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Shall We Stomp?
Volume 36 • Issue 2 February 2008 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Shall We Stomp? The NJJS proudly presents the 39th Annual Pee Wee Russell Memorial Stomp ew Jersey’s longest Nrunning traditional jazz party roars into town once again on Sunday, March 2 when the 2008 Pee Wee Russell Memorial Stomp is pre- sented in the Grand Ballroom of the Birchwood Manor in Whippany, NJ — and you are cordially invited. Slated to take the ballroom stage for five hours of nearly non-stop jazz are the Smith Street Society Jazz Band, trumpeter Jon Erik-Kellso and his band, vocalist Barbara Rosene and group and George Gee’s Jump, Jivin’ Wailers PEABODY AT PEE WEE: Midori Asakura and Chad Fasca hot footing on the dance floor at the 2007 Stomp. Photo by Cheri Rogowsky. Story continued on page 26. 2008 Pee Wee Russell Memorial Stomp MARCH 2, 2008 Birchwood Manor, Whippany TICKETS NOW AVAILABLE see ad page 3, pages 8, 26, 27 ARTICLES Lorraine Foster/New at IJS . 34 Morris, Ocean . 48 William Paterson University . 19 in this issue: Classic Stine. 9 Zan Stewart’s Top 10. 35 Institute of Jazz Studies/ Lana’s Fine Dining . 21 NEW JERSEY JAZZ SOCIETY Jazz from Archives. 49 Jazzdagen Tours. 23 Big Band in the Sky . 10 Yours for a Song . 36 Pres Sez/NJJS Calendar Somewhere There’s Music . 50 Community Theatre. 25 & Bulletin Board. 2 Jazz U: College Jazz Scene . 18 REVIEWS The Name Dropper . 51 Watchung Arts Center. 31 Jazzfest at Sea. -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
Dizzy Gillespie and His Orchestra with Charlie Parker, Clyde Hart, Slam Stewart, Cozy Cole, Sonny Stitt, Milt Jackson, Al Haig, Thelonious Monk, Sid Catlett, Etc
lonoital Sem.iom 1W! and his Orchestra DIZZIE GILLESPIE CHARLIE PARKER CLYDE HART SLAM STEWART COZY COLE SONNY STITT AL HAIG MILT JACKSON THELONIOUS MONK DAVE BURNS SID CATLETT SAGA6920 L WORLD WIDE 6900 Sidney Bechet Album (Recorded New York SIDE ONE 1945/1947) with Mezz Mezzrow, Hot Lips Page, Will Bill HE BEEPED WHEN HE SHOULD Davidson, etc. HAVE BOPPED (a) GROOVIN' HIGH (b) 0, 6901 Louis Armstrong Volume 1 (Recorded New M York 1938/1947) DIZZY ATMOSPHERE (b) with Jack Teagarden, Bud Freeman, Fats Waller, 00 BOP SH'BAM (c) and his Orchestra Bobby Hackett, etc. OUR DELIGHT (d) 6902 Duke Ellington — His most important Second ✓-SALT PEANUTS (f) War Concert (1943) with Harold Baker, Taft Jordan, Ray Nance, Jimmy Hamilton, etc. SIDE TWO 6903 Count Basie at the Savoy Ballroom (1937) ONE BASS HIT part two (a) In the restless, insecure world of jazz, fashions change with embarr- Despite the scepticism of many of his colleagues, Gillespie and the with Buck Clayton, Ed Lewis, Earl Warren, Lester Young, etc. ALL THE THINGS YOU ARE (b) assing frequency, and reputations wax and wane with the seasons. band, were successful. The trumpeter only stayed for six months, ✓ HOT HOUSE (e) Comparatively few artists have succeeded in gaining universal, con- however, and was soon in the record studios, cutting three of the 6904 Louis Armstrong — Volume 2 (Recorded New THAT'S EARL, BROTHER (c) sistent respect for their musical achievements, and still fewer have tracks on this album, 'Groovin' High', 'Dizzy Atmosphere', and 'All York 1948/1950) with Jack Teagarden, Earl Hines, Barney Bigard, THINGS TO COME (a) been able to reap the benefits of this within their own lifetime. -
Microtonality As an Expressive Device: an Approach for the Contemporary Saxophonist
Technological University Dublin ARROW@TU Dublin Dissertations Conservatory of Music and Drama 2009 Microtonality as an Expressive Device: an Approach for the Contemporary Saxophonist Seán Mac Erlaine Technological University Dublin, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/aaconmusdiss Part of the Composition Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, and the Music Theory Commons Recommended Citation Mac Erlaine, S.: Microtonality as an Expressive Device: an Approach for the Contemporary Saxophonist. Masters Dissertation. Technological University Dublin, 2009. This Dissertation is brought to you for free and open access by the Conservatory of Music and Drama at ARROW@TU Dublin. It has been accepted for inclusion in Dissertations by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License Microtonality as an expressive device: An approach for the contemporary saxophonist September 2009 Seán Mac Erlaine www.sean-og.com Table of Contents Abstract i Introduction ii CHAPTER ONE 1 1.1 Tuning Theory 1 1.1.1 Tuning Discrepancies 1 1.2 Temperament for Keyboard Instruments 2 1.3 Non‐fixed Intonation Instruments 5 1.4 Dominance of Equal Temperament 7 1.5 The Evolution of Equal Temperament: Microtonality 9 CHAPTER TWO 11 2.1 Twentieth Century Tradition of Microtonality 11 2.2 Use of Microtonality -
Guide to the Milt Gabler Papers
Guide to the Milt Gabler Papers NMAH.AC.0849 Paula Larich and Matthew Friedman 2004 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 2 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 2 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Personal Correspondence, 1945-1993..................................................... 5 Series 2: Writings, 1938 - 1991............................................................................... 7 Series 3: Music Manuscripts and Sheet Music,, 1927-1981.................................. 10 Series 4: Personal Financial and Legal Records, 1947-2000............................... -
Musikverein Egringen 1908 E. V. Erlernen
MMuussiikkvveerreeiinn EEggrriinnggeenn 11990088 ee.. VV.. www.musiikvereiin-egriingen.de Wo’s Freude macht zu musizieren! Musik… • macht Spaß und Freude, • fördert die Entwicklung, • stärkt soziale Kompetenzen, • fördert das kognitive Denken, • stärkt das „Wir-Gefühl“ • fördert das positive Selbstbild des Kindes Wer hat Lust ein Musikinstrument zu erlernen? Hallo liebe Mädchen und Jungen, liebe Eltern, wir wollen Euch mit diesem Schreiben auf unser schönes Hobby „Musizieren beim Musikverein Egringen“ aufmerksam machen und Euer Interesse wecken! Der Musikverein Egringen wurde im Jahr 1908. gegründet, mittlerweile spielen in unserem Orchester rund 45 Musiker ein Blas- oder Schlaginstrument! Um unserem Nachwuchs (vielleicht auch in naher Zukunft Euch) die Gelegenheit zu geben gemeinsam in einem Orchester zu spielen, haben wir auch ein Jugendorchester gegründet. In diesem spielen Mädchen und Jungen im Alter zwischen 9 und 15 Jahren. Probe ist einmal in der Woche, immer donnerstags von 19:00 bis 20:00 Uhr. Das Jugendorchester veranstaltet jedes Jahr ein eigenes Jugendvorspiel, bei dem es sein Können unter Beweis stellen kann. Auch bei anderen Veranstaltungen ist es sehr aktiv. Hauptsächlich spielen Sie bekannte Musikstücke aus den Charts, aber auch konzertante Musik. Das Musizieren sollte und steht natürlich auch im Vordergrund, wir bieten aber auch andere Aktivitäten wie zum Beispiel, Grillfeste, Schwimmbadbesuche, Hüttenwochenende, Ausflüge wie z. B. in den Europa Park, Weihnachtsfeier usw.. Besucht doch mal unsere Homepage, Ihr werdet staunen. www.musikverein-egringen.de Musikunterricht Der Unterricht findet bei uns in der Regel als Einzelunterricht statt und kann ab dem 8 – 10 Lebensjahr begonnen werden. Der Lehrer zeigt Dir im Unterricht, wie du das Instrument bedienen musst (Notenlernern, Rhythmik, Ansatz, Griffe) und erarbeitet mit Dir Musikstücke, welche Du natürlich unbedingt zu Hause üben musst. -
Blues in the Blood a M U E S L B M L E O O R D
March 2011 | No. 107 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com J blues in the blood a m u e s l b m l e o o r d Johnny Mandel • Elliott Sharp • CAP Records • Event Calendar In his play Romeo and Juliet, William Shakespeare wrote, “A rose by any other name would smell as sweet.” It is a lovely sentiment but one with which we agree only partially. So with that introduction, we are pleased to announce that as of this issue, the gazette formerly known as AllAboutJazz-New York will now be called The New York City Jazz Record. It is a change that comes on the heels of our separation New York@Night last summer from the AllAboutJazz.com website. To emphasize that split, we felt 4 it was time to come out, as it were, with our own unique identity. So in that sense, a name is very important. But, echoing Shakespeare’s idea, the change in name Interview: Johnny Mandel will have no impact whatsoever on our continuing mission to explore new worlds 6 by Marcia Hillman and new civilizations...oh wait, wrong mission...to support the New York City and international jazz communities. If anything, the new name will afford us new Artist Feature: Elliott Sharp opportunities to accomplish that goal, whether it be in print or in a soon-to-be- 7 by Martin Longley expanded online presence. We are very excited for our next chapter and appreciate your continued interest and support. On The Cover: James Blood Ulmer But back to the business of jazz. -
Volume I (Final) Proofread
UCLA UCLA Electronic Theses and Dissertations Title The Influence of Pop Music in the Works of Three Contemporary American Composers: Steven Mackey, Julia Wolfe and Nico Muhly Permalink https://escholarship.org/uc/item/5h4626dd Author Lee, Hyunjong Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles The Influence of Pop Music in the Works of Three Contemporary American Composers: Steven Mackey, Julia Wolfe and Nico Muhly A dissertation submitted in partial satisfaction of the requirements for the degree Doctoral of Philosophy in Music by Hyunjong Lee 2014 © copyright by Hyunjong Lee 2014 ABSTRACT OF THE DISSERTATION The Influence of Pop Music in the Works of Three Contemporary American Composers: Steven Mackey, Julia Wolfe and Nico Muhly by Hyunjong Lee Doctor of Philosophy in Music University of California, Los Angeles, 2014 Professor Ian Krouse, Chair There are two volumes in this dissertation: the first is a monograph, and the second a musical composition, both of which are described below. Volume I These days, labels such as classical, rock and pop mean less and less since young musicians frequently blur boundaries between genres. These young musicians have built an alternative musical universe. I construct five different categories to explore this universe. They are 1) circuits of alternate concert venues, 2) cross-genre collaborations, 3) alternative modes of musical groups, 4) new compositional trends in classical chamber music, and 5) new ensembles and record labels. ii In this dissertation, I aim to explore these five categories, connecting them to recent cultural trends in New York. -
Lester Young
THE TRAGEDY AND TRIUMPH OF LESTER YOUNG By RON TABOR still at (or close to) the height of his creative powers, and much like Billie Holiday, Young suffered an extended period “I STAY BY MYSELF. SO HOW DO YOU KNOW ANYTHING of physical, psychological, and most believe, artistic decline, ABOUT ME?”1 which was visible to all but the most obtuse observers. Young’s death, in other words, can almost be described as protracted and public. To anyone more than a little familiar with the life of Lester Young, the great African American jazz tenor saxophonist, the What is usually accounted for as the cause of Young’s deterio- title of my essay must seem ironic. For Young’s life is more ration and ultimate demise was the time he spent in the US often described, when it is described at all, as a triumph fol- Army during the last year of World War II, when he was lowed by tragedy. This reflects the arc of his artistic career. In arrested for possession of marijuana and barbiturates and the late 1930s, Young burst upon the national jazz scene as a spent a term in the detention barracks. Nobody knows exactly star, even the star, of the fabulous Count Basie band. His new what went on there, but whatever it was, it had a profound sound and radical approach to improvisation, in the context impact on the saxophonist. According to most observers, of the innovations of the band itself, set the jazz world afire, Young emerged from the experience a changed—some say, paved the way for modern jazz, and influenced hundreds if disturbed—man. -
History of Jazz Tenor Saxophone Black Artists
HISTORY OF JAZZ TENOR SAXOPHONE BLACK ARTISTS 1940 – 1944 SIMPLIFIED EDITION INTRODUCTION UPDATE SIMPLIFIED EDITION I have decided not to put on internet the ‘red’ Volume 3 in my Jazz Solography series on “The History of Jazz Tenor Saxophone – Black Artists 1940 – 1944”. Quite a lot of the main performers already have their own Jazz Archeology files. This volume will only have the remainders, and also auxiliary material like status reports, chronology, summing ups, statistics, etc. are removed, to appear later in another context. This will give better focus on the many good artists who nevertheless not belong to the most important ones. Jan Evensmo June 22, 2015 INTRODUCTION ORIGINAL EDITION What is there to say? That the period 1940 - 1944 is a most exciting one, presenting the tenorsax giants of the swing era in their prime, while at the same time introducing the young, talented modern innovators. That this is the last volume with no doubt about the contents, we know what is jazz and what is not. Later it will not be that easy! That the recording activities grow decade by decade, thus this volume is substantially thicker than the previous ones. Just wait until Vol. 4 appears ... That the existence of the numerous AFRS programs partly compensates for the unfortunate recording ban of 1943. That there must be a lot of material around not yet generally available and thus not listed in this book. Please help building up our jazz knowledge base, and share your treasures with the rest of us. That we should remember and be eternally grateful to the late Jerry Newman, whose recording activities at Minton's and Monroe's have given us valuable insight into the developments of modern jazz. -
Albuquerque Morning Journal, 11-05-1922 Journal Publishing Company
University of New Mexico UNM Digital Repository Albuquerque Morning Journal 1908-1921 New Mexico Historical Newspapers 11-5-1922 Albuquerque Morning Journal, 11-05-1922 Journal Publishing Company Follow this and additional works at: https://digitalrepository.unm.edu/abq_mj_news Recommended Citation Journal Publishing Company. "Albuquerque Morning Journal, 11-05-1922." (1922). https://digitalrepository.unm.edu/ abq_mj_news/740 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Albuquerque Morning Journal 1908-1921 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. ALBUQUEEQUE MOENINGr JOURNAL Kiiuy-niiiii- i vtAit. PAGKS TODAY IN VOL. CIjXXV. No. 3. Albuquerque, New Mexico, Sunday, November 5, 1922. 24 TWO SIX'TIONS P1UCK FIVE CENTS. 10 Oil III VOTE TO CLAUDE J El Veterans oi V. S. and Europe JUDGE DAVIS IS SOLDIER BONDS COST -- TOCOAST T AT UfflUN Pledged to Discourage Wars IC1E HUM E IS i ISSUE IN STOP TRiP MURDER CHARGE SEPTEMBER 15 TO MEADOW CITYI 11111 7 Jury Trying Henry Wilkens, Records Show That He Exe-cut- ed G. 0. P. Senatorial Candi- Question' Will Be Submitted FBRCEDJLIO Charged With Slaying an Agreement date Replies to Some of to Voters; State and Fed- His Wife, Unable to Agree There on That Date; Not the That Have eral Offices to Be Filled Defective Water Line Makes Charges and Is Discharged. in Santa Fe as Claimed. Been Made by Opponent. in Western States. It Necessary for the Ma- chine to Come to Earth San Francisco, Nov. -
Charlie Parker (“Bird”)
Charlie Parker (“Bird”) Greatest single musician in history of jazz Considered one of the most influential jazz performers in jazz history Charlie Parker General style characteristics Tone quality varied from strident to lush Vibrato slightly slower and narrower than predecessors Longer phrases than predecessors Unexpected accents at key points in the phrase Tremendous command of technique (virtuoso) Large repository of material to draw upon Complete mastery of the bebop language (i.e., harmonic as well as melodic) Charlie Parker Timeline Born 8/29/20 in Kansas City, KS Moved to Kansas City, Missouri in 1927 Played baritone horn in high school Quit HS in 1935 & played 1st gig Joined George E. Lee band in 1937 (Ozark Mountains and Prez recordings) In New York City ca. 1938-39 (Tatum?) Rejoined Jay McShann Band in 1940 (earliest recordings) Charlie Parker Timeline, cont. Joins Earl “Fatha” Hines in 1943 w/Diz & on tenor *Sweet Georgia Brown Plays in Billy Eckstine’s band in 1944 Records with Tiny Grimes (9-15-44) *Tiny’s Tempo Swing meets Bebop (1945) *Hallelujah Records w/Diz’s group (2-29-45) & again in June that year *Groovin’ High First true bebop recording (“Charlie Parker Beboppers”), 11-29-45 (Parker, Diz/Miles, Sadik Hakim, Curley Russell, Max Roach) *Koko Bird & Diz in California, 1946 Committed to Camarillo Hospital (7-29-46) for six months Charlie Parker Timeline, cont. 1947 begins Bird’s best periods Records with quintet ca. 1947-49 (Miles/ Dorham, Duke Jordon/Al Haig, Tommy Potter, Max Roach) *Dexterity Leap Frog (11 takes) Misc. ensembles 1948-1955, in particular, recordings with strings (November 1949) *Just Friends Poll Winner (video with Diz) Charlie Parker Timeline, cont.