Hollow Kingdom / Kira Jane Buxton
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Introduction; Environment & Review of Eyes in Different Species
The Biological Vision System: Introduction; Environment & Review of Eyes in Different Species James T. Fulton https://neuronresearch.net/vision/ Abstract: Keywords: Biological, Human, Vision, phylogeny, vitamin A, Electrolytic Theory of the Neuron, liquid crystal, Activa, anatomy, histology, cytology PROCESSES IN BIOLOGICAL VISION: including, ELECTROCHEMISTRY OF THE NEURON Introduction 1- 1 1 Introduction, Phylogeny & Generic Forms 1 “Vision is the process of discovering from images what is present in the world, and where it is” (Marr, 1985) ***When encountering a citation to a Section number in the following material, the first numeric is a chapter number. All cited chapters can be found at https://neuronresearch.net/vision/document.htm *** 1.1 Introduction While the material in this work is designed for the graduate student undertaking independent study of the vision sensory modality of the biological system, with a certain amount of mathematical sophistication on the part of the reader, the major emphasis is on specific models down to specific circuits used within the neuron. The Chapters are written to stand-alone as much as possible following the block diagram in Section 1.5. However, this requires frequent cross-references to other Chapters as the analyses proceed. The results can be followed by anyone with a college degree in Science. However, to replicate the (photon) Excitation/De-excitation Equation, a background in differential equations and integration-by-parts is required. Some background in semiconductor physics is necessary to understand how the active element within a neuron operates and the unique character of liquid-crystalline water (the backbone of the neural system). The level of sophistication in the animal vision system is quite remarkable. -
WATERFRONT Photographic Interlayer
• 61, 64 67 Seattle Cloud Cover, DENNY WAY Myrtle Teresita Fernández, 2006. Edwards Park Laminated glass wall with C1 WATERFRONT photographic interlayer. Seattle Art Museum BAY ST Collection. ON RAILROAD OVERPASS. • 63 MYRTLE EDWARDS PARK WATERFRONT, NORTH OF BAY STREET. • 62 EAGLE ST 68 Father and Son, Louise Olympic 61 Undercurrents, Laura 64 Adjacent, Against, Sculpture Bourgeois, 2005. Stainless Park Haddad and Tom Drugan, Upon, Michael Heizer, steel and aluminum • 67 BROAD ST 2003. Stainless steel, concrete, 1976. Concrete and granite • 66 • 65 fountain and bronze • 68 stone and landscaping. King sculpture. bell. Seattle Art Museum County Public Art Collection CLAY ST Collection. ALASKAN WAY AND (4Culture). BROAD STREET. CEDAR ST BELL STREET PIER VINE ST 69 Bell Harbor Beacon, Ron Fischer, 1996. Painted steel WALL ST and light sculpture. Port of Seattle Art Collection. BELL ST ALASKAN WAY BETWEEN LENORA AND VIRGINIA STREETS. BLANCHARD ST SEATTLE AQUARIUM ALASKAN WAY PIER 59 AND PIER 60. 70 The Wave Wall, Susan Zoccola, 2007. White paneling. Seattle Parks LENORA ST PHOTO: MICHAEL HEIZER. and Recreation Collection. RECEPTION AND FOYER. SEATTLE ART MUSEUM, OLYMPIC SCULPTURE PARK 69 • VIRGINIA ST 2901 WESTERN AVE. SELECTED ARTWORKS AT LOCATION. WATERFRONT PARK ALASKAN WAY AND UNION STREET. 62 Eagle, Alexander Calder, 65 Neukom Vivarium, Mark 1971. Dion, 2006. Painted steel sculpture. Mixed-media 71 Waterfront Fountain, Seattle Art Museum Collection. WATERFRONT installation and custom James Fitzgerald and Z-PATH BETWEEN NORTH AND WEST greenhouse. Seattle Art 1974. MEADOWS. Margaret Tompkins, Museum Collection. ELLIOTT AVE. Seattle 74 Aquarium • AND BROAD STREET. Bronze fountain. • 70 PIKE ST 63 Wake, Richard Serra, 2004. -
Lower Queen Anne) 100 Mercer St
DOWNTOWN WATER FEATURES WALK Description August 22, 2017 Begin at Metropolitan Market (Lower Queen Anne) 100 Mercer St. 1. Fountain of the Northwest – James Fitzgerald 1962 outside Cornish Playhouse 2. The Kreielsheimer Promenade outside McCaw Hall 3. Encircled Stream – Ned Kahn, 1995; Lang Fountain – Francois Stahley 1962; both in Founders Court 4. Fountain of Seseragi – Gerard Tsutakawa 2000, S of Founders Court 5. International Fountain – Kazuyuki Matsushita and Hideki Shimizu 1961–1962 6. Fountain of Creation or Dupen Fountain – Everett Dupen subtitled the "Evolution of Man", the "Flight of Gulls and Seaweed" 1962 near Key Arena 7. Puget Sound 8. Father and Son Fountain – Louise Bourgeois 2005 at Broad and Alaskan Way 9. Waterfront Fountain – James Fitzgerald and Margaret Tompkins 1974 at Waterfront Park 10. Harbor Steps – Grand Staircase with 8 fountains 11. Garden of Remembrance and waterfall – Robert Murase 1998 at 2nd Ave and University 12. Arne Gillman Courtyard waterfall near 6th Ave and Union entrance to Two Union Square 13. The Urban Garden – Ginny Ruffner 2011 Union and 7th Ave 14. Mary Lou’s fountain in Convention Center, 1st floor 15. Freedom Plaza water feature 1976 in central plaza of Freeway Park 16. Pigott Memorial Corridor 1984 in east plaza of Freeway Park 17. Vital Spring – Gerard Tsutakawa 1999 at 9th Ave and Seneca 18. Canyon waterfall in west plaza of Freeway Park 19. Naramore Fountain – George Tsutakawa 1967 6th Ave and Seneca ½ acre public park/plaza between 901 5th Ave & 5th and Madison with linear fountain (some maintenance) to view: 20. Fountain of Wisdom – George Tsutakawa 1960 at Seattle Public Library 4th Ave 21. -
USACE Existing Conditions Report
Existing Conditions Report Alaskan Way Seawall Replacement Project Feasibility Study U.S. Army Corps of Engineers October 2008 Existing Conditions Report Alaskan Way Seawall Replacement Project Feasibility Study Environmental Impact Statement—Existing Conditions Prepared for: U.S. Army Corps of Engineers Seattle District 4735 East Marginal Way South Seattle, WA 98124 Contact: Pat Cagney 206/764-3654 October 2008 Table of Contents Chapter 1. Introduction .......................................................... 1-1 Chapter 2. Existing Conditions .......................................... 2.1-1 2.1. Transportation..................................................................2.1-1 2.1.1. Introduction and Overview .....................................2.1-1 2.1.2. Study Area .............................................................2.1-1 2.1.3. Methodology ..........................................................2.1-2 2.1.4. Highways and Streets ............................................2.1-4 2.1.5. Parking.................................................................2.1-10 2.1.6. Movement of Goods.............................................2.1-13 2.1.7. Transit..................................................................2.1-13 2.1.8. Waterborne Transportation ..................................2.1-15 2.1.9. Non-motorized Transportation..............................2.1-18 2.1.10. Railroad Operation.............................................2.1-23 2.2. Land Use and Shorelines.................................................2.2-1 -
Workbook to Accompany Jazz Theory from Basic to Advanced Study
Workbook to Accompany Jazz Theory From Basic To Advanced Study Book 1.indb 1 2/10/2014 3:57:37 PM Book 1.indb 2 2/10/2014 3:57:37 PM Jazz Theory From Basic To Advanced Study WORKBOOK Dariusz Terefenko Eastman School of Music, University of Rochester Book 1.indb 3 2/10/2014 3:57:37 PM © 2014 by Routledge, an imprint of T&F informa, plc. All rights reserved. May not be reproduced or sold separately. Book 1.indb 4 2/10/2014 3:57:37 PM Contents Preface vii PART I Basics 1 1 Music Fundamentals 3 2 Jazz Rhythm 13 3 Harmonic Function 15 4 Four-Part Chords 19 5 Five-Part Chords 25 6 The II–V–I Progression 34 7 Modes 37 8 Chord–Scale Theory 41 9 The Blues 44 10 Improvisation 47 PART II Intermediate 63 11 Jazz Lead Sheets 65 12 Keyboard Textures 68 13 Idiomatic Jazz Progressions 72 14 Voicings 84 15 Bebop 94 16 Octatonic Scales 100 17 Bebop Blues 103 18 “Confirmation” 107 19 “Moose the Mooche” 112 Book 1.indb 5 2/10/2014 3:57:37 PM vi CONTENTS PART III Advanced 119 20 Pentatonics and Hexatonics 121 21 Phrase Models 125 22 The AABA Song Form 148 23 The ABAC Song Form 155 24 Extended and Unusual Song Forms 162 25 Jazz Reharmonization 170 26 “Line Up” 179 27 Post-Tonal Jazz 181 Appendix A Answer Key for Written Exercises 203 Appendix B Answer Key for Ear Training Drills 255 Appendix C Lead Sheets Play Along DVD 297 Appendix D Guide to Making Transcriptions 327 Appendix E List of Solos to Transcribe 328 Appendix F Selected Discography 329 Book 1.indb 6 2/10/2014 3:57:37 PM Preface HOW TO USE THE COMPANION WEBSITE www.routledge.com/textbooks/cw/terefenko The companion website contains three large sections: WORKBOOK, RECORDINGS, and APPENDICES/ AUXILIARIES. -
Número 120 | Mayo 2021 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1
Número 120 | mayo 2021 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1 Contenido Directorio PORTADA Conmemorativa del 10° aniversario (1) ….……………….. 1 CONTENIDO - DIRECTORIO …..………………………..………..…..… 2 EDITORIAL ¡Diez años… de 10! (2) ………………………………….…….... 3 PLANETA BLUES The Black Roses (3) ……………………………..…….. 6 DELMARK RECORDS PRESENTA Ladies Sing The Blues on Delmark Records (2 y 4) ………………………………….………..…..……..... 15 Cultura Blues. La Revista Electrónica BLUES A LA CARTA Diez canciones con Eric Clapton (2) ….... 24 ‘Escribiendo la historia del blues desde México’ + COVERS Lo que significa ser un clásico (5) …………….….…………. 30 www.culturablues.com CULTURA BLUES DE VISITA Recordando a John Mayall Número 120 – mayo de 2021 en Málaga (España) (5) ……………………………………………………….……….. 35 DE COLECCIÓN Muddy Waters: 100 original tracks (2) ……..…. 38 © Derechos Reservados ESPECIAL DE MEDIANOCHE Aniversario, deceso y Director general y editor: anécdotas (6) …………………………………………………………………………..….. 40 José Luis García Fernández LADO B Dinastías bluesistas (7) ……….….…………………………………… 43 Subdirector general: José Luis García Vázquez EN VIDEO The Jimi Hendrix Experience. Live at Monterey (2) ... 48 Diseño: DE BLIND RACCOON Tomislav Goluban: Express Aida Castillo Arroyo Connection (2) …………………………………………………………………………..... 49 Consejo Editorial: DE FRANK ROSZAK PROMOTIONS The Hitman Blues María Luisa Méndez Band / The Hungry Williams (2) …………………………......................…... 51 Mario Martínez Valdez Octavio Espinosa Cabrera BLA BLE BLI BLO BLUES Kingfish (8) …………………….……..... 53 LAS TECLAS DE ORO Conversando con Bruce Katz (9) ………. 58 Colaboradores en este número: 1. José Luis García Vázquez HUELLA AZUL José María Rearte (10) …………………….……….…... 61 2. José Luis García Fernández 3. Michael Limnios DIVÁN EL TERRIBLE El Blues; la Historia. 2ª. parte (8) ……… 65 4. Fonzeca 5. Jesús Martín Camacho RECOMENDACIONES Novedades mayo 2021 (2) …..………..… 71 6. Luis Eduardo Alcántara 7. -
Waterfront Seattle Operations and Maintenance Report
WATERFRONT SEATTLE OPERATIONS & MAINTENANCE REPORT JULY 2018 Prepared For: City of Seattle Offi ce of the Waterfront and Civic Projects 800 5th Avenue, Suite 3100 Seattle, WA 98104 Prepared By: ETM Associates, L.L.C. 1202 Raritan Avenue Highland Park, NJ 08904 732.572.6626 CONTENTS 1.0 Introduction_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 5-6 2.0 Maintenance Framework 2.1 Scope & Individual Project Areas_ _ _ _ _ _ _ _ _ _ 8-9 2.2 Methodology_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 10 2.3 Landscape Categories & Types_ _ _ _ _ _ _ _ _ _ _ 11-17 2.4 Maintenance Scope & Exclusion Areas _ _ _ _ _ _ 18 3.0 Maintenance Tasks and Standards of Care 3.1 Standards of Care Summary _ _ _ _ _ _ _ _ _ _ _ _ 20-21 3.2 Standards of Care _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 22-28 3.3 Waterfront Master Task Hour Summary _ _ _ _ _ 29 4.0 Maintenance Equipment and Supplies_ _ _ _ _ _ _ _ _ _ _ 31-34 5.0 Maintenance & Operations Facilities 5.1 Facilities Overview_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 36 5.2 Potential Facility Locations_ _ _ _ _ _ _ _ _ _ _ _ _ 37-39 5.3 Facility Space Needs_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 40-42 6.0 Public Safety 6.1 Waterfront Public Safety Overview _ _ _ _ _ _ _ _ 44-45 6.2 Initial Recommendations _ _ _ _ _ _ _ _ _ _ _ _ _ _ 46-52 6.3 Public Safety Methodology_ _ _ _ _ _ _ _ _ _ _ _ _ 53-55 7.0 Budget Analysis 7.1 Maintenance & Personnel Budget Assumptions _ 57 7.2 Budget Analysis _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 58-61 8.0 Appendices A Project Area Quantities _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 64-66 B Landscape Type Task Hour Tables _ _ _ _ _ _ _ _ _ 68-73 C Project Area Task Hour Summaries _ _ _ _ _ _ _ _ 75-89 D Public Safety Rationale _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 91-97 E Seattle Parks and Recreation Rules and Regs. -
Centenarian Studies: Important Contributors to Our Understanding of the Aging Process and Longevity
Current Gerontology and Geriatrics Research Centenarian Studies: Important Contributors to Our Understanding of the Aging Process and Longevity Guest Editors: Donald Craig Willcox, Bradley J. Willcox, and Leonard W. Poon Centenarian Studies: Important Contributors to Our Understanding of the Aging Process and Longevity Current Gerontology and Geriatrics Research Centenarian Studies: Important Contributors to Our Understanding of the Aging Process and Longevity Guest Editors: Donald Craig Willcox, Bradley J. Willcox, and Leonard W. Poon Copyright © 2010 Hindawi Publishing Corporation. All rights reserved. This is a special issue published in volume 2010 of “Current Gerontology and Geriatrics Research.” All articles are open access articles distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. Current Gerontology and Geriatrics Research Editorial Board Gunnar Akner, Sweden Nancy H. Fultz, USA Erdman B. Palmore, USA Gjumrakch Aliev, USA Giovanni Gambassi, Italy Kushang Patel, USA Vladimir Anisimov, Russia Salah Gariballa, UAE Margaret J. Penning, Canada Joel Ankri, France Sataro Goto, Japan Lawrence C. Perlmuter, USA Yasumichi Arai, Japan Ann L. Gruber-Baldini, USA M. Petrovic, Belgium Richard Aspinall, UK Georges Herbein, France Kalluri Subba Rao, India Liat Ayalon, Israel F. Herrmann, Switzerland S. I. Rattan, Denmark Moises´ E. Bauer, Brazil Keith D. Hill, Australia Irene Rea, UK Arie Ben Yehuda, Israel Katsuiku Hirokawa, Japan B. Rogina, USA Y. N. Berner, Israel Christopher Jolly, USA Mike R. Schoenberg, USA Bart Braeckman, Belgium Ryuichi Kawamoto, Japan Shay Shabat, Israel Gennadii Butenko, Ukraine T. Kostka, Poland Jagdish C. Sharma, UK Julie Byles, Australia Yong-Fang Kuo, USA Csaba Soti,¨ Hungary Giampiero Campanelli, Italy M. -
Seattle Public Library Inside Entrance at Seventh Ave
Seattle: a center for And there’s more art out there. The city’s collection encompasses more than 400 permanent public artworks throughout Seattle, and Seattle innovation and creativity. across King County there are more than 300 permanent works from the county’s collection. Stroll through downtown Seattle and you will see proof of city’s MAP ingenuity in public art. Artworks located on plazas and in streetscapes, This map is divided into 10 areas: Seattle Center, South Lake Public Art parks, and civic and corporate buildings enrich Seattle’s urban Union, the Waterfront, Belltown, Denny Triangle, Pike Place landscape. This guide features over 200 artworks in downtown Seattle Market, Central Business District, Pioneer Square, Chinatown/ from the collections of the city of Seattle, King County (administered International District and SoDo. Enjoy your exploration of our city Your guide to public art in downtown Seattle by 4Culture), and other select organizations. through the lens of art. Seattle’s public art program integrates artworks and the ideas of artists into public settings. Established in 1973, the public art ordinance specifies that one percent of eligible city capital improvement project funds be set aside for the commission, purchase and installation of artworks, enriching the public experience and giving voice to artists. Established by ordinance in 1973, Public Art 4Culture commissions contemporary art for shared public space in King County, ensuring that King County buildings, public places and infrastructure include the work and thinking of artists. 4Culture maintains King County’s public art collection, which helps define county buildings as cultural spaces. ON THE COVER Alexander Liberman’s Olympic Iliad (see page 4 for description). -
Seattle Public Library Inside Entrance at Seventh Avenue Central Library, 1000 Fourth Ave
Seattle: a center for And there’s more art out there. The city’s collection encompasses more than 400 permanent public artworks throughout Seattle, and Seattle innovation and creativity. across King County there are more than 300 permanent works from the county’s collection. Stroll through downtown Seattle and you will see proof of the MAP city’s ingenuity in the public art. Artworks located on plazas and This map is divided into 10 areas: Seattle Center, South Lake Public Art in streetscapes, parks, and civic and corporate buildings enrich Union, the Waterfront, Belltown, Denny Triangle, Pike Place Seattle’s urban landscape. This guide features nearly 200 artworks Market, Central Business District, Pioneer Square, Chinatown/ in downtown Seattle from the collections of the city of Seattle, King International District and SoDo. Enjoy your exploration of our city Your guide to public art in downtown Seattle County (administered by 4Culture), and other select organizations. through the lens of art. Seattle’s public art program integrates artworks and the ideas of artists into public settings. Established in 1973, the public art ordinance specifies that one percent of eligible city capital improvement project funds be set aside for the commission, purchase and installation of artworks, enriching the public experience and giving voice to artists. Established by ordinance in 1973, Public Art 4Culture commissions contemporary art for shared public space in King County, ensuring that King County buildings, public places and infrastructure include the work and thinking of artists. 4Culture maintains King County’s public art collection, which helps define county buildings as cultural spaces. -
Astrud Gilberto
Стр. 1 из 232 Часть II Оглавление Jan Garbarek.....................................................................................................3 Erroll Garner (1921-1977) ...............................................................................6 Кенни Гарретт ...............................................................................................12 Stan Getz..........................................................................................................13 Astrud Gilberto ...............................................................................................22 Joao Gilberto ...................................................................................................23 Dizzy Gillespie .................................................................................................25 Egberto Gismonti (Эгберто Джисмонти)....................................................34 Benny Goodman..............................................................................................36 Dexter Gordon.................................................................................................49 Dave Grusin (Дэйв Грузин) ..........................................................................55 Buddy Guy.......................................................................................................58 Steve Guyger....................................................................................................63 ДЖОРДЖ ГЕРШВИН, (1898-1937)............................................................64