Download 1 File
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Artist Album Label Artist Album Label
Artist Album Label Artist Album Label The Book of Dalava*#+ Songlines Shimmer# Shimmer Drop Medium 1 Transfigurations 51 The Harpoonist & the High Plains*+ Cinderland Kranky Apocalipstick Self-Released 2 52 Axe Murderer 3 The Courtneys*#+ II Flying Nun 53 Tim The Mute*+ Take My Life...Please! Kingfisher Bluez 4 Pale Red*#+ Soft Opening Self-Released 54 Twin Rains*+ Automatic Hand Self-Released 5 Louise Burns*#+ Young Mopes Light Organ 55 Alex Cuba*+ Lo Unico Constante Fontana North Avec le Soleil Sortant Mi'ens*#+ Challenger Kingfisher Bluez Pas Pire Pop Constellation 6 56 de sa bouche* 7 Mac DeMarco* This Old Dog Royal Mountain 57 Cuddle Magic Ashes/Axis Northern Spy Daniel Terrence Brasstronaut*+ S/T Unfamiliar Death Heavy Lark 8 58 Robertson*+ 9 The Evaporators*+ Ogopogo Punk Mint 59 The Prettys*+ Soiree Shake! 10 Needles//Pins*#+ Goodnight, Tomorrow Mint 60 Only A Visitor*#+ Lines Self-Released 11 Fond of Tigers*+ Uninhabit Offseason 61 House and Land# House and Land Thrill Jockey 12 Bored Décor*+ S/T Rocksalt 62 Saltland*# A Common Truth Constellation 13 Timber Timbre*# Sincerely, Future Pollution Arts & Crafts 63 Alvvays*# Antisocialites Polyvinyl 14 Devours*+ Late Bloomer (reissue) Locksley Tapes 64 Big Thief# Capacity Saddle Creek Morning Figure When Faith Healer*# Try ;-) Mint Echuta*+ Agony Klub 15 65 Absolutely Calm 16 Puzzlehead*#+ Trucks Self-Released 66 Hermitess*# Hermitess Self-Released Stubborn Persistent Do Make Say Think * Constellation Holy Hum*+ All Of My Bodies Heavy Lark 17 Illusions 67 Hurray For The Riff New Fries* -
Clarke's Commentary Joshua — Esther
WESLEYAN HERITAGE Library Commentaries CLARKE'S COMMENTARY JOSHUA — ESTHER By Adam Clarke, LL.D., F.S.A., &c. “Follow peace with all men, and holiness, without which no man shall see the Lord” Heb 12:14 Spreading Scriptural Holiness to the World Wesleyan Heritage Publications © 1998 Adam Clarke's Commentary on the Old and New Testaments A derivative of Adam Clarke's Commentary for the Online Bible produced by Sulu D. Kelley 1690 Old Harmony Dr. Concord, NC 28027-8031 (704) 782-4377 © 1994, 1995, 1997 © 1997 Registered U.S. Copyright Office $#&&220000((1177$$55<<#$$11''#&&55,,77,,&&$$//#112277((66 ON THE ++22//<<#%%,,%%//(( 2/'#$1'#1(:#7(67$0(176 DESIGNED AS A HELP TO A BETTER UNDERSTANDING OF THE SACRED WRITINGS %%<<#$$''$$00#&&//$$55..((/#//1'1/#)161$1/#1/#))F1 A NEW EDITION, WITH THE AUTHOR’S FINAL CORRECTIONS For whatsoever things were written aforetime were written for our learning, that we through patience and comfort of the Scriptures might have hope.—Rom. xv. 4. PREFACE TO THE BOOK OF JOSHUA JOSHUA, the son of Nun, of the tribe of Ephraim, was first called Oshea or Hoshea, â-. , #Nu 13:16, which signifies saved, a saviour, or salvation; but afterwards Moses, guided no doubt by a prophetic spirit, changed his name into å-. 0 Yehoshua or Joshua, which signifies he shall save, or the salvation of Jehovah; referring, no doubt, to his being God's instrument in saving the people from the hands of their enemies, and leading them from victory to victory over the different Canaanitish nations, till he put them in possession of the promised land. -
George Gordon Byron, Lord Byron - Poems
Classic Poetry Series George Gordon Byron, Lord Byron - poems - Publication Date: 2004 Publisher: PoemHunter.Com - The World's Poetry Archive George Gordon Byron, Lord Byron (1788 - 1824) George Gordon Byron was the son of Captain John Byron by his marriage to the Scottish Catherine Gordon of Gight. He was born with a club foot of which he was very self-conscious and educated in Aberdeen, where his family had moved to escape their debts, and at Harrow and Cambridge. Byron inherited the family home, Newstead Abbey, following the deaths of his father in 1791 and grandfather in 1798. He took up his seat in the House of Lords in 1808 and then left to travel in Europe, at which time he began writing his immensely popular poem Childe Harolde, returning to a political role again in 1813 when he spoke on liberal themes in the House. In 1815 he married Annabella Milbanke, but she left him soon afterwards, taking their child with her. Throughout his life he fathered several illegitimate children and had numerous scandalous affairs, the most notorious being with his half-sister Augusta, his father's daughter by an earlier marriage. This affair horrified English society and encouraged Byron in his decision to leave England for good in 1816. He stayed with the Shelleys in Geneva, where he wrote The Prisoner of Chillon, then after a trip to Rome in 1817 he returned to Venice where he wrote Beppo his first work in a new ironic style. Don Juan was begun the following year. Fired by the Greek battle for independence from Turkey, Byron sailed to Missolonghi in 1824, where he gave money and inspiration to the rebels but died of a fever before seeing action. -
Lord George Gordon Byron
Classic Poetry Series Lord George Gordon Byron - poems - Publication Date: 2004 Publisher: PoemHunter.Com - The World's Poetry Archive Childe Harold's Pilgrimage: Canto the Fourth I I stood in Venice, on the Bridge of Sighs; A palace and a prison on each hand: I saw from out the wave her structures rise As from the stroke of the enchanter's wand: A thousand years their cloudy wings expand Around me, and a dying Glory smiles O'er the far times, when many a subject land Look'd to the winged Lion's marble piles, Where Venice sate in state, thron'd on her hundred isles!II She looks a sea Cybele, fresh from ocean, Rising with her tiara of proud towers At airy distance, with majestic motion, A ruler of the waters and their powers: And such she was; her daughters had their dowers From spoils of nations, and the exhaustless East Pour'd in her lap all gems in sparkling showers. In purple was she rob'd, and of her feast Monarchs partook, and deem'd their dignity increas'd.III In Venice Tasso's echoes are no more, And silent rows the songless gondolier; Her palaces are crumbling to the shore, And music meets not always now the ear: Those days are gone--but Beauty still is here. States fall, arts fade--but Nature doth not die, Nor yet forget how Venice once was dear, The pleasant place of all festivity, The revel of the earth, the masque of Italy!IV But unto us she hath a spell beyond Her name in story, and her long array Of mighty shadows, whose dim forms despond Above the dogeless city's vanish'd sway; Ours is a trophy which will not decay With -
David Liebman Papers and Sound Recordings BCA-041 Finding Aid Prepared by Amanda Axel
David Liebman papers and sound recordings BCA-041 Finding aid prepared by Amanda Axel This finding aid was produced using the Archivists' Toolkit November 30, 2018 Describing Archives: A Content Standard Berklee Archives Berklee College of Music 1140 Boylston St Boston, MA, 02215 617-747-8001 David Liebman papers and sound recordings BCA-041 Table of Contents Summary Information ................................................................................................................................. 3 Biographical/Historical note.......................................................................................................................... 4 Scope and Contents note............................................................................................................................... 4 Arrangement note...........................................................................................................................................4 Administrative Information .........................................................................................................................5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 Scores and Charts................................................................................................................................... -
UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive Permalink https://escholarship.org/uc/item/79v6m6c0 Author Singleton, Tyfahra Danielle Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive By Tyfahra Danielle Singleton A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Comparative Literature and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Judith Butler, Chair Professor Chana Kronfeld Professor Linda Williams Fall 2011 Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive Copyright © 2011 by Tyfahra Danielle Singleton Abstract Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive by Tyfahra Danielle Singleton Doctor of Philosophy in Comparative Literature University of California, Berkeley Professor Judith Butler, Chair ―Facing Jazz, Facing Trauma‖ posits American jazz music as a historical archive of an American history of trauma. By reading texts by Gayl Jones, Ralph Ellison, Franz Kafka; music and performances by Louis Armstrong and Billie Holiday; the life, art and films of Josephine Baker, and the film The Jazz Singer (1927), my goal is to give African American experiences of trauma a place within American trauma studies and to offer jazz as an extensive archive of testimony for witnessing and for study. Initially, I explore the pivotal historical moment where trauma and jazz converge on a groundbreaking scale, when Billie Holiday sings ―Strange Fruit‖ in 1939. -
NEW RELEASE GUIDE October 2 October 9 ORDERS DUE AUGUST 28 ORDERS DUE SEPTEMBER 4
ada–music.com @ada_music NEW RELEASE GUIDE October 2 October 9 ORDERS DUE AUGUST 28 ORDERS DUE SEPTEMBER 4 2020 ISSUE 21 October 2 ORDERS DUE AUGUST 28 ALOE BLACC ALL LOVE EVERYTHING In the years since Aloe Blacc’s last album, The Grammy nominated “Lift Your Spirit”, the global superstar spent time working on an even dearer project: his family. All Love Everything, his upcoming album, is the singer-songwriter’s first collection of material written as a father, a journey that’s expanded Blacc’s already heartfelt artistic palette. “Becoming a father made me want to share those experiences in music,” he says, admitting it’s a challenge to translate such a powerful All Love Everything is a generous addition to the thing into lyrics and melody. But the listeners who have A.I.M. catalog. It fulfills Blacc’s ambition to express the followed Blacc over the course of his career know that richness of familial love on songs like “Glory Days” and his facility with language and sound is deep – if anyone “Family,” while also making room for anthems about was up to the task, it’s him. perseverance and support like “My Way” and “Corner.” Working with producers Jonas Jeberg, Jugglerz, Jon Across three albums, his sound evolved and grew, Levine, and Matt Prime, Blacc has crafted his most finding a pocket that reflects the long and beautiful open-hearted album to date. Generous and warm, history of American soul with timeless, descriptive All Love Everything draws on soul, folk, and songwriting that speaks to the broad range of human contemporary pop, reminding listeners that there’s experience, from platonic love to love for humanity, from no pigeonholing the human experience. -
The Anchor, Volume 53.11: March 6, 1940
Hope College Hope College Digital Commons The Anchor: 1940 The Anchor: 1940-1949 3-6-1940 The Anchor, Volume 53.11: March 6, 1940 Hope College Follow this and additional works at: https://digitalcommons.hope.edu/anchor_1940 Part of the Library and Information Science Commons Recommended Citation Repository citation: Hope College, "The Anchor, Volume 53.11: March 6, 1940" (1940). The Anchor: 1940. Paper 4. https://digitalcommons.hope.edu/anchor_1940/4 Published in: The Anchor, Volume 53, Issue 11, March 6, 1940. Copyright © 1940 Hope College, Holland, Michigan. This News Article is brought to you for free and open access by the The Anchor: 1940-1949 at Hope College Digital Commons. It has been accepted for inclusion in The Anchor: 1940 by an authorized administrator of Hope College Digital Commons. For more information, please contact [email protected]. I ste 1^ By ROSE TENINGA A week or so ago a representa- College Anchor tive of the Finnish government stood on our chapel platform and, LIII-11 Official Publication of the Students of Hope Collese at Holland; Michigan March 6,1940 in a quiet voice, using calm words, compared the cultural contributions of the democracy of Finland with Seniors Choose TUBERCULIN SHOTS REDDEN 1 OUT OF 7 the communistic union of Russia. Science-Man Flipse The speech interested me but when the speaker took from his pocket Class Play, a letter written to him by a woman now witnessing the atrocities per- 1940 Valedictorian petrated in Finland, I felt myself Albers Directs stiffen. After the word-picture of Registrar Announces First Ten Seniors the slaughter of twenty women and Thornton Wilder's children by Russian aviators, I James Hinkamp to be Salutatorian proudly realized that I had not been Yankee "Our Town Flipse to'Attend Harvard Medical emotionally stirred with any deep Is Selected sympathy for the unfortunate Eugene Flipse, senior chemistry major, will be valedic- women. -
Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive
Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive By Tyfahra Danielle Singleton A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Comparative Literature and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Judith Butler, Chair Professor Chana Kronfeld Professor Linda Williams Fall 2011 Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive Copyright © 2011 by Tyfahra Danielle Singleton Abstract Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive by Tyfahra Danielle Singleton Doctor of Philosophy in Comparative Literature University of California, Berkeley Professor Judith Butler, Chair ―Facing Jazz, Facing Trauma‖ posits American jazz music as a historical archive of an American history of trauma. By reading texts by Gayl Jones, Ralph Ellison, Franz Kafka; music and performances by Louis Armstrong and Billie Holiday; the life, art and films of Josephine Baker, and the film The Jazz Singer (1927), my goal is to give African American experiences of trauma a place within American trauma studies and to offer jazz as an extensive archive of testimony for witnessing and for study. Initially, I explore the pivotal historical moment where trauma and jazz converge on a groundbreaking scale, when Billie Holiday sings ―Strange Fruit‖ in 1939. This moment illuminates the fugitive alliance between American blacks and Jews in forming the historical testimony that is jazz. ―Strange Fruit,‖ written by Jewish American Abel Meeropol, and sung by Billie Holiday, evokes the trauma of lynching in an effort to protest the same. -
Regionalwettbewerb Jugend Musiziert Heilbronn 2018
55. Regionalwettbewerb Heilbronn-Franken 2018 Alle Infos unter: www.heilbronn.de/jugend-musiziert Begeistern ist einfach. Wenn man einen Finanzpartner hat, der Kunst und Kultur in der Region fördert und unterstützt. www.ksk-hn.de 55. Regionalwettbewerb 27. und 28. Januar 2018 in Heilbronn Städtische Musikschule Heilbronn Berliner Platz 12 74072 Heilbronn Tel.: 07131/56-2417, Fax: 07131/56-3379 E-Mail: [email protected] www.musikschule-heilbronn.de Liebe Teilnehmerinnen und Teilnehmer des Wettbewerbs „Jugend musiziert“, liebe Gäste, es freut mich sehr, dass die Stadt Heilbronn erneut Austragungsort des bundesweiten Wettbewerbs „Jugend musiziert“ ist und somit Ausrichter des 55. Regionalwettbewerbs der Region Heilbronn-Franken. Am Wochenende vom 27. und 28. Januar 2018 stellen über 250 Kinder und Jugendliche ihr Talent und Können in Wertungsvorspielen vor einer Jury unter Beweis. In diesem Jahr sind die Städtische Musikschule Heilbronn, das Justinus- Kerner-Gymnasium und die Lindenparkschule die Orte, an denen sich alle von den Wettbewerbsbeiträgen der jungen Musikerinnen und Musiker begeistern lassen können. Seien Sie dabei und verpassen Sie außerdem nicht das Preisträgerkonzert in der Musikschule am 2. Februar 2018 und das große Preisträgerkonzert der Region am 9. März 2018 unter der Glaspyramide der Kreissparkasse Heilbronn. Die Musikstadt Heilbronn lebt von ihren jungen Talenten. Sie bilden den Nachwuchs für unsere Chöre und Orchester, die mit so vielen Auftritten und Veranstaltungen unser kulturelles und gesellschaftliches Leben bereichern. Ohne sie würde uns mancher Hörgenuss fehlen. Ein großer Dank gilt den begleitenden Musikschullehrerinnen und -lehrern und allen, die den Wettbewerb mit unterstützen. Erst durch die Mithilfe der Eltern, Lehrerinnen und Lehrer, vieler Ehrenamtlicher, der kompetenten Jury und des großen Organisationsteam ist es möglich, diesen Wettbewerb auf die Beine zu stellen. -
A Larry Norman Discography
Introduction This discography runs from Larry Norman's early days with People until November 2003. Later issues of pre- 2003 albums (or songs) have been included as well and the remainder of Larry Norman's discography can be found on www.recordconnexion.nl/norman/norman.htm). This version (8.1) of the discography has links added to pages with large images (scans) of many of Larry Norman's vinyl releases. The word IMG has been added behind a release where I have images for and it can be clicked to see them. The image pages I had, will remain available (as they are more complete). I just wanted to pay a little more attention to Larry Norman's vinyl releases. There are also several corrections and changes made. For instance, releases are now listed in chronological order (per year) for each medium, complete song listings are given for albums such as "Barcheaology" and "Rough Street Love Letter", the pressing differences for Capitol issues have been expanded, etc., etc. There are many other links in this document, both intern (within the document) and extern (to picture pages, to my Larry Norman webpages, etc.). These links direct you to a load of additional information. Be aware that there are still many things which can be improved and I haven't checked all post-2003 albums to integrate relevant information in this discography. I tried hard but Larry Norman's discography has gone over the top completely, so I may have missed more than just a few details. Part I of this discography lists the first two People albums and the People singles plus all of Larry Norman's solo albums and singles. -
October 1984
VOL. 8, NO. 10 Cover Photo by Jaeger Kotos FEATURES ROGER TAYLOR The drummer for the legendary rock group Queen discusses his solo albums, as well as the factors that have held the members of Queen together for so long. Taylor also voices his views on music videos, electronic drums, and functioning as a singer, songwriter and drummer. by Robert Santelli 8 JERRY SPEISER Over the past two years, the Australian group Men At Work has skyrocketed to success. In this interview, drummer Jerry Speiser talks about the group's formation and the elements that make their sound unique. He also describes his first recording experience, and his plans for involvement in studio engineering and production. by Robyn Flans 14 LES DEMERLE Certain drummers have an enthusiasm for drums that transmits itself into everything they do. DeMerle expresses that enthusiasm Malkin both as a player and a teacher. Here, he recalls several of his career Rick highlights, and explains many of his teaching concepts. by by Scott K. Fish 18 Photo EQUIPMENT HIGHLIGHTS OF NAMM '84 by Rick Mattingly 22 CHANGING SOUNDS 32 by Ernie Santilli THE MUSICAL DRUMMER PROFILES COLUMNS Rhythm Section Figures by Bill Molenhof 100 UP AND COMING EDUCATION Rob Hirst CLUB SCENE 38 by Bill Wolfe SHOW DRUMMERS' SEMINAR The Etiquette Of Sitting In: Part 2- The Professional Show Percussionist The Considerate Guest REVIEWS by Pat Pfiffner 48 by Rick Van Horn 102 78 PRINTED PAGE TEACHER'S FORUM STRICTLY TECHNIQUE Creating Professionalism At Home Back To Back Rolls 60 by Rodman Sims by Stanley Ellis