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Curriculum Vitae ROBERT MAXWELL SCHWARTZ
1 Curriculum Vitae ROBERT MAXWELL SCHWARTZ 130 Grayson St. Hackett, ACT 2602, Australia +61 (0) 414 298 738 [email protected] schwartzglass.com Artist Background Born Indiana, United States, 1988 Resides Australian Capital Territory, Australia Currently Instructor (casual) at Canberra Glassworks, Kingston ACT, Australia Sales Rep at Toscan Glass, Queanbeyan NSW, Australia Technical Officer (casual) at Canberra Glassworks. Kingston ACT, Australia Artist assistant at Australian National University (ANU) Glass Workshop, ACT, Australia Artist assistant at Canberra Glassworks, Kingston ACT, Australia Education 2015-2017 Master of Visual Arts (Advanced) in Glass at School of Art and Design, Australian National University, ACT Australia 2007-2014 Bachelor of Fine Arts (Majoring in Glass and Visual Communications), Minor in Graphic Arts Technologies. Ball State University, Muncie, Indiana USA Professional Experience Robert Maxwell Schwartz 130 Grayson St. Hackett, ACT 2602, Australia +61 (0) 414 298 738 08 May 2018 [email protected] schwartzglass.com 2 2018 Instructor (casual) at Canberra Glassworks, Kingston ACT, Australia Sales Rep at Toscan Glass, Queanbeyan NSW, Australia Technical Officer (casual) at Canberra Glassworks. Kingston ACT, Australia Glass Hotshop assistant to Jenni Martinello, Holly Grace, Tom Rowney, Alex Chambers, at Canberra Glassworks, ACT Australia 2017 Sales Rep at Toscan Glass, Queanbeyan NSW, Australia Technical Officer (casual) at Canberra Glassworks. Kingston ACT, Australia Cold working assistant on Australian of the Year Awards, ANU, ACT Australia Glass Hotshop assistant to Holly Grace, Jenni Martinello, Catherine Newton, Andrew Baldwin, Mel Douglas, Tom Rowney, Ken Unsworth, ANU School of Art and Design & Canberra Glassworks, ACT Australia Hotshop Gaffer to Juz Kitson, ANU, ACT, Australia Ausglass demo hotshop assistant to Ben Wright, Canberra Glassworks, Kingston ACT, Australia Technical Officer (casual) School of Art and Design. -
Download Tom Malone Prize 2021 Artwork Labels
Tom Malone Prize 2021 Artwork Labels Since 2003, the Tom Malone Prize has celebrated the achievements of Australian glass artists with regular exhibitions of shortlisted works, and by bringing each year’s winning work into the Collection. In this way, the Gallery has ensured that the expressive capacity of this technically demanding medium and the visions of those who so deftly employ it, are consistently present in the broader cultural life of the State and the nation. The Tom Malone Prize 2021 features 13 works by shortlisted artists: Kate Baker, Clare Belfrage, Hannah Gasson, Marcel Hoogstad Hay, Rita Kellaway, Gerry King, Peter Kovacsy, Jeremy Lepisto, Jenni Kemarre Martiniello, Madeline Prowd, Kirstie Rea, Ayano Yoshizumi and Madisyn Zabel. Working from South Australia, New South Wales, Victoria, the Australian Capital Territory and regional Western Australia, and ranging in age from their late-twenties to their mid-seventies, they are a highly diverse group representing an equally diverse set of approaches. These include quiet meditations on the natural world; refined studies of the spatial relationships between objects and beings; and reflections on the meaning of home and the realm of the secular spiritual. This year’s judges were Jessica Loughlin (glass artist and two-time Tom Malone Prize winner), Sheryl Grimwood (Art Gallery of Western Australia Foundation Benefactor), Elizabeth Malone (Art Gallery of Western Australia Foundation Governor) and Robert Cook (AGWA’s Curator of West Australian and Australian Art). Kate Baker born 1973 Canberra, Australian Capital Territory Within matter #1 2020 glass: UV flatbed digitally printed; mounted on mild steel base Courtesy of the artist 2020/E256 Within matter #1 explores concepts of our immaterial nature, paradoxically through our existence as, and within, matter. -
Foundation Annual Report 2018–19
Foundation Annual Report 2018–19 Foundation Annual Report 2018 –19 4 CONTENTS Chair’s address 6 Chair’s report 8 Foundation overview Foundation Board 15 About the Foundation 16 Support Ways of giving 18 Members 20 Donors 2018–19 40 Select gifts 48 Financial statements Directors’ report 80 Financial statements 90 Notes 94 Directors’ declaration 96 Independent auditor’s report 97 National Gallery of Australia Foundation Annual Report 2018–19 5 CHAIR’S ADDRESS I am delighted to be writing in my capacity his continued support of the Gallery’s learning as the newly appointed Chair of the National and access programs. Gallery of Australia Foundation. Since 1983, the Leading up to the fortieth anniversary of the Foundation and its members have continued an National Gallery of Australia in 2022, we review extraordinary legacy of philanthropic support. where we have come from and all that we Your generosity has enabled the acquisition have achieved, including the successes of the of significant works of art for the national Foundation. I look upon previous fundraising collection and the presentation of outstanding campaigns such as 100 Works for 100 Years and exhibitions and award-winning learning and Founding Donors 2010 as exemplary and thank access programs at the National Gallery and all donors to those campaigns, and so many Australia-wide. others, for their generosity. I am honoured to serve as the eighth chair of My aspiration as Chair is to continue the great the Foundation and look forward to working legacy of past fundraising initiatives by marking closely with the Director, the Foundation’s the Gallery’s upcoming fortieth anniversary with recently appointed Deputy Chair Philip Bacon a major fundraising program to be launched AM, our fellow Foundation Board directors and in mid 2020. -
Newglass Review 26
NewGlass Review 26 The Corning Museum of Glass NewGlass Review 26 The Corning Museum of Glass Corning, New York 2005 Objects reproduced in this annual review were chosen For additional copies of New Glass Review, please with the understanding that they were designed and made contact: between October 1, 2003, and October 1, 2004. The Corning Museum of Glass GlassMarket One Museum Way Corning, New York 14830-2253 U.S.A. Telephone: (800) 723-9156 Fax: (607) 974-7365 E-mail: [email protected] Web site: www.cmog.org To Our Readers The Museum thanks all of the artists and designers To mark its 25th anniversary in 2004, New Glass who submitted their slides to New Glass Review for Review was redesigned to offer some new features. consideration, and the guest jurors Jane Bruce, Martha The most immediately noticeable change was a Drexler Lynn, and Ruth T. Summers. Special thanks are substantial increase in the size of the images in the "Art due to those who made this publication possible: ists and Objects" and "Jurors' Choice" sections. Instead Donna Ayers, Mary Chervenak, Marie-Luise Coin, Andrew of five illustrations squeezed onto a page, the average Fortune, Brandy Harold, Uta M. Klotz, Tina Oldknow, number is two. This allows readers to see the objects in Richard Price, Joan Romano, Jacolyn Saunders, Melissa greater detail. White, Nicholas Williams, and Violet Wilson. Two new sections were added to the publication: • The "Notes" section features the annual Rakow Com * • * mission of The Corning Museum of Glass, which is Since 1985, New Glass Review has been printed by illustrated on the cover of the Review. -
Winter 2014 3 President's Welcome Glass Represents Many Things to Us As Humans in This World
2 contents on the cover This issue's cover image is a detail of Raven's Clutch - 3 president's welcome Robert Wynne's prize- winning entry in the 2014 board talk Kirra Illuminated Glass 4 Award (see p. 14 for more on KIGA). 4 board contacts Cover image courtesy of the artist. 5 state rep wrap-ups 9 David Reekie visit 14 lighting up at KIGA 10 looking on: collectors 16 vale Mark Galton 10 Canberra Glassworks 18 Review: Paper & Glass 11 artists on display: 20 Dan Klein memorial Helene Boyer 21 artists' call: Deborah Halpern prizes, competitons Jeff Hamilton Sallie Portnoy 24 talking point: Ian Dixon Merinda Young about Ausglass review Ausglass Limited Ausglass review is the quarterly news magazine of The Australian Association of Ausglass (The Australian Glass Artists Limited and is distributed to all Ausglass members via email on the Association of Glass Artists) [email protected] distribution list. It is produced on a voluntary basis Limited and all care is given to submissions, which are published subject to the editor’s Level 5, 574 St Kilda Road discretion. All correspondence for the editor can be forwarded to: Melbourne Vic 3004, Australia [email protected] ABN 72 087 134 656 The next issue will be publish ed on 30 September 2014 www.ausglass.org.au Ausglass Review l winter 2014 3 president's welcome Glass represents many things to us as humans in this world. It is a part of our everyday lives, yet most of the time we take its existence for granted. -
Download New Glass Review 27
New sass The Corning Museum of Glass NewGlass Review 27 The Corning Museum of Glass Corning, New York 2006 Objects reproduced in this annual review were chosen For additional copies of New Glass Review, please with the understanding that they were designed and made contact: between October 1, 2004, and October 1, 2005. The Corning Museum of Glass GlassMarket One Museum Way Corning, New York 14830-2253 U.S.A. Telephone: (800) 723-9156 Fax: (607) 974-7365 E-mail: [email protected] Web site: www.cmog.org To Our Readers In 2005, more than 6,000 copies of the New Glass Review is published annually with the April/June issue of Review 27 prospectus were mailed. Each entrant could Neues Glas/New Glass. It is also available as a separate submit a maximum of three slides. A total of 903 individ volume. Subscriptions to New Glass Review (without the uals and companies representing 39 countries submitted Neues Glas/New Glass magazine) are available from the 2,429 slides. The 100 objects illustrated in this Review GlassMarket of The Corning Museum of Glass (see ad were selected by four jurors, whose initials follow the dress, above). descriptions of the objects they chose. All slides submitted to New Glass Review are retained in the Rakow Research Library, where they may be viewed by the public. Copies of slides published in any of the past Reviews may be purchased by special order from the Museum's GlassMarket. Copies of New Glass Review 3 (1982), 22(2001), 23 (2002), 24 (2003), 25(2004), and 26 (2005) are still available from the GlassMarket, which can also supply all back issues of the Review in black-and- white microfiche. -
RANAMOK GLASS PRIZE 2011 Underwriters of the 2011 Ranamok Glass Prize
RANAMOK GLASS PRIZE 2011 Underwriters of the 2011 Ranamok Glass Prize RANAMOK GLASS PRIZE SPONSORS 2011 Contents The Ranamok Glass Prize 2011 3 Introduction 4 Finalists Masahiro Asaka 6 Jennifer Kemarre Martiniello 38 Annette Blair 8 Laurel Kohut 40 Kristel Britcher 10 Warren Langley 42 Lee Brogan 12 Kim Logue 44 Tillie Burden 14 Nikki Main 46 Christine Cathie 16 Kristin McFarlane 48 Brian Corr 18 Wayne Pearson 50 Samantha Cuffe 20 Anne Sorensen 52 Mel Douglas 22 Di Tocker 54 George Drobac Taniani 24 Emma Varga 56 Andrea Fiebig 26 Richard Whiteley 58 Brenden Scott French 28 Keryn Whitney 60 Alasdair Gordon 30 Clare Wilson 62 Rish Gordon 32 Nick Wirdnam 64 Sue Hawker 34 Kayo Yokoyama 66 Jenny Judge 36 Take T Yusuke 68 Finalists’ Biographies 70 Glossary of Glass Terms 80 The Judges 83 2010 Recipient 84 Ranamok 2011 Tour Dates 85 Acknowledgements 85 2 The Ranamok Glass Prize 2011 This is the fi nal year for judges Tina Oldknow and Geoffrey Edwards. Both Tina and Geoffrey brought many years of important experience and very important perspectives to the process and this year’s exhibition (as well as the Ranamok Prize itself) is certainly much stronger for their input. Thank you both for your guidance. Louise Doyle also joined us this year as a judge. Louise has ‘done time’ as a judge with Ranamok back in 2000. Louise brings a wealth of experience, knowledge and perspective to the process. I would also like to take this opportunity to thank the Directors of Ranamok for their continued guidance.