Foundation Annual Report 2018–19

Foundation Annual Report 2018 –19

4 CONTENTS

Chair’s address 6 Chair’s report 8 Foundation overview Foundation Board 15 About the Foundation 16

Support Ways of giving 18 Members 20 Donors 2018–19 40

Select gifts 48

Financial statements Directors’ report 80 Financial statements 90 Notes 94 Directors’ declaration 96 Independent auditor’s report 97

National Gallery of Australia Foundation Annual Report 2018–19 5 CHAIR’S ADDRESS

I am delighted to be writing in my capacity his continued support of the Gallery’s learning as the newly appointed Chair of the National and access programs. Gallery of Australia Foundation. Since 1983, the Leading up to the fortieth anniversary of the Foundation and its members have continued an National Gallery of Australia in 2022, we review extraordinary legacy of philanthropic support. where we have come from and all that we Your generosity has enabled the acquisition have achieved, including the successes of the of significant works of art for the national Foundation. I look upon previous fundraising collection and the presentation of outstanding campaigns such as 100 Works for 100 Years and exhibitions and award-winning learning and Founding Donors 2010 as exemplary and thank access programs at the National Gallery and all donors to those campaigns, and so many Australia-wide. others, for their generosity. I am honoured to serve as the eighth chair of My aspiration as Chair is to continue the great the Foundation and look forward to working legacy of past fundraising initiatives by marking closely with the Director, the Foundation’s the Gallery’s upcoming fortieth anniversary with recently appointed Deputy Chair Philip Bacon a major fundraising program to be launched AM, our fellow Foundation Board directors and in mid 2020. The ambition of this campaign will be to provide future financial stability for the Gallery team to help achieve the fundraising the Gallery, benefitting ambitious projects, ambitions of this great institution. exhibitions, acquisitions and programs for all Now, more than ever, fundraising is an essential Australians. I look forward to sharing more part of the cultural sector, and your support information on this fundraising project in the asserts the role of the Gallery as a vital part of new year. the cultural life of all Australians. It is through Reflecting on the year that was, I wish to philanthropic support that the Gallery can acknowledge the incredible work of former chair continue to lead a progressive cultural agenda of the Foundation John Hindmarsh AM. John’s that champions artists and art in our lives. tenure was extremely successful and a major Through gifts of cash or works of art to the legacy for his time here at the Gallery. I am Foundation, we encourage everyone to be a part delighted that John will continue as a director of our family of supporters. of the Foundation Board and eagerly anticipate One key fundraising priority for the next year is working with him toward future fundraising Know My Name, a landmark campaign that aims successes. to celebrate Australian women artists and help As we look to the future, it is evident that the redress the gender imbalance on gallery walls support of our friends, both old and new, will be and in art collections, both public and private. pivotal to our success. I look forward to working This is a transformative, multifaceted project, with the Board and our family of supporters that sets the agenda for a national conversation to continue to grow the Gallery’s fundraising on gender equality in the arts. Know My Name achievements. Our fundraising ambitions are will include artist commissions, a substantial great, as they should be, and we are looking publication, public advocacy through a national to patrons to continue their support of the awareness program, independent research and Gallery and its vision to inspire every Australian a series of major exhibitions at the Gallery in to experience creativity and learning through 2020 surveying Australian women artists (with art. Thank you for your ongoing support of the Foundation. plans to tour components of these exhibitions throughout Australia in 2021 and 2022). We intend for this project to continue to build Stephen Brady AO, CVO momentum and help amend the clear inequity Chair, National Gallery of Australia Foundation women artists experience in our country. I acknowledge and thank Foundation director Tim Fairfax AC for being the first to show his significant support for Know My Name and for

6 Chair’s address National Gallery of Australia Foundation Annual Report 2018–19 7 CHAIR’S REPORT

It is my great pleasure to present the National making space that opened in October 2019, will Gallery of Australia Foundation Annual Report make the national collection more accessible 2018–19. With this publication, we are able to to audiences through a dedicated program acknowledge and celebrate our committed of exhibitions, workshops and events that family of supporters who, through their encourage lifelong learning. generosity, enable the Foundation to continue In another act of exceptional generosity, Tim helping the National Gallery of Australia to became the first Ambassador Patron for pursue its ambitious goals. the Know My Name campaign, the Gallery’s In 2018–19, the Foundation received donations of groundbreaking initiative to celebrate and cash and works of art with a combined value of champion Australian women artists. $13.075 million. With this generous support the Bridgestar, James Fairfax AC’s estate and National Gallery was able to continue leading a former company, has continued its support progressive national cultural agenda by acquiring of the refurbishment of the James Fairfax significant works of art for the national Theatre. James was a founding member of the collection, presenting outstanding exhibitions Foundation and gave considerably throughout and engaging audiences through an extensive his life. I am delighted to report that the range of learning and access programs. refurbishment of the James Fairfax Theatre will Artists, Foundation donors and established art be completed by early 2020 and that this space collectors gave works of art in all mediums and will continue to represent the legacy of this collecting areas, many of which were donated great friend and benefactor. through the Australian Government’s Cultural Foundation Board director Andrew Gwinnett Gifts Program, which recognises the cultural and Hiroko Gwinnett finalised their pledge significance of such gifts and the value they towards the acquisition of Yayoi Kusama’s bring to Australia’s national collection. extraordinary THE SPIRITS OF THE PUMPKINS Danie Mellor’s Landstory 2018, the exceptional DESCENDED INTO THE HEAVENS 2017. This work that features on the front cover of this ‘infinity room’ has quickly become one of our report, was acquired through the generosity most popular destination works for visitors of all of more than 650 campaign donations. ages, generating a sense of wonder and delight A selection of works of art acquired as gifts or in all who experience it. I warmly thank Andrew with donations to fundraising campaigns are and Hiroko for their incredible generosity in illustrated on pages 49–78. support of this monumental work of art. Other significant gifts were made by Kerr Major donations and gifts Neilson, through the Neilson Foundation, whose In 2018–19, the National Gallery was honoured generosity supported the presentation of our that Tim Fairfax AC continued his support of winter blockbuster exhibition Monet: Impression the Gallery’s learning and access programs for Sunrise. Maurice Cashmere and Claire Parkhurst younger audiences in honour of former National contributed toward last year’s acquisition of Gallery director Betty Churcher AO. Further to Arthur Streeton’s The Point Wharf, Mosman this, with an additional visionary gift made in Bay 1893 in memory of their mother Sarah June 2018, Tim became the Gallery’s inaugural Cashmere. We are especially thankful to those supporter of our digital presence for younger donors who have made substantial contributions audiences. As part of this gift, the Gallery that support many projects, programs and initiated a teen program, Art IRL (In Real Life), acquisitions: De Lambert Largesse Foundation, and recruited a new Tim Fairfax Teen Producer Jennifer Manton, Susan Maple-Brown AM, to help develop learning and social activities for Fiona Martin-Weber and Tom Hayward, David teens at the Gallery. Paul and Alison Creagh, Andrew and Judith In May 2019, the Gallery proudly launched the Rogers, Lyn Williams AM, Helen Cook and the first exhibition in the Tim Fairfax Learning McKibbin family. Gallery, Body Language. This gallery and the This year’s Foundation Gala was the most adjoining Tim Fairfax Studio, a creative- successful in its history and, through the

8 Chair's report generosity of donors, the Foundation Gala artist Mieke Groot given in memory of Dr Robert Dinner Fund raised over $392,000 toward the Bell AM, former senior curator of Decorative acquisition of Francesco 2017, a major work by Arts and Design. Swiss artist Urs Fischer. In 2018, the Gallery celebrated Robert’s life In addition, all areas of the collection benefitted and legacy with a memorial event for family, from the generosity of donors and artists who colleagues and friends. Robert’s commitment to gave gifts of works of art. Simon Mordant AM decorative arts and design was widely admired and Catriona Mordant AM donated Gemma and celebrated, and we are very grateful to his Smith’s sculptural Boulder #2 2008. John wife Dr Eugenie Keefer-Bell for continuing his Davis’s large installation River 1998, a work legacy with seed funding toward the Robert and that featured in his final exhibition, was a Eugenie Bell Decorative Arts and Design Fund. gift from Penelope and Martin Davis. Dax The inaugural acquisition for this fund was the Calder generously gifted three major works by glass sculpture Liminal 2018 by award-winning Howard Taylor. Canberra artist Mel Douglas. We look forward Former National Gallery director Ron Radford to working with Eugenie on developing this fund, AM donated Denuded landscape c 1948 a rare which will continue to honour Robert’s legacy landscape by Marjorie Gwynne. Sam Atyeo’s and support the development of the Gallery’s Still life 1932–36 was generously donated by art decorative arts and design collection. historian Candice Bruce in memory of James We also gratefully acknowledge the visionary Agapitos OAM and Michael Whitworth. A suite support of the Sid and Fiona Myer Family of eleven linocuts by Benjamin Armstrong was Foundation, which has committed to a three- acquired with the assistance of Lyn Williams year investment in the Gallery’s ceramics and AM. Artist Simryn Gill generously donated eight design activities, including funding a new named works from her series Eyes and storms 1–8 2012. curatorial role, the Sid and Fiona Myer Curator of Ceramics and Design. This position is focused Once again, the collection of Aboriginal and on collecting, documenting, displaying and Torres Strait Islander art was supported by promoting Australian ceramics and design. generous gifts of works of art. Sue Kesteven donated twenty-eight barks, thirteen baskets Dr Michael Martin and Elizabeth Popovski and five dilly bags collected from Arnhem continued their support of the Gallery’s Pacific Land between 1979 and 1983, including two arts collection with a gift of a nineteenth- bark paintings by Wamud Namok. Jan Murphy century telum (ancestor figure) from Papua New donated a work from Brook Andrew’s series Guinea. It is one of only three known sculptures The Island 2008. Artist Christian Thompson of this type and the only example in the southern AO generously donated his three-channel video hemisphere. Also from Papua New Guinea, work Berceuse 2017. Nine experimental prints by a nineteenth-century ebony wealth object, ghena Lin Onus AM were a gift from Shaike Snir and ngaa, made by the Massim people, was a gift his children. from Neil Hobbs and family in memory of the late Michael Hobbs. The Gallery’s Asian textile collection was strengthened by a group of thirty-three Caroline Rothwell’s Scape mobile 2007 and contemporary Indonesian textiles purchased Patricia Piccinini’s iconic Skywhale 2013 were with the assistance of our generous supporter two other significant gifts made during and long-term volunteer Meredith Hinchliffe. the year. Barnett Newman’s Broken obelisk Dr Maxine Rochester also continued her 1963/1967/2005 was generously donated by support of the Treasure a Textile Fund. the Barnett Newman Foundation in honour I thank both Meredith and Maxine for their of former National Gallery director Dr Gerard ongoing commitment and generous support Vaughan AM. Tamara Dean’s photograph of decorative arts, design and textiles at the Cosmos 2015 was donated by Dr Mark Nelson to Gallery. I also thank former Foundation director honour Nick Mitzevich’s appointment as Director. Sandy Benjamin OAM for supporting the On behalf of all of us all, I extend our heartfelt acquisition of Tin’or II 2018, a necklace by Dutch thanks to our generous donors of gifts of works

National Gallery of Australia Foundation Annual Report 2018–19 9 of art, which have significantly enhanced the by both Indonesia’s Ambassador to Australia His national collection and will be enjoyed and Excellency Yohanes Kristiarto Soeryo Legowo admired by national and international audiences and Australia’s Ambassador to Indonesia His for generations to come. A full list of 2018–19 Excellency Gary Quinlan AO. donors who have given either gifts of works of I also extend our thanks to Colin and Barbara art or cash donations, is on pages 40–7. Hindmarsh for their support of the upcoming exhibition Hugh Ramsay and Council member Bequests and the National Gallery Rhonda White AO for being the inaugural Bequest Circle Exhibition Patron of the forthcoming Matisse The Bequest Circle, established in 2008 to and Picasso. acknowledge and honour bequest donors during their lifetime, provides the opportunity for the National Gallery of Australia Council Gallery to enjoy a closer relationship with these Exhibitions Fund generous patrons. At the end of June 2019, we were honoured to have fifty-seven members This unique fund was established in 2006 in our Bequest Circle. Legacy gifts offer ongoing to support the development and staging of support and provide lasting tributes to the exhibitions that might not otherwise attract generosity of our benefactors. This year, the funding from corporate or individual donors. Bequest Circle welcomed Wayne Kratzmann, I thank and acknowledge all my former Council Dr Clinton Ng and Stephen Johnson, Andrew colleagues for their generous support of Freeman, and Jane Helmers. this initiative. In 2018–19, significant bequests were received In 2018–19, it was decided that the Council from two Gallery members, Barbara Jean Exhibitions Fund would be finalised, and the Humphreys and Henry Hunter Gardner balance of funds supported Monet: Impression Dalrymple. Their incredible generosity is Sunrise and Contemporary Worlds: Indonesia. inspiring, and these unexpected gifts have elevated the Gallery’s capacity to plan and National Gallery of Australia Foundation deliver several ambitious projects that would not Board Publishing Fund have been possible without their support. The Foundation Board is proud to support the Gallery’s publishing initiatives through the Exhibition patronage Foundation Board Publishing Fund. This fund The Gallery has been fortunate to be able to was created in 2011 to support the production of engage Exhibition Patrons to provide essential scholarly publications that provide information support for presenting major exhibitions. I am and access to the national collection. Over the pleased to acknowledge the support of Kay past six years, Foundation Board directors have Bryan and Krystyna Campbell-Pretty AM as contributed $392,500 to the fund. Next year, patrons for both Love and Desire: Pre-Raphaelite this fund will support a major publication on the Masterpieces from the Tate and Monet: work of Australian women artists. Impression Sunrise. I also thank Lady Potter AC, John Schaffer AO and Bettina Dalton and I acknowledge and thank Ray Wilson OAM, Andrew Sisson AO and Tracey Sisson for their Julian Beaumont OAM and Annie Beaumont and support of Love and Desire and Philip Bacon AM, Terry Campbell AO and Christine Campbell for the Hon Ashley Dawson-Damer AM and Wayne their recent support of this fund. Kratzmann for Monet. Foundation Gala 2019 Allan Myers AC, QC, was the Principal Patron of Contemporary Worlds: Indonesia, which This year’s Foundation Gala was the most was also generously supported by Ezekiel successful to date and, through the generosity Solomon AM, Phillip Keir and Sarah Benjamin of donors, raised over $392,000 toward the through the Keir Foundation and the Australia- acquisition of Urs Fischer’s major wax candle Indonesia Institute. This dynamic exhibition of sculpture Francesco. This great achievement is contemporary art from Indonesia was opened an 88% increase on the next highest total.

10 Chair's report This year’s program featured the inaugural Foundation Chair Neil Balnaves and its other Australian Artists’ Long Lunch, which gathered trustees for their ongoing commitment to together artists, supporters, curators and supporting contemporary art at the Gallery. Gallery staff in the Gallery’s magnificent The Terra Foundation for American Art Sculpture Garden to celebrate art and artists. generously supported American Masters 1940– The Gala Dinner was very special and included 1980, a major exhibition of the Gallery’s rich the lighting of Fischer’s sculpture by then Council holdings of postwar American art. The support deputy chair Tim Fairfax, a viewing of Love and of the Terra Foundation was vital to providing Desire: Pre-Raphaelite Masterpieces from the free admission to the exhibition, publishing a Tate, and a breathtaking performance by Sarah scholarly collection book and delivering a two- Blasko during dinner. day symposium. I extend our thanks to the Terra We were pleased to be joined by colleagues from Foundation for this successful partnership, the American Friends of the National Gallery which fostered greater understanding of of Australia and guests from across Australia. American art and culture. I especially acknowledge and thank Melbourne- The John T Reid Charitable Trusts confirmed based Foundation Board director Robyn Burke a three-year partnership with the Gallery in and Graham Burke AO, who hosted seven guests May 2019. This grant will extend the reach of at this event. the Gallery’s education and access programs to gallery and museum partners hosting Annual giving the National Gallery’s travelling exhibitions. The focus of the Members Acquisition Fund Funding will be used to engage the John T Reid 2018–19 was Danie Mellor’s Landstory, a nine- Outreach Programs Coordinator, who will work panel photographic masterwork that reimagines with regional colleagues to develop a program the Australian landscape and asserts the of touring activities that encourage greater continual presence of Aboriginal people and their engagement with the Gallery’s travelling timeless connection to the natural environment. exhibitions and collection throughout Australia. Due to the significance of the work, the campaign was extended to allow a greater American Friends of the National Gallery number of donors to help bring this work into the of Australia collection. The response was tremendous and The American Friends of the National Gallery exceeded all past annual giving campaigns, with of Australia (AFNGA) is an independent an increase of 13% on the next highest total. organisation that supports the Gallery’s I am delighted that the response to Landstory activities. It is registered under Section 501(c) was so strong and especially thank Penelope (3) of the Internal Revenue Code in the United Seidler AM and Dr Michael Martin and Elizabeth States, meaning that donations to AFNGA by Popovski for their significant support of American taxpayers are fully tax-deductible. this acquisition. The AFNGA has continued to facilitate loans and gifts of works of art and awarded grants to Foundations and grants support exhibitions, events and acquisitions. This In this financial year, several grants supported financial year, it played a key role in the gift from our exhibitions, artist commissions and learning the Barnett Newman Foundation of Barnett and access programs. Newman’s monumental sculpture Broken Launched in 2018, the Balnaves Contemporary obelisk 1963/1967/2005. The gift was made in Series, generously supported by our recognition of the tenure of Dr Gerard Vaughan Contemporary Art Partner The Balnaves AM as director, as was a donation from the Kevin Foundation, is a multi-year commissioning Hartz Family Foundation that will be used to platform that provides leading contemporary acquire a work for the Pacific collection. artists with the opportunity to present Since 2012, the AFNGA has partnered with the innovative projects. The next two commissions American Australian Association to offer the will launch in 2020. I thank The Balnaves AusArt Fellowship, a US$30,000 grant for an

National Gallery of Australia Foundation Annual Report 2018–19 11 Australian visual arts student to further their hosted two events for the Director with museum studies in the United States. The AFNGA again and gallery colleagues and donors. received the generous support of the Dr Lee Hosted events provide us with vital opportunities MacCormick Edwards Charitable Foundation to to extend our reach and widen our supporter continue to offer this tangible and meaningful base. I thank Sue Cato for hosting an event opportunity to Australian artists, curators, art at her home in Sydney to launch the Know My historians, administrators and conservators. Name initiative in April. In addition, Lee’s Foundation completed its I wish to highlight and thank, former Council generous pledge to assist with the major deputy chair Tim Fairfax AC for his visionary acquisition of James Abbott McNeill Whistler’s support of the Gallery. It was a pleasure to Harmony in blue and pearl: The Sands, Dieppe serve with him on the Gallery’s Council, and I am c 1885. delighted that we will continue working together The AFNGA also facilitated a donation from as Foundation Board directors. Francesca Macartney Beale and Chris Beale, It has been a great privilege as a Council which became the inaugural donation in support member and as chair of the Foundation to have of the Australian Artists Documentary Series. witnessed and shared the first twelve months In May 2019, the AFNGA hosted the Gallery’s of Nick Mitzevich’s tenure as Director. I look Director Nick Mitzevich and Assistant Director forward, with much anticipation, to his future Alison Wright in New York. The trip included a work and the significant impact he will make at visit to the home of long-term major supporters the Gallery. Kenneth E Tyler AO and Marabeth Cohen-Tyler. To all my fellow directors on the Foundation Ken and Marabeth visited Canberra in November Board, who are truly representative of the 2018 and reaffirmed their ongoing and visionary whole nation, thank you for your commitment. support of the Kenneth Tyler Print Collection, In my ten years as the Foundation chair, over which sits at the heart of the Gallery’s American $96 million in both cash and works of art art collection. We are incredibly grateful for their flowed through the Foundation, $22.6 million continued support and dedication to the Gallery. of which was contributed by our current Board. I thank the members of the Board of the AFNGA I acknowledge and celebrate this incredible for their tireless work in support of the Gallery. achievement, which demonstrates the They include President Geoffrey Pack, Chair commitment of the Board to the Gallery and Philip Colbran, Secretary Dr Helen Jessup Australia’s cultural heritage. and Treasurer Robert Moore II, Susan van der I thank Council Chair Ryan Stokes, who, along Griend, Michael Maher and Sara McKerihan. with the Director, will continue to achieve great I also acknowledge the AFNGA’s recently retired things for the Gallery. I also acknowledge and administrator Jill Viola and thank AFNGA’s staff thank my former Council colleagues and the Belinda Jackson and Nancy Chapman. Gallery’s Senior Management Group for their friendship, wise counsel and commitment to Acknowledgments advancing the Gallery’s vision. I am very grateful On behalf of the Foundation’s Board of for the unwavering support of Maryanne Directors, I extend our sincere thanks to all our Voyazis, Executive Director of the Foundation, supporters for the 2018–19 financial year, who and her team. are acknowledged on pages 40–7. I am also deeply grateful to His Excellency I also thank Australia’s High Commissioner to the General the Hon Sir Peter Cosgrove AK, MC United Kingdom His Excellency George Brandis (Retd), for his patronage of the Foundation QC, who hosted a reception in September 2018 during his tenure as the Governor-General of at his official residence, Stoke Lodge, for more the Commonwealth of Australia, and to Her than fifty guests to help announce and launch Excellency Lady Cosgrove. Sir Peter and Lady Love and Desire: Pre-Raphaelite Masterpieces Cosgrove have been enthusiastic advocates for from the Tate. In May, Australia’s Consul-General the National Gallery and great supporters of the in New York, Alastair Walton, also generously actives of the Foundation.

12 Chair's report Finally, I wish Stephen Brady AO, CVO, the new Chair of the Foundation, the very best of success in the role and look forward to continuing to serve as a director on the Foundation Board during his tenure. I applaud the appointment of Philip Bacon AM as Deputy Chair and take this opportunity to commend Philip for his long-term support and positive impact on the Gallery and its Foundation. To all Foundation members and donors who contribute so much to this great national institution, I warmly thank you for your generous benefaction and applaud your ongoing support of our National Gallery.

John Hindmarsh AM Former chair, National Gallery of Australia Foundation

National Gallery of Australia Foundation Annual Report 2018–19 13 FOUNDATION OVERVIEW FOUNDATION BOARD

Chair Deputy Directors Chair

Mr Stephen Brady AO, Mr Philip Bacon AM Mr Julian Beaumont CVO Appointed 26.10.00; OAM Appointed 01.08.2019; Deputy Chair from Appointed 28.10.09 Chair from 01.08.2019 04.10.2019

Mr Anthony Berg AM Mrs Robyn Burke Mr Julian Burt Mr Terrence Campbell AO The Hon Ashley Dawson- Appointed 16.03.99; Appointed 29.08.06 Appointed 01.08.16 Appointed 28.02.07 Damer AM Chair 16.03.99 to Appointed 05.05.04 26.04.06

Mr James Erskine Mr Tim Fairfax AC Mr Andrew Gwinnett Mr John Hindmarsh AM Mr Wayne Kratzmann Appointed 11.05.11 Appointed 01.08.2019 Appointed 12.03.03 Appointed 20.09.04; Appointed 31.08.11 Chair 27.10.10 to 31.07.2019

Dr Andrew Lu OAM Mr Nick Mitzevich Mr Geoffrey Pack Mrs Roslyn Packer AC Mr John Schaeffer AO Appointed 31.08.11 Appointed 02.07.18 Appointed 27.8.14 Appointed 22.06.11 Appointed 13.10.00

Mrs Penelope Seidler AM Mr Ezekiel Solomon AM Mr Kerry Stokes AC Mr Ryan Stokes Mr Ray Wilson OAM Appointed 13.10.00 Appointed 28.10.09 Appointed 29.06.95 Appointed 09.07.18 Appointed 11.05.11

National Gallery of Australia Foundation Annual Report 2018–19 15 ABOUT THE FOUNDATION

The Foundation is a not-for-profit organisation of the Foundation. Foundation members are that encourages philanthropy in the community, listed under nine categories on pages 20–39 in raises funds and secures gifts of works of art this report. to support the vision of the National Gallery of Australia and to develop the national art Contact collection for all Australians. The Foundation National Gallery of Australia Foundation is a company limited by guarantee under GPO Box 1150 the Corporations Law and is governed by a Canberra ACT 2601 Board of Directors appointed by the Gallery’s Australia Council. The Board includes the Gallery’s T +61 (0)2 6240 6408 Director, the Chair of its Council and two other E [email protected] Council members. Executive Director Established Maryanne Voyazis The National Gallery of Australia Foundation T +61 (0)2 6240 6691 opened in 1982 with the express purpose of E [email protected] raising funds and encouraging gifts of works of art for the development of Australia’s Websites national art collection. nga.gov.au/giving nga.gov.au/aboutus/reports Principal objectives §§ Maintain, improve and develop the national collection of works of art owned by the National Gallery of Austalia. §§ Promote, maintain, improve and develop the National Gallery of Austalia. §§ Support the development and conduct by the National Gallery of Austalia of travelling exhibitions of works of art. §§ Raise money to achieve these objectives.

Patron His Excellency General the Honourable David Hurley AC, DSC (Retd), Governor-General of the Commonwealth of Australia

Secretary Dr Peter Lundy RFD

Executive staff Ms Maryanne Voyazis, Head of Development and Executive Director, National Gallery of Australia Foundation

Membership Foundation members experience first- hand at the Gallery how their benefaction contributes to the development of the visual arts in Australia. A donation of $1000 or more entitles a benefactor to become a member

16 Foundation overview SUPPORT WAYS OF GIVING

The Gallery relies on your generosity to help us The Cézanne Watercolour and Drawing Fund acquire works of art, provide programs that allows for funds to be accumulated for the promote the visual arts, and inspire visitors acquisition of works by Paul Cézanne, Treasure a throughout Australia and the world through our Textile supports the conservation of textiles and collections and exhibitions. the Sculpture Garden Fund is dedicated to the maintenance and development of the Gallery’s Cash donations much-loved Sculpture Garden. Cash donations are fully tax-deductible and can be made to current appeals or for a specific Giving works of art purpose such as the acquisition of a work of You can donate works of art to the Gallery art, presenting exhibitions and publications or under the Australian Government’s Cultural delivering learning and access, conservation or Gifts Program, which will entitle you to a tax digital programs. deduction for the market value of your gift. All proposed gifts of works of art are discussed Annual fundraising campaigns with the relevant curator and are approved by The Gallery’s two annual campaigns are the Gallery’s Collections Committee. the Masterpieces for the Nation Fund and Members Acquisition Fund. These initiatives Bequests give the Gallery’s members and supporters Bequests to the Gallery assist in strengthening the opportunity to directly contribute to the the national art collection and stand as lasting development of the national art collection. tributes to the generosity and vision of the These growing communities of supporters come Gallery’s benefactors. The most common forms together every year to make a strong collective of bequest are gifts of cash, percentages of the impact on the Gallery’s ability to acquire estate, works of art, residuary gifts and interest important works of art. in a trust created in the will. Each year, the Foundation hosts a fundraising The Bequest Circle was introduced in 2008 to Gala Weekend with a program of curator- acknowledge and honour bequest donors during led tours, behind-the-scenes experiences and their lifetime. It gives existing and potential culinary feasts over the course of two days. bequest donors the opportunity to enjoy a closer This invitation-only event brings together the relationship with the Gallery and be involved Gallery’s supporters from all over Australia with Foundation events. and raises funds for a major acquisition. It also provides the opportunity for guests to relax Exhibition patronage in the company of like-minded people and get closer to the Gallery, its collections and staff. The Gallery has an active Exhibition Patrons program that engages our individual donors in Supporting particular collecting areas and the presentation of major exhibitions such as programs Hyper Real, Cartier: The Exhibition, American Masters and the forthcoming Hugh Ramsay A number of focused funds are dedicated retrospective. Donations are fully tax deductible to raising money for the development of specific areas of the collection including Asian, and donors are acknowledged for their support Australian, Indigenous and Pacific art and in association with each exhibition. photography. These exist for the express purpose Advantages of giving of developing the collection and so that donors can direct gifts to their particular areas of All forms of giving through the Foundation interest. Donors are usually acknowledged in directly benefit the Gallery and bolster its ability perpetuity in the credit line for the work of art to present world-class exhibitions and programs, they gave funds to acquire, except where the and to develop Australia’s national art collection number of gifts is too many, in which case the for the benefit of all Australians, now and into fund will be acknowledged. the future.

18 Support Donations of $1000 or more in cash or works of art entitle you to become a member of the Foundation. You will be formally acknowledged in the National Gallery of Australia Foundation’s annual report and in the Gallery’s magazine Artonview, and donors of $100,000 or more will be listed on the honour boards in the Gallery’s foyer. The Gallery respects those who wish to remain anonymous. To discover more about current appeals and ongoing fundraising initiatives, please contact the Foundation through the details on page 14.

Named curatorial positions In addition to the team of professionals permanently engaged in the management of the national art collection, there are a number of named curatorial positions generously funded by our benefactors. The most recently established is The Sid and Fiona Myer Family Foundation Ceramics and Design Curator, made possible through a multi-year grant from Sid and Fiona Myer. The opportunity now exists for the establishment of three-to-five-year named curatorial positions for specialists in decorative arts, fashion and public sculpture. Donations to support these positions will be fully tax- deductible and will be named for our patrons, unless they wish to remain anonymous.

National Gallery of Australia Foundation Annual Report 2018–19 19 MEMBERS

The National Gallery and Foundation acknowledge the support of benefactors through nine levels of membership that recognise the aggregate value of donations made over time. Donations valued at $1000 or more qualify donors to become members of the Foundation. The list includes all members of the Foundation as at 30 June 2019.

Visionary Benefactors Nomura Australia The late Nancy Schmidt and Donors of $5,000,000 or more The late John Reed and the the late Benno C Schmidt AO American Friends of the late Sunday Reed Penelope Seidler AM and the National Gallery of The late Ruth Graham late Harry Seidler AC, OBE Australia Inc Robertson The late Victor Smorgon AC The late Alan Boxer The late Barbara Tucker and and the late Loti Smorgon Bridgestar the late Albert Tucker AO AO Kerry Stokes AC Marilyn Darling AC and the late The late Henriette von Dallwitz Gordon Darling AC, CMG and Richard Paul in honour of The late Margaret Tuckson AM James Erskine and Jacqui Dr Oscar Paul and the late Tony Tuckson Erskine Lyn Williams AM and the late The late James Fairfax AC Perpetual Benefactors Fred Williams OBE Timothy Fairfax AC and Gina Donors of $1,000,000 to Benefactors Fairfax $1,999,999 Donors of $500,000 to The late Arthur Merric Boyd John Gandel AC and Pauline $999,999 Gandel AC AC, OBE Mary Abbott Gordon Darling Australia Helen Brack and the late John Michael Abbott AO, QC Pacific Print Fund Brack Alcoa of Australia The late Nerissa Johnson Michelle Coe and the late The Aranday Foundation The late Dr Orde Poynton Esq, David Coe Australia Council for the Arts AO, CMG The late Henry Dalrymple The Barnett Newman The late TT Tsui The late Jane Flecknoe and the Foundation Kenneth Tyler AO and late Warwick Flecknoe Barbara Blackman AO Marabeth Cohen-Tyler The late Ernest Frederick The late Dr Joseph Brown AO, Ray Wilson OAM and the late Frohlich and the late OBE James Agapitos OAM Catherine Margaret Frohlich Anton Bruehl Jr Andrew Gwinnett and Hiroko Founding Benefactors Dr Dax Calder Gwinnett Donors of $2,000,000 to John Calvert-Jones AM and The late Barbara Jean $4,999,999 Janet Calvert-Jones AO Humphreys Philip Bacon AM Charles P Curran AC and Eva Robert Holmgren and Anita Tony Berg AM, Carol Berg Curran Spertus and family The Hon Ashley Dawson- The late Rudy Komon MBE and The Dedalus Foundation Damer AM the late Ruth Komon Dale Frank Jennifer Dickerson and the late Rupert Myer AO and Annabel The late Prof Ben Gascoigne Robert Dickerson AO Myer AO and family Sam Dickerson The late Dr Margaret Olley AC The late John Anthony (Tony) The late Dr Lee MacCormick Gilbert AM Roslyn Packer AC Edwards The late Dr Felix Meyer and Mike Parr The late Samuel Henry Ervin the late Mary Meyer Philip Morris Arts Grant The late Sir Otto Frankel and Bevelly Mitchell Andrew Rogers and Judith the late Lady Margaret Harold Mitchell AC Rogers Frankel The Myer family Sara Lee Corporation Hester Gascoigne

20 Support The late Alison Euphemia Susan Armitage and the Hon Michael Chaney AO Grant Lipp Dr Michael Armitage Rose Chaney John Hindmarsh AM and Art Mentor Foundation Tony Coleing Lucerne Rosanna Hindmarsh OAM Christopher Constable Sir David Attenborough OM, John Kaldor AO and Naomi Philip Constable and Mary CH, CVO, CBE Milgrom Kaldor AO Constable Yvonne Audette Sara Kelly Patrick Corrigan AM and Australian Capital Equity John Loane Barbara Corrigan Australian International Macquarie Group Foundation Alan Cowen and Mavourneen Cultural Foundation Marcella Brenner Revocable Cowen Australian War Memorial Trust Virginia Cuppaidge Neil Balnaves AO and Diane Dr Michael Martin and Robyn Curley and the late Balnaves Elizabeth Popovski Laurie Curley The Balnaves Foundation Baillieu Myer AC and Sarah June Davies Murray Bail and Louise Home Myer Penelope Davis and Martin Geoffrey Barker and Fran Allan Myers AC, QC, and Maria Davis Barker Myers AC Lawrence Daws Chris Bell National Capital Authority Dr Paula Dawson Lynda Benglis, John Cheim and Neilson Foundation Howard Read The Dick and Pip Smith Kerr Neilson Berg Family Foundation Foundation Cameron O’Reilly and family Besen Family Foundation Harold Day The late John Pye Marc Besen AC and Eva Besen De Lambert Largesse Kiff Saunders AO Foundation John Schaeffer AO and Assoc Prof Les Blakebrough Sally Delafield Cook Bettina Dalton AM Helen Drutt English and the The late Elizabeth Summons Michael Blanche and the late late H Peter Stern MBE Lauraine Diggins OAM Duroloid (Dewgrove) The late John Wicking AM Brian Blanchflower Dr K David G Edwards The Yulgilbar Foundation Roslynne Bracher AM and the Embassy of Australia, United Paspaley family States of America Life Governors The late Dorothy Braund Brigitte Enders and the late Donors of $100,000 to The late Marie Howe Klaus Moje AO $499,999 Breckenridge and the late Dr Peter Farrell AM Geoffrey Ainsworth AM Vida Adeline Breckenridge Peter Fay Antoinette Albert, Emily Albert Gordon H Brown and Anna Albert Bill Ferris AC and Lea Ferris Kay Bryan The Ferris Family Foundation Tony Albert Ann Burge The late Bert Flugelman Dr Wallace Ambrose and Janet Robyn Burke and Graham Rosemary Foot AO Ambrose Burke AO The Fullwood family Rick Amor Roger Butler AM Dr Dudley Anderson and Lisa The Calvert-Jones Foundation Simryn Gill Anderson Terrence Campbell AO and The late Dr William H The late Anthony Annand and Christine Campbell Gladstones family Krystyna Campbell-Pretty Lord Michael Glendonbrook David Archer AM and the late Harold CBE and Martin Ritchie Terrey Arcus AM and Anne Campbell-Pretty Christine Godden Arcus Ashley Carruthers John Gollings AM

National Gallery of Australia Foundation Annual Report 2018–19 21 Gordon Darling American The late Inge King AM and the Bruce Parncutt AO Friends of the National late Grahame King AM Feliztas Parr Gallery of Australia Fund Lady Kingsland and the late Sir Paspaley Pearling Company Gordon Darling Foundation Richard Kingsland AO, CBE, Tom Pearce DFC Dr Anne Gray AM Ray Pelham Thorman AM and Denise Green AM Hertha Kluge-Pott Mary Alice Pelham Thorman Linda Gregoriou David Knaus AM Wayne Kratzmann Sharon Grey and Jeffrey Hall Dr David Pfanner and Dr Ruth Bernard Laing and Maureen Pfanner Emer Prof Ross Griffith and Laing Pamela Griffith Philip Bacon Galleries Ruth Lambert and Steve Selena Griffith Andrew Plummer and Deidre Lambert Plummer Rebekah Griffiths Kay Lanceley Lady Potter AC The late William S Hamilton Cal Lane and Gallery Art Mur, Jeanne Pratt AC Harold Mitchell Foundation Montreal The Pratt Foundation Brent Harris The Lansdowne Foundation John Prescott AC and Jennifer Catherine Harris AO, PSM, and Nancy Lee Prescott David Harris The late Ann Lewis AO PricewaterhouseCoopers Warwick Hemsley Kevin Lincoln Dr Ron Radford AM Dr Michael Heppell Frank Lowy AC Jude Rae Meredith Hinchliffe The Lowy Foundation The late Diana Ramsay AO and Emmanuel Hirsh Steven Lowy AM and Judy the late James S Ramsay AO Neil Hobbs and Karina Harris Lowy Ranamok Glass Prize David Hockney CH, RA Dr Andrew Lu OAM and Dr Lisa Roberts The late Mervyn Horton Dr Geoffrey Lancaster AM William Robinson AO and Eske Hos The late William Stewart Shirley Robinson McDougall Diana Houstone and the late San Diego Foundation Prudence MacLeod John Houstone Denis Savill and Anne Clarke John McPhee and Dr Jim Sait Graham Howe Keiko Schmeisser and the late The late Bea Maddock AM The Hon Robert Hunter QC and Jörg Schmeisser Tim Maguire Pauline Hunter Jan Senbergs AM Jennifer Manton Claudia Hyles James Service AO and Dorothy Susan Maple-Brown AM and International Culture Service the late Robert Maple- Appreciation and Dr Gene Sherman AM and Brown AO Interchange Society, Japan Brian Sherman AM The Margaret Olley Art Trust The late Margaret Louise The Sid and Fiona Myer Family Mitchel Simon Martin-Weber Jarrett Foundation AM Silk Cut Foundation John T Reid Charitable Trusts Robyn Martin-Weber Sir William Dobell Art Dale Jones-Evans Material Pleasures Foundation J Paul Getty Trust Joan Middenway and the late Andrew Sisson AO and Tracey Dr Douglas Kagi Pat Middenway Sisson Marion Kaselle James Mollison AO Ian Sleeth Lesley Kehoe The Myer Foundation Dick Smith AC and Pip Smith The late Merle Kemp Sidney Myer AM and Fiona AO Raymond Kidd and Diana Kidd Myer Fern Smith and Peregrine Dinny Killen and the late John Olsen AO, OBE Smith Dr Darrel Killen The Paddy Bedford Trust Shaike Snir and family

22 Support Ezekiel Solomon AM Jenny Brown John Kirby AM and Carolyn Robyn Stacey The Hon Ian Callinan AC, QC Kirby Raphy Star and Ann Star Maurice Cashmere Alun Leach-Jones Jonathan Steele and the late Robert Champion de Crespigny Nigel Lendon Barbara Hanrahan AC and Melanie Champion Lee Liberman Studio One Canberra de Crespigny Keith Little Terra Foundation for American Doreen Coburn Caitlin Littlewood Art Michael Cook Tom Lowenstein OAM and David Thomas AM and the late Kerin Cox and Brian Cox Sylvia Lowenstein Barbara Thomas Dr Daniel Mudie Cunningham Corbett Lyon and Yueji Lyon The Thomas Foundation Jean Curthoys Penelope MacDonald Lady Judith Thomson Margaret McKenna Janet Dawson Brian Thornton and Eleanor Mandy Martin Christopher Deutscher and Thornton Karen Woodbury Fiona Martin-Weber and Tom The Thyne Reid Foundation Hayward Dr Hilaire Dufour Imants Tillers Robyn Maxwell, John Maxwell Sue Dyer and Dr Stephen Dyer The late Peter Travis and Simeran Maxwell John Eager Uniting Church in Australia Melbourne Art Foundation Dr Meredith Edwards Village Roadshow Dr Danie Mellor Fiona Foley Guy Warren AM Jeff Mincham AM and Lexie Lindsay Fox AC and Paula Fox Dr Simon Watts Mincham AO Ellen Waugh Tracey Moffatt AO Rick Frolich Geoffrey White OAM and Sally Dr Stephen Mould White OAM George Baldessin Foundation Robert Nelson Sir James Wolfensohn KBE, Frank Gohier Gael Newton AM AO, and Elaine Wolfensohn Ginny Green and Leslie Green Antoinette Niven Gina Woodhill Gina Gregg and the late Ted William Nuttall and Annette Peter Wright Gregg Reeves John Wylie AM and Myriam Dr Michael Gunn, Bee Fong Hon Prof Penny Olsen Boisbouvier-Wylie Gunn, Bronwyn Gunn and Pace Prints and Pace Editions Jason Yeap OAM and Min Lee Jonathan Gunn Beth Parsons Wong Peter Hack Loretta Pash Salvatore Zofrea OAM Pam Hallandal David Paul William Hayward and Alison Prescott Family Foundation Fellows Hayward Donors of $50,000 to $99,999 Francis Purnell Petr Herel and Dorothy Herel Adrian Slinger Galleries Larry Rawling Sir Michael Hintze AM Robert Albert AO, RFD, RD, David Rockefeller The Hintze Family Charitable and Libby Albert Rotary Club of Belconnen Foundation James Armstrong and David Rose and Hannelore Margaret Shaw Kate Hodgkinson Rose Australia–Japan Foundation Donald Holt and family Rudy Komon Gallery Julian Beaumont OAM and Peter Human and the late Carol Rudyard Annie Beaumont Rachel Human Jocelyn Salisbury Sandy Benjamin OAM and Laima Jomantas Andrew Salvesen Phillip Benjamin Jonathan Jones Udo Sellbach Bill Beresford Robert Jose Sidney Myer Fund Lauren Berkowitz Katherine Kalaf James Smiley

National Gallery of Australia Foundation Annual Report 2018–19 23 David Stephenson The Anthony and Clare Cross Louis Berthet and Roslyn John Story AO and Georgina Foundation Berthet Story ANZ Group Jessie Birch William Streeton Robyn Archer AO Neville Black The Sun Foundation Arts NSW Richard Blaiklock Ricky Swallow Arts NT Robert Bleakley Takamasa Takahashi Arts Queensland William Blinco and Annette Lesbia Thorpe Australia–China Council Blinco James Turrell and Kyung Turrell Australia–Indonesia Institute David Block AC and Naomi Government of the United Australian National University Block States of Mexico Avant Card Eileen Bond Emer Prof Barbara van Ernst Rita Avdiev in memory of Kathy GW Bot AM Avdiev Ivor Bowden and Caroline Pamela Walker and the late David Baffsky AO and Helen Bowden Ronald Walker Baffsky William Bowness AO Lang Walker AO, Sue Walker Trevor Bail and Siew Lim Bail Graham Bradley AM and and family Samantha Baillieu AM and Charlene Bradley Keith Wedd Charles Baillieu The Breuer family Lou Westende OAM and Dr Roderick Bain OAM Shirley Brideson Mandy Thomas-Westende Andrew Baker Sir Ronald Brierley Rhonda White AO and Terry William Balson Gavan Bromilow White AO Bardas Foundation Jan Brown Arthur Wicks David Bardas AO Jason Brown Michael Wilson and Jane Glenn Barkley and Lisa Havilah Andrew Browne Wilson Graham Barr and Heloise Barr Martin Browne and Ahmed Wolfensohn Family Foundation Begdouri John Barrow and Maureen Candice Bruce Supporters Barrow Donors of $10,000 to $49,999 Ken Baxter and Annabel Andrew Buchanan PSM and Lenore Adamson and the late Baxter Kate Buchanan Ross Adamson Mark Bayly Janet Burchill Alison Alder Chris MacCartney Beale and Dr Janine Burke Jane Alexander Francesca MacCartney Beale Avril Burn Rick Allert AO and Barbara John Beard Mary Burns and Peter Burns Allert Betty Beaver AM Mark Burrows AO Graham Anderson Beck Family Foundation Peter Burrows AO Jacqueline Anderson Ane Becker Julian Burt and Alexandra Burt Jonathan Anderson and Edwin Anita Belgiorno-Nettis AM and William Bush and Mary Bush Low Luca Belgiorno-Nettis AM David Button Brook Andrew Dr Eugenie Keefer Bell in Robert Cadona Sue Andrew in memory of John memory of Dr Robert Bell Barbara Campbell David Andrew OBE AM Canberra Girls Grammar Christine Andrews and Arthur The late Robert Benedictus van School Shorter Raalte Stephen Carney and William Angus Margaret Benyon Dr Barbara Carney Anita and Luca Belgiorno- The late Dr George Martin J Michel-Henri Carriol and Julie Nettis Foundation Berger Carriol Ansell Dr Ian Bernadt Sue Cato

24 Support Jon Cattapan eX de Medici Patricia Fullerton Katherine Stirling Cawsey in Alfonso del Rio and Julie del Rio Gandel Philanthropy memory of her great-uncle Barrie Dexter CBE The Ganter family Captain Donald MacLeod John Divola Blair Gardner Roma Center and family Kerry Dundas Adam Geczy Maureen Chan Ivan Durrant Dr Gregory Gilbert and Peter Cheah Helen Eager and Christopher Kathleen Gilbert Leo Christie OAM and Marion Hodges Henry D Gillespie Borgelt Janenne Eaton Robert Gilliland Robert Meller and Helena Clark Moira Eckel George Gittoes Dr Tony Clarke and Michelle Wendy Edwards Shaun Gladwell Clarke Anna Eglitis Christine Goonrey Liam Durack Clancy Dr Murray Elliott AO and Dr Jennifer Gordon Prof Andrew Clouston Gillian Elliott June Gordon Lt Gen John Coates AC, MBE, Embassy of the United States Lanier Graham and Diana Coates of America Dr Penelope Graham in Michael Cockburn and Lydia Emil and Arthur D Emil memory of Edith Jean Margaret Cockburn Energy Australia Graham Trevor Cohen and Heather Richard England and Harriet John Grant AM and Susan Cohen England Ashton Darryl Collins Ruth Faerber Kiera Grant Kevin Connor Thomas Falconer Grant Family Charitable Fund Janelle Constable Jim Farrell James Gray and Elizabeth Contemporary Art Society Gray The late Rose Farrell and Dr Ray Cook and Diane Cook George Parkin Charles Green and Lyndell Brown Eric Coote and Evarne Coote Emer Prof Norman Feather AM Gillian Green Council on Australian and Latin John Fely and Jayne Stetto, American Relations Rick Fely and Zihron Tune in Heather Green and Jock David Craddock memory of Katarina Katie Smibert Craftsman Press Fely Janina Green Rear Admiral Ian Crawford AO, Anne Ferguson Richard Griffin AM and Jay AM (Mil), RAN (Retd), and Terrence Fern and Lynette Fern Griffin Cathie Crawford Anne Ferran Sue Griffin Tadeusz Groblicki Merrilyn Crawford Dr Tom Ferrier Guan Wei Matthew Crichton Philip Flood AO and Carole Brenda L Croft Flood The Gunson family Maurice Crotti AO and Tessa Michael Florrimell Marla Guppy Crotti Robert Forbes and Prof Sandy Jean Hanrahan Prue Crouch Forbes Russell Harper John Cruthers Dr Chris Fortescue Eleanor Hart Gregor Cullen Alan J Foulkes and the late Katherine Hattam Ian Darling AO and Min Darling Mark G Cleghorn Virginia Henderson AM James Darling AM and Lesley Hayden Fowler Mark Henshaw and Dr Lee Kerr Forwood Belinda Fox Herald and Weekly Times Dimity Davy Kathy Freeman Jennifer Hershon Robyn Daw Klaus Friedeberger and Julie Charles Hewitt Eva de Jong-Duldig Friedeberger Sue Hewitt

National Gallery of Australia Foundation Annual Report 2018–19 25 Shayne Higson Norman Korte and Vanessa John Mackay AM and Colette Adam Hill Carlin Mackay OAM Sam Hill-Smith and Margo The Kowalski family Audrey McKibbin and the Hill-Smith Derek Kreckler McKibbin family Colin Hindmarsh and Barbara Eva Kubbos Hamish Mackinnon and Susan Mackinnon Hindmarsh Johannes Kuhnen Chips Mackinolty Rosemary Hirst The Hon Dr Diana V Laidlaw Brand Hoff AM and Peta Hoff AM The late Jessie MacLeod Pamela McMahon Jonathan Hope Malcolm Lamb AM and Sue McNamara Ian Hore-Lacy Christopher Lamb Hilarie Mais Richard Horvath John Lane Anthony Maple-Brown and Dr Marian Hosking Leonie Lane Suzanne Maple-Brown Elspeth Humphries and Vincent Langford Grahame Mapp AM and Sue Graham Humphries Christopher Langton Mapp Humphries Family Foundation Judy Laver David Marshall AM and Linda Elizabeth Laverty and the late Impress Printmakers Studio Henschke Dr Colin Laverty OAM Michael Ingamells The late Bruno Martinazzi Josef Lebovic Tristan Ingleton Peter Mason AM and Kate Zeina Itaoui and Radwan Alam Leonard Joel Auctioneers Mason James Hardie Industries Helga Leunig and Michael Helen Maudsley Leunig Jani Haenke Charitable Trust Patricia Mavromatis Lidia Perin Foundation Peter Janssens and Margaret Maxwell Optical Industries Dr Alfred Liebhold Janssens Assoc Prof Joanna Japan Foundation Paul Lindwall Mendelssohn Margaret Jennings and the Paul Little AO and Jane Edward Merrin late Victor Jennings OBE Hansen Dr Margaret Middleton David Jensz Robert Littlewood and Dr Helena Miksevicius Katherine Littlewood Dr Helen Jessup and the late Justin Miller Penny Lockwood Philip Jessup Jr Ingrid Mitchell Richard Longes and Elizabeth Tim Johnson Matisse Mitelman Longes Dr Vivien Johnson Mitsui & Co (Australia) Donald Love, from the estate Peter Jopling AM, QC Dr Cathryn Mittelheuser of John Sherman Henderson Dr Evelyn Juers AM and the late Margaret Janette Lucas Mittelheuser Julie Kantor Dr Peter Lundy RFD and Donald Moffatt and Dr Cecilia Phillip Keir and Sarah Benjamin Dr Maureen Bremner Ng in memory of Anthony Keir Foundation Joan McAuslan Forge Franz Kempf AM Dr Isabel McBryde in memory Milton Moon and the late Betty Sue Kesteven of Roberta McBryde Moon The Keys family Jennifer McCamley Traudl Moon OAM Gail Kinsella Billie Jo McCann Simon Mordant AM and Dr Jane Kinsman The Hon Justice Robert Catriona Mordant Lou Klepac OAM and Brenda McDougall and Jenny Daphne Morgan Klepac McDougall Prof Callum Morton Anthony Knight OAM and The Macdougall family Paul Morton and the late Beverly Knight Vicki McGeoch and Wayne Catherine Morton Ineke Kolder-Wicks McGeoch Warren Muller

26 Support Martin Munz Suzannah Plowman George Schwarz and Charis Joan Murday Dug Pomeroy and Lisa Schwarz Jan Murphy Pomeroy Ian Scott Adelaide Myer David Poole Ross Searle Charles Myer Elaine Pounder-Smith Dr David Sequeira Charlotte Myer Clayton Press SERVICE ONE Alliance Bank Edgar Myer David Preston David Shannon and Daniela Jemima Myer Jill Quasha Shannon Walter Myer Queensland Indigenous Arts John Sharpe and Claire Armstrong Stephen Nano and Rachael Marketing and Export Nano Agency Rosamond Shepherd John Neeson R & M Champion de Crespigny Edward Simpson Hans Neleman Foundation Rosemary A Simpson Mark Nelson and Louise Nelson Jacky Randall Rob Skipper Niagara Galleries Don Rankin and Carolyn Rankin Matthew Sleeth Prof Anne Noble Marcia Rankin Geoffrey Smith Charles Nodrum Ronnie Ransfield Helen Smith Harald Noritis Reader’s Digest Janet Louise Smith David Smithers AM, Isabel Elizabeth Nosworthy AO Selina Redman AO Smithers and family Chris O’Doherty Kenneth Reed AM and Leonard Iris Snir Prof Brian O’Keeffe AO and Groat Arryn Snowball the late Bridget O’Keeffe AM Ralph Renard and Ruth Renard Prudence Socha Marianna O’Sullivan and Tony Reserve Bank of Australia O’Sullivan Lady Southey AC Dr Liz Rickman Roslyn Oxley OAM and Tony Dr Dirk Spennemann Brad Rimmer Oxley OAM John Spooner Rio Tinto Geoffrey Pack and Leigh Pack Dr Katherine Stannage Susan Robertson and Alan Gretel Packer Miriam Stannage Robertson Greg Paramor AO State Library of Victoria Shirley Robinson Claire Parkhurst Douglas Stewart Dr Maxine Rochester The Hon Thomas Pauling AO, William Strutt Rockend QC The Sun Foundation Alan Rose AO and Helen Rose Patsy Payne Sussan Corporation The Rossi Foundation Mary Peabody and Terry Joan Swanson Rotary Club of Woden Peabody Sydney Printmakers Susan Rothwell Ellen Peascod Tanja Taglietti and the late Loyd Perin Irvine Salter and Jocelyn Salter Dr Enrico Taglietti Peter Blackshaw Real Estate Mark Sampson and Ruth Joanna Tanaka-King and Peta Phillips Sampson Angela Hey Joshua Pieterse Andrea Sandals Dr Robert Taylor and Wendy Kirsteen Pieterse Prof Leonie Sandercock Taylor Rosslynd Piggott Gisella Scheinberg OAM Prof John Teschendorff and Kristian Pithie Dr James BM Schick and Annette Seeman Jon Plapp Robert M Schick Daniel Thomas AM Dr Cassi Plate Anna Schwartz and Morry Dr Christian Thompson AO Julien Playoust and Michelle Schwartz AM Lynnette Thompson Playoust Carol Judith Schwartz AO Ann Thomson

National Gallery of Australia Foundation Annual Report 2018–19 27 Aida Tomescu Ian Wood Nick Burton Taylor AM and Toshiba Australia and New John Wood Julia Burton Taylor OAM Zealand Julie Wood Donna Bush and Glenn Bush TransACT Communications Mike Woods and Kaely Woods Peter Cameron Theo Tremblay Margaret Woodward The late Christopher Byrne Barbara Tribe Foundation Bronwyn Wright Somerled Alexander Cameron Dr Angus Trumble, Nick Judith Wright and family Trumble, Simon Trumble and Wright Burt Foundation Rear Admiral David Campbell Angus Trumble AM Kenzan Yamada Dr Caroline Turner AM and Chris Carlsen Dr Glen Barclay Mark Young Jane Carver John Turner Friends Dimitra Cassidy and John Utah Foundation Donors of $5000 to $9999 Cassidy Morna Vellacott Dr Bruce Adams HM Gyalyum Sangay Choden Margaret Vernon Joan Adler Wangchuck, Queen Mother Vicki Vidor OAM Kurt Albrecht of Bhutan Derek Volker AO and Susan Tony Ameneiro William Whie Dong Chung Volker Trevor Andersen Santo Cilauro and Morena Berta von Bibra and Kenneth Buffon von Bibra Garry Anderson Peter Clemenger AO and Joan Bret Walker SC Andrew Andersons AO Clemenger AO Murray Walker Art and Heritage Collections, Damian Clothier QC and Sarah University of Adelaide John Walton AM Greer Michael Wardell Artbank Stephanie Cole Ross Watson Association of Northern, Diana Colman Frank Watters Kimberley and Arnhem Aboriginal Artists (ANKAAA) Julius Colman and Pam The Webb family Colman Brian White AO and Rosemary Australia–India Council Angela Compton and John White The AW Tyree Foundation Compton Jill White Josephine Bayliss Lynette Conybeare and Prof Jeffrey Bennett and Tony White Christopher Conybeare AO Wilbow Group Ngaire Bennett Helen Cook John Wilkerson and Barbara Suzette Bertolozzi Coopers Brewery Wilkerson Graeme Beveridge and Linda Nicholas Coppel Muriel Wilkinson Beveridge Phillip Cornish and Caroline Emer Prof David Williams AM Peter Blayney Cornish and Margaret Williams Toby Blyth and Jason Collins Lady Betty Cotton and the late Dr Neil Williams PSM and Louise Boscacci Sir Robert Cotton KCMG, AO Margaret Williams Robyn Boyd and Penleigh Boyd Anne Coupland and the late Dennis Wilson and Tauba Robert Boyes Wilson Dr Bill Coupland Jane Bradhurst Liz Wilson Jim Cousins AO and Libby Diana Brookes Cousins James Windeyer and Peronelle Windeyer Adam Brooks Virginia Coventry Albert Wong AM and Sophie Sam Brougham and Tania Zoë Croggon Wong Brougham Patrick Crone Dominique Woods and the late Rev Ian Brown Lyn Cummings and the late Richard Larter OAM James Buckley Clem Cummings

28 Support Dr Ian Dalziell and Paul Greenhalgh AM and Tony Lewis and Helen Lewis Dr Rosamund Dalziell Wendy Greenhalgh AM James Litchfield and Barbara Susan Daw OAM and Haydn Damian Hackett and Michelle Litchfield Daw Holmes-Hackett Elizabeth Loftus David de Campo Trevor Hancock Carol Lovegrove and Giselle de Jong Pauline Harding and the late Dr Frederic Lovegrove Antony de Jong Timothy Harding Sue Lovegrove Anne De Salis Harper’s Bazaar Ron McBurnie The Hon Sir William Deane AC, John Harris McCusker Charitable KBE, and Lady Deane Dr Frank Harvey and Foundation John Dermer Dr Patricia Harvey Richard McDonald Ben Divall and Sir Jonathan Nicci Haynes Judith MacIntyre Mills AO Joyce Hedges Hugh Mackay and Dr Sheila Alan Dodge AM Maree Heffernan Mackay Tony Donnithorne Sinclair Hill AM, OBE, and Moonyeen McNeilage and Ian Pippin Drysdale Wendy Hill McNeilage Beatrice Eckersley The late Mark Hinderaker Vanessa Martin and Stella Dr Dorothy Erickson Brian Hirst Palmer Murray Fagg Graham Hobbs Penny Mason Francine Farr Connie Hoedt The Hon Justice John Feilman Foundation Brooke Horne Middleton QC Brian Fitzpatrick Rosemary Huff-Johnston and Caroline Minogue and Nick Rev William Huff-Johnston Minogue Michael Fleming, Belinda Barry Humphries AO, CBE Fleming and family Sarah Mosca Judith Hurlstone and Clive Andrew Fox and Fiona Fox Anne Moten and John Moten Hurlstone Katrina Fox Graham Mount AM Dr Peter Ingle and Rosemary Ben Frankel Betty Nathan Ingle Margaret Frisch Derek Nicholson Lucie Jacobs Helen Gannon and Michael Dr Denis O’Connor Carolyn Kay and Simon Gannon Derek O’Connor Swaney Peter Gardner Graham O’Neill Bruce Keebaugh and Chyka George Gill Keebaugh Eva Orban Sir James Gobbo AC, CVO, and Karin Keighley Robert Owen Lady Gobbo Simon Kessel and Julie Kessel Elizabeth Pakchung Danny Goldberg OAM and Lisa Chris Kirby and Raymond The Paul and Samantha Cross Goldberg Leggott Foundation Julian Goldenberg and Neta Doreen Kirby Robert Pauling Saint Ursula Laverty Gwen Pearson Sally Goodspeed Dr Michael Lefebvre Playoust Family Foundation— Mary Gorman Barbara Leser and the late AEH Group Ross Gough and Erica Thorp Bernard Leser Jeanette Plowright Rob Gould Deborah Leser Porters Lawyers Elizabeth Gower Alison Leslie and the late Beau Powers Anne Marie Graham James B Leslie John Pritchard and Gwenda Greatway Jean Lester Murphy Jenny Green and John Green Frank Lewincamp and Barbara Jason Prowd Paul Greenaway OAM Lewincamp Pollie Pyke

National Gallery of Australia Foundation Annual Report 2018–19 29 Ronald Ramsey WA Department of Culture Robert Allmark Caroline Rannersberger and the Arts Ronald Allpress Scott Redford Alexandra Wedutenko and Don Maurice Alter and Helen Alter Warwick Reeder Williams Dr Marion Amies Charles Reid and Jennie Reid Kim Westcott Cynthia Anderson Ken Whisson Evi Reid and Chris Reid Margaret Anderson and Gina Rinehart Anne White and Peter White Bernard Hughes Dorothy Roberts and the late Eric Whiteley William Anderson HG Roberts Noreen Wight James Andrew Arthur Roe Jean Williams Judith Andrews Chris Wilson Dr Catherine Rogers ANU School of Art Deborah Winkler Karen Rosauer and Dan ANZ Trustees Rosauer Julie Wood and Ian Wood APEC Australia Michael Roux and Veronica Sue Wood and the late Colonel Ray Arnold Roux Craig Wood Art Gallery of New South Evelyn Royal Donna Woodhill Wales John Sample and Rosalinda Alan Wyburn Sue Ashmore-Smith Sample Ah Xian Lachlan Astle and Neil Anne Sanders Piet Yap Matthews Michael Sandle Masamichi Yoshikawa Simonetta Astolfi Alex Selenitsch Dr Steven Zador Margaret Aston Paul Selzer and Linda Selzer Lucy Atkinson James David Sharman Members Donors of $1000 to $4999 Michelle Atkinson and William Wolfgang Sievers Abdul Abdullah Atkinson Anneke Silver Barbara Abercrombie Carole Aubury and Martin John Simpson and Cathy Aubury Simpson Karma Abraham Australian Centre for Concrete Michael Smithson and Susan Diane Ackerman Art Smithson David Andrew Adams Prof Edgar Snell AM Phillip Adams AO Australian Garden History Society Phyllis Somerville Tate Adams AM Australian National Gallery Southern Highlands Robert Aernout Voluntary Guides Printmakers Margaret Ainscow and David Australian National University Patricia Stanner Walker School of Art Noella Stephenson and Kevin Elizabeth Aitken Stephenson Gillian Alderson Australian Principals Association Professional Josephine Strutt The Alessi family Development Heather B Swann Sandra Alexander Australian Quilters Association Carol Taylor and the late John Micky Allan and Steenus Von Livsey Taylor Steenson Judith Avery Emer Prof Ken Taylor AM and Ross Allan Sally Beatrice Bachelard Maggie Taylor Beverley Allen Yvette Bacina The Taylor-Cannon family Deborah Allen Dr Lynne Badger Dr Lindsay Thompson AM Kim Allen Alain Badoux and J Badoux Marlowe Thompson Allen Family Foundation Hon Prof Peter Bailey Cora Trevarthen Marilyn Allen and Dr Robert Jim Bain AM Dr Shirley Troy Allen Christopher Baker

30 Support Dr Elaine Baker and John Robert Birchall and Irma John Bruce and Barbara Bruce Cruthers Birchall Jane Brummitt James Baker Beverley Birtles Ann Bryce Dr Lesley Baker Phoebe Bischoff OAM Antony Buckingham Wilfred Baker Paula Bizimis Rose Burbidge John Ballard Martin Black and Norma Black Barbara Burdon Anne Banks Robert Blacklow Christopher Burgess and Lesley Barker Adriane Boag Dr Christine Burgess Wayne Barrar Annan Boag Peter Burgess Belinda Barrett Susan Boden Parsons Rachel Burgess Robert Barry and Sabrina Michael Bognar Ruth Burgess Barry Donna Bolinger Ian Burn Charles Bartholomew Meg Bollen Burns Philip Foundation The late Thelma Barwick Lissant Bolton Margaret Burrell Dr Erik Baulis Lynne Booth and Max Booth Meg Burton George Baxley Gillian Borger J Butler Roger Beale AM Jack Bourke Ita Buttrose OBE, AC Marc Bowden The Hon Justice Sir Alexander Annette Byron Beattie Elisabeth Bowes John Caldwell and Judith Dame Beryl Beaurepaire AC, Dr Peter Boxall AO and Karen Caldwell DBE Chester Dr Berenice-Eve Calf Robyn Boyce and Michael HE The Hon Kim Beazley AC Elaine Camage Boyce Robyn Beeche Andrew Cameron AM and Torin Boyd and Naomi Izakura Cathy Cameron Desmond Beer Dr Mary Boyd Turner Aynsley Cameron Antonia Begbie John Bradley OBE, JP Debbie Cameron Ronald Behan Dr Michael Brand Ian Cameron and the late Allan Behm Sarah Brasch Carolyn Cameron Madame Giselle Bellew Assoc Prof Phillip Braslins and Jennie Cameron AM Maria Bendall Monique Machatt Warrington Cameron Nicolette Benjamin-Black and Arne Brauer Eduardo Campaner James Black Vincent Bray Nigel Campbell and Sandy Andrew Bennett Joseph Brender AO Campbell Prof Martin Bennett Margaret Brennan and Canberra Contemporary Art Stephen Benwell Geoffrey Brennan Space Virginia Berger Mary E Brennan Canberra Region Feltmakers L Berkelouw Robert Brennan Canberra School of Art Phillip Berry Susan Brennan Canberra Spinners and MA Tim Besley AC Rollo Brett Weavers Judith Bibo Bridget McDonnell Gallery Criss Canning Suzanne Biddles and David Peter Briggs and Robyn Briggs Joanna Capon and the late Biddles John Brook Edmund Capon AM, OBE Robert Bignell Christina Brooks The Hon Gordon Carmichael Julie Biles and the late Dr AD Brown Gavin Carr and Heather Carr Dr David Biles Howard Brown and Jennifer Michael Carr Noel Birchall and Georgina Brown Deb Carroll and Jim Carroll Birchall Betty Browning Wally Caruana

National Gallery of Australia Foundation Annual Report 2018–19 31 Barbara Cater Peter Court Irene Delofski and Ted Delofski Amanda Cattermole Kerry-Anne Cousins Michael Desmond Antonia Chaffey Craig Couzens Clint Deverson Christopher Chapman Ann Coventry Ian Dewar Charities Aid Foundation Cowra Art Gallery Peter Di Sciascio America Elaine Cox Jane Diamond Arthur Charles Laurie Cox AO and Julie Ann Maggie Diaz Prof Andrew Cheetham and Cox AM Maxwell Dickens Jan Cheetham Neil Cox and Kay Cox Sheena Dickins Jack Chester Tim Cox AO and Bryony Cox Ian Dickson Chong-Kan Choe The Cree family Martin Dickson AM Deborah Clark Danielle Creenaune Shirley Dickson Dr Patricia Clarke OAM Georgia Croker Cecily Dignan John Clements Dr Robert Crompton and the Tom Dixon Sonia Clerehan late Helen Crompton Jennifer Dobbin Vikki Clingan Jim Culbertson and Geoffrey Ruth Dobson Christine Clough True Mark Dodson Dr Liz Coats The Cummins family Susan Doenau Wendy E Cobcroft Prof David Curtis AC and Lauri Anthony d’Offay Curtis Dale Coghlan David Donaldson Mary Curtis and Richard Mann Michael Coghland and Sarah D’Onofrio and John Chrisanthi Papadopoulos Jane Cusack Palermo Susan Cohn Ruth Cutcush Jennifer Doyle and Alex Doyle Richard Coleman and Cynthia Perri Cutten Margaret Doyle and Jonathan Coleman Lucilla d’Abrera Doyle Steph Collet Andrew Dale and Barbara Dale Benjamin Drew The late Michael de Burgh Greg Daly Jan Driscoll and the late Prof Collins Persse MVO Maria Magda Damo Geoffrey Driscoll Comme des Garçons Malcolm Dan Susan Duffy and Shaun Duffy Dr Arthur Conigrave and Aleks Danko Barbara Duhig Dr Kate Conigrave Dorothy Danta Karen Dundas Dr John Connors Rowena Danziger AM and Ken Rosemary Dunn Bruce Cook Coles AM Rosemary Dupont Graham Cooke and Cassandra Michael Darling Stephen Dupont Hampton Louise Dauth Anthony Eastaway Donald Coppock and Jenny John Davenport Eastgate and Holst Odgers David and Jennie Sutherland Peter Eddington and Joy Dr Patricia Corbett Foundation Williams Ann Cork Dianne Davies Susan Elder The Cornell family Ruby Davies Sylvia Elgie Greg Cornwell AM The Davies family The Hon Robert Ellicott AC, Michael Costello AO and Susan Davis QC, and Colleen Ellicott Christine Wallace Eleanor de Mestre and Antony Jacqueline Elliott Paul Costigan de Mestre Embassy of France HE Imron Cotan Robyn Dean and Phillip Dean Gay Emmerson Belinda Cotton and Tony Pam Debenham Dr Frank Engel D’Orazio Dr Moreen Dee Prof Helen Ennis

32 Support Dr Bruce Errey Dr John Fricker OAM Richard Green and Isabella Pauline Everson Vivienne Fried Green Julie Ewington Alan Froud PSM and Judy Greenaway Art Gallery Erwin Fabian Froud Michael Greene Bruno Fabiano Ticky Fullerton Royce Gregory OBE, KLJ Patricia Fagan Helen Fyfe Prof Elsie Diana Gregson Fraser Grant Fair G & C Bradley Foundation Dr Noel Grieve and Janet John Fairfax AO and Elizabeth Anne Galbraith Grieve Fairfax Dr Howard Galloway Pauline M Griffin AM H Fairfield-Smith William Galloway Sybil Griffiths Merilyn Fairskye Sophie Gannon Joyce Grimsley Brett Falkiner and Josephine Kerry Gardner AM and Andrew Angus Grimwade Falkiner Myer AM Jacob Grossbard Suzanne Falkiner Roy Garwood Carlo Grossman and Joanna Terry Farquhar Christine Gee and the late Grossman Dr D Farrant Bryce Courtenay AM Peter Grove Janne Faulkner AM Ingrid Geli and Alan Hazell Wenda Gu Ross Feller Dr Paul Gerber John Guppy Sandra Ferman Ghostpatrol David Guy William Ferrier and Noelene William Gibbs and Geraldine Gordon Gyles OAM Ferrier Gibbs Katrin Hackney Erica Fisher Ann Gibson Patricia Haggard Mr and Mrs CH Fitzhardinge Dr Robin Gibson Robert Haines and Mandy Peter Flanagan and Cheryllee Dr Michael Gillespie and Nicole Haines Flanagan Gillespie Leo Haks Richard Flanagan Marion Gillespie-Jones Aileen Hall Jo-Anne Flatley-Allen Rodney Glick K Halley Judith Fleming Maryan Godson and Richard Rod Hamilton Lynn Fletcher and Wayne Godson Michael Hamson and Susie Fletcher Louise Goldsmith Hamson John Flynn Debra Good Geoffrey Hancy and Yvonne Lucie Folan and the Folan The Hon Justice Michelle Ellies family Gordon AC The Hon Justice Kenneth Dr Donna Foley Robyn Gordon and Bruce Handley AO and Diana Robert Footner AM Gordon Handley Malcolm Forbes Joshua Gordon-Carr and Cheryl Hannah David Forrest Jessica Middleby-Clements Natasha Hardy David Franks John Gordon-Kirkby Hardy Fine Art Tamara Fraser AO and the late Kevan Gosper AO Melinda Harper Rt Hon Malcolm Fraser AC, Gillian Gould and Dr Hugh Yvonne Harrington CH Smith Michael Harris Andrew Freeman and Dian Peter Goulds John Harrison and Danielle Pelyk Brett Graham Kluth Dr Brian Freeman Dr Elizabeth Grant AM and Amanda Hart Alison French family John Haslem and the late Greg French Janette Gray Caryl Haslem OAM Margaret Frey Judy Gray Geoffrey Hassall

National Gallery of Australia Foundation Annual Report 2018–19 33 The Hon Robert (Bob) Hawke Daryl Isles David Kennemore and AC Alison Iverach Rosemary Kennemore Robert Hawes John Jackson and Rosslyn Pamela Kenny and the late Bruce Hayes Jackson Dr Peter Kenny Leah Haynes Prof Chennupati Jagadish and David Kenyon Ann Healey Dr Vidya Jagadish Helen Kenyon and the late Kim Hedrich Susan Jardine Arthur Kenyon AM Heide Museum of Modern Art Major General Michael Ella Keough Robert Hefner and Peggy Jeffery AC, AO (Mil), CVO, Maiya Keough Daroesman MC (Retd), and Marlena James Kerr and Joan Kerr Brit Helgeby and Edward Jeffery Margie Kevin Helgeby Theodore Jenkel and Gabrielle Kibble Heather Henderson Georgette Grezak Jane Kilmartin Margaret Henderson Robyn Jenkins Christine King and Ken Lois Heycox and Ian Heycox Kriss Jenner Wardrop Colin Hill and Linda Hill Dr David Jeremy and Philippa Desmond King Dr Marian Hill Jeremy King O’Malley’s Assoc Prof Lybus Hillman and Dr Michael Joel AM and Anna Robert Kirby AO and Mem Michael Hillman Joel Kirby Narelle Fay Hillsdon Stephen Johns and Michele Valerie Kirk and John Kirk Bender Elisabeth Hilton Murray Kirkland Assoc Prof Christopher Janet Hine Lou Kissajuhian Johnson Michael Hodgetts AM Joan Kitchin and the late Dianne Johnson and Gordon Cherylynn Holmes Dr Reg Kitchin Johnson Janet Holmes à Court AC Dr John Knaus John Johnson Laura Holt Jeanette Knox Dr Joseph Johnson CSC, AAM, Keith Hooper Joyce Koch BEM and Madeleine Johnson Margaret Hughes and the late Joanna Krabman Judy Johnson Brigadier J Garth Hughes Dr Piriya Krairiksh Mark Johnson Dr Bernard Hughson and Vera Krizaic Johnson & Johnson Australia Jennifer Hughson Dr Michael Kroh John Jones Emer Prof Terence Hull and Katarina Kroslakova Dr Valerie Hull Lyndall Jones Edward Kruger and Geraldine Peter Hunter and Deslys BR Judge Kruger Hunter Martin Kamer Dr Andrea Krumbholz and the Lloyd Hurrell Arun Karthik Rajagopalan late Dr Peter Yorke Jane Hylton and Robert Hylton Irene Kaspar and Peter Boege Robyn Lance and Robert Lance Dr Anthea Hyslop Dr Dominic Katter Terence Lane Dr Annette Iggulden Jenny Kee AO Sandra Lauffenburger Impressions on Paper Gallery Peter Keel and Angela Keel Robert Laurie AM and Diana Susan Ikin Maria Keese Laurie John Ingham and Frances Helen Kelleher and John G Lawrence Ingham Kelleher Victoria Leaver Odette Ingram Nick Kelly and Susie Kelly Anne Ledger Integralift Consulting Anne Kennedy Faye Anita Lee Engineers Dr Brian Patrick Kennedy and Prof In-Chin Lee Angela Isles family Jennifer Lee and Robert Lee

34 Support Peter Lee and Lee Kip Lee M McDowell Susanna Mason and Noel Kristin Leece Simon McGill Mason Prof Stephen Leeder AO, MD Pam McGilvary Judy Matear and the late Alistair Legge Jan McGovern and Peter Bruce Matear AM Lady Jodie Leonard McGovern AM The Hon John Matthews and Dympna Matthews David Lesslie Jan Mackay Julie Matthews Russell John Lesslie Manfred Mackenzie Dr Roger Mauldon Bruno Leti Mouli MacKenzie Helen Maxwell OAM Diana Letts Sandra Mackenzie Roger Mayne Orde Levinson Robin McKeown Dr Betty Meehan Darani Lewers Fiona MacLachlan OAM Megalo Access Arts Dr Frederick Lilley and Frances McLaughlin-Gill Penelope Lilley Alistair McLean and Rosemary Ralph Melano Stuart Lindenmayer Donkin Bill Meldrum-Hannah Vane Lindesay Virginia McLeod and Robert Lorna Mellor AM Datuk Amar Leonard Linggi Bleeker Mering Management Jugah and the late Datin Maureen McLoughlin Corporation Amar Margaret Linggi The Hon Justice Carmel Diana Mildern Jean Linnett and Ian Linnett McLure AC, QC, and Karen Steven Miles Linda Lipp Brown The Hon Geoffrey Miller QC Leonie Livingston and John Marie McMahon and Rhonda Miller Livingston Mariann McNamara Theila Millner Robyn Long Dr Stephen G McNamara John Millwood Amanda Love and Andrew Daniel McOwan OAM Prof Elizabeth Minchin and Love Anna McPhee Tony Minchin Prof Anthony Low AO Elma McRae Jan Minchin Dr Bill Lucas Diana McRobbie Sir John Minogue Prof Helmut Lueckenhausen Joyce McRobbie Yoichi Minowa and Gillian Lukeckenhausen Karen McVicker The late Bevan Mitchell W Lussick and H Lussick Marian Maguire Steven Mitchell Richard Luton Jeffrey Makin Issey Miyake Elizabeth Lynch and Michael Linda Malden Barbara Mobbs Lynch Alan Mallory and Linda Mallory Valli Moffitt Mary-Lou Lyon Marion Manifold Lisa Molvig Robyn McAdam Allan Mann Irene Montgomery Sir J McCauley Jenny Manning Kathleen Montgomery Dr Ian McCay Svetlana Manns and Peter Cathi Moore and Brendan Cox Patricia F McCormick Manns Andrew Moorhead J McCoy Pamela Maple-Brown Graeme Morgan Kathleen McCredie AM Banduk Marika AO Hugh Morgan AC Colleen McCullough AO Dr Bruce Marshall AM and Jane Morgan Patricia McCullough Robin Coombes Nicole Morgan Anne McDonald Graeme Marshall AM and Prof Howard Morphy Jan McDonald Dr Walter Ong Dr Elizabeth Morrison and Bridget McDonnell Nicholas Marshall the late Emer Prof Derek Dr Ian McDougall and Pam Seraphina Martin Mulvaney AO, CMG McDougall Margaret Mashford Frances Muecke

National Gallery of Australia Foundation Annual Report 2018–19 35 Mualgau Mineral Artists Shirley O’Reilly Wendy Quinn Collective Dr Milton Osborne Caroline Radcliffe Dr Angus Muir and Charlotte Robert Oser and Agie Oser Alison Rahill Wilenski Barbara Otton Ronald Raines Philip Mulcare and Patricia Kathryn Ovington Prof Shirley Randell AO Mulcare Nasser Palangi Ramona Ratas Joananne Mulholland and Maudie Palmer AO Esther Raworth David Rivers Tony Palmer Harry Raworth Neil Mulveney Gwen Paltridge and the late Lynette Re and Tony Re Janet Munro Angus Paltridge Bill Reed AM Robert Munro and Ann Munro Sir Arvi Parbo Anne Reese and David Reese Catherine Murphy and Andrew Pardoe Ardyne Reid Christopher Murphy Lioubov Parekh Alex Murray Dorothy Reid John Parker and Joss Righton Lady Janette Murray George Reid and Georgie Reid Rita Parker and Michael Parker Ron Murray AM and Pamela The Hon Margaret Reid AO Dr Edward Parkes Cannon-Murray Wybe Reyenga Thomas Murray Helen Parry and Roy Parry Pamela Rhemrev Geoffrey Murray-Prior and Anne Parsons Jill Richards Gillian Murray-Prior Gillian Parsons Judy Richmond and Tim Museum of Contemporary Art Margaret Pask Richmond Peggy Muttukumaru Kim Paterson and Helen Dr Lyn Riddett Donald W Nairn Preston David Riggs and Krysia Kitch M Nash Lee-Anne Patten Kevin Riley National Capital Printing David Pearse and Elizabeth Judith Roach Pearse Peter Naumann Cameron Robbins Richard Perram Sir Eric Neal AC, CVO, and Jennifer Roberts Lady Neal AM Jonathan W de B Persse Vera Roberts Barbara Nell Andrew Phelan and Monica Andrew Robertson Phelan Newcastle Art Gallery Society Barbara Robertson Prof Margaret Plant Marylyn New Mark Robertson and Anne Morna Playfair Marion Newman and Dr Mike Robertson Newman James Plowman and Sally Paul Robilliard and Hanan Plowman Maurice Newman AC Robilliard Constantine Nikolakopoulos Mary Pollard and Paul Pollard Dr Vanessa Robins Prof Ian North Powerhouse Museum Angus M Robinson and Christopher Norwood OAM Lady Praznovsky Jeanette Robinson and Gweneth Norwood Richard Price Esther Robinson Patricia Nossal Dr Michael Priest Wendy Robson and Hannah James Notaras and Sophia Anne Prins Purdy Notaras Ann Proctor Rockhampton City Art Gallery Kathleen Nowik Michael Proud Lynlea Rodger and Clive Warwick Oakman Tony Purnell and Kaye Purnell Rodger Jackie O’Brien Queen Victoria Museum and Peter Roeper and Khurshid Simon O’Halloran and Barbara Art Gallery Jahan O’Halloran Quilt Study Group of Australia, Clive Rogers in memory of The Rt Hon Justice Barry Canberra Branch RB Cito Cessna O’Keefe AM, QC Michael Quinn Meredith Rogers

36 Support Susan Rogers Prof Robert Shanks and Andrew Speirs Anthony Rohead Josephine Shanks Paul Spence Pilar Rojas Maggie Shapley The Hon James Spigelman AC, Arjen Romeyn Peter Sharp and Lesley Fisk QC, and Alice Spigelman David Rosetzky Wendy Sharpe Margaret Stack Roslyn Russell Museum Marina Shaw David Stanley and Anne Services Prof Ivan Shearer AM Stanley Dr James Ross and Heather Dr Judith Shelley and Michael Maisy Stapleton Ross Shelley Helene L Stead Rotary Queanbeyan West Dr Kenneth Shepherd and John Stead Warwick Ross and Margot Ross Audrey Shepherd Steensen Varming (Australia) Jennifer Rowland and Dr D Carina Sherlock The Stefanoff family Rowland Georgiana Silk Josef Stejskal S Rubenstein Diana Simmonds Michael Stephenson Ray Rummery and Barbara The Simon Lee Foundation Patricia Stephenson Rummery Ruth Sinclair Robyn Stone and Dr Alison Mark Ruwedel Irawati Singarimbun Kesson Emer Prof Patricia Ryan and Bahg Singh in honour of his Linley Stopford Dr John Corbett late mother Bhajno-Devi Keith Storey Elizabeth Ryrie Kevin Skelton Dr Alan Stretton and Marilyn Nino Sabatino George Skilton and Irene Stretton Peter Sabatino Skilton Dr Jeanne-Claude Strong and the late James Strong AO Patricia Sabine Dr Judith Slee and Dr Michael Slee James Sullivan and Judy Soper Bridget Sack Damian Smith Ursula Sullivan Eileen Sadler Elizabeth J Smith John Sutton and Susan Sutton Orestis Saducas and Anastasia Richard Smith AO and Jan Elinor Swan Saducas Smith Juliana Swatko Felicity St John Moore Jennifer Smith Lynette Swift and the late Raoul Salpeter and Roslyn Wendy Smith Robert Swift OBE, OAM Mandelberg Barry Smith-Roberts Lady Synnot Gary Sands Samuel Smorgon AO and Mary Szarka Olga Sankey Minnie Smorgon The Tall Foundation The Sargeson family Jane Smyth OAM and Annabelle Taylor and Neil Margot Sawyer and Kevin Dr Warwick Smyth Taylor Sawyer Dr Kim Snepvangers Victoria Taylor Fiona Sawyers Solvay Interox Bruce Teele Kenneth Saxby RFD, ED Ann Somers Sue Telford and Dr Richard Annalise Scanlan James Sullivan and Dr Judy Telford Lynda Scmedding Soper Ian Temby AO, QC Carmen Scott Diana Southwell-Keely and Bruce Terry and Mary Anne Peter Scott and Ophelia Scott Dr Peter Southwell-Keely Terry Annette Searle Mavis Sparnon Thames & Hudson (Australia) Anna Senior Arthur Spartalis Therma Quilt ACT Dr John Seymour Prof Virginia Spate AC Dr John Thompson Bernard Shafer Peter Spaven Phillip A Thompson Dr Thomas Shakespeare Spectrum Consultancy Rosemary Thompson

National Gallery of Australia Foundation Annual Report 2018–19 37 Jacqueline Thomson OAM Pol Gen Sanong Prof J Woloszyn Dr Richard Tipping Wattanavrangkul Frances Wong-See Helen Todd Waverley Patchworkers Dr Beverley Wood Juliet Tootell Lucrezia Weatherstone Kirsten Woodward Daphne Topfer George Webber Tessa Wooldridge and Simon Helen Topor and Dr Peter The late Ludwig Putmann Wooldridge Fullagar Weber Graham World and family Noel Tovey Peter Webster Don Worth Sir Donald Trescowthick AC, Petronella Wensing Janet Worth KBE, and family Joyce West and the late Morris Mark Worthington Michael Tuckson West Dr E Wright Helen Tuite Dr Julie West and Glenn Les Wright and Norma Wright Hughes Gavin Turnbull and Elizabeth Susan Wyndham Jenine Westerburg Turnbull William Yang Joyce Wheatley and Norman Beata Tworek-Matuszkiewicz Chris Yap Wheatley The late Janice C Tynan Barbara Young AO Murrelia Wheatley Peter Tyndall Evelyn Young OAM Helen White and Robert Allan Ulrich and Helen Ulrich Philippe Yvanovich Richardson Prof Nancy Underhill and the B Zambelli late Hon Peter Underhill OBE Dr Romany White and Dr William White Raphael Zimmerman University of Queensland Art Museum Susan D White Bequest Circle Peter Van de Maele and Narina Wendy Whiteley OAM Julian Beaumont OAM Dahms Paul Whitfeld Paul Brand and Dr Keith Jane Van Dorp Stephen Wickham Bennett Chris Van Reesch Sr Dr Stephen Wild Gavan Bromilow Niek Van Vucht and Jennifer Dr Ian Wilkey and Hannah Robert Cadona Van Vucht Wilkey The Hon Ashley Dawson- Robert Vanderstukken Rev George Wilkins Damer AM Dr Nita Vasilescu Iris Wilkinson Angela Di Fronzo Alathea Vavasour Isobel Williams Sue Dyer and Dr Stephen Dyer Leon Velik and Sandra Velik John Williams Arthur Eady and Debra Eady Elefteria Vlavianos Dr Jonathan Williams and Brian Fisher and Leonie Fisher Sue Voon Cathryn Williams Andrew Freeman Avril Vorsay Kate Williams Hester Gascoigne Maryanne Voyazis, Iain ‘Fred’ Nat Williams Richard Gate Smith and Olympia Smith Dr Wayne Williams Julian Goldenberg and Neta P Waizer Andrew Williamson Saint Jim Walker Deirdre Willis Peter Hack Winifred Walker Janet Wilson Jane Helmers Lorna Waller Julia Wilson Elisabeth Holdsworth and Elizabeth Ward Mary Wilson Robert Holdsworth John Ward and Gail Ward Neil Wilson and Jill Wilson Ann Kerrison Brenton Warren Prof Susan Wilson Dinny Killen Lucille Warth Richard Windsor and Robin Chris Kirby and Raymond Gabrielle Watt Windsor Leggott Margaret Winn Wayne Kratzmann

38 Support Dr Geoffrey Lancaster AM Lady Leonard Jesusa Lockwood and the late Brian Lockwood Dr Andrew Lu OAM Gunther Mau and Cream Gilda Mau Robyn Anne Megson Robert Meller Dr Joan Miskin and Dr Barry Miskin Ingrid Mitchell Gerry Phillips and Sharon Phillips Sanya Ritchie OAM Alan Rose AO and Helen Rose Jennifer Smith Liz Wilson Ray Wilson OAM Mark Young and a number of members who wish to remain anonymous

National Gallery of Australia Foundation Annual Report 2018–19 39 DONORS 2018–19

The National Gallery is grateful to the generous donors who have supported the acquisition of works of art through gifts, bequests, cash donations and contributions to the various funds and categories listed below. The list includes all donations made to the Gallery through the Foundation from 1 July 2018 to 30 June 2019. Donations of cash and works of art in 2018–19 totalled $13.1 million.

Art Education and Access Cézanne Watercolour and Krystyna Campbell-Pretty AM Programs Drawing Fund Lady Potter AC Tim Fairfax AC in honour of Margaret Burrell John Schaeffer AO and Betty Churcher AO Susan Elder Bettina Dalton Andrew Sisson AO and Tracey Arthur Streeton The Point Donations to support the Sisson Wharf, Mosman Bay 1893 National Gallery Maurice Cashmere in memory American Friends of the Exhibition Patrons: Matisse of Sarah Cashmere National Gallery of Australia and Picasso Claire Parkhurst in memory of Rhonda White AO Sarah Cashmere Marion Amies Exhibition Patrons: Monet: Chris Beale and Francesca Asian Art Fund Impression Sunrise Macartney Beale Meredith Hinchliffe Philip J Bacon AM Helen Cook Kay Bryan Australian Art—Painting and De Lambert Largesse Krystyna Campbell-Pretty AM Sculpture Fund Foundation The Hon Ashley Dawson- Jennifer Manton Sophie Gannon Damer AM Integralift Wayne Kratzmann Australian Art—Works on John McConville Paper Fund Alison McIntyre Exhibition Supporters: Lyn Williams AM Susan Maple-Brown AM American Masters Australian Artists Fiona Martin-Weber and Tom Terra Foundation for American Documentary Fund Hayward Art Ralph Melano Sue Cato Foundation Board Publishing Neilson Foundation Prof Andrew Clouston Fund Judith Rogers and Andrew Julian Beaumont OAM and Australian Ceramics Fund Rogers Annie Beaumont Sid and Fiona Myer Family Felicity Tepper Ray Wilson OAM Foundation Exhibition Patrons: Foundation Gala Dinner Fund Balnaves Contemporary Fund Contemporary Worlds: 2019 The Balnaves Foundation Indonesia Philip Bacon AM Phillip Keir and Sarah Benjamin Barbara Jean Humphreys Fund Julian Beaumont OAM and Ezekiel Solomon AM The late Barbara Jean Annie Beaumont Humphreys Exhibition Patrons: Hugh Anthony Berg AM and Carol Ramsay Berg Bill Davy Memorial Fund Colin Hindmarsh and Barbara Berg Family Foundation Dimity Davy Hindmarsh William Blinco and Annette Blinco Christopher Paul Byrne Fund Exhibition Patrons: Love William Bowness AO The late Christopher Paul and Desire: Pre-Raphaelite Sir Ron Brierley Byrne Masterpieces from the Tate Adam Brooks Kay Bryan

40 Support Andrew Buchanan PSM and Andrew Lu OAM Gifts of work of art Kate Buchanan Dr Peter Lundy and Tony Ameneiro Robyn Burke and Graham Dr Maureen Bremner Dr Dudley Anderson and Lisa Burke AO Prudence MacLeod and Anderson Robert Cadona Alasdair MacLeod Robyn Archer AO Andrew Cameron AM and Susan Maple-Brown AM Australian Print Workshop Cathy Cameron Suzanne Maple-Brown and Barnett Newman Foundation Terry Campbell AO and Anthony Maple-Brown in honour of Dr Gerard Christine Campbell Dr Michael Martin and Vaughan AM Sue Cato Elizabeth Popovski Mark Bayly Damian Clothier and Sarah Fiona Martin-Weber and Tom Arne Brauer Greer Hayward Jenny Brown Maurice Crotti AO Robert Meller and Helena Clark Andrew Browne The Hon Ashley Dawson- Mering Corporation Martin Browne Damer AM Jan Minchin Candice Bruce in memory of John Gandel AC and Pauline Jan Murphy James Agapitos OAM and Gandel AC Baillieu Myer AC and Sarah Michael Whitworth Gandel Philanthropy Myer Dr Dax Calder Helen Gannon and Michael James Notaras and Sophia Warrington Cameron Gannon Notoras Deborah Clark Kerry Gardner AM and Andrew Roslyn Oxley OAM and Anthony Philip Constable and Mary Myer AM Oxley OAM Constable Julian Goldenberg and Neta Geoffrey Pack and Leigh Pack Jean Curthoys Saint Roslyn Packer AC Penelope Davis Richard Griffin AM and Jay Elizabeth Pakchung Sally Delafield Cook Griffin Lady Potter AC Ruth Faerber Peter J Hack Kenneth Reed AM Donna Foley Hansen Little Foundation Gary Sands Hayden Fowler William Hayward and Alison John Schaeffer AO and Hayward Belinda Fox Bettina Dalton Jennifer Hershon Simryn Gill Morry Schwartz AM and Anna John Godschall Johnson Sue Hewitt Schwartz Denise Green AM John Hindmash AM and Andrew Sisson AO and Tracey Marla Guppy Rosanna Hindmarsh OAM Sisson Petr Herel Neil Hobbs and Karina Harris Dr Rick Smyth and Jane Smyth Helen Jessup OAM Neil Hobbs and Karina Harris Bruce Keebaugh and Chyka Ezekiel Solomon AM Graham Howe Keebaugh Ursula Sullivan Lucinda Hughes Turnbull Katarina Kroslakova Bret Walker SC Tristan Ingleton The Lansdowne Foundation Geoffrey White OAM and Sally Dale Jones-Evans Elizabeth Laverty White OAM Sara Kelly Raymond Leggott and Chris Rhonda White AO Sue Kesteven Kirby Wendy Whiteley OAM The Kevin Hartz Family Paul Little AO and Jane Lyn Williams AM Foundation in honour of Hansen Gerard Vaughan AM Ray Wilson OAM Amanda Love and Andrew Kevin Lincoln Jason Yeap OAM and Min Lee Love Wong Donald Love

National Gallery of Australia Foundation Annual Report 2018–19 41 Billie Jo McCann Japanese Art Fund Julie Hoolahan and Alice Pamela McMahon Andrew Gwinnett and Hiroko Hoolahan John McPhee Gwinnett Julie Hotchin and Colin Bridge Dr Michael Martin Diana Houstone Kenneth Tyler Print Fund Robert Meller and Helena Clark Dr Ruth Kerr American Friends of the King O’Malley’s Dr Margaret Middleton National Gallery of Australia Frank Lewincamp and Barbara Simon Mordant AM and Kenneth Tyler AO and Lewincamp Catriona Mordant AM Marabeth Cohen-Tyler Jan Murphy Graeme Mayo and Jill Mayo John Neeson Masterpieces for the Nation Anthony James Moore Mark Nelson 2018 Peter Murphy Mike Parr Ken Alexander and Margaret Dr Maria Nicoll Alexander Tom Pearce Marija Orel Maria Athanassenas Stanislava Pinchuk Kathryn Ovington Bernadette Baker David Preston Oscar Pampín Cabanas Diana Brookes Dr Ron Radford AM Dr Michael Priest Margaret Brown Jude Rae Lyn Riddett Yvonne Campbell Ranamok Glass Prize Alan Rose and Helen Rose Jane Carver George Schwarz and Charis Peter Rossiter and Linda Schwarz Maureen Chan Rossiter Helen Smith Wendy E Cobcroft Raoul Salpeter and Roslyn Shaike Snir Dr Arthur Conigrave and Mandelberg Dr Kate Conigrave Arryn Snowball Murray Sandland Greg Cornwell AM and The Stannage family Diana Southwell-Keely and Margaret Cornwell Dr Peter Southwell-Keely Juliana Swatko Patrick Crone David Stanley and Anne Joanna Tanaka-King and Robyn Dean Stanley Angela Hey Irene Delofski and Ted Delofski Heather Stokoe Dr Christian Thompson AO Karen Dundas Emer Prof Ken Taylor AM and Lynnette Thompson Peter Eddington and Joy Maggie Taylor Dr Gerard Vaughan AM Williams The Taylor-Cannon family Susan Dorothea White Roz Elliot Dr Shirley Troy Lyn Williams AM Philip Flood AO and Carole Anne White and Peter White Chris Wilson Flood Marjorie Wilson Henry Dalrymple Fund Dr Peter Fullagar and Helen Robyn Wright and Michael The late Henry Dalrymple Topor Wright Joshua Gordon-Carr and Indigenous Triennial Fund Jessica Middleby-Clements Members Acquisition Fund David Paul Ross Gough 2016-17 Barbara Green Irene Delofski and Ted Delofski James Fairfax Theatre Fund Hardy Fine Art Ross Gough Bridgestar Bruce Hayes Members Acquisition Fund James Whistler Harmony in Colin Hill and Linda Hill 2017–18 blue and pearl: The Sands, Dr Marian Hill Margaret Anderson Dieppe 1886 Elisabeth A Hilton Wendy E Cobcroft Dr Lee MacCormick Edwards Rosemary Hirst Kerry-Anne Cousins Charitable Foundation

42 Support Irene Delofski and Ted Delofski Chris Barnes and Estelle Ruth Burgess Anne Titterton and Phillip Barnes John Burston and Rosanna Titterton Patrick Barrett and Margaret Burston Barrett Annette Byron Members Acquisition Fund Lynette Bateman Berenice-Eve Calf 2018–19 Kenneth Baxter and Annabel Dorothy Cameron Meredith Adams Baxter Rear Admiral David Campbell Lenore Adamson Helan Beard and Anthony AM Dr Colin Adrian Beard Emer Prof Stewart Campbell Robert Aernout The Beddoe family and Iris Campbell Peter Alabaster Janet Bedloe and Chris Bedloe Yvonne Campbell Antoinette Albert Maria Bendall Dr Christine Cargill Robert Albert AO, RFD, RD, Jenny Benjamin Deborah Carroll and Libby Albert Andrew Bennett Dr Diana Carroll Gillian Alderson Prof Martin Bennett Jane Carver Elizabeth Allen Max Benyon OAM Belinda Casey Allen Family Foundation Berg Family Foundation Melissa Cashman Dorothy Anderson Tony Berg AM and Carol Berg Marguerite Castello John Anderson Gwendoline Bernoth Carmen Castelo Margaret Anderson Judith Bibo Maureen Chan Judith Andrews Noel Birchall and Georgina Prof Andrew Cheetham and Susan Armitage Birchall Jan Cheetham The Art of Bookbinding Martin Black and Norma Black Angela Chklamovska Jeanne Arthur Robert Blacklow Jillian Christie Margaret Ashford-MacDougall Valerie Boot and Mac Boot Christine Clark Michael Askew and Debra Lynne Booth and Max Booth Kathryn Clarke Askew Penleigh Boyd and Robyn Boyd Patricia Coats Simonetta Astolfi Robert Boyes and Dr Isabel Michael Cockburn and Margaret Aston McLean Margaret Cockburn Maria Athanassenas Iain Bramley Ken Coles AM and Rowena Michelle Atkinson Sarah Brasch Danziger AM Hannah Atwell Assoc Prof Phillip Braslins and Angela Compton and John Robin Austin Monique Machatt Compton Judith Avery Margaret Brennan and Bruce Cook Dr Brian Babington and Geoffrey Brennan Dr Ray Cook and Diane Cook Rhonda Babington Jan Brown Graham Cooke and Cassandra Sally Beatrice Bachelard Margaret Brown Hampton Brett Backhouse Matthew Brown and Julie Alt Natalie Cooke Dr Lynne Badger Vicki Brown Paul Cooney Anna-Rosa Baker Ian Bruce Christine Cooper Bernadette Baker John Bruce and Barbara Bruce Ann Cork and Steve Cork Suzanne J Baker-Dekker David Bruce-Steer and Leith Heather Cork and Matthew Lyma Balderama Bruce-Steer Oakeshott Sheryl Ballesty Jennifer Bryson Paddy Costanzo and Karen Janet Bamford Antony W Buckingham Costanzo Lesley Barker John Buckley and Alice Buckley Kerry-Anne Cousins

National Gallery of Australia Foundation Annual Report 2018–19 43 Elizabeth Cowan Glenys Eggleton Sally Goodspeed Neil Cox and Kay Cox Judith Eisner June Gordon Janet Crane Julia Ermert Geoff Gorrie and Lyn Gorrie Barbara Crawford Julie Evans Ross Gough Merrilyn Crawford Kathryn Eyles Jeremy Grainger Georgia Croker Mary Falconer and Ian Falconer Dr Elizabeth Grant AM Berlinda Crowther Dr Farrant Nicholas Grant and Lea Grant Charles Curran AC and Eva Dr Peter Farrell AM Barbara Green Curran Norman Feather AM John Greenwell Mary Curtis and Richard Mann Anthony Felgate Pauline Griffin AM Andrew Dale and Barbara Dale John Fely and Retired Karen Groeneveld and Peter Maria Magda Damo Lieutenant Colonel Groeneveld Rowena Davey and Alan Davey Jayne Stetto Peter Grove Prof Hugh Davies and Connie Matthew Ferguson Elena Guest and Hannah Lou Davies Jan Finley O’Connell Elisabeth Davis Claire Flanagan and Peter Katrin Hackney Dimity Davy Flanagan Dr Dinah Hales Haydn Daw and Susan Daw Richard Flanagan Claire Haley OAM Jo-Anne Flatley-Allen Lorraine Handel Eleanor de Mestre and Antony Wayne Fletcher and Lynn Cheryl Hannah and Helen de Mestre Fletcher McKenna Anne De Salis Sarah Fogg Pauline Harding Dr Moreen Dee Carolyn Forster OAM and Margaret Hardy Patricia Degens Richard Forster Margaret Hargraves Bice Della-Putta Robert Foster Yvonne Harrington Irene Delofski and Ted Delofski Louise Francis Eleanor Hart Ian Dewar Walter Frank Lewincamp Pat Harvey and Frank Harvey Jane Diamond David Franks Fiona Hase The Dick and Pip Smith Dr Noel French and Freida Robert Hawes French Foundation Bruce Hayes Margaret Frisch Susan Doenau Leah Haynes Karin Fyfe Tom Donaldson Robert Hefner and Peggy Megan Douglas Anne Galbraith Daroesman Murray Doyle Dorothy Galvin Warwick Hemsley Colleen Duffy Peter Gardner Heather Henderson Shaun Duffy and Susan Duffy Richard Gate Colin Hill and Linda Hill Lindy Dugard and Peter Mark Gee and Helen Gee Gordon Hill and Pamela Hill Dugard Janet Gibson Dr Marian Hill Margaret Duncan Lindsey Gilbert Elisabeth Hilton Robyn Duncan Sylvia Glanville Meredith Hinchliffe Karen Dundas Mary Gleeson Rosemary Hirst Sue Dyer Susan Glenn-Hume and David Judith Hlubucek and Dr Joseph Peter Eddington and Joy Glenn-Hume Hlubucek Williams Robert Gnezdiloff and Moya Graham Hobbs Gnezdiloff Brooke Edwards Neil Hobbs and Karina Harris Ian Gollings AM and Shirley Mark Edwards Chris Howard and Mary Gollings OAM Howard

44 Support Bill Huff-Johnston and Gerry Kruger and Ted Kruger Tina Merriman Rosemary Huff-Johnson Malcolm Lamb AM Diana Mildern Margaret Hughes Robyn Lance Tony Minchin and Prof Mei Ling Huisken and Ron Naomi Landau Elizabeth Minchin Huisken Janet Lapworth Ingrid Mitchell Emer Prof Terence Hull and Elizabeth Laverty Lisa Molvig Dr Valerie Hull Faye Lee Anthony Moore Gary Humphries AO and Corrie Leffers and Thomas Catherine Moore Cathie Humphries Leffers Andrew Moorhead Judith Hurlstone Lady Jodie Leonard Dr Elizabeth Morrison Claudia Hyles Dr Frederick Lilley and Alan Morschel John Hyndes and Danielle Penelope Lilley Anne Moten Hyndes OAM Stuart Lindenmayer Dr Ann Moyal Angela Isles Paul Lindwall and Joanne Phillip Mulcare and Patricia John Jackson and Ros Jackson Frederiksen Mulcare Lucie Jacobs Elizabeth Loftus Joananne Mulholland and Prof Chennupati Jagadish and Harlinah Longcroft David Rivers Dr Vidya Jagadish Elizabeth Lynch and Michael Michele Munn Clifford Jahnsen and Suzanne Lynch Janet Munro Jahnsen Douglas McAlister and Fleur Catherine Murphy and Frances James McAlister Christopher Murphy Lynette James Patricia McCullough Laura Murray Cree Susan Jardine Jan McDonald Geoff Murray-Prior and Gillian Gabrielle Jarvis Dr John McEwen and Josette Murray-Prior Joseph Vaughan Johnson CSC, Laudereau Susan Myatt AAM Judy McGowan Donald Nairn and Robin Smith Elaine Johnston Hugh Mackay and Dr Sheila Claude Neumann and Dr Mary Annette Jones Mackay Sheather Penelope Jurkiewicz and Robyn McKay Marion Newman and Dr Mike Waldemar Jurkiewicz The McKibbin family Newman Irene Kaspar and Peter Boege Selma McLaren NGA Guides Association Karin Keighley Virginia McLeod and Robert Dr Maria Nicoll Helen Kelleher Bleeker Barbara Noden and Victor David Kennemore and Karen McVicker Noden Rosemary Kennemore Hugh Major Caroline Nott Pamela Kenny in memory of John Malone Kathleen Nowik Peter Kenny Susan Marshall Marie Oakes Helen Kenyon Dr Michael Martin Major Terry O’Brien OAM and Christine King and Ken Rosamond Mason Lucinda Lang Wardrop Sally-Anne Mason John Oliver and Libby Oliver Ilse King Julie Matthews Dr Walter Ong and Graeme King O’Malley’s Dr Roger Mauldron Marshall Ron Kirkland and Christobel Graeme Mayo and Jill Mayo Fiona Ormsby Kirkland Dr Betty Meehan Diana-Rose Orr Krysia Kitch and David Riggs Ralph Melano Dr Milton Edgeworth Osborne Joan Kitchin Fiona Meller Robert Oserand Agie Oser Vera Krizaic Frances Menz Geoffrey Pack and Leigh Pack

National Gallery of Australia Foundation Annual Report 2018–19 45 Beth Parsons Jennifer Rowland Steensen Varming (Australia) Gillian Parsons Diana Ryan and Michael Ryan Rex Stevenson AO and Susan Parsons Julia Rymer Dr Caroline Steveson Brian Partridge Peter Sabatino Helen Stewart and Andrew Linda Pascal Bridget Sack Stewart Elisabeth Patz Eileen Sadler Julie Stewart Yvonne Paul and Alwyn Paul Raoul Salpeter and Roslyn Helen J Stone Robert Pauling Mandelberg Robyn Stone and Dr Alison Kesson Dr Carolyn Petersons and Sam Mark Sampson and Ruth Harkiss Sampson Charles Storey and Nea Storey Kerry Petherbridge Dr Murray Sandland Dr Alan Stretton and Marilyn Stretton Andrew Phelan and Monica Kate Sandles Phelan The Sargeson family Gay Stuart Suzannah Plowman Sally Saunders Lynette Swift Preventative Medicine and Caterina Savoca and Adeniele The Tall Foundation Rehabilitation Centre Adekunbi Emer Prof Ken Taylor AM and Richard L Price and Margaret Kevin Sawyer and Margot Maggie Taylor Price Sawyer Randi Taylor and Paul Taylor Anne Prins Fiona Sawyers Dr Richard Telford and Sue Malcolm Pritchard Kenneth Saxby RFD, ED Telford Andrew Purdam and Helen Geoffrey Schmidt and Janet Joan ten Brummelaar Purdam Schmidt Lou Westende OAM and Wendy Rainbird Claire Scott Mandy Thomas-Westende Ardyne Reid Annette Searle Kerren Thorsen The Hon Margaret Reid AO Penelope Seilder AM Ingrid Tomanovits Ralph Renard and Ruth Renard Bernard Shafer Juliet Tootell Helene Rey Prof Robert Shanks and Helen Topor Dallas Richardson Josephine Shanks Noel Tovey John Richards-Pugh and Maggie Shapley Sylvia Tracey Barbara Richards-Pugh Judith Shelley and Michael Geraldine Triffitt Jeanette Richmond Shelley John Trotter Lyn Riddett Rosamond Shepherd Dr Elizabeth Truswell Marie Riley and Barry Riley Dr Gene Sherman AM Helen Tuite Mark Robertson and Anne Kevin Skelton Deirdre Turner Robertson Loes Slattery Niek Van Vucht and Jenny Van Paul Robilliard and Hanan Jan Smith and Richard Smith Vucht Robilliard AO Derek Volker AO and Susan Khurshid Jahan and Peter Jennifer Smith Volker Roeper Wendy Smith Avril Vorsay Sue Rogers Barry Smith-Roberts Maryanne Voyazis, Fred Smith Susan Rogers Ian Spilsted and Olympia Smith Arjen Romeyn Prof Nicholas Standish Pamela Walker Alan Rose and Helen Rose David Stanley and Anne Phill Wall and Alan Hough Dr James Ross Stanley Brenton Warren Margot Ross and Warwick Ross Maisy Stapleton Dr Jill Waterhouse Peter Rossiter and Linda Helene Stead Ingrid Waters and Megan Rossiter John Stead Jenner

46 Support Dr Andrew Watkins Robert and Eugenie Bell Rotary Fund Gabrielle Watt Decorative Arts and Design Rotary Club of Belconnen Jenny Watt and Raymond Fund Photography Fund Watt Margaret Ainscow Robyn Stacey in memory of Alexandra Wedutenko Maxine C Armitage Helen Stacey Dr Tony Weir and Christine Beverley Bell Weir Dr Eugenie Keefer Bell in Sculpture Garden Fund memory of Dr Robert Bell Dr Julie West and Glenn The McKibbin family Hughes AM Angela Westacott Sandy Benjamin OAM Timothy Fairfax Fund for June Westmacott Michael Bogle Education Vibeke Wetselaar Max Bourke AM and Margie Tim Fairfax AC Bourke Murrelia Wheatley Treasure a Textile Rose Cahill and Costa Kakavas Anne White and Peter White Dr Maxine Rochester Helen White Sarah Carlson and Simon Hansen Sally White OAM Helen Ennis and Roger Butler Paul Whitfield AM Reverend George Wilkins Arline Fisch Muriel Wilkinson Jody Fitzhardinge Emer Prof David Williams AM Robyn Gordon and Bruce and Margaret Williams Gordon Dr Jonathan Williams and Yvonne Harrington Cathryn Williams Meredith Hinchliffe Lyn Williams AM John Hindmash AM and Dr Wayne Williams Rosanna Hindmarsh OAM Andrew Williamson and Claudia Hyles Carolyn Williamson Dr Victoria Jennings Zandra Wilson Prof Helmut Lueckenhausen James Windeyer and Peronelle and Gillian Lueckenhausen Windeyer Robyn McAdam Deborah Winkler Fiona Meller Sonia Witheridge Lisa Molvig Suzanne Wood National Gallery of Australia Ellen M Woodward Guides Association Prudence Wootton Dereck Rooken-Smith Chris Wright Sally Saunders Bronwyn Wright Ezekiel Solomon AM Diane Wright Brett Stone Robyn Wright and Michael Roberto Thomas and Marcelina Wright Thomas Alan Wyburn Dr Caroline Turner AM and Sandra Young Dr Glen Barclay Helena Zobec and Richard Maryanne Voyazis, Fred Smith Marson and Olympia Smith Outreach Programs David Walker John T Reid Charitable Trusts Liz Williamson

National Gallery of Australia Foundation Annual Report 2018–19 47 SELECT GIFTS Patricia Piccinini (born Sierra Leone 1965) Skywhale 2013, nylon, polyester, nomex, hyperlast, cable. Gift of anonymous donor 2019. Australian Government’s Cultural Gifts Program 2019.844

National Gallery of Australia Foundation Annual Report 2018–19 49 Danie Mellor (born Australia 1971, Mamu & Ngadjon peoples) Landstory 2018, Diasec-mounted chromogenic print on metallic photographic paper on acrylic sheet on aluminium. Members Acquisition Fund 2018–19 2019.1.A-I

50 Select gifts National Gallery of Australia Foundation Annual Report 2018–19 51 Brook Andrew (born Australia 1970, Wiradjuri people) The Island V 2008, synthetic polymer paint and screenprint on metallic foil on canvas. Gift of Jan Murphy 2019. Australian Government’s Cultural Gifts Program. © Brook Andrew/Copyright Agency 2019.845

52 Select gifts Wamud Namok (Australia c 1926–2009, Mok/Kundedjnjenghmi people) Ngalyod (Rainbow Serpent) c 1980–81, natural earth pigments and binder on eucalyptus bark, braced with wood and natural fibre string. Gift of Sue Kesteven 2019. Australian Government’s Cultural Gifts Program 2019.886

National Gallery of Australia Foundation Annual Report 2018–19 53 Miriam Stannage (Australia 1939–2016) Aurora 1970, synthetic polymer paint on canvas. Gift of the Stannage family 2019. Australian Government’s Cultural Gifts Program 2019.795

54 Select gifts Helen Smith (born Australia 1963) Alighiero e Boetti from Wikipedia World Intellectual Property Organisation 2015, oil on canvas. Gift of the artist 2019. Australian Government’s Cultural Gifts Program 2019.798

National Gallery of Australia Foundation Annual Report 2018–19 55 Benjamin Armstrong (born Australia 1975) (clockwise from top left) Fortification, Linear & circular, Leichhardt’s arrival and World’s end, from Invisible stories: Meditations on Port Essington 2018, eleven linocuts, pigment. Purchased with the assistance of Lyn Williams AM 2019 2019.782-792

56 Select gifts Howard Taylor (Australia 1918–2001) Discovery 2000, oil paint. Gift of Dax Calder 2019. Australian Government’s Cultural Gifts Program 2019.664

National Gallery of Australia Foundation Annual Report 2018–19 57 William Delafield Cook (Australia 1936 – England 2015) Dam 2, Dam 5 and Dam 7 2007–08, synthetic polymer paint. Gift of Sally Delafield Cook 2019. Australian Government’s Cultural Gifts Program 2019.762-764

58 Select gifts John Davis (Australia 1936–1999) River 1998, twigs, cotton thread, calico and bitumous paint. Gift of Penelope Davis and Martin Davis 2019. Australian Government’s Cultural Gifts Program 2019.767.A-L

National Gallery of Australia Foundation Annual Report 2018–19 59 Urs Fischer (born Switzerland 1973) Francesco 2017, paraffin wax, microcrystalline wax, encaustic pigment, stainless steel, wicks, aluminium powder, steel, stainless steel hardware, bronze hardware, electrical wiring, LED light, AAA batteries, edn 1/2. Purchased with the assistance of the National Gallery of Australia Gala Fund 2019. © Urs Fischer. Courtesy of the artist and Sadie Coles HQ, London 2018.1047

60 Select gifts Barnett Newman (USA 1905–1970) Broken obelisk 1963/1967/2005, weathering steel. Gift of the Barnett Newman Foundation in honour of Dr Gerard Vaughan AM 2018. © 2018 The Barnett Newman Foundation, New York/ARS, New York/Copyright Agency 2018.806

National Gallery of Australia Foundation Annual Report 2018–19 61 Tamu Rambu Kudu (born Indonesia 1964, designer and weaver), Ngguna Jilik (born Indonesia 1970, dyer) Lau pahudu kiku (woman’s ceremonial skirt) 2003, commercial cotton, natural dyes, supplementary weft weaving. Purchased with the assistance of Meredith Hinchliffe 2019 2019.730

62 Select gifts Dilam (born Indonesia 1960, ikat tier, dyer and weaver) Tating (woman’s ceremonial skirt) 2008, commercial cotton, natural dyes, shells, beads, bells, warp ikat, embroidery, beadwork. Purchased with the assistance of Meredith Hinchliffe 2019 2019.711

National Gallery of Australia Foundation Annual Report 2018–19 63 Utagawa Hiroshige (Japan 1797–1858) The plum orchard at Kameido (Kameido ume yashiki) 1857, woodcut. The Poynton Bequest 2019 2019.5

64 Select gifts Japan Kimono c 1930, silk, hand-painted, resist-dyed. Gift of Billie Jo McCann 2019. Australian Government’s Cultural Gifts Program 2019.100

National Gallery of Australia Foundation Annual Report 2018–19 65 Tony Ameneiro (born UK 1959) Small night skull 2007, linocut. Gift of the artist 2019 2019.810

66 Select gifts Frank Hinder (Australia 1906–1992) Wet night traffic 1953, watercolour. Gift of Philip Constable 2019. Australian Government’s Cultural Gifts Program 2019.808

National Gallery of Australia Foundation Annual Report 2018–19 67 Bogjadim village (PNG) Telum (ancestor figure) 19th century, wood, ochre, fibre. Gift of Dr Michael Martin 2019. Australian Government’s Cultural Gifts Program 2019.806

68 Select gifts Deborah Klein (born Australia 1951) Leaves of absence 2017 (details), archival pigment prints, edn 6/10. Gordon Darling Australia Pacific Print Fund 2018 2018.934.1-34

National Gallery of Australia Foundation Annual Report 2018–19 69 Jude Rae (born Australia 1956), Heather Burness (born Australia 1956, printer) Beirut 2006 (men on hill) 2017, hard-ground etching, edn 1/10. Gift of the artist 2019. Australian Government’s Cultural Gifts Program 2019.703

70 Select gifts Jean Hubert Piron (print after) and Jacques-Louis Copia (engraver) Man from Cape Dieman. Child from Cape Dieman 1800, plate 7 from Atlas pour servir à la relation du voyage à la recherche de La Pérouse 1817, engraving and etching. Gift of John McPhee 2019. Australian Government’s Cultural Gifts Program 2019.584

National Gallery of Australia Foundation Annual Report 2018–19 71 Melanie Douglas (born Australia 1978) Liminal 2018, kiln-formed, coldworked and engraved glass. Robert and Eugenie Bell Decorative Arts and Design Fund 2019 2019.26.A-B

72 Select gifts Gemma Smith (born Australia 1978) Boulder #2 2008, cut acrylic, edn 8. Gift of Simon Mordant AM and Catriona Mordant AM 2019. Australian Government’s Cultural Gifts Program 2019.126

National Gallery of Australia Foundation Annual Report 2018–19 73 Marjorie Gwynne (Australia 1886 – Australia 1958) Denuded landscape c 1948, oil paint on canvas. Gift of Ron Radford AM in memory of his mother, Dorothy Radford, 2018. Australian Government’s Cultural Gifts Program 2018.828

74 Select gifts John Wolseley (born UK 1938, Australia from 1976) Dhunguruk, Butjuwutju/Mona and Djitama—Edible Tubers of East Arnhem Land 2015–18, woodcut, watercolour, edn 1/10. Gordon Darling Australia Pacific Print Fund 2018 2018.814

National Gallery of Australia Foundation Annual Report 2018–19 75 Christian Thompson (born Australia 1978, Bidjara people) Berceuse 2017, three-channel video, colour, sound. Gift of the artist 2019. Australian Government’s Cultural Gifts Program. Courtesy the artist and Michael Reid, Sydney and Berlin, and Sarah Scout Presents, Melbourne 2019.79.A-C

76 Select gifts National Gallery of Australia Foundation Annual Report 2018–19 77 Alice Hinton-Bateup (Kamilaroi & Wonnarua peoples), Garage Graphix (print workshop) Ruth’s story 1988, screenprint. Gift of Marla Guppy 2019 2019.925

78 Select gifts FINANCIAL STATEMENTS NATIONAL GALLERY OF AUSTRALIA FOUNDATION DIRECTORS’ REPORT For the year ended 30 June 2019

The directors present this report on the accounts of the National Gallery of Australia Foundation (the Foundation) for the year ended 30 June 2019.

DIRECTORS The following directors served on the Foundation during the year ended 30 June 2019:

Full name Appointed Retired Meetings Meetings eligible to attended attend Mr John Hindmarsh AM (Chair to 31/07/2019)1 20/09/2004 4 4 Mr Philip Bacon AM 26/10/2000 4 2 Mr Julian Beaumont OAM 28/10/2009 4 2 Mr Anthony Berg AM 16/03/1999 4 1 Mrs Robyn Burke 29/08/2006 4 3 Mr Julian Burt 01/08/2016 4 1 Mr Terrence Campbell AO 28/02/2007 4 0 The Hon Mrs Ashley Dawson-Damer AM 05/05/2004 4 2 Mr James Erskine 11/05/2011 4 2 Mr Andrew Gwinnett 12/03/2003 4 1 Mr Wayne Kratzmann 26/10/2011 4 2 Dr Andrew Lu OAM 26/10/2011 4 3 Mr Nick Mitzevich 02/07/2018 4 4 Mr Allan Myers AC, QC 11/10/2012 08/07/2018 0 0 Mr Geoffrey Pack 27/08/2014 4 1 Mrs Roslyn Packer AC 22/06/2011 4 1 Mr John Schaeffer AO 13/10/2000 4 4 Mrs Penelope Seidler AM 13/10/2000 4 2 Mr Ezekiel Solomon AM 28/10/2009 4 2 Mr Kerry Stokes AC 29/06/1995 4 0 Mr Ryan Stokes 09/07/2018 4 0 Dr Gerard Vaughan AM 11/10/2014 01/07/2018 0 0 Mr Ray Wilson OAM 11/05/2011 4 4

During the financial year, four meetings of directors were held.

1. Mr Stephen Brady AO, CVO, commenced as Chair effective 1 August 2019.

80 Financial statements NATIONAL GALLERY OF AUSTRALIA FOUNDATION DIRECTORS’ REPORT FOR THE YEAR ENDED 30 JUNE 2019

CURRENT FOUNDATION DIRECTORS’ DISCLOSURE

Mr John Hindmarsh AM (Chair to 31/07/2019) Qualifications Bachelor of Building (Hons), University of New South Wales; Adjunct Professor - Building & Construction, University of Canberra; Fellow, Australian Institute of Building, A Class Building Licence, ACT. Relevant roles, skills and experience Founder and Executive Chair of Hindmarsh, established 1979, undertaking project and construction management, property development, carpark operation, retirement-village operation, venture capital and equity investment; member of the National Gallery of Australia Council to 8 July 2019; director of the National Gallery of Australia Foundation since 2004 and Chair from 31 October 2010 to 31 July 2019. Other directorships and offices (current and recent) Life Member of the Canberra Business Council; director of Village Building Co Limited, Australian Capital Ventures Limited, Significant Capital Ventures and The Healthy Grain Pty Ltd; Honorary Ambassador for Canberra.

Mr Philip Bacon AM Qualifications Commenced Bachelor of Arts - Bachelor of Law at University of Queensland but left in 1968, before completing studies, to manage the Grand Central Galleries in Brisbane and Surfers Paradise. Relevant roles, skills and experience Established Philip Bacon Galleries; director and Special Patron of the QAGOMA Foundation; director of the National Gallery of Australia Foundation since 2000. Other directorships and offices (current and recent) Director of Philip Bacon Galleries since 1974; member of the Board of Opera Australia since 1994 and Major Brisbane Festivals since 2007; Trustee of the Gordon Darling Foundation.

Mr Julian Beaumont OAM Qualifications Fellow of the Institute of Chartered Accountants in England and Wales, United Kingdom; Fellow of the Finance and Securities Institute of Australia. Relevant roles, skills and experience Corporate governance, financial and operational management; twenty-seven years in investment banking and infrastructure management; arts administration; director of the National Gallery of Australia Foundation since 2009. Other directorships and offices (current and recent) Chair of St Luke’s Care to 2017; Executive Director of Macquarie Group to 1996; Chair of three Macquarie Group toll road companies to 2006; Director of ConnectEast Group to 2009; board member of Artbank to 2009; board member of the National Art School to 2005; Chair of Historic House Trust of New South Wales Foundation to 2000.

Mr Anthony Berg AM Qualifications Bachelor of Economics (Hons), Sydney University; MBA, Harvard University Graduate School of Business; Fellow of the Australian Society of Certified Practising Accountants; Senior Fellow of the Financial Services Institute of Australasia; Fellow of the Australian Institute of Company Directors. Relevant roles, skills and experience Member of the National Gallery of Australia Council 1997-2003; director of the National Gallery of Australia Foundation since 1999 and Chair 1999-2006. Other directorships and offices (current and recent) Managing Director of Macquarie Bank Limited 1985-93 and Boral Limited 1994-2000; Executive Director of Gresham Partners Limited since 2000; director of Kaplan Partners Pty Limited; director of Jawun Indigenous Corporate Partnerships and Chair to 2018; director of The Ethics Centre; director of Musica Viva Australia 1983-2000 and Chair for twelve years; director of The Sydney Institute 1993-97; member of the Board of Management of the Australian Graduate School of Management 1991-98 and 2004-06; member of the Australia Council 1978-82.

National Gallery of Australia Foundation Annual Report 2018–19 81 NATIONAL GALLERY OF AUSTRALIA FOUNDATION DIRECTORS’ REPORT FOR THE YEAR ENDED 30 JUNE 2019

Mrs Robyn Burke Qualifications Studied Art History at Melbourne University for a period of three years and visits gallery institutions around the world during extensive travels. Relevant roles, skills and experience Thirty years of experience in the entertainment industry, largely for Village Roadshow Limited developing and managing marketing strategies/budgets and creating advertising campaigns for movie and television distribution, cinema exhibition, the Austereo Radio Network and major theme park destination tourist attractions; served on state and Commonwealth Government boards since 1997, including six years as a member of the Honours Council for the Order of Australia, Centenary of Federation Victoria Committee 1997-2000, Governing Council of Old Parliament House 1998-2004 and Axiss Australia Advisory Board 2001-03; director of the National Gallery of Australia Foundation since 2006. Other directorships and offices (current and recent) Company director for a number of private companies; Australia Day Ambassador 2002; Certificate of Appreciation - International Year of Volunteers; Centenary Medal; Founding member of Stonnington Support Group for Malvern Elderly Citizens Welfare Association (MECWA) and its representative on the MECWA Advisory Board.

Mr Julian Burt Qualifications Bachelor of Arts - History and Political Science, University of Western Australia (current); Royal Agricultural College, Cirencester, England. Relevant roles, skills and experience Director and owner of manufacturing businesses Metzke Pty Ltd and MJW Rail Pty Ltd; Director and Founder of the Wright Burt Foundation; director of the National Gallery of Australia Foundation since 2016. Other directorships and offices (current and recent) Board member of Future Directions International (FDI); Patron of the Football Hall of Fame Western Australia; Committee member of St Georges Cathedral Foundation for the Arts; Justice of the Peace; Lay Canon and member of Chapter, St Georges Cathedral, Perth.

Mr Terrence Campbell AO Qualifications Bachelor of Commerce, Melbourne University. Relevant roles, skills and experience Director of the National Gallery of Australia Foundation since 2007. Other directorships and offices (current and recent) Chair and CEO of JBWere 1997-2002 and Goldman Sachs JBWere Pty Ltd 2002-07 and Senior Chair of Goldman Sachs JBWere Pty Ltd 2008-11; Senior Chair of Goldman Sachs Australia since 2011; Chair of Australian Business Arts Foundation 2007-13; Chair of Mirrabooka Investments Ltd since 1998; Chair of AMCIL Ltd 2000-04; Chair of Australia Foundation Investment Co Ltd since 2013.

The Hon Mrs Ashley Dawson-Damer AM Qualifications Bachelor of Economics, University of Sydney; Diploma of Decorative Arts, Dr Anna Clark’s School of Decorative Arts, Sydney. Relevant roles, skills and experience Member of the National Gallery of Australia Council 2005-14; Trustee of Art Gallery of New South Wales since 2014; director of the National Gallery of Australia Foundation since 2004. Other directorships and offices (current and recent) Director of Yuills Australia Pty Limited; director of the Board of Opera Australia Capital Fund since 2014; member of the Council of Governors of Opera Australia Capital Fund since 2005; Alternate Director with the Premier of New South Wales (Deputy Chair) at Sydney Festival since 2012; board member of the National Institute of Dramatic Arts (NIDA) 1997-2003; Trustee of the Historic House Foundation (helped found Museum of Sydney) 1995-99; Australiana Fund Acquisitions Committee 1993-94; Trustee of St Luke’s Hospital (Darlinghurst) Foundation 1997-2004; founding member of Child Abuse Prevention Service 1994-98; Garden Editor, Belle Magazine 1993-98.

82 Financial statements NATIONAL GALLERY OF AUSTRALIA FOUNDATION DIRECTORS’ REPORT FOR THE YEAR ENDED 30 JUNE 2019

Mr James Erskine Qualifications Epsom College; London University, Charing Cross Hospital. Relevant roles, skills and experience Extremely influential in the sports and entertainment entrepreneurial landscapes around the world over the last three decades, having managed icons such as Muhammad Ali, Greg Norman, Tiger Woods, Sir Jackie Stewart, Jean Claude Killy, Nick Faldo, Evonne Cawley, Chris Evert, Rod Laver and John Newcombe; regarded as an expert on international sporting television rights; established Liverpool Street Gallery in 2003 and Erskine, Hall & Coe in London in 2011; director of the National Gallery of Australia Foundation since 2011. Other directorships and offices (current and recent) Established International Management Group’s operations in Australia, New Zealand and Southeast Asia and, as Managing Director, pioneered sports marketing in this region in the 1980s and 1990s; set up SEL (Sports & Entertainment Limited) in 1997, dealing in all areas of sports and entertainment; director on the Australian PGA Board since 2010.

Mr Andrew Gwinnett Qualifications Fellow of the Society of Automotive Engineers; completed commercial and engineering training in the United Kingdom; has a special interest in the visual arts. Relevant roles, skills and experience Chair of Art Gallery of South Australia Foundation; former deputy chair of the Art Gallery of South Australia; director of the National Gallery of Australia Foundation since 2003. Other directorships and offices (current and recent) Chair of GCF Investments, Arrowcrest Group and John Shearer Pty Ltd; past President of Federation of Automotive Products Manufacturers Canberra; past President of the Engineering Employers Association of South Australia; past member of Australian Automotive Industry Council and South Australian Development Council; Fellow of the Australian Institute of Marketing; Alumni of the London Graduate School of Business Studies.

Mr Wayne Kratzmann Qualifications Studied architecture and registered with General Building Certification from Building Services Authority Queensland (relinquished). Relevant roles, skills and experience Co-founder of Cintra House Galleries in 1977 and continued as a director until 1999; Founder Benefactor of the Queensland Art Gallery Foundation; former member of the Board of Trustees of the Queensland Art Gallery; member of the Australiana Fund since its formation in 1978 and the Queensland Committee 2008-17; established, jointly with the University of Queensland, a Chair in Psychiatry, the Kratzmann Chair of Psychiatry and Population Health 1999-2015; director of the National Gallery of Australia Foundation since 2011. Other directorships and offices (current and recent) Company director of private companies; Chair of the Toowong Private Hospital since 1982; Chair of NA Kratzmann & Sons Pty Ltd since 1989.

Dr Andrew Lu OAM Qualifications Bachelor of Laws; Master of Laws; Doctor of Juridical Science; Graduate Diploma in Commercial Law; barrister and solicitor; chartered tax adviser; Fellow of the Financial Services Institute of Australasia; Fellow of the Australian and New Zealand Institute of Insurance and Finance. Relevant roles, skills and experience Partner with HBA Legal managing complex sensitive disputes, corporate risk and professional liability claims for hospitals, insurers and government; advisor to arts and not-for-profit entities on legal and operational issues including governance; Founder Benefactor of the National Gallery of Victoria; Governor of the Art Gallery of New South Wales Foundation; Benefactor Art Gallery of Western Australia Foundation and Western Australian Academy of Performing Arts at Edith Cowan University; Patron of Artsource; director of the National Gallery of Australia Foundation since 2011. Other directorships and offices (current and recent) Director of the Australian Youth Orchestra and Arts Law Centre of Australia; Sir Charles Gairdner Hospital Art Board; Adjunct Senior Lecturer, Law School, University of Western Australia; previously Chair of the Jigsaw Theatre Company, Deputy Chair of the Canberra Symphony Orchestra; Manager, Professional Development, Law Society of Western Australia; Vice-President of the Griffin Centre; former member Fulbright National Selection Committee, Advisory Board of the Australian Music Foundation, Social Ventures Australia Social Enterprise Hub steering group, Calvary Health Care Human Research Ethics Committee, Australian National University Board of Graduate Studies; previously Assistant General Counsel for a private equity firm and solicitor with Freehills and Minter Ellison.

National Gallery of Australia Foundation Annual Report 2018–19 83 NATIONAL GALLERY OF AUSTRALIA FOUNDATION DIRECTORS’ REPORT FOR THE YEAR ENDED 30 JUNE 2019

Mr Nick Mitzevich Qualifications Bachelor of Arts (Fine Art) and Graduate Diplomas in Education and Fine Art, University of Newcastle. Relevant roles, skills and experience Director of the National Gallery of Australia since 2018; previously director of the Art Gallery of South Australia, the University of Queensland Art Museum and the Newcastle Region Art Gallery; experience in collection development, building philanthropic support, public programming and change management and in curating contemporary international and Australian art exhibitions and displays; known for bold transformation of audiences through education programs and community engagement; member of the National Gallery of Australia Council since 2018; director of the National Gallery of Australia Foundation since 2018. Other directorships and offices (current and recent) Member of the Council of Australian Art Museum Directors; Trustee of the Lionel Lindsay Gallery and Library Trust.

Mr Allan Myers AC, QC (director to 08/07/2018) Qualifications: Bachelor of Arts and Bachelor of Laws (Hons), University of Melbourne; Bachelor of Civil Law, University of Oxford; Honorary Doctor of the University, Australian Catholic University; Honorary Doctor of Laws, University of Melbourne. Relevant roles, skills and experience Chancellor of the University of Melbourne since 2017; Chair of the National Gallery of Australia Council 2012-18; Chair of the Museums and Art Galleries Board of the Northern Territory since 2012; President of the Council of Trustees of the National Gallery of Victoria 2004-12; Chair of the Grattan Institute 2008-15; Governor of The Ian Potter Foundation since 2004; Chair of the Melbourne Humanities Foundation since 2013; director of the National Gallery of Australia Foundation 2012-18. Other directorships and offices (current and recent) Director of Branir Pty Ltd, Dunkeld Pastoral Co Pty Ltd, DPC Administration Pty Ltd, Grampians Sandstone Pty Ltd, MVI Cattle Exports Pty Ltd, Tovehead Pty Ltd, Tipperary Group Pty Ltd, Dental Technology Ltd, Grupa Zywiec SA, Incisive Technologies Ltd, Jiangxi Ltd, Maccine Pte Ltd, MB Primoris Ltd, Newman Scholarship Fund Ltd, Norinvest Holdings SA and Yunnan Ltd; member of Newman College Council, Oxford University Law Foundation Advisory Council, the Graduate Studies Advisory Board of the Law Faculty at The University of Melbourne, the Peter MacCallum Cancer Foundation and the Felton Bequests Committee.

Mr Geoffrey Pack Qualifications Bachelor of Arts, Master of Arts, Trinity College, Dublin, Ireland. Relevant roles, skills and experience President of the American Friends of the National Gallery of Australia Inc; director of American Australian Association and Co-Chair of its Business and Cultural Committees; board director of the Whippoorwill Foundation Inc; director of the National Gallery of Australia Foundation since 2014. Other directorships and offices (current and recent) Senior roles with ANZ bank, New York, including President of ANZ Securities Inc; Senior Vice President/Executive Director responsible for ANZ Bank’s relationships with the infrastructure, engineering and construction, aerospace and power sectors in the Americas; Senior Vice President for ANZ Bank’s corporate business in the Americas; previously with Lloyds Bank in Lisbon, Oporto, Sao Paulo, Curitiba and Rio de Janeiro.

Mrs Roslyn Packer AC Relevant roles, skills and experience Former member of the National Gallery of Australia Council 2002-11 and the Council of Governors of the National Gallery of Australia Foundation; director of the National Gallery of Australia Foundation since 2011. Other directorships and offices (current and recent) Member of the Board of Trustees of St Vincent’s Clinic Foundation and Patron of Friends of St Vincent’s Private Hospital; Member of the Board of Directors of Opera Australia Capital Fund; former member of the Board of Directors of Victor Chang Cardiac Research Institute, the Board of Directors of the Sydney Festival Limited, the Advisory Committee for Christie’s Australia Pty Ltd and the Board of St Vincent’s Private Hospital.

84 Financial statements NATIONAL GALLERY OF AUSTRALIA FOUNDATION DIRECTORS’ REPORT FOR THE YEAR ENDED 30 JUNE 2019

Mr John Schaeffer AO Qualifications CEO of Tempo Services Limited from 1971, after a decade of retailing in Europe, the United States of America and with Woolworths in Australia, becoming Executive Chair after its public listing in 1994 and retiring in 2006; business interests in the United Kingdom and Australia and an ongoing commitment to the arts. Relevant roles, skills and experience Director, adviser and consultant in the building services industry; collector of 19th- century Pre-Raphael and European Symbolist art; director of the National Gallery of Australia Foundation since 2000. Other directorships and offices (current and recent) Life Governor and Trustee of the Art Gallery of New South Wales Foundation Board; Chair and owner of British Movietone, the world’s oldest film and sound archive; former Board member of the National Portrait Gallery; former president of the World Federation of Building Service Contractors.

Mrs Penelope Seidler AM Qualifications Architect and accountant; Bachelor of Architecture, Sydney University; Bachelor of Business, University of Technology, Sydney. Relevant roles, skills and experience Director of the National Gallery of Australia Foundation since 2000. Other directorships and offices (current and recent) CEO of Harry Seidler & Associates; member of the National Gallery of Australia Council 1984-90; member of the New York Museum of Modern Art International Council since 1973; director of the Biennale of Sydney 2009-18, trustee of Sydney Living Museums 2018.

Mr Ezekiel Solomon AM Qualifications Bachelor of Laws (Hons), University of Sydney; Master of Laws, Harvard Law School (Fulbright Scholar). Relevant roles, skills and experience Senior Adviser and former long-standing partner of Allens; Resident Partner in charge of Allens’s New York office 1986-93; broad experience of corporate and international business transactions and development projects in Australia, with extensive involvement with the United States of America, Europe and Asia (particularly Indonesia, Japan, China and Korea); Adjunct Professor of Law at University of Sydney and University of Technology Sydney Law School; member of the National Gallery of Australia Council since 2015; director of the National Gallery of Australia Foundation since 2009. Other directorships and offices (current and recent) Patron of the Australian World Orchestra; Founding Governor, Institution for Regional Security, Canberra; Trustee, Institute of National Security Studies, Israel; former member of the Boards of Directors of the American Australian Association Limited and of the United States Studies Centre at Sydney University for approximately ten years until 2016; member of the President’s Circle of Asia Society Australia; former member of the Board of the Australian Government’s Australia-Indonesia Institute; board member of the Griffin Theatre Company, Sydney; member of Advisory Council of the University of Sydney China Studies Centre; President of the Harvard Club of Australia.

Mr Kerry Stokes AC Qualifications Honorary Fellow of the Murdoch University; Honorary Doctorate of Commerce, Edith Cowan University; recognised by the Australian Institute of Company Directors for his contribution to economic progress and corporate governance and contributions to the community and not-for-profit organisations. Relevant roles, skills and experience Member of the National Gallery of Australia Council 1994-2000 and Chair 1996- 2000; director of the Western Australian Gallery Foundation and Chair of the Board 1989-91; director of the National Gallery of Australia Foundation since 1995. Other directorships and offices (current and recent) Executive Chair of Seven Network Limited; Chair of West Australian Newspapers (Holdings); member of the Council of the Australian War Memorial; international member for the Paley Centre for Media (formerly the Museum of Radio & Television New York); life member of Variety Australia; member of the International Council of the Louvre, Paris.

National Gallery of Australia Foundation Annual Report 2018–19 85 NATIONAL GALLERY OF AUSTRALIA FOUNDATION DIRECTORS’ REPORT FOR THE YEAR ENDED 30 JUNE 2019

Mr Ryan Stokes Qualifications Bachelor of Commerce, Curtin University; Fellow of the Australian Institute of Management. Relevant roles, skills and experience Chair of the Council of the National Library of Australia 2012-18; Chair of the National Gallery of Australia Council from 2018. Other directorships and offices (current and recent) Managing Director and CEO of Seven Group Holdings Limited; board director of Seven West Media Limited, WesTrac Pty Ltd and Beach Energy Limited; CEO of Australian Capital Equity Pty Limited; Chair of Coates Hire; committee member of the InnovationXchange (DFAT) initiative and the International Olympic Committee Olympic Education Commission.

Dr Gerard Vaughan AM (director to 01/07/2018) Qualifications Bachelor of Arts (Hons), University of Melbourne; Masters of Arts, University of Melbourne; Master of Arts and Doctor of Philosophy, University of Oxford; Honorary Doctorate, Australian Catholic University. Relevant roles, skills and experience Director of the National Gallery of Australia 2014-18; previously Director of the National Gallery of Victoria and British Museum Development Trust; a recognised international scholar and has had a distinguished career in the museums and galleries sector; Professorial Fellow of the Australian Institute of Art History at the University of Melbourne; previously Research Fellow of Wolfson College and Private Secretary to the Vice-Chancellor of Oxford University; previous roles at the Felton Bequest and Oxford University; awarded the Légion d’honneur in 2013; member of the National Gallery of Australia Council 2014-18; director of the National Gallery of Australia Foundation 2014-18. Other directorships and offices (current and recent) Fellow of the Society of Antiquaries of London and Australian Academy of the Humanities; Member of the Australian Institute of Art History Board, University of Melbourne, and Council of Australian Art Museum Directors; National Fellow of the Institute of Public Administration Australia.

Mr Ray Wilson OAM Relevant roles, skills and experience Member of the National Gallery of Australia Bequest Circle and Founding Donors 2010 program; has contributed hundreds of works of art to Australian federal, state and regional galleries as well as hospitals and universities and has been successful in encouraging others to become benefactors and supporters of the visual arts; director of the National Gallery of Australia Foundation since 2011. Other directorships and offices (current and recent) Member of the Musica Viva Council since 2018, Member of the Art Gallery New South Wales Foundation since 1993 and Trustee 2005-13; Chair of the ‘Friends of Conservation’ at the Art Gallery New South Wales 1998-2013; Joint Patron of the Maitland Regional Art Gallery since 2004.

COMPANY SECRETARY

Dr Peter Lundy RFD Qualifications Doctor of Philosophy in Law, University of Canberra; Diploma of Law, Sydney University; Diploma of International Law, Australian National University; Associate Member of the Institute of Arbitrators and Mediators Australia; Graduate of the Legislative Drafting Institute. Relevant roles, skills and experience Director of the National Gallery of Australia Foundation 1991-95. Other directorships and offices (current and recent) Managing Director of Allison Consulting Pty Ltd; director of a number of other companies; President of the Albert Hall Inc; Vice President of the National Trust (ACT); formerly Senior Government Solicitor, Attorney-General’s Department; Research Commercialisation Australia Pty Ltd; Jiangsu Fasten Photonics Co Ltd; Australian Photonics Pty Limited; Redfern Photonics Pty Limited.

86 Financial statements NATIONAL GALLERY OF AUSTRALIA FOUNDATION DIRECTORS’ REPORT FOR THE YEAR ENDED 30 JUNE 2019

PRINCIPAL ACTIVITIES The principal activities of the Foundation are to assist the National Gallery of Australia to: §§ maintain, improve and develop the national collection of works of art owned by the National Gallery of Australia §§ promote, maintain, improve and develop the National Gallery of Australia §§ support the development and conduct by the National Gallery of Australia of travelling exhibitions of works of art. The Foundation’s short-term and long-term objective is to continue to raise funds and seek gifts of works of art to support the above activities, strategically, via fundraising campaigns, actively engaging present and future donors and connecting with the wider community in seeking support for the visual arts. There was no change in the nature of the Foundation’s activities during the year.

OPERATING RESULTS The Foundation recorded a surplus of $7,934,239 in 2018-19 (2017-18: $5,665,424) before it made donations to the National Gallery of Australia. The donations were used by the National Gallery of Australia to develop the national collection of works of art and to support the National Gallery of Australia and its programs. The activities of the Foundation for the 2018-19 year resulted in an operating surplus of $3,206,867 (2017-18: $2,598,325) after donations of $4,727,372 (2017-18: $3,067,099) were made to the National Gallery of Australia.

DIVIDENDS The Foundation is precluded by its Memorandum of Association from paying a dividend to its members.

SIGNIFICANT CHANGES IN THE STATE OF AFFAIRS There was no significant change in the state of affairs of the Foundation during the year.

MATTERS SUBSEQUENT TO THE END OF THE FINANCIAL YEAR At the date of this report, no matter or circumstance has arisen since 30 June 2019 that has significantly affected or may significantly affect either: §§ the operations of the Foundation §§ the results of those operations §§ the state of affairs of the Foundation.

LIKELY DEVELOPMENTS There are no developments that are likely to significantly affect the operations of the Foundation in financial years subsequent to 30 June 2019.

BENEFITS No indemnities have been given or insurance premiums paid during or since the end of the financial year for any person who is or has been an officer or auditor of the Foundation.

COMPANY LIMITED BY GUARANTEE The Foundation is a company incorporated under the Corporations Act 2001 as a company limited by guarantee and not having a share capital. As at 30 June 2019 there were 1,867 members of the Foundation. Each member undertakes to contribute to the property of the Foundation in the event of it being wound up while he or she is a member or within one year after he or she ceases to be a member up to the value of $100. This payment will contribute to meeting the debts and liabilities of the Foundation as well as winding up expenses. At 30 June 2019, the total amount that members of the company are liable to contribute if the company was wound up is nil (30 June 2018: nil).

National Gallery of Australia Foundation Annual Report 2018–19 87 NATIONAL GALLERY OF AUSTRALIA FOUNDATION DIRECTORS’ REPORT FOR THE YEAR ENDED 30 JUNE 2019

PROCEEDINGS No person has applied for leave of court to bring proceedings on behalf of the Foundation or intervene in any proceedings to which the Foundation is a party for the purpose of taking responsibility on behalf of the Foundation for all or any part of those proceedings. The Foundation was not a party to any such proceedings during the year.

AUDITOR’S INDEPENDENCE DECLARATION A copy of the auditor’s independence declaration as required under section 307C of the Corporations Act 2001 and section 60-40 of the Australian Charities and Not-for-profits Commission Act 2012 has been provided. Signed this 26th day of August 2019 in accordance with a resolution of the Board of Directors.

Mr J Hindmarsh AM National Gallery of Australia Foundation Board Director

88 Financial statements National Gallery of Australia Foundation Annual Report 2018–19 89 NATIONAL GALLERY OF AUSTRALIA FOUNDATION FINANCIAL STATEMENTS STATEMENT OF COMPREHENSIVE INCOME For the year ended 30 June 2019

Note 2019 2018 $ $ INCOME Revenue Donations 3(a) 7,797,995 5,600,190 Resources received free of charge 3(b) 1,052,939 952,971 Interest 111,864 70,318 Grants 3(c) 30,000 - Total revenue 8,992,798 6,623,479

EXPENSES Amounts paid to the National Gallery of Australia 4,727,372 3,067,099 Employee expenses 432,028 463,831 Office and other expenses 276,481 154,479 Event expenses 206,823 104,211 Advertising and printing 63,803 61,971 Travel 27,556 28,830 Contractors 24,966 129,179 Freight and postage 19,902 7,054 Audit fees 5 7,000 8,500 Total expenses 5,785,931 4,025,154

Surplus on continuing operations 3,206,867 2,598,325

Total comprehensive income attributable to parent entity 3,206,867 2,598,325

The above statement should be read in conjunction with the accompanying notes.

90 Financial statements NATIONAL GALLERY OF AUSTRALIA FOUNDATION FINANCIAL STATEMENTS STATEMENT OF FINANCIAL POSITION As at 30 June 2019

2019 2018 $ $ ASSETS Current assets Cash 10,280,630 7,030,815 Receivables 21 46,052 Total current assets 10,280,651 7,076,867

Total assets 10,280,651 7,076,867

LIABILITIES Current liabilities Supplier payables - 3,083 Total current liabilities - 3,083

Total liabilities - 3,083

Net assets 10,280,651 7,073,784

EQUITY Retained earnings 10,280,651 7,073,784 Total equity 10,280,651 7,073,784

The above statement should be read in conjunction with the accompanying notes.

National Gallery of Australia Foundation Annual Report 2018–19 91 NATIONAL GALLERY OF AUSTRALIA FOUNDATION FINANCIAL STATEMENTS STATEMENT OF CHANGES IN EQUITY For the year ended 30 June 2019

Retained earnings $

Balance as at 30 June 2017 4,475,459

Total comprehensive income attributable to parent entity 2,598,325

Balance as at 30 June 2018 7,073,784

Total comprehensive income attributable to parent entity 3,206,867

Closing balance as at 30 June 2019 10,280,651

The above statement should be read in conjunction with the accompanying notes.

92 Financial statements NATIONAL GALLERY OF AUSTRALIA FOUNDATION FINANCIAL STATEMENTS CASHFLOW STATEMENT For the year ended 30 June 2019

2019 2018 $ $ OPERATING ACTIVITIES Cash received Donations received 7,851,404 5,600,190 Interest received 111,864 24,496 Grants received 33,000 - Total cash received 7,996,268 5,624,686

Cash used Amounts paid to the National Gallery of Australia 4,727,372 3,067,099 Payments to suppliers 6,156 2,340 Net GST paid 12,925 63 Total cash used 4,746,453 3,069,502 Net cash from operating activities 3,249,815 2,555,184

Net increase in cash held 3,249,815 2,555,184 Cash at the beginning of the reporting period 7,030,815 4,475,631 Cash at the end of the reporting period 10,280,630 7,030,815

The above statement should be read in conjunction with the accompanying notes.

National Gallery of Australia Foundation Annual Report 2018–19 93 NATIONAL GALLERY OF AUSTRALIA FOUNDATION FINANCIAL STATEMENTS NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS For the year ended 30 June 2019

1 STATEMENT OF SIGNIFICANT ACCOUNTING POLICIES The Foundation is a company limited by guarantee, incorporated and domiciled in Australia. It is a not-for-profit entity, and the significant policies applied in the preparation of the financial statements are:

(a) Basis of preparation The financial statements are general purpose financial statements that have been prepared in accordance with the requirements of the Corporations Act 2001, the Australian Charities and Not-for-profits Commission Act 2012, the Australian Accounting Standards and Interpretations - Reduced Disclosure Requirements issued by the Australian Accounting Standards Board and other authoritative pronouncements of the Australian Accounting Standards Board that apply for the reporting period. The financial statements have been prepared on an accrual basis and are based on historical costs, presented in Australian dollars. No significant judgements or estimates have been adopted in preparation of the financial statements that have a material impact on the performance or position of the Foundation. Certain comparative figures have been reclassified to conform to changes in presentation in the current period.

(b) Revenue recognition Donations and bequests are recognised as revenue when received. Interest revenue is recognised using the effective interest rate method. Resources received free of charge are recorded as income and a corresponding expense at the date at which services are received. All revenue is stated net of the amount of goods and services tax (GST).

(c) Financial instruments

Financial assets Following the implementation of AASB 9 Financial Instruments (AASB 9) for the 2018-19 financial year, the Foundation classifies its financial assets as financial assets measured at amortised cost. Cash and receivables held for the purpose of collecting contractual cash flows where the cash flows are solely payments of principal and interest, that are not provided at below-market interest rates, are subsequently measured at amortised cost using the effective interest method. No adjustments were required as a result of the initial application of AASB 9 effective from 1 July 2018.

Credit risk The Foundation is exposed to minimal credit risk, as the financial assets is cash held with financial institutions. The maximum exposure to credit risk is the risk that arises from potential default of a trade debtor.

Market risk The Foundation is exposed to minimal market risk, as the majority of financial assets are cash held with financial institutions.

Financial liabilities Supplier payables are initially measured at fair value, net of transaction costs, and subsequently at amortised cost using the effective interest method. These liabilities are recognised to the extent that the goods and services have been received irrespective of whether they have been invoiced.

(d) Goods and services tax Revenues and expenses are recognised net of the amount of GST, except where the amount of GST incurred is not recoverable from the Australian Taxation Office (ATO). In these circumstances, the GST is recognised as part of the cost of acquisition of the asset or as part of an item of expense. Receivables and payables in the Statement of Financial Position are shown inclusive of GST. The net amount of GST recoverable from, or payable to, the ATO is included with other receivables or payables in the Statement of Financial Position. Cash flows are presented in the Cashflow Statement on a gross basis.

(e) New Australian Accounting Standards No accounting standard has been adopted earlier than the mandatory application date as stated in the standard. No new, revised or amended standards and interpretations issued prior to the sign-off date and applicable to the current reporting period have had a material financial impact on the Foundation’s financial statements in 2018-19 or future years.

2XATION TA The Foundation is exempt from all forms of taxation except Fringe Benefits Tax and GST.

94 Financial statements NATIONAL GALLERY OF AUSTRALIA FOUNDATION NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2019

3 FINANCIAL PERFORMANCE (a) The Foundation received donation revenue of $7,797,995 in 2018-19 (2017-18: $5,600,190) to support the acquisition of significant works of art for the national collection, to develop and stage important exhibitions and to support learning and access programs and publishing activities. (b) The Foundation continues to receive services from the National Gallery of Australia free of charge, for which a monetary value has been determined at $1,052,939 in 2018-19 (2017-18: $952,971). These services were generally administrative in nature. All employee provisions are recognised in the National Gallery of Australia’s financial statements. (c) The Foundation received one grant of $30,000 from a not-for-profit organisation during 2018-19 (2017-18: nil). (d) The Foundation transferred donations to the National Gallery of Australia totalling $4,727,372 in 2018-19 (2017-18: $3,067,099) to develop the national collection of works of art and to support the National Gallery of Australia and its programs.

4 REMUNERATION OF DIRECTORS The directors of the Foundation did not receive any remuneration from any source in connection with the management of the Foundation, nor did they receive any remuneration from the Foundation in connection with the management of any other entity.

5 REMUNERATION OF AUDITORS Financial statement audit services were provided by the Australian National Audit Office. The cost of these services is paid for by the National Gallery of Australia on behalf of the Foundation. The fair value of these services is recognised in the Foundation’s Statement of Comprehensive Income as an expense and a corresponding resource received free of charge.

6 RELATED PARTIES The Foundation’s constitution provides that its board shall consist of no more than thirty-one persons of whom the Director of the National Gallery of Australia and the Chair of the National Gallery of Australia Council are ex officio directors. The remaining directors of the Foundation, including the Chair, are appointed by the National Gallery of Australia Council. Given the Foundation’s activities, members may transact in the same capacity as ordinary citizens. Such transactions may include donations of cash and works of art, which are conducted under normal terms and conditions. Transactions with the National Gallery of Australia during the period are disclosed in Note 3 of the financial statements.

7 COMMITMENTS AND CONTINGENCIES The Foundation did not have any commitments or contingencies at 30 June 2019 (2018: nil).

8 SUBSEQUENT EVENTS There are no events that occurred after 30 June 2019 that have a material impact on the 2018-19 financial statements.

National Gallery of Australia Foundation Annual Report 2018–19 95 NATIONAL GALLERY OF AUSTRALIA FOUNDATION DIRECTORS’ DECLARATION For the year ended 30 June 2019

In accordance with a resolution of the directors of the National Gallery of Australia Foundation (the Foundation), I state that in the opinion of the directors: (1) the financial statements and notes of the Foundation are in accordance with the Australian Charities and Not‑for‑profits Commission Act 2012 and Corporations Act 2001, including: (a) giving a true and fair view of the Foundation’s financial position as at 30 June 2019 and of its performance for the year ended on that date (b) complying with Australian Accounting Standards - Reduced Disclosure Requirements and the Australian Charities and Not-for-profits Commission Regulation 2013 (2) there are reasonable grounds to believe that the Foundation will be able to pay its debts as and when they become due and payable. Signed this 26th day of August 2019 in accordance with a resolution of the Board of Directors.

Mr J Hindmarsh AM National Gallery of Australia Foundation Board Director

96 Financial statements INDEPENDENT AUDITOR’S REPORT To the members of the National Gallery of Australia Foundation Limited Opinion In my opinion, the financial report of the National Gallery of Australia Foundation Limited (‘the Company’) for the year ended 30 June 2019 is in accordance with the Corporations Act 2001 and Division 60 of the Australian Charities and Not-for-profits Commission Act 2012, including: (a) giving a true and fair view of the Company’s financial position as at 30 June 2019 and of its performance for the year then ended; and (b) complying with Australian Accounting Standards – Reduced Disclosure Requirements, the Corporations Regulations 2001 and Division 60 of the Australian Charities and Not-for-profits Commission Regulation 2013. The financial report of the Company, which I have audited, comprises the following statements as at 30 June 2019 and for the year then ended: • Statement of Comprehensive Income; • Statement of Financial Position; • Statement of Changes in Equity; • Cashflow Statement; • Notes to and forming part of the financial statements, including a summary of significant accounting policies and other explanatory information; • Directors’ Declaration. Basis for opinion I conducted my audit in accordance with the Australian National Audit Office Auditing Standards, which incorporate the Australian Auditing Standards. My responsibilities under those standards are further described in the Auditor’s Responsibilities for the Audit of the Financial Report section of my report. I am independent of the Company in accordance with the auditor independence requirements of the Corporations Act 2001 and the relevant ethical requirements for financial report audits conducted by the Auditor-General and his delegates. These include the relevant independence requirements of the Accounting Professional and Ethical Standards Board’s APES 110 Code of Ethics for Professional Accountants (the Code) to the extent that they are not in conflict with the Auditor-General Act 1997. I have also fulfilled my other responsibilities in accordance with the Code. I confirm that the independence declaration required by the Corporations Act 2001, which has been given to the directors of the Company, would be in the same terms if given to the directors as at the time of this auditor’s report. I believe that the audit evidence I have obtained is sufficient and appropriate to provide a basis for my opinion. Other information The directors are responsible for the other information. The other information obtained at the date of this auditor’s report is the director’s report for the year ended 30 June 2019 but does not include the financial statements and my auditor’s report thereon. My opinion on the financial report does not cover the other information and accordingly I do not express any form of assurance conclusion thereon.

GPO Box 707 CANBERRA ACT 2601 19 National Circuit BARTON ACT Phone (02) 6203 7300 Fax (02) 6203 7777

National Gallery of Australia Foundation Annual Report 2018–19 97 In connection with my audit of the financial report, my responsibility is to read the other information and, in doing so, consider whether the other information is materially inconsistent with the financial report or my knowledge obtained in the audit, or otherwise appears to be materially misstated. If, based on the work I have performed, I conclude that there is a material misstatement of this other information, I am required to report that fact. I have nothing to report in this regard. Directors’ responsibility for the financial report The directors of the Company are responsible for the preparation of the financial report that gives a true and fair view in accordance with Australian Accounting Standards – Reduced Disclosure Requirements, the Corporations Act 2001 and the Australian Charities and Not-for-profits Commission Act 2012 and for such internal control the directors determine is necessary to enable the preparation of the financial report that gives a true and fair view and is free from material misstatement, whether due to fraud or error. In preparing the financial report, the directors are responsible for assessing the ability of the Company to continue as a going concern, disclosing, as applicable, matters related to going concern and using the going concern basis of accounting unless the directors either intend to liquidate the Company or to cease operations, or have no realistic alternative but to do so. Auditor’s responsibilities for the audit of the financial report My objective is to obtain reasonable assurance about whether the financial report as a whole is free from material misstatement, whether due to fraud or error, and to issue an auditor’s report that includes my opinion. Reasonable assurance is a high level of assurance, but is not a guarantee that an audit conducted in accordance with the Australian National Audit Office Auditing Standards will always detect a material misstatement when it exists. Misstatements can arise from fraud or error and are considered material if, individually or in the aggregate, they could reasonably be expected to influence the economic decisions of users taken on the basis of the financial report. As part of an audit in accordance with the Australian National Audit Office Auditing Standards, I exercise professional judgement and maintain professional scepticism throughout the audit. I also: • Identify and assess the risks of material misstatement of the financial report, whether due to fraud or error, design and perform audit procedures responsive to those risks, and obtain audit evidence that is sufficient and appropriate to provide a basis for my opinion. The risk of not detecting a material misstatement resulting from fraud is higher than for one resulting from error, as fraud may involve collusion, forgery, intentional omissions, misrepresentations, or the override of internal control. • Obtain an understanding of internal control relevant to the audit in order to design audit procedures that are appropriate in the circumstances, but not for the purpose of expressing an opinion on the effectiveness of the Company’s internal control. • Evaluate the appropriateness of accounting policies used and the reasonableness of accounting estimates and related disclosures made by the directors. • Conclude on the appropriateness of the directors’ use of the going concern basis of accounting and, based on the audit evidence obtained, whether a material uncertainty exists related to events or conditions that may cast significant doubt on the Company’s ability to continue as a going concern. If I conclude that a material uncertainty exists, I am required to draw attention in my auditor’s report to the related disclosures in the financial report or, if such disclosures are inadequate, to modify my opinion. My conclusions are based on the audit evidence obtained up to the date of my auditor’s report. However, future events or conditions may cause the Company to cease to continue as a going concern. • Evaluate the overall presentation, structure and content of the financial report, including the disclosures, and whether the financial report represents the underlying transactions and events in a manner that achieves fair presentation.

98 Financial statements National Gallery of Australia Foundation Annual Report 2018–19 99 © National Gallery of Australia 2019 Cover: Danie Mellor (Mamu & Ngadjon peoples) All rights reserved. No part of this publication can Landstory 2018 (detail), Diasec-mounted chromogenic be reproduced or transmitted in any form or by any print on metallic photographic paper on acrylic sheet means, electronic or mechanical, including photocopy, on aluminium. National Gallery of Australia, Canberra, recording or any information storage and retrieval Members Acquisition Fund 2018–19 system, without permission in writing from the Pages 2–3: William Delafield Cook Dam 7 2007–08 publisher. (detail), synthetic polymer paint. National Gallery of ISSN 1833 9859 (online) Australia, Canberra, gift of Sally Delafield Cook 2019. Australian Government’s Cultural Gifts Program Prepared by the National Gallery of Australia Foundation Pages 4–5: Melanie Douglas Liminal 2018, kiln-formed, T +61 (0)2 6240 6408 coldworked and engraved glass. National Gallery of Australia, Canberra, Robert and Eugenie Bell Published by the National Gallery of Australia Decorative Arts and Design Fund 2019 Parkes Place, Canberra ACT 2600 GPO Box 1150, Canberra ACT 2601 Page 7: Paul House and Shane Nelson preform nga.gov.au/aboutus/reports a Welcome to Country in front of Danie Mellor’s Landstory 2017 at the Foundation Gala, National Edited by Eric Meredith Gallery of Australia, Canberra, 15 March 2019. Designed by Carla Da Silva Pastrello Printed by Ellikon Fine Printers Page 14: Jonathan Kobus at the launch of Bodies of Art: Human Form from the National Collection, showing Paul Montford’s Atalanta defeated (Atalanta and the golden apples) c 1900 and the twelfth-century Indian Celestial maiden (Surasundari), National Gallery of Australia, Canberra, 28 November 2018. Page 17: Guest views the Cologne School’s Virgin and Child with Saints c 1510–20 at the launch of Bodies of Art, National Gallery of Australia, Canberra, 28 November 2018. Page 48: Aneka Manners and Elyse Henderson view James Collinson’s The empty purse (replica of For sale) c 1857 in Love and Desire: Pre-Raphaelite Masterpieces from the Tate at the Foundation Gala, National Gallery of Australia, Canberra, 16 March 2019. Page 79: Jane Smyth views Inge King’s Wandering angel 2000 in Bodies of Art at the Foundation Gala, National Gallery of Australia, Canberra, 16 March 2019.

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