DOCSLIB.ORG

Download Program Notes

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download Program Notes PROGRAM Istanbul: Music from the Ottoman Empire in dialogue with the Armenian, Greek, and Sephardic traditions I Taksim Der makām “Uzzäl uşūleş Darb-i feth” Dervis Mehmed, Mss. Dimitrie Cantemir (209) La rosa enflorece – Maciço de rosas Sephardic tradition (I. Levy I.59, III.41) Alagyeaz and Khnki tsar Armenian tradition Der makām-ı Hüseynī Semâ’î Mss. D. Cantemir (268) II Hisar Ağir Semai Ottoman lament Ta xyla (Greek)/Çeçen kızı (Turkish) Ene Sarére Armenian lament Der makām-ı Uzzäl Sakîl Mss. D. Cantemir (324) “Turna” Semâ’î PROGRAM: INTERMISSION JORDI SAVALL WITH III Paxarico tu te llamas Sephardic tradition HESPÈRION XXI (Sarajevo) FEBRUARY 22 / Al aylukhs Armenian song and dance Der makām-ı Räst “Murass’a” Mss. D. Cantemir (214) 2:30 PM uşūleş Düyek BING CONCERT HALL Hermoza muchachica Sephardic tradition Taksim ARTISTS Hespèrion XXI IV Hov arek Armenian lament Turkey Hakan Güngör, kanun Koniali Turkish and Greek song Yurdal Tokcan, oud and dance Sephardic tradition Armenia Una pastora Haïg Sarikouyoumdjian, ney and duduk Taksim Greece Der makām-ı Hüseynī Sakīl-i Ağa Riżā Mss. D. Cantemir (89) Dimitri Psonis, santur Morocco Driss El Maloumi, oud Spain David Mayoral, percussion This program is made possible with the support of the Departament de Cultura Jordi Savall, vielle, lyra, and direction of the Generalitat de Catalunya and the Institut Ramon Llull. PROGRAM SUBJECT TO CHANGE. Please be considerate of others and turn off all phones, pagers, and watch alarms, and unwrap all lozenges prior to the performance. Photography and recording of any kind are not permitted. Thank you. 42 STANFORD LIVE MAGAZINE JANUARY/FEBRUARY 2015 JORDI SAVALL Savall and Ms. Figueras, Hespèrion XXI has DAVID MAYORAL Jordi Savall is one of the most multifariously succeeded in uniting the common threads of A frequent member of Jordi Savall’s gifted musicians of his generation; his disparate cultures. ensembles since 2005, David Mayoral is a career as a concert performer, teacher, wide-ranging and versatile percussionist. In researcher, and creator of new projects, HAKAN GÜNGÖR his student years, he worked with renowned both musical and cultural, makes him one Since 1993, Mr. Güngör has performed and masters of piano, ear training, historical of the principal architects of the current recorded with many renowned artists. In percussion, and classical Arabic percussion, revaluation of historical music. Together addition to Jordi Savall and his Hespèrion and he studied in formal courses and master with Montserrat Figueras, he founded the ensembles, Mr. Güngör has appeared classes with Glen Velez (frame drumming and ensembles Hespèrion XXI, La Capella Reial with Yo-Yo Ma, Kudsi Erguner, Renaud req), Keyvan Chemirani (zarb), and Pejman de Catalunya, and Le Concert des Nations. Garcia-Fons, Fazil Say, and Okay Temiz. Hadadi (zarb and daff). He has recorded more than 170 CDs, most Mr. Güngör is on the faculty of Halic of which are on Alia Vox. In 2001, Mr. Savall University, is a resident kanun player at YURDAL TOKCAN and Ms. Figueras received a Grammy Award Istanbul Radio House, and produces the Osman Yurdal Tokcan, has combined for Dinastia Borja and the Midem Classical popular Műzik deyince show for the music traditional performance practices with music Music Award for Jerusalem, City of Two channel of Turkish Radio and Television. and instruments of today. He is also an Peaces. In 2008, he was named an Artist avid and respected teacher of the oud in for Peace as part of UNESCO’s Goodwill DRISS EL MALOUMI workshops and master classes. Active in the Ambassadors program. In 2009, he was Combining his love for words and music, music culture of his homeland, Mr. Tokcan appointed Ambassador of the European Year Mr. Maloumi has written and composed such founded the Istanbul Sazendeleri (Musicians of Creativity and Innovation by the European French shows as Oiseau de lune, L’amour of Istanbul) to encourage the spread of Union. Most recently, he received the Léonie sorcier, and Caravane de lune. He has earned instrumental Turkish music. In addition, he Sonning Music Prize in Denmark, joining the a reputation for successfully mixing traditional has performed and toured with ensembles company of Daniel Barenboim, Cecilia Bartoli, Moroccan Sufi music with jazz and Baroque throughout the world. He has worked on film Mstislav Rostropovich, Olivier Messiaen, and idioms in such albums as Noches and Jazz scores (The Passion of the Christ and Kingdom many others. According to the Guardian, aux Oudayas. of Heaven) and on many CDs released in “Jordi Savall testifies to a common cultural Europe and the U.S. Among them are two inheritance of infinite variety. He is a man for HAÏG SARIKOUYOUMDJIAN recordings with Jordi Savall, La sublime our time.” Haïg Sarikouyoumdjian has collaborated with porte and Istanbul: Dimitrie Cantemir.• Jordi Savall and Hespèrion since 2009. With HESPÈRION XXI them, he has participated in many performing For 40 years, Hespèrion has led the way into and recording projects around the world. Their the vibrant world of medieval, Renaissance, collaboration on the CD Armenian Spirit, and Baroque music. From Hespèrion XX’s released in 2012 by the Alia Vox label, has beginning in Basel, Switzerland, the founding been widely praised. director, Jordi Savall, and his cofounders, Montserrat Figueras, Lorenzo Alpert, and DIMITRI PSONIS Hopkinson Smith, never wavered from their Dimitri Psonis founded the groups initial motivation. Thanks to the energy of Metamorphosis, Krusta, Acroma, and P’An- its members, Hespèrion XXI has conquered Ku, and he has worked with singers and a new world of nations and extracted the instrumentalists of many nations. His music precious ore of their musical traditions. interests range from specialized studies and Harvesting the music of Europe, the interpretation of classic Ottoman music to Middle and Far East, and the New World, the performance of popular music of Greece Hespèrion XXI has revealed Sepharad and Turkey. His work can be heard on CDs through live performances and recordings of and film soundtracks. Collaborating with early Judeo-Christian songs, golden-age Spain, music ensembles like the Limoges Baroque the madrigals of Monteverdi, the Creole Ensemble and Speculum Musicae, Mr. Psonis villancicos of Latin America, and much more. has performed and recorded regularly with Guided by the energy and commitment of Mr. Jordi Savall and Hespèrion since 2000. encoremediagroup.com 43.
Load more

Recommended publications
  • Simfonies 1, 2, 3, 4 JORDI SAVALL
    Simfonies 1, 2, 3, 4 JORDI SAVALL "An impressive recording" "Jordi Savall démontre une The Classic Review compréhension profonde du massif beethovénien ; il en révèle les équilibres singuliers” Classique News "L'enregistrement de l'année de Beethoven" MERKUR "It’s the organic nature of Savall’s conception that makes it stand head and shoulders above this year’s crop of Fifths" Limelight, EDITOR'S CHOICE "La perfección en estas grabaciones es difícil de comentar. La música está viva y coleando" POLITIKEN "A really first-class recording" Classical Candor 10/2/2021 Review | Gramophone BEETHOVEN Symphonies Nos 1-5 (Savall) Follow us View record and artist details Author: Peter Quantrill We know a lot about how Beethoven composed at the keyboard, and right from the clipped, slashed and rolled tutti chords of the First Symphony’s opening-movement Allegro, all weighted according to context by Le Concert des Nations, there’s a fine and rare sense of how his thinking transferred itself to an orchestral canvas. Made under studio conditions in the church of a medieval Catalonian fortress, these recordings BEETHOVEN enjoy plenty of string bass colour and timpani impact without Symphonies Nos 1-5 swamping the liveliest inner-part debates between solo winds (Savall) or divided-violin combat. Symphony No. 1 ‘Enjoy’ is the word for the set as a whole. The tempos are largely Beethoven’s own, at least according to the metronome Symphony No. 2 marks he retrospectively applied in 1809 to all the symphonies Symphony No. 3, he had composed up to that point, but almost no 'Eroica' interpretative decision feels insisted upon, no expressive horizon foreshortened by a ready-made frame.
    [Show full text]
  • Jordi Savall, Viol Frank Mcguire, Bodhrán
    Friday, February 26, 2016, 8pm First Congregational Church Berkeley RADICAL: The Natural World Jordi Savall , viol Frank McGuire , bodhrán MAN & NATURE MUSICAL HUMORS & LANDSCAPES In the English, Irish, Scottish and American traditions PROGRAM The Caledonia Set The Humours of Scariff Traditional Irish Archibald MacDonald of Keppoch Traditional Irish The Musical Priest / Scotch Mary Captain Simon Fraser (1816 Collection) Caledonia’s Wail for Niel Gow Traditional Irish Sackow’s Jig (Treble Viol) The Musicall Humors Tobias Hume, 1605 A Souldiers March Captaine Hume’s Pavin A Souldiers Galliard Harke, harke Good againe A Souldiers Resolution (Bass Viol, the Lute Tunning) Flowers of Edinburg Traditional Scottish Lady Mary Hay’s Scots Measure Shetland Tune Da Slockit Light Reel The Flowers of Edinburg Niel Gow (1727–1807) Lament for the Death of his Second Wife Fisher’s Hornpipe Tomas Anderson Peter’s Peerie Boat (Treble Viol) INTERMISSION The Bells Alfonso Ferrabosco II Coranto Thomas Ford Why not here John Playford La Cloche & Saraband (Bass Viol, Lyra way, the First tuning) The Donegal Set Traditional Irish The Tuttle’s Reel Turlough O’Carolan Planxty Irwin O’Neill, Chicago 1903 Alexander’s Hornpipe Jimmy Holme’s Favorite Donegal tradition Gusty’s Frolics (Treble Viol) THE LORD MOIRA’S SET Ryan’s Collection (Boston, 1883) Regents Rant Crabs in the Skillet—Slow jig The Sword dance Lord Moira Lord Moira’s Hornpipe (Bass Viol Lyra-way: the Bagpipes tuning) IRISH LANDSCAPES The Morning Dew The Hills of Ireland Apples in the Winter The Rocky Road to Dublin The Kid on the Mountain Morrison’s Jig (Treble Viol) This performance is made possible, in part, by Patron Sponsors Will and Linda Schieber.
    [Show full text]
  • Network Notebook
    Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
    [Show full text]
  • Artistes Per La Pau” Dins Del Coro Barroco De Andalucia (Sevilla), Històrica
    Jordi Savall, violes de gamba & direcció Jordi Savall és una de les personali- tats musicals més polivalents de la seva generació. Fa més de cinquanta anys que dóna a conèixer al món meravelles musicals abandonades en la foscor de la indiferència i de l’oblit. Dedicat a la recerca d’aquestes músiques antigues, les llegeix i les interpreta amb la seva viola de gamba, o com a director. Les seves activitats com a concertista, pe- dagog, investigador i creador de nous projectes, tant musicals com culturals, Lluís Vilamajó, tenor & direcció de ponsable de la direcció artística, amb el situen entre els principals artífexs del amb Montserrat Figueras, varen ser la Jove Capella Reial de Catalunya Lambert Climent i Carlos Mena del fenomen de revalorització de la música investits “Artistes per la Pau” dins del Coro Barroco de Andalucia (Sevilla), històrica. És fundador, juntament amb programa “Ambaixadors de bona volun- Nascut a Barcelona, inicià els seus y del Coro Vozes de “Al Ayre Español” Montserrat Figueras, dels grups musi- tat” de la UNESCO. estudis musicals a l’Escolania de Mont- (Zaragoza). Paral·lelament ha començat cals Hespèrion XXI (1974), La Capella serrat, i després els continuà al Conser- el projecte FONICS per a joves can- Reial de Catalunya (1987) i Le Concert La seva fecunda carrera musical ha vatori Municipal Superior de Música de tants, i és director artístic del Coro de la des Nations (1989) amb els que explora estat mereixedora de les més altes dis- Barcelona. Actualment és membre de la Orquesta Ciudad de Granada i del Joven i crea un univers d’emocions i de be- tincions nacionals i internacionals, d’en- Capella Reial de Catalunya dirigida per Coro de Andalucía.
    [Show full text]
  • THE CLEVELAN ORCHESTRA California Masterwor S
    ����������������������� �������������� ��������������������������������������������� ������������������������ �������������������������������������� �������� ������������������������������� ��������������������������� ��������������������������������������������������� �������������������� ������������������������������������������������������� �������������������������� ��������������������������������������������� ������������������������ ������������������������������������������������� ���������������������������� ����������������������������� ����� ������������������������������������������������ ���������������� ���������������������������������������� ��������������������������� ���������������������������������������� ��������� ������������������������������������� ���������� ��������������� ������������� ������ ������������� ��������� ������������� ������������������ ��������������� ����������� �������������������������������� ����������������� ����� �������� �������������� ��������� ���������������������� Welcome to the Cleveland Museum of Art The Cleveland Orchestra’s performances in the museum California Masterworks – Program 1 in May 2011 were a milestone event and, according to the Gartner Auditorium, The Cleveland Museum of Art Plain Dealer, among the year’s “high notes” in classical Wednesday evening, May 1, 2013, at 7:30 p.m. music. We are delighted to once again welcome The James Feddeck, conductor Cleveland Orchestra to the Cleveland Museum of Art as this groundbreaking collaboration between two of HENRY COWELL Sinfonietta
    [Show full text]
  • Myung-Whun Chung
    如 • 歌 • 文 • 化 Ruge Artists Management 扫描关注微信订阅号 CONDUCTOR / Myung-Whun Chung PERFORMANCES He was Music Director of the Saarbrücken Radio Symphony Orchestra from 1984 to 1990, Principal Guest Conductor of the TeatroComunale of Florence from 1987 to 1992, Music Director of the Opéra de Paris-Bastille from 1989 to 1994 and Principal Conductor atthe Santa Cecilia Orchestra in Rome from 1997 to 2005. In 1995, Myung-Whun Chung founds the Asia Philharmonic, an orchestra made up of the best musicians from 8 Asian countries. In 2005,he was appointed Music Director of the Seoul Philarmonic Orchestra. He has been Music Director of the Orchestre Philharmonique deRadio France since 2000. Myung-Whun Chung has conducted virtually all the world’s leading orchestras, including the Berlin and Vienna Philharmonic, theConcertgebouw, all the major London and Parisian Orchestras, Filharmonica della Scala, Bayerisch Rundfunk, Dresden Staatskapelle,Boston and Chicago Symphony, the Metropolitan Opera, the New York Philharmonic and the Cleveland and Philadelphia Orchestras. RECORDINGS An exclusive recording artist for Deutsche Grammophon since 1990, many of his numerous recordings have won international prizes and awards. These include Messiaen's TurangalîlaSymphony and Eclairs sur l’Au-Delà, Verdi's Otello, Berlioz'sSymphonie Fantastique, Shostakovich's Lady Macbeth with the Orchestre de l'Opéra Bastille; a series of Dvorák's symphonies and serenades with the Vienna Philharmonic Orchestra and a series dedicated to the great sacred music with the Orchestra dell'Accademia Nazionale di Santa Cecilia, including the award-winning recording of Duruflé’s and Fauré’s Requiems with Cecilia Bartoli and Bryn Terfel. Recent releases include Messiaen’s La transfiguration de Notre Seigneur Jésus-Christ and Des Canyons aux étoiles with the Orchestre Philharmonique de Radio France as well as works by Debussy and Ravel with the Seoul Philharmonic Orchestra.
    [Show full text]
  • A Culture of Recording: Christopher Raeburn and the Decca Record Company
    A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon.
    [Show full text]
  • Visite Par Audioguide Des Dominicains
    STATION - WELCOME BY BRIGITTE KLINKERT Hello, my name is Neil Beardmore and on behalf on Brigitte Klinkert, president of the association that manages this heritage site, which is listed as a historic monument, welcome to The Dominican Convent of Haut-Alsace. The Dominican convent is no longer a place of worship. It is now a cultural centre, certified by the French Culture Ministry as a Subsidised Music Performance Centre. The Dominican Convent of Haute-Alsace belongs to the Haut-Rhin County Council, and it is one of the most important sites of the Upper Rhine Region, together with Hohlandsbourg Castle, Wesserling Park and the Ecomusée d’Alsace, all three of which are nearby. Here you are at the Dominican Convent, a place with an extraordinary history where, if time had stood still, friar preachers, fishmongers, textile workers and the great Rostropovich would meet. To begin this tour, please make your way over to the cloister, which was once a place of prayer and contemplation. We recommend that you follow the tour in the suggested direction, because you will find markers corresponding to the chapter numbers of your audio-guide. Be curious, listen carefully and enjoy your tour of the Dominican Convent. STATION - CLOISTER The sandstone of the Vosges Mountains is whispering... Listen closely and it will tell you seven hundred years of history. This cloister is part of a former Dominican convent, where friar preachers lived. The mendicant order was composed of friars who lived in cities to preach and who relied on charity to survive. It was founded in Toulouse in the early 13th century by St.
    [Show full text]
  • Gardiner's Schumann
    Sunday 11 March 2018 7–9pm Barbican Hall LSO SEASON CONCERT GARDINER’S SCHUMANN Schumann Overture: Genoveva Berlioz Les nuits d’été Interval Schumann Symphony No 2 SCHUMANN Sir John Eliot Gardiner conductor Ann Hallenberg mezzo-soprano Recommended by Classic FM Streamed live on YouTube and medici.tv Welcome LSO News On Our Blog This evening we hear Schumann’s works THANK YOU TO THE LSO GUARDIANS WATCH: alongside a set of orchestral songs by another WHY IS THE ORCHESTRA STANDING? quintessentially Romantic composer – Berlioz. Tonight we welcome the LSO Guardians, and It is a great pleasure to welcome soloist extend our sincere thanks to them for their This evening’s performance of Schumann’s Ann Hallenberg, who makes her debut with commitment to the Orchestra. LSO Guardians Second Symphony will be performed with the Orchestra this evening in Les nuits d’été. are those who have pledged to remember the members of the Orchestra standing up. LSO in their Will. In making this meaningful Watch as Sir John Eliot Gardiner explains I would like to take this opportunity to commitment, they are helping to secure why this is the case. thank our media partners, medici.tv, who the future of the Orchestra, ensuring that are broadcasting tonight’s concert live, our world-class artistic programme and youtube.com/lso and to Classic FM, who have recommended pioneering education and community A warm welcome to this evening’s LSO tonight’s concert to their listeners. The projects will thrive for years to come. concert at the Barbican, as we are joined by performance will also be streamed live on WELCOME TO TONIGHT’S GROUPS one of the Orchestra’s regular collaborators, the LSO’s YouTube channel, where it will lso.co.uk/legacies Sir John Eliot Gardiner.
    [Show full text]
  • Classical Series 1 2019/2020
    classical series 2019/2020 season 1 classical series 2019/2020 Meet us at de Doelen! Bang in the middle of Rotterdam’s vibrant city centre and at a stone’s throw from the magnificent Central Station, you find concert hall de Doelen. A perfect architectural example of the Dutch post-war reconstruction era, as well as a veritable people’s palace, featuring international programming and festivals. Built in the sixties, its spacious state- of-the-art auditoria and foyers continue to make it look and feel like a timelessly modern and dynamic location indeed. De Doelen is home to the Rotterdam Philharmonic Orchestra, with the very young and talented conductor Lahav Shani at its helm. But that is not all! With over 600 concerts held annually, our programming is delightfully varied, ranging from true crowd-pullers to concerts catering to connoisseurs, and from children’s concerts to performances of world music, jazz and hip-hop. What’s more, de Doelen is the beating heart of renowned cultural festivals such as the IFFR, Poetry International, Rotterdam Unlimited, HipHopHouse’s Make A Scene and RPhO’s Gergiev Festival. Check this brochure for this season’s programme. You will hopefully be as thrilled as we are with what’s on offer. Meet us at de Doelen and enjoy! Janneke Staarink, director & de Doelen team Janneke Staarink © Sanne Donders classical series 3 contents classical series 2019/2020 season preface 3 Pierre-Laurent Aimard © Marco Borggreve Grupo Ruta de la Esclavitud © Claire Xavier classical series 6 - 29 suggestions per subject 30 chronological overview 32 piano great baroque ordering information 36 From classics to cross-overs: the versatility of the This series features great themes and signature baroque floor plans 38 piano takes centre stage.
    [Show full text]
  • Timeline: Music Evolved the Universe in 500 Songs
    Timeline: Music Evolved the universe in 500 songs Year Name Artist Composer Album Genre 13.8 bya The Big Bang The Universe feat. John The Sound of the Big Unclassifiable Gleason Cramer Bang (WMAP) ~40,000 Nyangumarta Singing Male Nyangumarta Songs of Aboriginal World BC Singers Australia and Torres Strait ~40,000 Spontaneous Combustion Mark Atkins Dreamtime - Masters of World BC` the Didgeridoo ~5000 Thunder Drum Improvisation Drums of the World Traditional World Drums: African, World BC Samba, Taiko, Chinese and Middle Eastern Music ~5000 Pearls Dropping Onto The Jade Plate Anna Guo Chinese Traditional World BC Yang-Qin Music ~2800 HAt-a m rw nw tA sxmxt-ib aAt Peter Pringle World BC ~1400 Hurrian Hymn to Nikkal Tim Rayborn Qadim World BC ~128 BC First Delphic Hymn to Apollo Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Epitaph of Seikilos Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Magna Mater Synaulia Music from Ancient Classical Rome - Vol. 1 Wind Instruments ~ 30 AD Chahargan: Daramad-e Avval Arshad Tahmasbi Radif of Mirza Abdollah World ~??? Music for the Buma Dance Baka Pygmies Cameroon: Baka Pygmy World Music 100 The Overseer Solomon Siboni Ballads, Wedding Songs, World and Piyyutim of the Sephardic Jews of Tetuan and Tangier, Morocco Timeline: Music Evolved 2 500 AD Deep Singing Monk With Singing Bowl, Buddhist Monks of Maitri Spiritual Music of Tibet World Cymbals and Ganta Vihar Monastery ~500 AD Marilli (Yeji) Ghanian Traditional Ghana Ancient World Singers
    [Show full text]
  • KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas
    KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas GEORGES BIZET EMI 63633 Carmen Maria Stuarda Paris Opera National Theatre Orchestra; René Bologna Community Theater Orchestra and Duclos Chorus; Jean Pesneaud Childrens Chorus Chorus Georges Prêtre, conductor Richard Bonynge, conductor Maria Callas as Carmen (soprano) Joan Sutherland as Maria Stuarda (soprano) Nicolai Gedda as Don José (tenor) Luciano Pavarotti as Roberto the Earl of Andréa Guiot as Micaëla (soprano) Leicester (tenor) Robert Massard as Escamillo (baritone) Roger Soyer as Giorgio Tolbot (bass) James Morris as Guglielmo Cecil (baritone) EMI 54368 Margreta Elkins as Anna Kennedy (mezzo- GAETANO DONIZETTI soprano) Huguette Tourangeau as Queen Elizabeth Anna Bolena (soprano) London Symphony Orchestra; John Alldis Choir Julius Rudel, conductor DECCA 425 410 Beverly Sills as Anne Boleyn (soprano) Roberto Devereux Paul Plishka as Henry VIII (bass) Royal Philharmonic Orchestra and Ambrosian Shirley Verrett as Jane Seymour (mezzo- Opera Chorus soprano) Charles Mackerras, conductor Robert Lloyd as Lord Rochefort (bass) Beverly Sills as Queen Elizabeth (soprano) Stuart Burrows as Lord Percy (tenor) Robert Ilosfalvy as roberto Devereux, the Earl of Patricia Kern as Smeaton (contralto) Essex (tenor) Robert Tear as Harvey (tenor) Peter Glossop as the Duke of Nottingham BRILLIANT 93924 (baritone) Beverly Wolff as Sara, the Duchess of Lucia di Lammermoor Nottingham (mezzo-soprano) RIAS Symphony Orchestra and Chorus of La Scala Theater Milan DEUTSCHE GRAMMOPHON 465 964 Herbert von
    [Show full text]