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CALIFORNIA for 2 (Option Mixer)
CALIFORNIA for 2 (option Mixer) Chorégraphe Catherine Cox (COXIE) – (France – Octobre 2017) Description Country Dance - Partner MIXER- 32 T. Niveau Débutant Musique California - Big & Rich 120 BPM Position Promenade SECTION 1 1-8 Heel together x 2, GrapeVine Right 1 – 2 Talon D devant, rassemble PD à côté de PG 3 - 4 Talon G devant, rassemble PG à côté de PD 5-6-7-8 Vine à D: Pas PD à D – Cross PG derrière PD – pas PD à D, Touch PG à côté de PD SECTION 2 9-16 GrapeVine Left, Heel together x 2 1-2-3-4 Vine à G: Pas PG à G – Cross PD derrière PG – pas PG à G, Touch pointe D à côté du PG 5-6 Talon D devant, rassemble PD à côté de PG 7-8 Talon G devant, rassemble PG à côté de PD SECTION 3 17-24 Triple Step x2, Step 1/4 T x2 1 & 2 PD devant, PG à côte PD, PD devant 3 & 4 PG devant, PD à côte PG, PG devant 5 - 6 H/ PD à D en 1/4T à D, F/ PD à D en 1/4T à G ; Touch PG et clap dans main du partenaire 7 – 8 H/ PG à G en 1/4T à G, F/ PG à G en 1/4T à D ; Touch PD. SECTION 4 25-32 Triple Step x 4 H lève le bras droit, fait 4 triples sur place et aide sa partenaire à tourner autour de lui par la gauche et rejoint sa place à la fin des 4 triples . -
~Tate of M:Enne~~Ee
~tate of m:enne~~ee HOUSE JOINT RESOLUTION NO. 695 By Representative Shepard and Senators Crowe, Herron A RESOLUTION to honor the professional achievements of musician John Rich. WHEREAS, it is fitting that the members of this body should pause to honor those exemplary citizens who contribute significantly to the reputation of Tennessee throughout the world as the center of the music industry universe and home of the most generous and compassionate citizenry by helping to reinforce the "Volunteer State" nickname; and WHEREAS, one such citizen is John Rich who has garnered high acclaim as a singer, songwriter, record producer, and television personality over the course of his illustrious and storied career in the music and entertainment industry; and WHEREAS, Mr. Rich, born on January 7, 1974, in Amarillo, Texas, moved to middle Tennessee in the early 1990s, where he attended and graduated from Dickson County Senior High School with the class of 1992, making lifelong friends and ties with the community; and WHEREAS, after high school, Mr. Rich chose to forego college to pursue his dream of becoming a country music recording artist. In the summer of 1992, he was chosen by executives at Opryland USA to be a performer in the Nashville-based theme park's daily variety show entitled "Country Music USA," wherein Mr. Rich performed songs by country music superstars such as George Jones, Garth Brooks, George Strait, and Vince Gill; and WHEREAS, during his time at Opryland USA, Mr. Rich met fellow performer Dean Sams, who along with Mr. Rich and two other fellow Texans formed a band named Texassee. -
Matt Jenkins
NEWSSTAND PRICE 56.50 MAY 27, 2005 `We Belong' In M.I.P. Territory Islard /IDJMG artist Mariah Carey rocket up the Pop chart this week: We Belong Together," tie latest single from her new album, The Art & Science Of Management The Emancipah9n of Mimi, scores Most Increased This week R &R's format editors cevote their columns Plays at the folma-. with to a wide variety of artist managers in an effort to in the music industry are 1,233 addition il plays and, uncover how changes way they do business. You'll learn how as a result, clir bs 16 -6 *. affecting the and .companies, work Carey will perf arm on The managers brand their artists finesse what they need MTV Movie A ards, airing RAD/0 Ñ ilE88h/hS with radio to get more airplay, much, much more. June 9. www.radioandrecords.com from the labels and MATT JENKINS Men will lay on the couch and laugh! Women will laugh all the way home 'Cause it's true! PLAY IT JUNE 6TH! Produced by Tony Brown www universal- UNIVERSAL south.com - SOUTH - N T E R T 1 1 N NI E N l www mattjenkinsmusi.;.com Management: Vector Management E www.americanradiohistory.com ON YOUR DESK NOW www.bizarresworld.com www sanctuarygroup.com www.americanradiohistory.com INSIDE MAY 27, 2005 A REPORT FROM OVERSEAS GOOD SPORTS The Music Managers Forum is a coalition of worldwide artist managers who have joined forces to deal with Boston may well be the best damn issues that affect the sports city in America, and it has o Music careers of the artists they of the best damn Sports stations in Managers represent. -
Staring Down Change
WIDENERWidener UNIVERSITY SCHOOL OF LAW VolumeLaw 20 Number 1 SPRING 2013 Staring Down Change A NEW ERA IN LEGAL Education Invest in Opportunity Grow your career with our MJ programming For more information, visit law.widener.edu/mj Health Law, Corporate & Business Law, Regulatory Compliance, and more Online and on campus | CCB and HCCA accredited JUST ANNOUNCED! Widener Law’s MJ programs in Corporate and Health Law are now available with a Global Compliance Concentration. FEATURING: Game Change 40 Years Young Going Mobile Health law, compliance, and a new era Roe v. Wade The reinvented law classroom Widener University School of Law Magazine CONTRIBUTING WRITERS: Mary Allen, Ashley Barton, Peter Castagna, John Culhane, Erin Daly, Nathan Garrison, Laurie Grant, Eileen Grena, G. Randy Lee, Todd Lineburger, Mary Marzolla, Gilberte Pierre, Ed Sonnenberg, Katrina Womack, Nancy Ravert Ward PHOTOGRAPHY: Mary Allen, Linda Ammons, Ashley Barton, Peter Castagna, Nathan Garrison, Laurie Grant, Todd Lineburger, Nancy Ravert Ward MAGAZINE ADVISORY BOARD: Mary Allen, Linda Ammons, Susan Goldberg, Laurie Grant, Eileen Grena-Piretti, J. Patrick Kelly, Todd Lineburger, Robyn Meadows, Keith Sealing, Constance Sweeney, Nancy Ravert Ward EDITOR: Todd Lineburger WIDENER UNIVERSITY SCHOOL OF LAW | Volume 20 Number 1 | SPRING 2013 Widener University School of Law Widener University School of Law Board of Overseers National Advisory Council Eugene D. McGurk, Jr., Esq. ’78, Chair Michael J. Aiello, Esq. ’94 Dean Linda L. Ammons, JD, Ex Officio Howard K. Alperin, Esq. ’90 Joseph M. Asher, Esq. ’93 Renae B. Axelrod, Esq. ’91, Ex Officio Steven P. Barsamian, Esq. ’75 Miriam Benton Barish, Esq. ’92 Hon. -
Washington University School of Medicine Bulletin, 2004
Washington University School of Medicine Digital Commons@Becker Washington University School of Medicine Washington University Publications Bulletins 2004 Washington University School of Medicine bulletin, 2004 Follow this and additional works at: http://digitalcommons.wustl.edu/med_bulletins Recommended Citation Washington University School of Medicine bulletin, 2004. Central Administration, Publications. Bernard Becker Medical Library Archives. Washington University School of Medicine, Saint Louis, Missouri. http://digitalcommons.wustl.edu/med_bulletins/105 This Article is brought to you for free and open access by the Washington University Publications at Digital Commons@Becker. It has been accepted for inclusion in Washington University School of Medicine Bulletins by an authorized administrator of Digital Commons@Becker. For more information, please contact [email protected]. BULLETIN OF WASHINGTON UNIVERSITY St. Louis, Missouri School of Medicine August 4, 2004 Calendar Calendar 2004-2005 2004 June 18 Friday: Clinic orientation for third-year students. 21 Monday: Academic year begins for the third- and fourth-year classes. 25 Friday: Deadline for registration and initial payment of tuition for the third- and fourth-year classes. July 5 Monday: Independence Day observance. August 10 Tuesday: Orientation, matriculation and initial fee payment for the first-year class. 16 Monday: Academic year begins for the first- and second-year classes. 20 Friday: Deadline for registration and initial payment of tuition for the second-year class. September 6 Monday: Labor Day observance. October 21 Thursday: Danforth Symposium; no classes beyond noon for first- or second-year students. November 25 Thursday: Thanksgiving Day observance. 26 Friday: Holiday for first- and second-year classes. December 18 Saturday: Winter recess begins at 1 p.m. -
Columbia Chronicle (11/13/1995) Columbia College Chicago
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 11-13-1995 Columbia Chronicle (11/13/1995) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (11/13/1995)" (November 13, 1995). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/336 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. THE CH 0 f C. 0 L U M B CO LL EGE c ti C A G 0 VOL. XXIX, No. 8 November 13, 1995 ''Foundation'' Draws Kudos And Criticism By Nancy Laichas important initiative taken by the college in many years," curriculum. Several Editor-in-Chit! Duff pointed to Columbia's rapid growth as evidence that faculty members the recommendations contained in "Laying the ex pressed concern Faculty credit cards, student involvement in communi Foundation" are vital to the college's future. about current cur ty outreach programs and bigger, faster, more reliable ele "Columbia is at a crossroads," Duff said. "It's no riculum standards, vators were a few of the more creative o f the plethora of longer a small, struggling institution, it's the fifth largest especially in the suggesti ons tossed out by faculty, private institution in area of general edu staff, administrators and students at Illinois." cation require last week's college-wide convocation. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
Canceled: Positionality and Authenticity in Country Music's
Graduate Theses, Dissertations, and Problem Reports 2021 #Canceled: Positionality and Authenticity in Country Music’s Cancel Culture Gabriella Saporito [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Ethnomusicology Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Musicology Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Social Media Commons Recommended Citation Saporito, Gabriella, "#Canceled: Positionality and Authenticity in Country Music’s Cancel Culture" (2021). Graduate Theses, Dissertations, and Problem Reports. 8074. https://researchrepository.wvu.edu/etd/8074 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. #Canceled: Positionality and Authenticity in Country Music’s Cancel Culture Gabriella Saporito Thesis submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Master of Arts in Musicology Travis D. Stimeling, Ph.D., Chair Jennifer Walker, Ph.D. Matthew Heap, Ph.D. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
2011 – Cincinnati, OH
Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. -
Cbochartdraft Copy 2
COUNTRYBREAKOUT CHART COVERING SECONDARY RADIO SINCE 2002 Thursday, September 14, 2017 NEWS CHART ACTION New On The Chart —Debuting This Week Lee Brice Teams With Charles Esten, Jerrod Artist/song/label—chart pos. Niemann And More To Beneit Folds Of Honor Blake Shelton/I'll Name The Dogs/Warner Bros. — 31 Danielle Bradbery/Sway/Big Machine — 66 Midland/Make A Little/Big Machine — 74 Mark Bray/For Love/BarFrog Music — 76 Blake Torrey/Last Night/Watterson Records — 77 Old Dominion/Written In The Sand/RCA Nashville — 78 Billy Currington/Wake Me Up/Mercury — 79 Jake Worthington/Big Time Lonesome/W3 Music — 80 Greatest Spin Increase Artist/song/label—Spin Increase Blake Shelton/I'll Name The Dogs/Warner Bros. — 690 Florida Georgia Line/Smooth/BMLG Records — 389 Lee Brice recently launched his inaugural “Lee Brice & Friends Guitar Luke Bryan/Light It Up/Capitol — 354 Pull” (Sept. 10) and “Record Rack Celebrity Clays Shoot” (Sept. 11), to Thomas Rhett/Unforgettable/Valory — 221 raise more than $100,000 for Folds of Honor, an organization that Brett Eldredge/The Long Way/Atlantic/WMN/WEA Radio & Streaming — provides educational scholarships to families of military men and women 172 who have fallen or have been disabled while on active duty in the United States armed forces. To read the full article, click here. Most Added Artist/song/label—No. of Adds Granger Smith Announces New Album And Blake Shelton/I'll Name The Dogs/Warner Bros. — 49 Headlining Tour Presley & Taylor/Heart Over Mind/Mercy Music City, LLC — 11 Cole Swindell/Stay Downtown/Warner Bros. -
To Download the Independent September 2018 Digital Issue (.PDF)
In print September 2018 - Vol. 23, #7 the 1st Friday FREE of each month Online at SUindependent.com PLEASE RECYCLE A voice for Utah ESCALANTE CANYONS ART FESTIVAL: 10 DAYS OF ART, MUSIC, FILM, & MORE - See page 3 ALSO THIS ISSUE: KARMA FEST OFFERS SEVEN HOURS, SIX BANDS, FAMILY ROOTS CONFERENCE FEATURES KINETIC, TOMTEN, HALOGYNS, BRYAN JOHN AND TWO STAGES AT KAYENTA JASON HEWLITT APPLEBY PLAY INAUGURAL CEDAR MUSIC FEST - See Page 4 - See Page 4 - See Page 4 September 2018 Volume 23, Issue 7 VOTE ROBERT E. FORD for Washington County Commissioner EVENTS ................................3 DOWNTOWN SECTION .......12 OUTDOORS ..........................7 ALBUM REVIEWS ................15 OPINION .............................9 MOVIE REVIEWS .................17 CLIP-N-SAVE SECTION CALENDAR OF EVENTS ........19 ON THE COVER: ESCALANTE CANYON ARTS FESTIVAL: 10 DAYS OF ART, MUSIC, FILM, AND MORE! SEE STORY ON NEXT PAGE Robert E. Ford has been a Utah property owner and resident for 30+ years. Since 2013 he has served on the Rockville Planning Commission and recently joined the Rockville/Springdale Fire Protection District Board. He operates his own small business located along the Virgin River on land protected by a conservation easement. The Independent ~ SUIndependent.com Top Priority Issues: Color Country’s Complete Guide To Arts, Music, Entertainment, Culture & More • Protection of public lands and natural resources • Planning for smart growth in ways that moves us toward a clean-energy future The Independent is published the first Friday of each STAFF • Promotion of job growth that benefi ts the working class and poor month. All copies are distributed free of charge at over three hundred area locations throughout St.