Brethren Band Mutual Kumquat Sings from the Soul
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Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach. -
03.07.21 CONNECTIONS Jill Mcnabnay
Storyline Gathering - 03.07.21 CONNECTIONS Jill McNabnay I love the TV show, The Big Bang Theory, because it’s full of geeky, nerdy, science humor, which I’m all about. But the whole show is really about these four guys who are so brilliant in their jobs, but so dumb in real life. They have no clue how to form relationships with others. And just I’m fascinated by their quest for connection because that’s something I see every day – ALL day - as a high school teacher. Young people may not be aware of it, but from the outside looking in, it doesn’t take long to see that a huge percentage of their life is dedicated to finding, impressing, and keeping their group of friends. This looks different depending on their age, but it is still there all the time. I teach freshmen and seniors, so I see them at the beginning and end of their high school career, and one of the biggest differences between them, besides their maturity level, is that most freshmen don’t know where they belong or how they fit in, so a lot of their time, effort, and mental energy is consumed with trying to figure that out, and at times making pretty clumsy attempts to fit in and impress their classmates. But by the time they’re seniors, kids have settled into their niche, they’ve found a group, club or team where they feel like they belong…the more flamboyant quest for friendship may be over, but the passion connected to connecting with others clearly remains. -
Westfiild LEADER
O I O\ « o o WESTFiiLD LEADER MO • The Leading and Moat Widely Circulated Weekly Newspaper In Union County Second Clua Pottac* Paid Publlihad EIGHTV R-N0.J6 •t Wtltfl.]*, N. J. WESTFIELD, NEW JERSEY, THURSDAY, JUNE 22, 1978 Bvery Thursday 24 Pages—15 Cento iFEA Protests Delay, Board 575 Graduate from WHS Ann Shepherd Bagley was High School during com- straight A students, heading Jennifer Ann McCornack, recognized as the top mencement exercises for a list of 150 honor students, Michael A. Pollack and Optimistic On Contract Talks student among six who 575 seniors Tuesday night in are Richard H. Bagger, Barbara Lynn Shacklett. achieved all A's at Westfield the Armory. The other five Cynthia Ann Coniglio, Westfield High School School board officials are Those concerns, as well as among other things by the elementary school day and ago? . Principal Albert • R. Bobal optimistic that a fact- those of Wilson and Lincoln lack of progress in the given a realistic rationale "We wonder .if these Top Weatfieid High School Graduates announced that nearly half a finding session tonight on parents who protested class contract negotiations. for the proposed change. actions do represent a million dollars in scholar- contract negotiations with sizes in those schools, oc- "Many of us wonder about Why was the plan given to us conscious stalling tactic or ship aid has been won by the Westfield Education cupied the majority of the what appears to be*delaying so late in the course of even ' harrassment on the members of the Class of Association will resolve public session of Monday tactics on the part of the negotiations?. -
Border Crossing Brothas: a Study of Black Bermudian Masculinity, Success, and the Role of Community-Based Pedagogical Spaces
DOUGLAS, TY-RON MICHAEL O’SHEA, Ph.D. Border Crossing Brothas: A Study of Black Bermudian Masculinity, Success, and the Role of Community-based Pedagogical Spaces. (2012) Directed by Dr. Camille M. Wilson. 289 pp. Using qualitative research methods and an amalgamation of border crossing theory and postcolonial theory within the context of race, this dissertation study examined how Black Bermudian males form identities, define success, and utilize community-based pedagogical spaces (i.e. barbershops, churches, sports/social clubs, neighborhoods) to cross literal and figurative borders. Drawing on data from 12 Bermudian Black males who were active participants in community spaces, this study challenges educators to consider how the disturbing statistics on Black male failure and the perceived achievement gap between White students and students of color may be influenced by tensions between dominant ideologies of success, the under appreciation of community-based pedagogical spaces by educational stakeholders, and competing conceptualizations of identity, success, and masculinity for Black males. BORDER CROSSING BROTHAS: A STUDY OF BLACK BERMUDIAN MASCULINITY, SUCCESS, AND THE ROLE OF COMMUNITY-BASED PEDAGOGICAL SPACES by Ty-Ron Michael O’Shea Douglas A Dissertation Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Greensboro 2012 Approved by Committee Chair © 2012 Ty-Ron Michael O’Shea Douglas To the memories of Ivy “Ma” Richardson, “Granny Mary” Wilkinson, Henry “Papa” Thomas, Louise “Nana Louise” Jackson, Bernard “Uncle Jack” Jackson, Mandell “Hillside” Hill, Mother Burruss, and Ronald Burruss—men and women whose lives, legacies, and love inspired me to be a border crosser and bridge across time and space. -
The Acoustic City
The Acoustic City The Acoustic City MATTHEW GANDY, BJ NILSEN [EDS.] PREFACE Dancing outside the city: factions of bodies in Goa 108 Acoustic terrains: an introduction 7 Arun Saldanha Matthew Gandy Encountering rokesheni masculinities: music and lyrics in informal urban public transport vehicles in Zimbabwe 114 1 URBAN SOUNDSCAPES Rekopantswe Mate Rustications: animals in the urban mix 16 Music as bricolage in post-socialist Dar es Salaam 124 Steven Connor Maria Suriano Soft coercion, the city, and the recorded female voice 23 Singing the praises of power 131 Nina Power Bob White A beautiful noise emerging from the apparatus of an obstacle: trains and the sounds of the Japanese city 27 4 ACOUSTIC ECOLOGIES David Novak Cinemas’ sonic residues 138 Strange accumulations: soundscapes of late modernity Stephen Barber in J. G. Ballard’s “The Sound-Sweep” 33 Matthew Gandy Acoustic ecology: Hans Scharoun and modernist experimentation in West Berlin 145 Sandra Jasper 2 ACOUSTIC FLÂNERIE Stereo city: mobile listening in the 1980s 156 Silent city: listening to birds in urban nature 42 Heike Weber Joeri Bruyninckx Acoustic mapping: notes from the interface 164 Sonic ecology: the undetectable sounds of the city 49 Gascia Ouzounian Kate Jones The space between: a cartographic experiment 174 Recording the city: Berlin, London, Naples 55 Merijn Royaards BJ Nilsen Eavesdropping 60 5 THE POLITIcs OF NOISE Anders Albrechtslund Machines over the garden: flight paths and the suburban pastoral 186 3 SOUND CULTURES Michael Flitner Of longitude, latitude, and -
Petrarch and Boccaccio Mimesis
Petrarch and Boccaccio Mimesis Romanische Literaturen der Welt Herausgegeben von Ottmar Ette Band 61 Petrarch and Boccaccio The Unity of Knowledge in the Pre-modern World Edited by Igor Candido An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. The Open Access book is available at www.degruyter.com. ISBN 978-3-11-042514-7 e-ISBN (PDF) 978-3-11-041930-6 e-ISBN (EPUB) 978-3-11-041958-0 ISSN 0178-7489 This work is licensed under the Creative Commons Attribution NonCommercial-NoDerivatives 4.0 license. For more information, see http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2018 Igor Candido, published by Walter de Gruyter GmbH, Berlin/Boston Typesetting: Konvertus, Haarlem Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Dedicated to Ronald Witt (1932–2017) Contents Acknowledgments IX Igor Candido Introduction 1 H. Wayne Storey The -
Haitian Creole – English Dictionary
+ + Haitian Creole – English Dictionary with Basic English – Haitian Creole Appendix Jean Targète and Raphael G. Urciolo + + + + Haitian Creole – English Dictionary with Basic English – Haitian Creole Appendix Jean Targète and Raphael G. Urciolo dp Dunwoody Press Kensington, Maryland, U.S.A. + + + + Haitian Creole – English Dictionary Copyright ©1993 by Jean Targète and Raphael G. Urciolo All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without the prior written permission of the Authors. All inquiries should be directed to: Dunwoody Press, P.O. Box 400, Kensington, MD, 20895 U.S.A. ISBN: 0-931745-75-6 Library of Congress Catalog Number: 93-71725 Compiled, edited, printed and bound in the United States of America Second Printing + + Introduction A variety of glossaries of Haitian Creole have been published either as appendices to descriptions of Haitian Creole or as booklets. As far as full- fledged Haitian Creole-English dictionaries are concerned, only one has been published and it is now more than ten years old. It is the compilers’ hope that this new dictionary will go a long way toward filling the vacuum existing in modern Creole lexicography. Innovations The following new features have been incorporated in this Haitian Creole- English dictionary. 1. The definite article that usually accompanies a noun is indicated. We urge the user to take note of the definite article singular ( a, la, an or lan ) which is shown for each noun. Lan has one variant: nan. -
Esther Brown Did Not Write a Political Tract on the Refusal to Be Governed, Or Draft a Plan for Mutual Aid Or Outline a Memoir of Her Sexual Adven- Tures
Saidiya Hartman The Anarchy of Colored Girls Assembled in a Riotous Manner Esther Brown did not write a political tract on the refusal to be governed, or draft a plan for mutual aid or outline a memoir of her sexual adven- tures. A manifesto of the wayward: Own Nothing. Refuse the Given. Live on What You Need and No More. Get Ready to Be Free — was not found among the items contained in her case !le. She didn’t pen any song lines: My mama says I’m reckless, My daddy says I’m wild, I ain’t good looking, but I’m somebody’s angel child. She didn’t commit to paper her ruminations on freedom: With human nature caged in a narrow space, whipped daily into submis- sion, how can we speak of potentialities? The card- board placards for the tumult and upheaval she incited might have said: Don’t mess with me. I am not afraid to smash things up. But hers was a struggle without formal declarations of policy, slo- gan, or credos. It required no party platform or ten-point program. Walking through the streets of New York City, she and Emma Goldman crossed paths, but failed to recognize one another. When Hubert Harrison encountered her in the lobby of the Renaissance Casino after he delivered his lectures on “Marriage versus Free Love” for the Socialist Club, he noticed only that she had a pretty face and a big ass. Esther Brown never pulled a The South Atlantic Quarterly 117:3, July 2018 !"# 10.1215/00382876-6942093 © 2018 Duke University Press Downloaded from https://read.dukeupress.edu/south-atlantic-quarterly/article-pdf/117/3/465/535919/1170465.pdf by UNIV OF PENNSYLVANIA user on 08 April 2020 466 The South Atlantic Quarterly • July 2018 soapbox onto the corner of 135th Street and Lenox Avenue to make a speech about autonomy, the global reach of the color line, involuntary servitude, free motherhood, or the promise of a future world, but she well understood that the desire to move as she wanted was nothing short of treason. -
Animals' Best Friends
NOVEMBER 2019 Animals’ Best Friends Oregon Takes the Lead in Advocating for All Creatures OREGON STATE BAR BULLETIN NOVEMBER 2019 VOLUME 80 • NUMBER 2 Michelle Blake offers her hand to one of the residents of the Wildwood Farm Sanctuary, a haven for abused and neglected animals in Newberg. The program is one of many that have benefitted from Oregon’s role as a leader in the field of Animal Law, as Kate Taylor explains in a special report that begins on Page 20. Photo by Jaime Valdez FEATURES 20 Animals’ Best Friends Oregon Takes the Lead in Advocating for All Creatures By Kate Taylor 28 I’ll Drink to That The Power and Peril of Alcohol’s Connection to the Legal Profession By Jennie Bricker 36 Passionate About the Constitution ‘We the People’ Engages Students Across the State By Michaela Bancud COLUMNS 5 From the Editor 46 Legal Practice Tips A Beautiful Noise ‘Embrace Your Most By Gary M. Stein Valuable Asset’: Oregon Women Lawyers Unveils Its 11 Bar Counsel Model Parental Leave Policy Avoiding Ethical Drama: By Heather L. Weigler Proper Training and Supervision of Non-Lawyer 48 In Pursuit of Well-Being Assistants is Crucial Anxiety, Depression and By Daniel Atkinson Trauma: For One Oregon Attorney, Celebrating 15 The Legal Writer Successes is Key It’s Just a Matter of Time: By Holli Houston Tips for Improving Your Proofreading Prowess 70 Parting Thoughts By Elizabeth Ruiz Frost Parking-Lot Hugs By Larry Sokol 42 Profiles in the Law A Career Come Full Circle: Commitment to Community Drives Judge Rachel The Oregon State Bar Bulletin (ISSN 0030-4816) is the official publication of the Oregon State Bar. -
THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour. -
Beautiful Noise Movie
1 / 2 Beautiful Noise Movie About · Contact · Advertise With Us · Shows · Earwolf. Shows · Attitudes! Beautiful Stories .... and "The Jerk" with Steve Martin, and acted in the 2001 version of "Ocean's Eleven" and its two sequels. You may also like: Gender disparity among film critics. Silver Screen Collection .... May 2018 · April 2018 · March 2018 · February 2018 · January 2018 · December 2017 · November 2017 · October 2017 · September 2017 · August 2017 · July 2017 · June 2017 · May .... , Fla. Waves will break towards the. Texas has more than 350 miles of beautiful gulf coastline that is home to many sunny, sandy beaches. Like surfing, CS is different. com is dedicated .... Improvised choreography on Sunday in front of La Colline, one of the first theaters in Elliott Verdier for The New York Times · Poems! Songs! Demands! It's Not Theater, but It's … Welcome - Classical KDFC. Radio; Culture; Giving; more streams.. Joyful Noise here: ClevverTV. 2.37M subscribers. Subscribe · Joyful Noise Trailer Official 2012 [HD] - Keke Palmer, Queen Latifah.. third album by Neil Diamond on Columbia Records and his 10th studio album overall. The album was originally released in 1976. "Dry Your Eyes" was performed with The Band at their .... Back. Browns · Indians · Cavaliers · OSU Sports · High School · Olympics. Latest Sports Stories .... B.I.G. Killing in City of Lies. 4 days ago. HBO MAX'S 'MADE FOR LOVE' SOUNDS MORE LIKE CRAZY IN LOVE. 6 days ago. © Copyright 2021, All Rights Reserved. HOME · ABOUT .... difficult to run on older or lower-end machines, and the graphics will inevitably take a toll on framerate. プラダ PRADA 名刺入れ カードケース レザー 本革 vit micro grain アウトレット .. -
Ursonate 000000001 CRÉDITOS ÍNDICE
ursonate 000000001 CRÉDITOS ÍNDICE ENTREVISTAS Coordinación 6 Entrevista a Alfredo Costa Monteiro Jose Luis Espejo, Oscar Martín OIER IRURETAGOINEA 13 Entrevista a Margarida Garcia Reseñas HÉCTOR REY Miguel Angel Tolosa ARTÍCULOS Corrección editorial 18 Espacios sonoros híbridos en zonas de cambio radical Sarah Vacher ALOARDI 38 G.I.S.S is not tv En este número VV AA 50 La calle es mía Diseño y maquetación JOSÉ LUIS ESPEJO Miguel Abellán www.pinchoycorto.blogspot.com RESEÑAS BIBLIOGRÁFICAS Colaboran 60 ¿Por qué hablar a día de hoy de La poética del espacio de Gaston Bachelard? Alfredo Aracil, Aloardi, Ashley L. Wong, Carlos Suárez Sánchez, Durán Vázquez, ALFREDO ARACIL Héctor Rey, Miquel Parera Jaques, Oier Iruretagoiena, Oscar Martin 64 Listening to Noise and Silence. Towards a Philosophy of Sound Art de Salomé Voegelin JOSÉ LUIS ESPEJO giss.tv; Chaser, Pedro, Yves, Lluis, Rama, Jaume, y +++ que nos 64 The Unwanted Sound of Everything We Want. A Book about Noise de Garret Keizer dejamos en el tintero. JOSÉ LUIS ESPEJO 66 Acoustic Territories. Sound Culture and Everyday Life de Brandon LaBelle minipimer.tv; Lucía Egaña, Laura Malinverni, y demás integrantes del colectivo JOSÉ LUIS ESPEJO aloardi; Chris Galarreta, Gabriel Castillo y Alejandra Perez RESEÑAS DISCOGRÁFICAS 68 Sustainer de Cromosoma Compilación sonora MIQUEL PARERA JAQUES Carlos Suarez, Coeval, Christian Galarreta, C-utter, Daniel del Rio, 68 Quebrantos de Javier Hernando Durán_Vázquez, Francisco López, Juan Gil, Kakofunk, Luis Marte, MIQUEL PARERA JAQUES miguel.a.garcia, Miquel Parera, Miasma, Oier I.A, Pablo Reche, Pangea, 69 noise & capitalism.txt >> /dev/dsp de NOISH Ponzoña, Ruben Patiño, scmute, Sergio Luque.