Advisory System to Be Reevaluted Changes in Housing Policy
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Rambo: Last Blood Production Notes
RAMBO: LAST BLOOD PRODUCTION NOTES RAMBO: LAST BLOOD LIONSGATE Official Site: Rambo.movie Publicity Materials: https://www.lionsgatepublicity.com/theatrical/rambo-last-blood Facebook: https://www.facebook.com/Rambo/ Twitter: https://twitter.com/RamboMovie Instagram: https://www.instagram.com/rambomovie/ Hashtag: #Rambo Genre: Action Rating: R for strong graphic violence, grisly images, drug use and language U.S. Release Date: September 20, 2019 Running Time: 89 minutes Cast: Sylvester Stallone, Paz Vega, Sergio Peris-Mencheta, Adriana Barraza, Yvette Monreal, Genie Kim aka Yenah Han, Joaquin Cosio, and Oscar Jaenada Directed by: Adrian Grunberg Screenplay by: Matthew Cirulnick & Sylvester Stallone Story by: Dan Gordon and Sylvester Stallone Based on: The Character created by David Morrell Produced by: Avi Lerner, Kevin King Templeton, Yariv Lerner, Les Weldon SYNOPSIS: Almost four decades after he drew first blood, Sylvester Stallone is back as one of the greatest action heroes of all time, John Rambo. Now, Rambo must confront his past and unearth his ruthless combat skills to exact revenge in a final mission. A deadly journey of vengeance, RAMBO: LAST BLOOD marks the last chapter of the legendary series. Lionsgate presents, in association with Balboa Productions, Dadi Film (HK) Ltd. and Millennium Media, a Millennium Media, Balboa Productions and Templeton Media production, in association with Campbell Grobman Films. FRANCHISE SYNOPSIS: Since its debut nearly four decades ago, the Rambo series starring Sylvester Stallone has become one of the most iconic action-movie franchises of all time. An ex-Green Beret haunted by memories of Vietnam, the legendary fighting machine known as Rambo has freed POWs, rescued his commanding officer from the Soviets, and liberated missionaries in Myanmar. -
Eddie Matthews
EDDIE MATTHEWS Gender: Male Service: 850) 261-0050 Height: 5 ft. 9 in. Mobile: 818) 216-0800 Weight: 170 pounds E-mail: [email protected]... Eyes: Blue Web Site: http://www.imdb.me/e... Hair Length: Regular Waist: 34 Inseam: 31 Shoe Size: 10 Physique: Athletic Coat/Dress Size: 42reg Ethnicity: Other Unique Traits: TATTOOS (Don't Have Them) Photos Film Credits Grudge Match stunt double / Sly Stallone Kevin Scott Home Front stunt/actor Looper Stunt Double: Frank Brennan The Campaign Stunt Double: Zach Galifinakis Hijacked Stunt Player G.I. Joe: Retaliation Stunt Perfromer Jeff, Who Lives at Home Stunts / acting (Kevin drowning father) Snowmen Stunt Coordinator Colombiana Stunts Transformers: Dark of the Moon Stunt Perfromer Green Lantern Stunt Performer Flypaper Stunt Performer In My Sleep Stunt Coordinator The Mechanic Stunt Performer Big Mike (TV Movie) Stunt Double: Steven Eckholdt Blue Blood (TV Movie) Stunt Player Generated on 09/27/2021 03:17:52 am Page 1 of 5 Transit Stunt Perfomer Jonah Hex Stunts The Final Destination Stunts 12 Rounds Stunt Player Jolene Stunt Coordiantor: Arizona You Don't Mess with the Zohan Stunt Player A House Divide Stunt Player The Kingdom Stunt Player Rush Hour 3 Stunts Pride Stunts The Hitcher Stunts Letters from Iwo Jima Stunt Perfromer Flags of Our Fathers Stunts The Guardian Stunts Miami Vice Stunts The Plaeasure Drivers Stunt Coordinator Wasted Stunt Coordinator The Dukes of Hazzard Stunt Performer Faith of My Fathers (TV Movie) Stunt Double: John McCain After the Sunset Stunts The Long Ride -
STARLIGHT EXPRESS Music by Andrew Lloyd Webber Lyrics by Richard Stilgoe
STARLIGHT EXPRESS Music by Andrew Lloyd Webber Lyrics by Richard Stilgoe Personaggi: CONTROL MOTHER GREASEBALL PEARL DINAH BUFFY ASHLEY ROCKY ROCKY II ROCKY III FREIGHT FLAT TOP DUSTIN KRUPP WRENCH PURSE VOLTA JOULE ELECTRA BOBO RUSTY RUHRGOLD ESPRESSO PRINCE OF WALES TURNOV NINTENDO POPPA HTTP://COPIONI.CORRIERESPETTACOLO.IT ACT ONE Overture Control This is control! This is control! Tonight is the most important night in the history of the world! Take your seats for the World Championship Railroad Race! Trains to your tracks Ten, nine, eight, seven, six, five, four, three, two, one Trains gone! Four trains going for two final places Greaseball and Espresso are the early leaders with Nintendo pressing in third This is turning into a real grudge match And here's a surprise: look at that Rusty go - Mother Put those trains away. Control Oh Mum - just five more minutes. Mother Put those trains away and get into bed. Control But... Mother No buts. Control Starlight Express, Starlight Express Are you real - yes or no? Starlight Express, Starlight Express... Entry of the National Trains Control This is control, this is control Tonight is race night Let's hear it for the champion engines of the world From France the 120 mph Sudest. The power of the Sudest - Bobo From Italy - the Rome to Milan Express - the Settebello. Powered by Espresso From Germany - right on time - the Inter-Continental Express. Powered by Ruhrgold From Russia - as fast as possible - the Trans-Siberian express. Powered by Turnov From Japan - the Shinkanssen bullet train - the power of the bullet - Nintendo From Great Britain - battling through the wrong kind of snow - the Royal Train. -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
AA-Postscript.Qxp:Layout 1
36 THURSDAY, DECEMBER 19, 2013 LIFESTYLE Gossip Lostprophets singer jailed for 35 years for child sex abuse ritish rock singer Ian Watkins, the for- Bmer Lostprophets frontman, was jailed for 35 years yesterday for the attempted rape of a baby and several other “incomprehensible” child sex offences. Watkins, who admitted 13 offences at Cardiff Crown Court, had “plumbed new depths of depravity”, his judge said. The vocalist, whose band sold millions of albums around the world, plotted the abuse of two children with their own mothers in a series of text and Internet messages. The heavily tattooed 36-year-old spoke of his desire to intoxicate one of his victims by blowing crystal meth smoke into the child’s face. “Ian Watkins was the ringleader of this terrible conspiracy and it is right that his sentence reflects this,” the Crown Prosecution Service said in a statement after sentencing. “He is a highly dangerous and manipulative individ- ountry singer Chris Cagle (KAY’-guhl) was arrested in Texas over the ual who preyed on his victims in a calculat- Cweekend on a drunken-driving charge. The Texas Department of ed manner. “It is incomprehensible that Public Safety said Cagle was arrested early Sunday near Greenville, adults would commit such appalling acts about 50 miles northeast of Dallas. The agency said the 45-year-old enter- against children and young people, and our tainer, who lives in Marietta, Okla, was pulled over after running a red light. thoughts remain with the victims and those Hunt County Sheriff Randy Meeks said Tuesday that Cagle was under the close to them.” Police are now investigating influence of alcohol and was taken into custody after failing a field sobriety whether Watkins committed further abuse test. -
Traditional Musician-Centered Perspectives on Ownership of Creative Expressions
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2010 Traditional Musician-Centered Perspectives on Ownership of Creative Expressions Dick Kawooya University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Critical and Cultural Studies Commons Recommended Citation Kawooya, Dick, "Traditional Musician-Centered Perspectives on Ownership of Creative Expressions. " PhD diss., University of Tennessee, 2010. https://trace.tennessee.edu/utk_graddiss/711 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Dick Kawooya entitled "Traditional Musician- Centered Perspectives on Ownership of Creative Expressions." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Communication and Information. Benjamin Bates, Major Professor We have read this dissertation and recommend its acceptance: John Shefner, Bharat Mehra, Robert Sundasky Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Dick Kawooya entitled “Traditional Musician-centered perspectives on ownership of creative expressions.” I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirement for the degree of Doctor of Philosophy with a major in Communication and Information. -
'Geri-Action' Film
Narratives of cultural and professional redundancy: Ageing action stardom and the ‘geri-action’ film Glen Donnar (RMIT University) Abstract Focusing on The Expendables films, I identify the importance of discourses of professional and cultural redundancy in ‘geri-action’, an emergent subgenre of Hollywood action film that has revitalised the careers of ageing action stars such as Sylvester Stallone and Arnold Schwarzenegger. These redundancies, which hold long-standing significance in 1980s action film, are compounded in geri- action by advanced age and diminished physical capacity. In geri-action, the spectacle of once idealised, muscled bodies is concealed and displaced onto oversized guns, fetishised vehicles and younger action bodies. However much geri-action resists 1980s action stars’ use-by dates, it ultimately admits physical and generic exhaustion. Keywords: geri-action, Hollywood action films, ageing stars, Expendables The Rise of ‘Geri-action’ The release of a third Expendables film in 2014 extended the twilight of ageing 1980s action idols in the so-called ‘geri-action’ subgenre, that is, action films predominantly showcasing male stars ranging in age from their mid-50s into their 70s. The Expendables series (Stallone 2010; West 2012; Hughes 2014) features a motley team of elite mercenaries, led by Barney Ross (Stallone), recurrently motivated to take revenge on the all-star action villain after a local woman or beloved colleague is killed, injured or captured. The third film in the series adds such ageing action film luminaries as Mel Gibson, Wesley Snipes and Harrison Ford (replacing Bruce Willis, who left the series after a conflict with Stallone) to the already extensive aged cast led by Sylvester Stallone, Arnold Schwarzenegger and Chuck Norris. -
Allegory of the Ring [A Review of Grudge Match] Walter C
Southern Illinois University Carbondale OpenSIUC Articles Department of Cinema and Photography 2017 Allegory of the Ring [A Review of Grudge Match] Walter C. Metz Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/cp_articles Recommended Citation Metz, Walter C. "Allegory of the Ring [A Review of Grudge Match]." The Journal of Sport History 44, No. 1 (Jan 2017): 95-96. This Article is brought to you for free and open access by the Department of Cinema and Photography at OpenSIUC. It has been accepted for inclusion in Articles by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. “Allegory of the Ring” A Review of Grudge Match (2013). Dir. Peter Segal. Prod. Gerber Pictures. By Walter Metz Published in: The Journal of Sport History. 44.1 [2017]. 95-96. Grudge Match, Peter Segal’s boxing comedy, relies on the contrasts between Sylvester Stallone in Rocky (1976) and Robert DeNiro in Raging Bull (1980) to produce a battle of popular Hollywood movies versus art house cinema. However, when Grudge Match pairs these two iconic actors—playing geriatric rivals reunited for one final confrontation—it forwards an understanding of what film historians seem to have forgotten. Stallone’s character was based on Rocky Marciano, the celebrated heavyweight who held the world’s championship from 1952-1956. DeNiro’s character in the biopic Raging Bull was directly based on the real Jake LaMotta. But as historical figures, Marciano and LaMotta share far more in common than the disparate films would indicate. -
Indicators of Movie Quality an Exploratory Research Into Movie Quality
Indicators of movie quality An exploratory research into movie quality Student name: Veronique Alida Maria Starmans Student number: 386815 Supervisor: Dr. Christian Wolfgang Handke Erasmus School of History, Culture and Communication Erasmus University Rotterdam Master Thesis Cultural Economics and Entrepreneurship June 2017 Academic Year: 2016 – 2017 1 Abstract The movie industry is constantly evolving, prompting production studios to rethink their movies in order to keep up with these changes. This thesis aims to find out how different indicators of movie quality are correlated and how these indicators can provide useful information to movie production studios before and after the production of a movie. This is done by answering the man research question: How consistent are indicators of movie quality? To make the concept of quality measurable, I use indicators of quality such as: box office revenue, production budget, award nominations, award wins, and review ratings, several other variables derived from literature. After analysing these variables I conclude that there is a consistent correlation between budget and box office revenue, which could provide information to producers before production starts, and there is a correlation between box office revenue and the review ratings, which could provide information after production ends. I conclude by discussing the difficulties in measuring the concept of quality and the other possible indicators of quality which are not included in this thesis. Keywords: Movie industry, Cultural goods, Production studios, Quality, Indicators of quality, box office revenue, For-profit organisations, Consistency, Correlations 2 3 Contents 1. Introduction ........................................................................................................................ 6 2. Literature review ................................................................................................................ 8 2.1 Changes and challenges in the movie industry ........................................................... -
Page 01 Dec 31.Indd
TUESDAY 31 DECEMBER 2013 • [email protected] • www.thepeninsulaqatar.com • 4455 7741 Hobbit blasts inside past newcomers CAMPUS • BFPIS Junior to claim third box Wing rocks office crown Annual Show P | 4 P | 8-9 FOOD • How to make the perfect: White Bean Soup From Katniss P | 6 Everdeen to Lisbeth RECIPE CONTEST Salander, today’s film • Send in your best heroines kick and recipe and win a slash. But are violent dinner voucher on-screen women P | 7 empowering or oppressive? HEALTH • When it comes to walking, more is better P | 11 TECHNOLOGY • Bitcoin buys burgers to music as stores FUTURE embrace currency P | 12 OF FEMALE Learn Arabic • Learn commonly used Arabic words ACTION HERO and their meanings P | 13 2 PLUS | TUESDAY 31 DECEMBER 2013 COVER STORY Are female By David Cox such as Buffy and Xena, and their many sisters in the world of gaming. atniss Everdeen’s tri- By fairly common consent, the god- action heroes umphs extend beyond the mother of the bunch rose out of the Quarter Quell and the pitiless crucible of 1970s blaxploita- global box office: she has tion. Today, Pam Grier is remembered guaranteed the future of mainly as Tarantino’s Jackie Brown, good role Kthe female action hero. Not that this but it was forgotten films such as Coffy, was in much doubt, even before The Friday Foster and Sheba, Baby that Hunger Games: Catching Fire swept all made her “the biggest, baddest and before it. On the big screen, women most beautiful of all female heroes in have been successfully kicking and popular culture”, according to Rikke models for slashing for some time now. -
Adobe Photoshop Album Starter Edition
Scaling up Poverty Reduction Initiatives and Improving Local Governance through CBMS Proceedings of the 2007 CBMS Network Conference i prelims.pmd 1 1/21/2009, 2:41 PM BLANK PAGE ii prelims.pmd 2 1/21/2009, 2:41 PM Scaling Up Poverty Reduction Initiatives and Improving Local Governance Through CBMS Proceedings of the 2007 CBMS Network Meeting June 11-16, 2007 Lima, Peru The 2007 CBMS Network Conference was organized by the PEP-CBMS Network Coordinating Team of the Angelo King Institute for Economic and Business Studies, De La Salle University-Manila with support from the International Development Research Centre (IDRC), Ottawa, Canada and the Canadian International Development Agency (CIDA). iii prelims.pmd 3 1/21/2009, 2:41 PM Scaling Up Poverty Reduction Initiatives and Improving Local Governance Through CBMS Proceedings of the 2007 CBMS Network Meeting Copyright © CBMS Network Coordinating Team, 2008 ALL RIGHTS RESERVED. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—whether virtual, electronic, mechanical, photocopying, recording, or otherwise—without the written permission of the copyright owner. Acknowledgements The publication of this report has been made possible through the PEP-CBMS Network Coordinating Team of the Angelo King Institute for Economic and Business Studies of De La Salle University-Manila with the aid of a grant from the International Development Research Centre (IDRC), Ottawa, Canada and the Canadian International Development Agency (CIDA). iv prelims.pmd 4 1/21/2009, 2:41 PM Table of Contents ○○○○ Preface ○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ix ○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Program ○○○○ xi ○○○○○○○○○○○○○○○○○○○○○ Integrative Report ○○○○ 1 Conference Papers CBMS Parallel Session 1: Scaling up Poverty Reduction Initiatives and Improving Local Governance through CBMS Morning Session z Localizing the Millennium Development Goals at the Community Level Through the Community-Based ○○○○○○○○ Monitoring System ○○○○○○○○○○○○○ 9 Domingo F. -
The Promenade
The Promenade Application No. FS20-829 Major Amendment to PAD No. 08-015 +/- 44 acres generally located at the southwest corner of Cotton Lane and Waddell Road Submitted: December 22, 2020 Resubmitted: April 13, 2021 PRINCIPALS and DEVELOPMENT TEAM Property Owner/ Commercial Truman Ranch 46 SWC LLC Developer: Butler Design Group Rick Butler 5017 East Washington Street, Suite 107 Commercial Unit Phoenix, Arizona 85034 Architect: 602 / 957.1800 [email protected] Berry Riddell LLC Wendy Riddell / Ashley Porter Commercial Unit 6750 East Camelback Road, Suite 100 Legal Representative: Scottsdale, Arizona 85251 480 / 682.3902 [email protected] Dominium, Inc. Owen Metz / Katessa Archer 2828 North Central Avenue, Suite 1100C Residential Unit Phoenix, Arizona 85004 Developer: 623 / 265-6828 [email protected] 404 / 806-5860 [email protected] Todd & Associates Gary Todd / Shelley Ranney Residential Unit 4019 North 44 th Street Architect: Phoenix, Arizona 85018 602 / 952.8280 [email protected] Gammage & Burnham PLC Susan E. Demmitt Residential Unit 40 North Central Avenue, 20 th Floor Legal Representative: Phoenix, Arizona 85004 602 / 256.4456 [email protected] 2 10957.5.2535900.12 TABLE of CONTENTS Principals and Development Team . 2 Regulatory Framework . 4 Introduction . 5 Property and Context . 5 General Plan . 6 Permitted Uses . 7 Development Proposal . 7 Density Allocation . 10 Architectural Character . 12 Development Standards . 14 Signage . 19 Preliminary Utilities . 19 Phasing . 19 EXHIBITS Chapter 125 of the Surprise Municipal Code . A Conceptual Master Site Plan . B Streetscape Perspectives . C Senior Living Community . D Family-Oriented Community . E 3 10957.5.2535900.12 REGULATORY FRAMEWORK The Promenade PAD establishes the regulatory framework for the Property by creating development standards and other requirements specific to the context of the project site.