her 2010 hit “Goddess of the Bathroom.” She moved to New York in 2016 and has been performing the city on a monthy basis. -
El Colegio De México EL MERCADO DE IDOL VARONES EN JAPÓN
El Colegio de México EL MERCADO DE IDOL VARONES EN JAPÓN (1999 – 2008): CARACTERIZACIÓN DE LA OFERTA A TRAVÉS DEL ESTUDIO DE UN CASO REPRESENTATIVO Tesis presentada por YUNUEN YSELA MANDUJANO SALAZAR en conformidad con los requisitos establecidos para recibir el grado de MAESTRÍA EN ESTUDIOS DE ASIA Y ÁFRICA ESPECIALIDAD JAPÓN Centro de Estudios de Asia y África 2009 ÍNDICE INTRODUCCIÓN……………………………………………………………………. 3 I. FENÓMENO IDOL EN JAPÓN Y OBJETO DE ESTUDIO………………... 14 1. Desarrollo general de la industria idol……………………………………. 14 2. Definición de idol………………………………………………………… 18 3. La compañía Johnny’s Jimusho………………………………………….. 22 4. Arashi…………………………………………………………………….. 31 II. ESTRATEGIAS DE DESARROLLO DEL MERCADO IDOL…………….. 36 1. Primera etapa: Base junior, reclutamiento y formación…………………. 37 2. Segunda etapa: Lanzamiento y consolidación de mercado………………. 46 3. Tercera etapa: Diversificación y expansión de mercado…………………. 58 III. SITUACIÓN ACTUAL DEL MERCADO DE IDOL VARONES………….. 68 1. El dominio idol dentro de la industria musical en Japón…………………. 69 2. Fin del monopolio y cambio de estrategias en el mercado de idol varones en Japón……………………………………………………………………… 75 CONCLUSIONES……………………………………………………………………. 84 REFERENCIAS………………………………………………………………………. 88 ANEXOS……………………………………………………………………………… 98 1 NOTA SOBRE EL SISTEMA DE ROMANIZACIÓN UTILIZADO En el presente estudio se utilizará, para los términos generales y los nombres de ciudades, el sistema de romanización usado en el Kenkyusha’s New Japanese – English Dictionary (3ra y ediciones posteriores). En el caso de nombres propios de origen japonés, se presentará primero el nombre y luego el apellido y se utilizará la romanización utilizada en las fuentes originales. Asimismo, es común que los autores no utilicen el macron (¯ ) cuando existe una vocal larga en este tipo de denominaciones. -
Siriusxm Adds Self-Pay Satellite Radio, Pandora Subscribers
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JULY 27, 2021 Page 1 of 22 INSIDE SiriusXM Adds Self-Pay Satellite • China Regulator Radio, Pandora Subscribers Orders Tencent Music to End BY GEORG SZALAI Exclusive Licensing Deals With Labels Audio entertainment giant SiriusXM, the home with adjusted earnings before interest interest, of , said on Tuesday that it added taxes, depreciation and amortization up 14 percent • SBA Has Awarded Howard Stern Over 10,000 self-paying subscribers in its satellite radio and to $700 million. Quarterly net income of $433 mil- Shuttered Venue Pandora units during the second quarter and raised lion rose from $243 million. Grants Totaling $7.5B its financial forecast for the full year 2021. SiriusXM CEO Jennifer Witz said: “SiriusXM The company added 118,000 net self-pay sub- added an impressive 355,000 net new self-pay • Live Music Biz Generated $132.6B in scribers in its Pandora music streaming business, subscribers in the quarter, putting us on track to Economic Activity in ending the second quarter in June with 6.5 million add 1.1 million self-pay subscribers this year – our 2019, Study Finds total users, compared with nearly 6.4 million as of best since 2018 – and we are increasing all of our the end of March. financial guidance.” • ‘Girl Crush’ Writer Lori McKenna Sells The audio giant, controlled by John Malone’s This article was originally published by Catalog in Deal With Liberty Media, said that at its core SiriusXM The Hollywood Reporter. Concord, Pulse & business self-pay subscriber net additions came Creative Nation: to 355,000 in the latest quarter, compared with Exclusive 264,000 in the year-ago period. -
L'intertestualità Mediatica Del Johnny's Jimusho
Corso di Laurea magistrale in Lingue e civiltà dell'Asia e dell'Africa Mediterranea Tesi di Laurea L’intertestualità mediatica del Johnny’s Jimusho Relatore Ch. Prof.ssa Maria Novielli Correlatore Ch. Prof.ssa Paola Scrolavezza Laureando Myriam Ciurlia Matricola 826490 Anno Accademico 2013 / 2014 A papà. RINGRAZIAMENTI Ringrazio la mia famiglia: mio papà, che per anni e anni mi ha ascoltata mentre parlavo di Johnny’s , Yamapi, “Jin-l’odioso ” e di Giappone e passioni. Per aver sognato con me, sostenuto le mie scelte e aver avuto più fiducia in me di quanta ne abbia io. Alla mamma che mi ha costretta a giudicare oggettivamente le mie scelte, anche quando non volevo, e mi ha aiutata in cinque anni di studi fuori sede. Le mie cugine, Jessica, per la sua amicizia e Betty, per i suoi consigli senza i quali questa tesi oggi sarebbe molto diversa. Ringrazio mio nonno, per le sue premure e la sua pazienza quando dicevo che sarebbero passati in un baleno, quei mesi in Giappone o quell’anno a Venezia. La nonna, per il suo amore e le sue attenzioni. Le piccole Luna e Sally, per avermi tenuto compagnia dormendo sulle mie gambe quando studiavo per gli esami e per i mille giochi fatti insieme. Ringrazio le mie coinquiline: Ylenia, Caterina, Alessandra, Dafne, Veronica M. e Veronica F. Per le serate passate a guardare il Jersey Shore o qualche serie TV assurda e tutte le risate, la camomilla che in realtà è prosecco, le pulizie con sottofondo musicale, da Gunther a Édith Piaf. Per le chiacchierate fatte mentre si cucinava in quattro in una cucina troppo piccola, per le ciambelle alle sei del mattino prima di un esame e tutte le piccole gentilezze quotidiane. -
Hokuo Online Trade Mission
HOKUO ONLINE TRADE MISSION February 12 - 17, 2021 Nordic Delegates 02 ARCTIC RIGHTS MANAGEMENT ØYVIND STRØNEN A&R ASIA HEAD OF LABEL SERVICE NICLAS LUNDIN CO-FOUNDER / SONGWRITER / PRODUCER [email protected] PROFESSIONAL INSTRUCTOR AND TEACHER +47 40218414 WWW.ARCTICRIGHTS.COM [email protected] +46706622960 Arctic Rights Management is the biggest indie publisher in ARTOVIK.SE Norway, where we have about 50 writers in the roster, ranging from jazz, to heavy metal. In the field of J-pop and K-pop we Niclas Lundin is a Multi Platinum Songwriter with songs released all have a few that are aiming to be producers and songwriters, over the world by artists including Martin Garrix, Rick Springfield, where I am in charge of this particular part of our business. My Namie Amuro, SHINee, James LaBrie, Koda Kumi, Kiz-My-FtII, background is from being a touring musician in rock bands, Dada Life, Cho Yong Pil and many more. before I got a degree in musicology and took a role in Arctic Niclas often lectures about songwriting both in Sweden and abroad Rights spring 2019. I've always been in love with Japanese and he is well known for hosting professional songwriting camps and culture, and I’ve visited many times. I also spent a year trying to he is part of staff at the three songwriting Academies of Sweden; learn how to speak Japanese, but I’m afraid my vocabulary is Musikmakarna, Dreamhill Music Academy and Songwriting for an limited to ordering ok onomiyaki and beer. International Market. Arctic Rights also has a label as well where we release new music every month (mainly from own writers), and would be very I'm hoping to grow my network of professional contacts both for interested to connect our artist projects to the Japanese scene or myself as a music professional as well as professional camp host, sync opportunities. -
Yuka Moriyama 1/2 Stylist
Yuka Moriyama 1/2 Stylist Profile : 2005 : Studied under stylist Hidero Nakagane. 2007 : Start working as stylist. 2007 : Joins S-14. Magazine : an an BITEKI BOB BRUTUS CREA Dance Generation FIERCIVE FINE BOYS FUDGE HANAKO for Men Hug Mug KINARI Liniere Lips MASH! Men's non-no MILK Japon New Balance Mook nina's +act OVER TURE POPEYE PS re-quest QJ so-en SOUP SPUR jp. The New ERA Book warp WEEKLY PLAYBOY WEEKLY YOUNG MAGAZINE wish X-Girl Stages Artist : YUKO ANDOU YUJI AYABE(PIECE) YUSUKE INOUE(NON STYLE) ASANI USUTA YUKO OGURA MAYUMI ONO NATSUKI KATO MUGI KADOWAKI HARUNA KAWAGUCHI NAOKI KAWANO AKIKO KIKUCHI KINOKO TEIKOKU KUSAKARI MAYUU KEMIO&AMIGACHA NANA KOMATU AKIHISA KONDO NATUKO KONDOU TOMOHISA SAKO YASUKA SAITO KIYOHIKO SHIBUKAWA HARUKA SHIMAZAKI(AKB48) TETSUYA SUGAYA RINA SUMIOKA SHOTA SOMETANI MINAMI SENGUKU(Up Up Girls(KARIDAIKOKU-DANJI MINAMI TAKAHASHI ARISA TAKIZAWA HIDEAKI TAKIZAWA TAKOYAKI RAINBOW CHIHARU TEAM SHACHIHOKO ANNA TSUCHIYA DEAN FUJIOKA ELLIE TOYODA KENTO NAKAJIMA(Sexy Zone) AYUMI NAKAJO YASUHI NAKAMURA FUMI NIKAIDOU HIROSHI NEKO NEGOSIX MOTOHIRO HATA AKARI HAYAMI IKUMI HISAMATU Hyadain RISA HIRAKO DAIGO FUJISAWA YUKI HURUKAWA AKANE HOTTA MAGGIE MAKITA SPORTS(Fly or Die) RENA MATUI(SKE48) JURINA MATUI(SKE48) MOODY KATUYAMA ERIKA MORI TOMOHISA YAMASHITA Lily Franky RINTOSHITESHIGURE TOSHIMI WANABE(Tokyo No1 Soul Set) ETUKO YAKUSHIMARU(Theory of relativity) back number BOSE(SCHA DARA PARR) KANA-BOON Little Glee Monster MiChi MILLEA moumooon Polaris SAKANAMON Snow Man(Johnny`s Jr.) THYME Advertisement : ABC MART Across The Vintage Alexander Lee Chang aravon BEAVER BIG JOHN BRAPPERS B:Ming Life Store by BEAMS CIAOPANIC TYPY COMME CA DU MODE COTA Dinos EDWIN efffy ettusais FALKLAND GENKI×SHINE! Gungendo Laboratory JENEVIEVE Johnbull KEIBA LABO mean McDonalds niko and… no music, no life. -
2015 年総合イヤーエンド・チャート発表 および Billboard JAPAN Music Awards 2015 開催のお知らせ 2015 年 No.1 は、三代目 JSB「R.Y.U.S.E.I.」。 複合アルバムチャート 1 位は、ドリカムのベスト盤が獲得。
≪2015 年 12 月 11 日(金)6:00 告知解禁≫ 報道関係各位 2015 年 12 月 11 日 株式会社阪神コンテンツリンク 2015 年総合イヤーエンド・チャート発表 および Billboard JAPAN Music Awards 2015 開催のお知らせ 2015 年 No.1 は、三代目 JSB「R.Y.U.S.E.I.」。 複合アルバムチャート 1 位は、ドリカムのベスト盤が獲得。 プロメテウスグローバルメディア社(本社所在地:ニューヨーク)のグループである「米国ビルボード」(発行人:Tony Gervino)及 び「ビルボードジャパン」(日本における Billboard ブランドのマスターライセンスを保有する阪神コンテンツリンク)は、2015 年イ ヤーエンド・チャート全 9 部門の受賞楽曲・アーティストを別紙の通り発表致します。 今年の Billboard JAPAN Hot 100 は、2014 年 6 月にリリースされた三代目 J Soul Brothers from EXILE TRIBE「R.Y.U.S.E.I.」が、 昨年のイヤーエンド・チャート 19 位獲得後も勢いは衰えず、首位を獲得するという快挙を成し遂げました。同曲はダウンロードとス トリーミングがパッケージ・セールスを牽引する形でポイントを大きく獲得。また、YouTube が地上波露出のたびに再生回数を伸ばし、 Twitter もメディアに合わせてポイントを積み上げました。結果的に、Twitter、YouTube、そしてストリーミングによって幅広い層へ 浸透し、ファンを増やし続けた結果パッケージとダウンロードが一年越しの超ロングセールスを果たすという理想的なサイクルが生ま れ、今年リリースされた楽曲を退けて首位に輝く、今年の J-POP シーンにとり象徴的な結果となりました。また、6 月からスタートし た複合アルバムチャート、Billboard JAPAN Hot Albums は、DREAMS COME TRUE の『DREAMS COME TRUE THE BEST ! 私のドリカム』が 1 位に輝きました。2 位の嵐『Japonism』はパッケージでは大差で 1 位でしたが、ダウンロードとルックアップによって、DREAMS COME TRUE がその差を覆す、複合チャートならではの最終週まで展開が読めない接戦でした。このように、複数のサービスがスタートし、ストリ ーミング元年となった 2015 年は、デジタル領域の展開がヒットを生む、新しいフェーズに J-POP シーンが移行したことが鮮明となり ました。 そして今回の Billboard JAPAN HOT 100 イヤーエンド 100 曲を対象に、Billboard JAPAN では今年も Twitter とカラオケの一般投票 で決定する『Billboard Japan Music Awards 2015』を開催。予測不能の投票結果は 2016 年 1 月 15 日に発表を予定しています。ぜひ “みんなが選ぶ 2015 年の 1 曲”に、ご期待ください。 ◎三代目 J Soul Brothers from EXILE TRIBEコメント 今市隆二:Billboard JAPANチャートのHot100年間1位というのはなかなか獲れるものではないですし、それだけ多くの人が 「R.Y.U.S.E.I.」を愛してくれたことに対しても感謝の気持ちでいっぱいです。 登坂広臣:2014年は「R.Y.U.S.E.I.」にとっても僕ら自身にとっても「良い年だったね」という形で締め括ることが出来たんですけど、 今年も「R.Y.U.S.E.I.」が名誉ある形で1位を頂けたということで、自分たちとしても「代表曲になったんだな」と実感することができ -
Triller Network Acquires Verzuz: Exclusive
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 9, 2021 Page 1 of 25 Leader; Travis Denning Makes History INSIDE Triller Network Acquires Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lion audience impressions, up 16%). Top Country• Verzuz Albums Founders chart dated April 18. In its first week (endingVerzuz: April 9), it Exclusive earnedSwizz 46,000 Beatz equivalent & album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingTimbaland to Nielsen Talk Music/MRC Data. andBY total GAIL Country MITCHELL Airplay No. 1 as “Catch” (Big Machine Label Group) ascends SouthsideTriller Partnership: marks Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart‘This and fourthPuts a top Light 10. It followsVerzuz, freshman the LPpopular livestream music platform creat- in music todayYoung’s than Verzuz,” first of six said chart Bobby entries, Sarnevesht “Sleep With,- MontevalloBack on, which Creatives’ arrived at theed summit by Swizz in No Beatz- and Timbaland, has been acquired executive chairmanout You,” andreached co-owner No. 2 in of December Triller, in 2016. an- He vember 2014 and reigned for nineby weeks. Triller To Network, date, parent company of the Triller app.