TENTH SUNDAY AFTER PENTECOST the EIGHTEENTH DAY O F AUGUST, 2019
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Acts of the Apostles Bible Study Lesson # 1 “What Is the Role of the Holy Spirit in the Church?”
Acts of the Apostles Bible Study Lesson # 1 “What is the role of the Holy Spirit in the Church?” Introduction The gospel writer Luke in his second volume, called “The Acts of the Apostles” or simply “Acts,” is giving Theophilus an account of the birth of the Church, how it organized and solved its problems, and its subsequent spreading of the good news of Jesus Christ following his ascension. Luke makes it clear that the Church did not start on account of any human endeavor but by the power of the Holy Spirit that Jesus promised to give. Because of the power of the Holy Spirit, the Church became an agent for change, bore witness to the faith and became a radically unique and diverse community. From Jerusalem at Pentecost, the Holy Spirit enabled the Church to spread to Syria, Asia, Europe and Africa. The Holy Spirit also took a wide range of people, from a Galilean fisherman to a learned scholar, to cities and towns throughout the Roman Empire to preach the good news, heal, teach and demonstrate God’s love. Despite the apostle’s imprisonment and beatings, and an occasional riot, the band of faithful managed to grow in spite of their persecution. The growth of the Church Luke credits to the guiding work of the Holy Spirit that cannot be bottled or contained. Women, children, Jews and Gentiles were coming together into a new sense of community and purpose through the common experience of encountering the transformative power of Jesus Christ. This bible study is produced to not only help the faithful understand God’s plan for the expansion of the Church but to challenge individual Christians as well as faith communities to seek to understand what God is asking them to do in light of God’s current movement of the Holy Spirit. -
BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Sir Edward Elgar (1857-1934) Born in Broadheath, Worcestershire, Elgar was the son of a music shop owner and received only private musical instruction. Despite this he is arguably England’s greatest composer some of whose orchestral music has traveled around the world more than any of his compatriots. In addition to the Conceros, his 3 Symphonies and Enigma Variations are his other orchestral masterpieces. His many other works for orchestra, including the Pomp and Circumstance Marches, Falstaff and Cockaigne Overture have been recorded numerous times. He was appointed Master of the King’s Musick in 1924. Piano Concerto (arranged by Robert Walker from sketches, drafts and recordings) (1913/2004) David Owen Norris (piano)/David Lloyd-Jones/BBC Concert Orchestra ( + Four Songs {orch. Haydn Wood}, Adieu, So Many True Princesses, Spanish Serenade, The Immortal Legions and Collins: Elegy in Memory of Edward Elgar) DUTTON EPOCH CDLX 7148 (2005) Violin Concerto in B minor, Op. 61 (1909-10) Salvatore Accardo (violin)/Richard Hickox/London Symphony Orchestra ( + Walton: Violin Concerto) BRILLIANT CLASSICS 9173 (2010) (original CD release: COLLINS CLASSICS COL 1338-2) (1992) Hugh Bean (violin)/Sir Charles Groves/Royal Liverpool Philharmonic Orchestra ( + Violin Sonata, Piano Quintet, String Quartet, Concert Allegro and Serenade) CLASSICS FOR PLEASURE CDCFP 585908-2 (2 CDs) (2004) (original LP release: HMV ASD2883) (1973) -
Bible Study Guide on the Acts of the Apostles
Investigating the Word of God Acts Artist’s Depiction of the Apostle Paul Preaching at the Areopagus in Athens Gene Taylor © Gene Taylor, 2007. All Rights Reserved All lessons are based on the New King James Version, © Thomas Nelson, Inc. An Introduction to Acts The Author There are no serious doubts as to the authorship of the book of Acts of the Apostles. Luke is assigned as its author. As early as the last part of the 2nd century, Irenaeus cites passages so frequently from the Acts of the Apostles that it is certain that he had constant access to the book. He gives emphasis to the internal evidence of its authorship. Tertullian also ascribes the book to Luke, as does Clement of Alexandria. That Luke is the author of the book of Acts is evident from the following. ! The Preface of the Book. The writer addresses Theophilus (Luke 1:3), who is the same individual to whom the gospel of Luke was also directed, and makes reference to a “former treatise” which dealt with “all that Jesus began to do and to teach until the day he was received up” (1:1-2). This is very evidently a reference to the third gospel. ! The book of Acts and the gospel of Luke are identical in style, as a number of scholars have pointed out and demonstrated. ! The book of Acts comes as an historical sequel to the gospel of Luke, taking up with the very events, and at the point where the gospel of Luke concludes, namely the resurrection, the appearances following the resurrection, and the commissioning of the Apostles to the task for which they had been selected and trained by the Lord, and the ascension of Jesus. -
“Where Faith and Life Connect” the Order of Worship August 5, 2018 10
the presence of mine enemies, he ascended into heaven, and sitteth on the right hand of God the Father my cup runneth over, my cup runneth over. Almighty; from thence he shall come to judge the quick and the dead. I Surely goodness and mercy shall follow me all the days of my life, believe in the Holy Ghost; the holy catholic church; the communion of saints; and I will dwell in the house of the Lord forever. the forgiveness of sins; the resurrection of the body; and the life everlasting. adapted from Psalm 23 Amen. John Hankins, Baritone THE OFFERING CALL TO WORSHIP Please sign and pass the Friendship Register found on the pew nearest the center Leader: Cry out with joy to the Lord, all the earth. Worship the Lord with aisle. gladness. Come into God’s presence with singing. Though many of us contribute electronically or by a check in the mail, your holding and People: For the Lord is a gracious God, whose mercy is everlasting; and passing the offering plate is an act of blessing and dedication to our life together in Jesus whose faithfulness endures to all generations. Christ. OFFERTORY ANTHEM Hold On! American spiritual TO PRAISE AND CONFESS ... arr. Hall Johnson Noah, Noah, lemme come in *HYMN NO. 281 (blue hymnal) Guide Me, O Thou Great Jehovah Cwm Rhondda Do’s all fus’n an’ de winder’s pinned. *CALL TO CONFESSION Keep yo’ hand on de plow, Hold on! *PRAYER OF CONFESSION (Unison) Merciful God, Noah said “You done los’ yo’ track, We confess that we have sinned against you Can’t plough straight ’n keep a-lookin’ back.” in thought, word and deed, Keep yo’ hand on de plow, Hold on! by what we have done, and what we have left undone. -
Alaris Capture Pro Software
r rhe Elgar Society JOURNAL < MAY 1983 Contents Page Editorial 3 Sir Adrian Boult, by Michael Pope 5 Obituaries - Walton, Howells, Day 6 News Items 8 » Three Choirs and Malvern Festivals 9 Concert Notices 10 Jack McKenzie ^ a tribute 11 Article The Archive Answers Back. Pt.I 13 Concert Diary 18 Article Edward Elgar g the.Carillon 19 Book Review 22 Record Reviews 23 News from the Branches 26 Letters 28 Subscription Details 32 ********************************************************************************************************************* ****■§,*****■»* The editor does not necessarily agree with the views expressed by contributors, nor does the Elgar Society accept responsibility for such views. ********************************************************************** The cover portrait is reproduced by kind permission of RADIO TIMES ELGAR SOCIETY JOURNAL ISSN 0143-1269 2 r The Elgar Society Journal 01-440 2651 104 CRESCENT ROAD. NEW BARNET. HERTS. EDITORIAL MAY 1983 . Vol. 3,.No.2 In the last few months music has lost some of its most distinguished exponents. Obituary notices will be found on other pages, but the loss of our founder-President, Sir Adrian Boult, is something we all feel keenly. His encouragement meant a great deal to us, particularly in the difficult early years. Abroad too his peissing was noted with very great regret. The New York Times carried a long obituary by Edivard Rothstein spread across three columns. A member in Toronto tells us that at the end of a concert in the new Toronto concert hall the con ductor, Andrew Davis, turned to the audience and informed them of Sir ^ Adrian's death. He then conducted the orchestra in tribute in the slow movement of Elgar's Serenade for Strings. -
Art. 7. the Witness of the Beatitudes
Art. 7. The Witness of the Beatitudes The lifestyle of a Salesian Cooperator, marked by the spirit of the Beatitudes, commits him or her to the evangelization of culture and of social life. 1 For this reason the Cooperator, being rooted in Christ and aware that all baptized people are called to the perfection of love, lives and gives witness to: - a life lived according to the Spirit, as the source of joy, peace, and forgiveness; - freedom, in obedience to God’s plan, appreciating the value and autonomy proper to secular realities, committing themselves to direct these, above all, to the service of persons; - Gospel poverty, administering the goods entrusted to them using the criteria of temperance and of sharing, in view of the common good; - a sexuality according to a Gospel vision of chastity, marked by delicacy and a joyful married or celibate life, lived with integrity and based on love; - that mercy which opens one’s heart to all material and moral miseries and urges one to work with pastoral charity; - justice to build a more fraternal world that recognizes and promotes the rights of all, especially of the weakest; - a firm will to be a builder of peace in a world agitated by violence and class hatred. This way of love for God and for others is a sure path towards sanctity. CONSIDERATIONS Core Themes 1. Gospel Values Proposed to All the Disciples of the Lord Jesus 2. Evangelizing with the Spirit of the Beatitudes 3. The Beatitudes of the Salesian Cooperator Keys to Understanding Lumen Gentium solemnly declared that all the Faithful in the Church are called to sanctity and to perfect charity, even if by different paths and in different states of life, and that the Gospel Counsels have been proposed to all Christ's disciples – even if their practice takes on a different expression according to each individual's specific vocation. -
Vol. 13, No.2 July 2003
Chantant • Reminiscences • Harmony Music • Promenades • Evesham Andante • Rosemary (That's for Remembrance) • Pastourelle • Virelai • Sevillana • Une Idylle • Griffinesque • Ga Salut d'Amour • Mot d'AmourElgar • Bizarrerie Society • O Happy Eyes • My Dwelt in a Northern Land • Froissart • Spanish Serenade • La Capricieuse • Serenade • The Black Knight • Sursum Corda • T Snow • Fly, Singing Birdournal • From the Bavarian Highlands • The of Life • King Olaf • Imperial March • The Banner of St George Deum and Benedictus • Caractacus • Variations on an Origina Theme (Enigma) • Sea Pictures • Chanson de Nuit • Chanson Matin • Three Characteristic Pieces • The Dream of Gerontius Serenade Lyrique • Pomp and Circumstance • Cockaigne (In London Town) • Concert Allegro • Grania and Diarmid • May S Dream Children • Coronation Ode • Weary Wind of the West • • Offertoire • The Apostles • In The South (Alassio) • Introduct and Allegro • Evening Scene • In Smyrna • The Kingdom • Wan Youth • How Calmly the Evening • Pleading • Go, Song of Mine Elegy • Violin Concerto in B minor • Romance • Symphony No Hearken Thou • Coronation March • Crown of India • Great is t Lord • Cantique • The Music Makers • Falstaff • Carissima • So The Birthright • The Windlass • Death on the Hills • Give Unto Lord • Carillon • Polonia • Une Voix dans le Desert • The Starlig Express • Le Drapeau Belge • The Spirit of England • The Fring the Fleet • The Sanguine Fan • ViolinJULY Sonata 2003 Vol.13, in E minor No.2 • Strin Quartet in E minor • Piano Quintet in A minor • Cello Concerto -
The Apostles Edward
C X A X H A C H P R P R I I S S T T I I C E C E H L H L O R A O R A • A X C H P R I S T I • C H E O R A L X X C A C H A H P R P R I I S S T T I I C E C E H L H L O R A O R A • A X C H P R I S Stephanie Martin April 29, 2017, 7:30 p.m. T I Artistic Director April 30, 2017, 3:00 p.m. • C H E O R A L Edward The Apostles Elgar Pax Christi Chorale and Orchestra with Meredith Hall, Krisztina Szabó, Brett Polegato, Lawrence Wiliford, Daniel Lichti, Michael Uloth, and the Etobicoke School of the Arts Chamber Choir Edward The Apostles Elgar Pax Christi Chorale and Orchestra Stephanie Martin, Artistic Director PART 1 1. The Calling of the Apostles 2. By the Wayside 3. By the Sea of Galilee INTERMISSION PART 2 4. The Betrayal 5. Golgotha 6. At the Sepulchre Please join us in the Parish Hall after today’s 7. The Ascension concert for a reception. Elgar’s oratorio tells a profoundly human story, recounting Christ’s teaching, crucifixion and resurrection through the eyes of his disciples — ordinary men who would lay the foundation of the Christian church. The Apostles was first performed in Birmingham in October 1903. BY STEPHEN JOHNSON MUSIC WRITER, BROADCASTER, AND COMPOSER Synopsis Edward Elgar PART ONE recitative sets up the opposition of Part One of the oratorio begins at the authorities to Jesus’ preaching. -
The Violin Music
572643-45 bk Elgar 25/2/11 07:51 Page 16 Photo from the collection of Marat Bisengaliev ELGAR 3 CDs The Violin Music Violin Concerto • Violin Sonata • Miniatures Marat Bisengaliev, Violin • Benjamin Frith, Piano West Kazakhstan Philharmonic Orchestra Bundit Ungrangsee 8.572643-45 16 572643-45 bk Elgar 25/2/11 07:51 Page 2 Edward Bundit Ungrangsee ELGAR Bundit Ungrangsee enjoys a career as a conductor that has (1857-1934) taken him to five continents. A hero to many young people in his native Thailand, Bundit was awarded the title of CD 1* 57:37 ( Etude C 1:22 ) Cultural Ambassador and National Artist by the Thai Etude D 3:05 government in recognition of his international Violin Concerto in B minor, Op. 61 46:07 ¡ Etude E 2:55 1 Allegro 17:05 achievements. He has appeared with leading orchestras, 2 Andante 10:47 CD 3 70:11 including the Utah Symphony, Orchestra of St Luke’s, 3 Allegro molto 18:26 Milwaukee and Charleston Symphonies and the prestigious 1 Elévation, Op. 11 (tr. F. Louis Schneider)† 4:36 La Fenice Theatre in Venice. Among others he has Serenade for Strings, Op. 20 11:30 2 † conducted the Mormon Tabernacle Choir, I Pomeriggi 4 Allegro piacevole 3:18 Pastourelle, Op. 4, No. 2 2:54 3 Musicali, Orchestra Sinfonica Siciliana, the Auckland and 5 Larghetto 5:17 Bavarian Dance No. 3 † Victoria Symphonies, Orchestra Internazionale d’Italia, and 6 Allegretto 2:55 (arr. William Henley) 4:45 4 Bavarian Dance No. 1 the Malaysian, Nagoya, Copenhagen and Seoul CD 2 66:43 (arr. -
Carillon, Op 75 Une Voix Dans Le Désert, Op 77 Le Drapeau Belge, Op 79
Carillon, Op 75 Une Voix Dans Le Désert, Op 77 Le Drapeau Belge, Op 79 Three recitations of poems by Emile Cammaerts with orchestral accompaniments. Carillon Approximate Length: 5 minutes First Performance: Date: 7 December 1914 Venue: Queen's Hall, London Conductor: the composer Une Voix dans le Desert Approximate Length: 12 minutes First Performance: Date: 29 January 1916 Venue: Shaftesbury Theatre, London Conductor: the composer Le Drapeau Belge Approximate Length: 3 minutes 30 seconds First Performance: Date: 14 April 1917 Venue: Queen's Hall, London Conductor: the composer It is now well known that the First World War changed Elgar irrevocably. The chamber works and Cello Concerto that soon followed the war have an air of introspection and wistful longing for a world that had gone forever, shattered by the brutality of four years of conflict. But the changes that the war was to bring were not apparent from the outset. The war was not expected to last for more than six months and began in an atmosphere of patriotic fervour intent on settling old scores. And since this was a world war, the mood of patriotism extended to embrace other countries suffering at the hands of the Germans. The mood unsettled Elgar. He counted a number of Germans among his close friends and, after all, it was the Germans who had rescued The Dream of Gerontius from potential early oblivion following its disastrous premiere in Birmingham. But Elgar nevertheless responded to the needs of the hour by writing within the first year of the war two pieces whose proceeds went to support war charities in countries overrun by the Germans. -
Elgar Organ Works
THE DOBSON ORGAN OF MERTON COLLEGE, OXFORD Elgar BENJAMIN NICHOLAS Organ wor ks EDWARD ELGAR (1857–1934): ORGAN WORKS THE DOBSON ORGAN OF MERTON COLLEGE, OXFORD Sonata for Organ in G major, Op. 28 Benjamin Nicholas 1 I. Allegro maestoso [9:03] 2 II. Allegretto [4:37] 3 III. Andante espressivo [6:31] 4 IV. Presto (comodo) [7:05] 5 ‘Nimrod’ from ‘Enigma’ Variations, Op. 36 [3:56] transcr. by W. H. Harris 6 Prelude to The Kingdom, Op. 51 [9:43] transcr. by A. Herbert Brewer* 7 Gavotte [5:50] transcr. by Edwin H. Lemare Vesper Voluntaries, Op. 14 8 Introduction: Adagio – [1:33] 9 I. Andante [1:20] 10 II. Allegro [2:57] 11 III. Andantino [2:42] 12 IV. Allegretto piacevole [1:56] 13 Intermezzo [0:44] 14 V. Poco lento [2:03] 15 VI. Moderato [1:57] 16 VII. Allegretto pensoso [2:00] 17 VIII. Poco allegro – Coda [4:27] Recorded on 25-26 June 2015 in Cover design: John Christ Join the Delphian mailing list: the Chapel of Merton College, Oxford Booklet design: Drew Padrutt www.delphianrecords.co.uk/join Total playing time [68:33] Producer/Engineer: Paul Baxter Benjamin Nicholas photo: John Cairns 24-bit digital editing: Adam Binks Booklet editor: John Fallas Like us on Facebook: 24-bit digital mastering: Paul Baxter Delphian Records Ltd – Edinburgh – UK www.facebook.com/delphianrecords *premiere recording of this arrangement Cover & booklet photography © Dobson www.delphianrecords.co.uk Pipe Organ Builders Ltd Follow us on Twitter: @delphianrecords With thanks to the Warden and Fellows of the House of Scholars of Merton College, Oxford Notes on the music The first recording of Merton’s new organ – post of Organist and Choirmaster in his own offering music and seeking commissions with attractively individual, quirky charm. -
The Twelve Apostles and the Beatitudes
LIFE & TEACHINGS - PART 1 LESSON 10 ENDTIME UNIVERSITY The Twelve Apostles and The Beatitudes -HVXV)XOÀOOHG$QRWKHU3URSKHF\ Accurate judgment comes from God’s Spirit. The prophecy foretells God turning to the Gentiles. Matthew 12:17-18 7KDWLWPLJKWEHIXOÀOOHGZKLFKZDVVSRNHQE\(VDLDVWKHSURSKHWVD\LQJ%HKROGP\VHUYDQWZKRP,KDYH chosen; my beloved, in whom my soul is well pleased: I will put my spirit upon him, and he shall show judgment to the Gentiles. A. Jesus’ Demeanor Described 1. The Gentiles will trust in His name for salvation. Matthew 12:19-21 He shall not strive, nor cry; neither shall any man hear his voice in the streets. A bruised reed shall KHQRWEUHDNDQGVPRNLQJÁD[VKDOOKHQRWTXHQFKWLOOKHVHQGIRUWKMXGJPHQWXQWRYLFWRU\$QGLQ his name shall the Gentiles trust. II Timothy 2:24 And the servant of the Lord must not strive; but be gentle unto all men, apt to teach, patient. B. The Crowds were Overwhelming 1. The multitudes followed Him because of the great things He did. Mark 3:7-9 But Jesus withdrew himself with his disciples to the sea: and a great multitude from Galilee followed him, and from Judaea, And from Jerusalem, and from Idumaea, and from beyond Jordan; and they about Tyre and Sidon, a great multitude, when they had heard what great things he did, came unto him. And he spake to his disciples, that a small ship should wait on him because of the multitude, lest they should throng him. C. The Crowd Tried to Just Touch Him 1. Demons cried out when they came into His presence. Mark 3:10-12 For he had healed many; insomuch that they pressed upon him for to touch him, as many as had plagues.