Engage Your Mind in Today’S World
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6/06 Neoliberalism and the Gwangju Uprising
8/1/2020 Neoliberalism and the Gwangju Uprising Neoliberalism and the Gwangju Uprising By Georgy Katsiaficas Abstract Drawing from US Embassy documents, World Bank statistics, and memoirs of former US Ambassador Gleysteen and Commanding General Wickham, US actions during Chun Doo Hwan’s first months in power are examined. The Embassy’s chief concern in this period was liberalization of the Korean economy and securing US bankers’ continuing investments. Political liberalization was rejected as an appropriate goal, thereby strengthening Korean anti-Americanism. The timing of economic reforms and US support for Chun indicate that the suppression of the Gwangju Uprising made possible the rapid imposition of the neoliberal accumulation regime in the ROK. With the long-term success of increasing American returns on investments, serious strains are placed on the US/ROK alliance. South Korean Anti-Americanism Anti-Americanism in South Korea remains a significant problem, one that simply won’t disappear. As late as 1980, the vast majority of South Koreans believed the United States was a great friend and would help them achieve democracy. During the Gwangju Uprising, the point of genesis of contemporary anti-Americanism, a rumor that was widely believed had the aircraft carrier USS Coal Sea entering Korean waters to aid the insurgents against Chun Doo Hwan and the new military dictatorship. Once it became apparent that the US had supported Chun and encouraged the new military authorities to suppress the uprising (even requesting that they delay the re-entry of troops into the city until after the Coral Sea had arrived), anti-Americanism in South Korea emerged with startling rapidity and unexpected longevity. -
01-25-2020 Boheme Eve.Indd
GIACOMO PUCCINI la bohème conductor Opera in four acts Marco Armiliato Libretto by Giuseppe Giacosa and production Franco Zeffirelli Luigi Illica, based on the novel Scènes de la Vie de Bohème by Henri Murger set designer Franco Zeffirelli Saturday, January 25, 2020 costume designer 8:00–11:05 PM Peter J. Hall lighting designer Gil Wechsler revival stage director Gregory Keller The production of La Bohème was made possible by a generous gift from Mrs. Donald D. Harrington Revival a gift of Rolex general manager Peter Gelb This season’s performances of La Bohème jeanette lerman-neubauer and Turandot are dedicated to the memory music director Yannick Nézet-Séguin of Franco Zeffirelli. 2019–20 SEASON The 1,344th Metropolitan Opera performance of GIACOMO PUCCINI’S la bohème conductor Marco Armiliato in order of vocal appearance marcello muset ta Artur Ruciński Susanna Phillips rodolfo a customhouse serge ant Roberto Alagna Joseph Turi colline a customhouse officer Christian Van Horn Edward Hanlon schaunard Elliot Madore* benoit Donald Maxwell mimì Maria Agresta Tonight’s performances of parpignol the roles of Mimì Gregory Warren and Rodolfo are underwritten by the alcindoro Jan Shrem and Donald Maxwell Maria Manetti Shrem Great Singers Fund. Saturday, January 25, 2020, 8:00–11:05PM MARTY SOHL / MET OPERA Roberto Alagna as Chorus Master Donald Palumbo Rodolfo and Maria Musical Preparation Caren Levine*, Joshua Greene, Agresta as Mimì in Jonathan C. Kelly, and Patrick Furrer Puccini’s La Bohème Assistant Stage Directors Mirabelle Ordinaire and J. Knighten Smit Met Titles Sonya Friedman Stage Band Conductor Joseph Lawson Children’s Chorus Director Anthony Piccolo Italian Coach Loretta Di Franco Prompter Joshua Greene Associate Designer David Reppa Scenery, properties, and electrical props constructed and painted in Metropolitan Opera Shops Costumes executed by Metropolitan Opera Costume Department Wigs and Makeup executed by Metropolitan Opera Wig and Makeup Department Ladies millinery by Reggie G. -
The Pulitzer Prizes for International Reporting in the Third Phase of Their Development, 1963-1977
INTRODUCTION THE PULITZER PRIZES FOR INTERNATIONAL REPORTING IN THE THIRD PHASE OF THEIR DEVELOPMENT, 1963-1977 Heinz-Dietrich Fischer The rivalry between the U.S.A. and the U.S.S.R. having shifted, in part, to predomi- nance in the fields of space-travel and satellites in the upcoming space age, thus opening a new dimension in the Cold War,1 there were still existing other controversial issues in policy and journalism. "While the colorful space competition held the forefront of public atten- tion," Hohenberg remarks, "the trained diplomatic correspondents of the major newspa- pers and wire services in the West carried on almost alone the difficult and unpopular East- West negotiations to achieve atomic control and regulation and reduction of armaments. The public seemed to want to ignore the hard fact that rockets capable of boosting people into orbit for prolonged periods could also deliver atomic warheads to any part of the earth. It continued, therefore, to be the task of the responsible press to assign competent and highly trained correspondents to this forbidding subject. They did not have the glamor of TV or the excitement of a space shot to focus public attention on their work. Theirs was the responsibility of obliging editors to publish material that was complicated and not at all easy for an indifferent public to grasp. It had to be done by abandoning the familiar cliches of journalism in favor of the care and the art of the superior historian .. On such an assignment, no correspondent was a 'foreign' correspondent. The term was outdated. -
Pathetique Symphony New York Philharmonic/Bernstein Columbia
Title Artist Label Tchaikovsky: Pathetique Symphony New York Philharmonic/Bernstein Columbia MS 6689 Prokofiev: Two Sonatas for Violin and Piano Wilkomirska and Schein Connoiseur CS 2016 Acadie and Flood by Oliver and Allbritton Monroe Symphony/Worthington United Sound 6290 Everything You Always Wanted to Hear on the Moog Kazdin and Shepard Columbia M 30383 Avant Garde Piano various Candide CE 31015 Dance Music of the Renaissance and Baroque various MHS OR 352 Dance Music of the Renaissance and Baroque various MHS OR 353 Claude Debussy Melodies Gerard Souzay/Dalton Baldwin EMI C 065 12049 Honegger: Le Roi David (2 records) various Vanguard VSD 2117/18 Beginnings: A Praise Concert by Buryl Red & Ragan Courtney various Triangle TR 107 Ravel: Quartet in F Major/ Debussy: Quartet in G minor Budapest String Quartet Columbia MS 6015 Jazz Guitar Bach Andre Benichou Nonsuch H 71069 Mozart: Four Sonatas for Piano and Violin George Szell/Rafael Druian Columbia MS 7064 MOZART: Symphony #34 / SCHUBERT: Symphony #3 Berlin Philharmonic/Markevitch Dacca DL 9810 Mozart's Greatest Hits various Columbia MS 7507 Mozart: The 2 Cassations Collegium Musicum, Zurich Turnabout TV-S 34373 Mozart: The Four Horn Concertos Philadelphia Orchestra/Ormandy Mason Jones Columbia MS 6785 Footlifters - A Century of American Marches Gunther Schuller Columbia M 33513 William Schuman Symphony No. 3 / Symphony for Strings New York Philharmonic/Bernstein Columbia MS 7442 Beethoven: Symphony No. 9 in D minor Westminster Choir/various artists Columbia ML 5200 Tchaikovsky: Symphony No. 6 (Pathetique) Philadelphia Orchestra/Ormandy Columbia ML 4544 Tchaikovsky: Symphony No. 5 Cleveland Orchestra/Rodzinski Columbia ML 4052 Haydn: Symphony No 104 / Mendelssohn: Symphony No 4 New York Philharmonic/Bernstein Columbia ML 5349 Porgy and Bess Symphonic Picture / Spirituals Minneapolis Symphony/Dorati Mercury MG 50016 Beethoven: Symphony No 4 and Symphony No. -
Working Paper: Do Not Cite Or Circulate Without Permission
THE COPENHAGEN TEMPTATION: RETHINKING PREVENTION AND PROLIFERATION IN THE AGE OF DETERRENCE DOMINANCE Francis J. Gavin Mira Rapp-Hooper What price should the United States – or any leading power – be willing to pay to prevent nuclear proliferation? For most realists, who believe nuclear weapons possess largely defensive qualities, the price should be small indeed. While additional nuclear states might not be welcomed, their appearance should not be cause for undue alarm. Such equanimity would be especially warrantedWORKING if the state in question PAPER: lacked DO other attributesNOT CITE of power. OR Nuclear acquisition should certainly notCIRCULATE trigger thoughts of WITHOUT preventive militar PERMISSIONy action, a phenomena typically associated with dramatic shifts in the balance of power. The historical record, however, tells a different story. Throughout the nuclear age and despite dramatic changes in the international system, the United States has time and again considered aggressive policies, including the use of force, to prevent the emergence of nuclear capabilities by friend and foe alike. What is even more surprising is how often this temptation has been oriented against what might be called “feeble” states, unable to project other forms of power. The evidence also reveals that the reasons driving this preventive thinking often had more to do with concerns over the systemic consequences of nuclear proliferation, and not, as we might expect, the dyadic relationship between the United States and the proliferator. Factors 1 typically associated with preventive motivations, such as a shift in the balance of power or the ideological nature of the regime in question, were largely absent in high-level deliberations. -
Upcoming Events
Newsletter of the Sacramento Traditional Jazz Society STJS is a non-profit organization dedicated to the preservation and promotion of traditional jazz music. Address: 2521 Port Street, West Sacramento, CA 95691•(916)444-2004•www.sacjazz.org VOLUME49•NO.7 August 2017 Jazz Sunday, August 6 (FIRST Sunday!) Note from The President …..……...2 Week Two STJS Jazz Campers Concert and ElksLodge#6–info/directions ....... 2 The Professors The Professors …………………………..3 Raffle Cent$.................................8 Race for the Art Pictures…………….8 Membership Application…….……13 Upcoming Events: July 23-29 Week 1 STJS Teagarden EEachy E Youth Jazz Camp Each year when the jazz camps conclude, we are treated to a special July 29 Week 1 STJS Jazz Campers Concert and The Counselors Jazz Jazz Sunday that features not only The Professors both youth Band campers and counselors as well. August Jazz Sunday is one of the July 31–Aug 6 Week 2 - STJS best STJS events of the year. The place is buzzing with excitement Teagarden Youth Camp from a productive and fun-filled week at Jazz Camp amid the scenic Aug 6 (First Sun) Week 2 STJS Jazz beauty of Pollock Pines. Campers have been making new friends Campers Concert and The Professors while counselors (former campers) are having a blast reuniting with their musician friends. Sept 10 – Skin ‘n Bones (Gonsoulin) Oct 8 – Pub Crawlers Our Jazz Camp Faculty is loaded with all-star talent, and we are Nov 12 – Youth Jazz Day incredibly fortunate to have them all here together as our guest Dec 10 – Gold Society Jazz band. -
Ken Peplowski Discography
Discography – Ken Peplowski 1987 Double Exposure Concord Jazz 1989 Sonny Side Concord Jazz 1990 Mr. Gentle and Mr. Cool Concord Jazz 1990 Illuminations Concord 1991 Groovin' High Concord Jazz 1992 Concord Duo Series, Vol. 3 Concord Jazz 1992 The Natural Touch Concord Jazz / Concord 1993 Steppin' with Peps Concord Jazz 1994 Encore! Live at Centre Concord Concord Jazz / Concord 1994 Live at Ambassador Auditorium Concord Jazz / Concord 1995 The International All-Stars Play Benny Goodman, Vol. 2 Nagel Heyer Records 1995 The International Allstars Play Benny Goodman, Vol. 1 Nagel Heyer Records 1995 It's a Lonesome Old Town Concord Jazz / Concord 1996 The Other Portrait Concord / Concord Jazz 1997 A Good Reed Concord Jazz / Concord 1998 Grenadilla Concord Jazz 1999 Last Swing of the Century Concord Vista / Concord Jazz 2000 All This...Live in the UK, Vol. 1 Koch / Koch Jazz 2001 Tribute to Benny Goodman with the BBC Big Band Chandos 2002 Just Friends Nagel Heyer Records 2002 And Heaven Too: Live in the U.K. Vol. 2 Koch 2002 Remembering Louis Jump Records 2002 Ellingtonian Tales Mainstream 2002 Lost in the Stars Nagel Heyer Records 2004 Easy to Remember Nagel Heyer Records 2007 Memories of You Tokuma Records 2008 Gypsy Lamento Venus / Venus Jazz Japan 2008 When You Wish Upon a Star Tokuma Records 2011 In Search Of Capri 2013 Maybe September Capri 2013 ...Live at the Kitano Victoria Company 2018 Sunrise Arbors 2018 Duologue Arbors Credits 2018 Duologue Adrian Cunningham / Ken Peplowski Primary Artist 2018 Sunrise Ken Peplowski / Ken Peplowski -
The Bush Revolution: the Remaking of America's Foreign Policy
The Bush Revolution: The Remaking of America’s Foreign Policy Ivo H. Daalder and James M. Lindsay The Brookings Institution April 2003 George W. Bush campaigned for the presidency on the promise of a “humble” foreign policy that would avoid his predecessor’s mistake in “overcommitting our military around the world.”1 During his first seven months as president he focused his attention primarily on domestic affairs. That all changed over the succeeding twenty months. The United States waged wars in Afghanistan and Iraq. U.S. troops went to Georgia, the Philippines, and Yemen to help those governments defeat terrorist groups operating on their soil. Rather than cheering American humility, people and governments around the world denounced American arrogance. Critics complained that the motto of the United States had become oderint dum metuant—Let them hate as long as they fear. September 11 explains why foreign policy became the consuming passion of Bush’s presidency. Once commercial jetliners plowed into the World Trade Center and the Pentagon, it is unimaginable that foreign policy wouldn’t have become the overriding priority of any American president. Still, the terrorist attacks by themselves don’t explain why Bush chose to respond as he did. Few Americans and even fewer foreigners thought in the fall of 2001 that attacks organized by Islamic extremists seeking to restore the caliphate would culminate in a war to overthrow the secular tyrant Saddam Hussein in Iraq. Yet the path from the smoking ruins in New York City and Northern Virginia to the battle of Baghdad was not the case of a White House cynically manipulating a historic catastrophe to carry out a pre-planned agenda. -
Making Democracy Work by Hedrick Smith
This Guide was made possible by a grant from THE CHARLES STEWART M OTT FOUNDATION Printing and distribution of instructors’ and citizen’s guides were also supported by THE ROBERT WOOD JOHNSON FOUNDATION Funding for the public television series was provided by THE CORPORATION FOR PUBLIC BROADCASTING PBS THE JOHN D. AND CATHERINE T. MACARTHUR FOUNDATION THE CARNEGIE CORPORATION OF NEW YORK THE CHARLES STEWART MOTT FOUNDATION THE DILLON FUND THE CHARLES H. REVSON FOUNDATION THE NORTH STAR FOUNDATION THE JEROME KOHLBERG FUND The People and the Power Game This guide was produced was produced by in cooperation with HEDRICK SMITH PRODUCTIONS HEDRICK SMITH PRODUCTIONS by the in association with OUTREACH DEPARTMENT SOUTH CAROLINA ETV AT SC ETV HEDRICK SMITH, Correspondent and PATRICIA P. DRESSLER, Director Senior Executive Producer MICHELE M. REAP, Editor PATRICK M. RODDY, Executive Producer and Program Producer MARGARET B. WALDEN, Writer BARAK GOODMAN, Program Producer FOSTER WILEY, Principal Camera Design by PAUL GALLAGHER, STEVE JOHNSON and BLJ PUBLISHING RESOURCES, INC. MARK SHAFFER, Field Producers HEDRICK SMITH, PATRICK M. RODDY, Photos by WALTER CALAHAN, CAMERON DAVIDSON BARAK GOODMAN and MARK SHAFFER, Writers and HEDRICK SMITH PRODUCTIONS SANDRA L.UDY, Coordinating Producer and Production Manager Teachers and public television stations JENNIFER CHRISTIANO, RACHEL ENGLEHART, have the right to download and copy Production Associates this guide for educational use JANINA RONCEVIC, Executive Assistant from The People and the Power Game AMY MALL, Researcher World Wide Web site. http://www.pbs.org/powergame Making Democracy Work By Hedrick Smith The history and institutions of American democracy The Constitution provides a system of separated are a source of national pride to Americans. -
Signature Redacted Sign Ature Redacted
VIET NAM'S STRATEGIC HAMLET: DEVELOPMENT AND DENOUEMENT By Leland E. Prentice Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY August 1969 Signature Redacted Signature of Author D&partment of Political Science Certified by Signature Redacted Tht1is S ulepervJsor Sign ature Redacted Accepted by Chairman, Departmental Commi ttee on Graduate Students Archives iAss. INST. rtEC. OCT 2 9 1969 rA RI S 77 Massachusetts Avenue Cambridge, MA 02139 MIT Libraries http://libraries.mit.edu/ask DISCLAIMER NOTICE Due to the condition of the original material, there are unavoidable flaws in this reproduction. We have made every effort possible to provide you with the best copy available. Thank you. Some pages in the original document contain text that runs off the edge of the page. I ACKNOWLEDGEMENTS As in most research, there are certain individuals who contribute to a study but do not appear on the title page. I am personally indebted to many individuals for their contributions throughout my period of study at The Massachusetts Institute of Technology. There are certain individuals to whom I wish to extend my personal appreciation for their efforts to aid me not only in the writing of this thesis, but also in the completion of my academic program. Professors William W. Kaufmann and Donald Blackmer greatly assisted me in my development as a student of political science. Colonel Marshall 0. Becker has relieved me of numerous responsibilities, to the burden of my fellow staff members, in order that I might complete this study. -
Pressure of Trying to Make Each Note and Phrase a Little Jewel
(Sportiello, Metz and Parrott) had the crowd buzzing during intermission and rising en masse for a standing ovation... KEN FRANCKLING/JAZZTIMES Together, they are the most elegant trio around! DICK HYMAN ...pure straight ahead heaven... doesn’t miss a beat or drop a false note... CHRIS SPECTOR, MIDWEST RECORD ANY DAY IS A GOOD DAY FOR SOME SONGS Many recording sessions are tense affairs, because the musicians feel the pressure of trying to make each note and phrase a little jewel. But at a Rossano Sportiello session, his delight in being allowed to make music, his easy assurance that there is no need to rush, makes everyone feel relaxed and joyous. No one could feel tense when his directions to the other musicians are so gentle, “You watch me. Maybe something nice will come out.” During playbacks, the control room was atypically quiet, because everyone (including visitors Harry Allen and Rebecca Kilgore) was busy listening and smiling. This trio is a friendly supportive community. Each voice is equal yet the three players come together from the first notes in a lovely synergy. Hear Ed Metz’s beautiful touch, his light-hearted rhythms that recall Jake Hanna so well: feathery brushwork or explosive accents. (Ed provides wonderfully apt incidental percus- sion, too.) Hear Nicki Parrott’s swinging pulse, the rich sonorities of her bass. Dur- ing this session, I would have sworn I heard a rhythm guitar because her sound is so ripe and full. As a singer, Nicki is one with the song. Her subtle, understated delivery is always convincing, whether she’s being perky or rueful. -
Former Ambassador Donald Gregg Discusses Park Chung-Hee's Legacy
Former Ambassador Donald Gregg Discusses Park Chung-hee’s Legacy Interview with Donald P. Gregg, Former Chairman of the Board of The Korea Society, Ambassador to South Korea and CIA Korea Chapter director Former Ambassador to South Korea Donald Gregg displays Joseon-era pottery he purchased in Seoul‟s Insa-dong in 1968. (Photo by Kwon Tae-ho) By Kwon Tae-ho Washington Correspondent The Hankyoreh May.13, 2011 15:21 KST Hankyoreh: I’d like to ask you about the Coup. Before 1961, the U.S. didn’t capture any sign of a military coup? Donald Gregg: “I remember that Chang Myun was a Prime Minister, after Seung-Man Rhee. And the U.S. was very hopeful about him. I was in Japan at that time, and there was a lot of optimism about Chang Myun. He was going to be very different from Seung-Man Rhee. He was going to move South Korea toward democracy. we were very optimistic. Here was a new chapter in Korean history. But he was not particularly effective in dealing with the situation. And I think it was not too much of a surprise when the prime minister.. when Park Chung-hee overthrew him.” Did you now Park Chung-hee before? “No, I never met him. First time I met him was 1973. But I was in Japan and we were very interested in what‟s happening in Korea and so on. So.. I think they were having mixed feelings about Park Chung-hee coming in. He„d been trained by the Japanese; he was fluent in Japanese; there were some who worried that he might even be a leftist; there was confusion about what he was.