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THE NOVELS and the POETRY of PHILIP LARKIN by JOAN SHEILA MAYNE B . a . , U N I V E R S I T Y of H U L L , 1962 a THESIS SUBMITT
THE NOVELS AND THE POETRY OF PHILIP LARKIN by JOAN SHEILA MAYNE B.A., University of Hull, 1962 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF M .A. in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April, 1968 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his represen• tatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of English The University of British Columbia Vancouver 8, Canada April 26, 1968 ii THESIS ABSTRACT Philip Larkin has been considered primarily in terms of his contribution to the Movement of the Fifties; this thesis considers Larkin as an artist in his own right. His novels, Jill and A Girl in Winter, and his first volume of poetry, The North Ship, have received very little critical attention. Larkin's last two volumes of poetry, The Less Deceived and The Whitsun Weddings, have been considered as two very similar works with little or no relation to his earlier work. This thesis is an attempt to demonstrate that there is a very clear line of development running through Larkin's work, in which the novels play as important a part as the poetry. -
Call No. Responsibility Item Publication Details Date Note 1
Call no. Responsibility Item Publication details Date Note TKNC0001 Roberts, H. Song, to a gay measure Dublin: printed at the Dolmen 1951 "200 copies." Neville Press TKNC0002 Promotional notice for Travelling tinkers, a book of Dolmen Press ballads by Sigerson Clifford TKNC0003 Promotional notice for Freebooters by Mauruce Kennedy Dolmen Press TKNC0004 Advertisement for Dolmen Press Greeting cards &c Dolmen Press TKNC0005 The reporter: the magazine of facts and ideas. Volume July 16, 1964 contains 'In the 31 no. 2 beginning' (verse) by Thomas Kinsella TKNC0006 Clifford, Travelling tinkers Dublin: Dolmen Press 1951 Of one hundred special Sigerson copies signed by the author this is number 85. Insert note from Thomas Kinsella. TKNC0007 Kinsella, Thomas The starlit eye / Thomas Kinsella ; drawings by Liam Dublin: Dolmen Press 1952 Set and printed by hand Miller at the Dolmen Press, Dublin, in an edition of 175 copies. March 1952. (p. [8]). TKNC0008 Kinsella, Thomas Galley proof of Poems [Glenageary, County Dublin]: 1956 Galley proof Dolmen Press TKNC0009 Kinsella, Thomas The starlit eye / Thomas Kinsella ; drawings by Liam Dublin : Dolmen Press 1952 Of twenty five special Miller copies signed by the author this is number 20. Set and printed by hand at the Dolmen Press, Dublin, in an edition of 175 copies. March 1952. TKNC0010 Promotional postcard for Love Duet from the play God's Dolmen Press gentry by Donagh MacDonagh TKNC0011 Irish writing. No. 24 Special issue - Young writers issue Dublin Sep-53 1 Thomas Kinsella Collection Listing Call no. Responsibility Item Publication details Date Note TKNC0012 Promotional notice for Dolmen Chapbook 3, The perfect Dolmen Press 1955 wife a fable by Robert Gibbings with wood engravings by the author TKNC0013 Pat and Mick Broadside no. -
Bibliography of Works Cited
199 Bibliography of Works Cited Abercrombie, Lascelles. The Idea of Great Poetry. London: Secker, 1926. Abrams, M.H. The Mirror and the Lamp: Romantic Theory and the Critical Tradition. New York: Norton, 1958. Adams, W. Davenport. Introduction. English Epigrams. London: Routledge, 1879: i-xix. Aiken, Conrad. “An Anatomy of Melancholy”. Rev. of The Waste Land, by T.S.Eliot. The New Republic Vol 33 (February 1923): 294-95. Allingham, William, ed. Nightingale Valley: A Collection Including a Great Number of the Choicest Lyrics and Short Poems in the English Language. London: Bell, 1860. Alterton, Margaret. Origins of Poe’s Critical Theory. 1925. New York: Russell and Russell, 1965. Altick, Richard D. The English Common Reader. A Social History of the Mass Reading Public of 1800-1900. Chicago: U of Chicago P, 1957. Amis, Kingsley. Collected Poems 1944-1979. London: Hutchinson, 1979. Anon. “The Circulation of Modern Literature”. Supplement to The Spectator, 3rd June 1863: 16-18. Anon. “A Fragmentary Poem”. Rev of The Waste Land, by T.S.Eliot. TLS No.1131 (Septem- ber 1923): 616. Anon. A Little Book of English Lyrics. London: Methuen, 1900. Anon. “A Prosing on Poetry”. Blackwood’s Edinburgh Magazine Vol 46 (August 1839): 194- 202. Anon. Rev. of Poems Descriptive of Rural Life and Scenery, by John Clare. New Monthly Magazine 1st March 1820: 228 Anon. Rev. of The Life of John Clare, by Frederick Martin. The Spectator 17th June 1865: 668- 70. Anon. “Tennyson’s Poems”. Blackwell’s Edinburgh Magazine Vol 31 (May 1832): 721-741. Anon. The Fugitive Miscellany: Being a Collection of Such Fugitive Pieces in Prose and Verse, as are not in any other Collection, with many pieces never before Published. -
1. Philip Larkin
Notes References to material held in the Philip Larkin Archive lodged in the Brynmor Jones Library, University of Hull (BJL), are given as file numbers preceded by 'DPL'. 1. PHILIP LARKIN 1. Harry Chambers, 'Meeting Philip Larkin', in Larkin at Sixty, ed. Anthony Thwaite (London: Faber and Faber, 1982) p. 62. 2. John Haffenden, Viewpoints: Poets in Conversation (London, Faber and Faber, 1981) p. 127. 3. Christopher Ricks, Beckett's Dying Words (Oxford: Oxford University Press, 1993). 4. D. J. Enright, 'Down Cemetery Road: the Poetry of Philip Larkin', in Conspirators and Poets (London: Chatto & Windus, 1966) p. 142. 5. Hugo Roeffaers, 'Schriven tegen de Verbeelding', Streven, vol. 47 (December 1979) pp. 209-22. 6. Andrew Motion, Philip Larkin: A Writer's Life (London: Faber and Faber, 1993). 7. Philip Larkin, Required Writing (London: Faber and Faber, 1983) p. 48. 8. See Selected Letters of Philip Larkin 1940-1985, ed. Anthony Thwaite (London: Faber and Faber, 1992) pp. 648-9. 9. DPL 2 (in BJL). 10. DPL 5 (in BJL). 11. Kingsley Amis, Memoirs (London: Hutchinson, 1991) p. 52. 12. Philip Larkin, Introduction to Jill (London: The Fortune Press, 1946; rev. edn. Faber and Faber, 1975) p. 12. 13. Donald Davie, Thomas Hardy and British Poetry (London: Routledge & Kegan Paul, 1973) p. 64. 14. Required Writing, p. 297. 15. Blake Morrison, 'In the grip of darkness', The Times Literary Supplement, 14-20 October 1988, p. 1152. 16. Lisa Jardine, 'Saxon violence', Guardian, 8 December 1992. 17. Bryan Appleyard, 'The dreary laureate of our provincialism', Independent, 18 March 1993. 18. Ian Hamilton, 'Self's the man', The Times Literary Supplement, 2 April 1993, p. -
Money: Cultural Transactions Between Philip Larkin and Martin Amis
Money, ‘Money’, Money: Cultural Transactions between Philip Larkin and Martin Amis PETER MARKS Philip Larkin was far more important to Martin Amis than Martin Amis was to Philip Larkin. Larkin appears more frequently in Experience, the first volume of Amis’ autobiography, than any writer other than the author’s father, Kingsley, and the person who might be thought of as his surrogate father, Saul Bellow. A photo in Experience shows Larkin, slightly menacing, standing in front of a bookcase, the caption reading simply, ‘Larkin’; the poet in this context needs no further introduction. (By way of comparison, a group photograph has Robert Graves’ full name). Larkin features repeatedly in Amis’ critical writing, for example in The War Against Cliché, where he earns his own titled section – only Nabokov and Updike receive the same star treatment. Amis’ extended defence of Larkin, ‘The Ending: Don Juan in Hull’, appears there, having been first published in the New Yorker in 1993. Amis also wrote the Larkin obituary for Vanity Fair, reproducing it later in his collection of journalism, Visiting Mrs Nabokov and Other Excursions. And the Martin Amis Website has a section on Larkin under the page titled ‘Affinities’, which ‘features links to writers with important connections to Amis’. There, Amis gets classified a ‘Larkinholic’, a term neither he nor Larkin would have liked. Yet in Selected Letters of Philip Larkin Amis barely gets a walk-on part, and then chiefly because he is Kingsley Amis’ son. Admittedly, this epistolary absence depends on Amis having lost many of the letters Larkin sent him, but the sketch Larkin produces of Amis in these letters is tellingly faint. -
LIVING with a WRITER Also by Dale Salwak
LIVING WITH A WRITER Also by Dale Salwak KINGSLEY AMIS: A REFERENCE GUIDE JOHN BRAINE AND JOHN WAIN: A REFERENCE GUIDE JOHN WAIN A. J. CRONIN: A REFERENCE GUIDE LITERARY VOICES: INTERVIEWS WITH BRITAIN’S ‘ANGRY YOUNG MEN’ A. J. CRONIN THE LIFE AND WORK OF BARBARA PYM (editor) CARL SANDBURG: A REFERENCE GUIDE PHILIP LARKIN: THE MAN AND HIS WORK (editor) KINGSLEY AMIS: IN LIFE AND LETTERS (editor) BARBARA PYM: A REFERENCE GUIDE MYSTERY VOICES: INTERVIEWS WITH BRITISH CRIME WRITERS KINGSLEY AMIS, MODERN NOVELIST ANNE TYLER AS NOVELIST (editor) THE WONDERS OF SOLITUDE THE WORDS OF CHRIST THE WISDOM OF JUDAISM THE LITERARY BIOGRAPHY: PROBLEMS AND SOLUTIONS (editor) THE POWER OF PRAYER A PASSION FOR BOOKS (editor) LIVING WITH A WRITER Edited by DALE SALWAK Professor of English Citrus College California Chapter 1 © Malcolm Bradbury Estate 1988 Selection, editorial matter, Preface and Conclusion © Dale Salwak 2004 Individual chapters (in order) © Ann Thwaite; Paul Theroux; Edmund Morris; Michael Holroyd; Margaret Drabble; William Golding Ltd and Judy Carver; John Halperin; George Howe Colt; John Updike; David Updike; Catherine Aird; Brian Aldiss; Kathleen Symons; Frances H. Bachelder; James J. Berg; John Bayley; Felix Licensing BV and Nadine Gordimer 2004 and by permission of Russell & Volkening as agents for the author; Amanda Craig; Anne Bernays and Justin Kaplan; Jeffrey Meyers; Mary Ann Caws; Laurel Young; Betty Fussell; Rob Rollison; Hershel Parker 2004 Softcover reprint of the hardcover 1st edition 2004 978-1-4039-0476-8 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP. -
Yorkshire Poetry, 1954-2019: Language, Identity, Crisis
YORKSHIRE POETRY, 1954-2019: LANGUAGE, IDENTITY, CRISIS Kyra Leigh Piperides Jaques, BA (Hons) and MA, (Hull) PhD University of York English & Related Literature October 2019 This work was supported by the Arts & Humanities Research Council (grant number AH/L503848/1) through the White Rose College of the Arts & Humanities. ABSTRACT This thesis explores the writing of a large selection of twentieth- and twenty-first- century East and West Yorkshire poets, making a case for Yorkshire as a poetic place. The study begins with Philip Larkin and Ted Hughes, and concludes with Simon Armitage, Sean O’Brien and Matt Abbott’s contemporary responses to the EU Referendum. Aside from arguing the significance of Yorkshire poetry within the British literary landscape, it presents poetry as a central form for the region’s writers to represent their place, with a particular focus on Yorkshire’s languages, its identities and its crises. Among its original points of analysis, this thesis redefines the narrative position of Larkin and scrutinizes the linguistic choices of Hughes; at the same time, it identifies and explains the roots and parameters of a fascinating new subgenre that is emerging in contemporary West Yorkshire poetry. This study situates its poems in place whilst identifying the distinct physical and social geographies that exist, in different ways, throughout East and West Yorkshire poetry. Of course, it interrogates the overarching themes that unite the two regions too, with emphasis on the political and historic events that affected the region and its poets, alongside the recurring insistence of social class throughout many of the poems studied here. -
Costa Book Awards in 2006
The Book Awards were established by Whitbread in 1971 and encouraged, promoted and celebrated the enjoyment of reading. They became the Costa Book Awards in 2006. There are six awards: • Novel Award, First Novel Award, Biography Award, Poetry Award and Children’s Book Award winners (£5,000 each) • Book of the Year (selected from five winners above): £30,000 • Total prize fund is £55,000. COSTA WINNERS 2006 – present 2019 BOOK OF THE YEAR THE VOLUNTEER Jack Fairweather WH Allen First Novel Award The Confessions of Frannie Langton Sara Collins Viking Novel Award Middle England Jonathan Coe Viking Biography Award The Volunteer Jack Fairweather WH Allen Poetry Award Flèche Mary Jean Chan Faber & Faber Children’s Book Award Asha & the Spirit Bird Jasbinder Bilan Chicken House 2018 BOOK OF THE YEAR THE CUT OUT GIRL Bart van Es Fig Tree Books First Novel Award The Seven Deaths of Evelyn Stuart Turton Bloomsbury Books Hardcastle Novel Award Normal People Sally Rooney Faber & Faber Biography Award The Cut Out Girl Bart van Es Fig Tree Books Poetry Award Assurances J O Morgan Jonathan Cape Children’s Book Award The Skylarks’ War Hilary McKay Macmillan Children’s Books 2017 BOOK OF THE YEAR INSIDE THE WAVE Helen Dunmore Bloodaxe Books First Novel Award Eleanor Oliphant is Completely Fine Gail Honeyman HarperCollins Novel Award Reservoir 13 Jon McGregor 4th Estate Biography Award In the Days of Rain Rebecca Stott 4th Estate Poetry Award Inside the Wave Helen Dunmore Bloodaxe Books Children's Book Award The Explorer Katherine Rundell Bloomsbury Children’s -
Herein Is a Testament to Them Both
Spring 2012 Bertram Rota Ltd 31 LONG ACRE COVENT GARDEN, LONDON WC2E 9LT Telephone: + 44 (0) 20 7836 0723 * Fax: + 44 (0) 20 7497 9058 E-mail: [email protected] www.bertramrota.co.uk A Selection from the Library of Anthony and Ann Thwaite, including the Anthony Thwaite Philip Larkin collection Catalogue 307 Established 1923 TERMS OF BUSINESS. The items in this catalogue are offered at net sterling prices, for cash upon receipt. Charges for postage and packing will be added. All books are insured in transit. PAYMENT. We accept cheques and debit and credit cards (please quote the card number, start and expiry date and 3 digit security code as well as your name and address). For direct transfers: HSBC, 129 New Bond Street, London, W1A 2JA, sort code 40 05 01, account number 50149489 . VAT is added and charged on autograph letters and manuscripts (unless bound in the form of a book), drawings, prints and photographs WANTS LISTS. We are pleased to receive lists of books especially wanted. They are given careful attention and quotations are submitted without charge. We also provide valuations of books, manuscripts, archives and entire libraries. HOURS OF BUSINESS. We are open from 10 .30 to 6.0 0 from Monday to Friday. Appointment recommended. Unless otherwise described, all the books in this catalogue are published in London, in the original cloth or board bindings, octavo or crown octavo in size. Dust-wrappers should be assumed to be present only when specifically mentioned. We are delighted and proud to offer this selection, which includes a wealth of fine Presentation and Association Copies. -
Carcanet New Books 2011
N EW B OOKS 2 0 1 1 Chinua Achebe John Ashbery Sujata Bhatt Eavan Boland Joseph Brodsky Paul Celan Inger Christensen Gillian Clarke Donald Davie Hilda Doolittle (H.D.) Over forty years of great poetry Iain Crichton Smith Elaine Feinstein Carcanet Celebrates 40 Years...from Carcanet... Louise Glück Jorie Graham W.S. Graham Robert Graves Ivor Gurney Marilyn Hacker Sophie Hannah John Heath-Stubbs Elizabeth Jennings Brigit Pegeen Kelly Mimi Khalvati Thomas Kinsella R. F. Langley Hugh MacDiarmid L ETTER FROM THE E DITOR As this catalogue goes to press, I’m editing New Poetries V, an introductory anthology of work by writers several of whom will publish Carcanet first collections in coming years. They come from the round earth’s imagined corners – from Singapore and Stirling, Cape Town and Cambridge, Dublin and Washington – and from England. They share a vocation for experimenting with form, tone and theme. From India, Europe and America a Collected Poems by Sujata Bhatt, and from South Africa and Yorkshire a new collection by Carola Luther, indicate the geographical scope of the Carcanet list. For eight years readers have waited to accompany Eavan Boland on her critical Journey with Two Maps: in April, at last we set out. We also encounter an anthology of British surrealism that changes our take on the tradition. Translation, classic and contemporary, remains at the heart of our reading. John Ashbery’s embodiment of Rimbaud’s Illuminations is his most ambitious translation project since his versions of Pierre Martory. Fawzi Karim from Iraq, Toon Tellegen from the Netherlands, the Gawain Poet from Middle English and Natalia Gorbanevskaya from Russia explore historical, allegorical and legendary landscapes and bring back trophies… And from America, a first European edition of the most recent US Poet Laureate, Kay Ryan. -
Blackwell's Rare Books
BLACKWELL’S RARE BOOKS 1 Front cover image: Item 81 Blackwell’s Rare Books Rear cover image: Item 75 Telephone: +44 (0) 1865 333555 Internal image: Item 29 Switchboard: +44 (0) 1865 792792 Email: [email protected] Please2 mention Heaney catalogue when ordering www.blackwell.co.uk/rarebooks 1. Heaney (Seamus) Eleven Poems. Belfast: Festival Publications, Queen’s University of Belfast, [1967,] FIRST EDITION, third issue, a tiny spot at head of a couple of pages, pp. [15], crown 8vo, original stapled green wrappers, a couple of tiny water-spots to margin of front, very good (Brandes & Durkan A1c) £900 The author’s first book - though without mark of ownership, this formerly belonged to Heaney’s friend, Peterloo Poets founder Harry Chambers. 2. Heaney (Seamus) Death of a Naturalist. Faber and Faber, 1966, FIRST EDITION, pp. 57, crown 8vo, original green cloth, backstrip lettered in gilt, a couple of faint and tiny spots at head of front endpapers, dustjacket with the pink panel lightly faded, a little rubbed at front flap-fold, very good (Brandes & Durkan A2a) £3,000 Signed by the author to the title-page. An excellent copy. 3. Heaney (Seamus) Death of a Naturalist. Faber and Faber, 1966, FIRST EDITION, pp. 57, crown 8vo, original green cloth, backstrip lettered in gilt, a few faint spots to edges and front endpapers, dustjacket with some minor dustsoiling and spotting, pink to backstrip panel faded, a little rubbed and chipped with the odd nick, good (Brandes & Durkan A2a) £1,800 Signed by the author to the title-page. 4. -
The Movement Poets Lecture No: 24 By: Prof. Sunita S
1 Subject: ENGLISH Class: B.A. Part 1 English Hons., Paper-1, Group B Topic: The Movement Poets Lecture No: 24 By: Prof. Sunita Sinha Head, Department of English Women’s College Samastipur L.N.M.U., Darbhanga Email: [email protected] Website: www.sunitasinha.com Mob No: 9934917117 “THE MOVEMENT POETS” INTRODUCTION • The Movement Poetry stands for a group of poets who were writing their poems in the fifties and sixties of the 20th century. • A Dictionary of Literary Terms by MARTIN GRAY defines the term of 'The Movement' in these words: "The Movement to the kind of poetry written by a group of poets in 1950s which was quite different from the modernist poetry. ‘The Movement’ in 1953s for poems written by KINGSLEY AMIS, JOHN WAIN, ELIZABETH JENNINGS, THOM GUM, DONALD DAVIE and D.J.ENRIGHT. After some time a work of the above poets was published with the name 'New Lines Anthology' by ROBERT CONQUEST.” 2 • Deeply English in outlook, the Movement was a gathering of poets including Philip Larkin, Kingsley Amis, Elizabeth Jennings, Thom Gunn, John Wain, D J Enright and Robert Conquest. Many of the group were academics, and their critical writings helped shape the course of British literature for the next two decades. • The Movement – were Oxbridge-educated, white, predominantly male, middle-class, and for the most part heterosexual. • The Movement arose as a reaction to both modernism and this neo- Romanticism, grounded in the aftermath of World War II. There was a general desire to avoid any heroic sentiments at all and to live in the ordinary here- and-now.